i, bertolt brecht, came out of the black forests. my mother moved me into the cities as i lay inside her body. and the coldness of the forests will be inside me till my dying day. in the asphalt city i'm at home. from the very start provided with every last sacrament: with newspapers. and tobacco. and brandy to the end mistrustful, lazy and content i'm polite and friendly to people. i put on a hard hat because that's what they do. i say: they are animals with a quite peculiar smell and i say: does it matter? i am too. before noon on my empty rocking chairs i'll sit a woman or two, and with an untroubled eye look at them steadily and say to them: here you have someone on whom you can't rely. towards evening it's men that i gather round me and then we address one another as `gentlemen'. they're resting their feet on my table tops and say: things will get better for us. and i don't ask when. in the grey light before morning the pine trees piss and their vermin, the birds, raise their twitter and cheep. at that hour in the city i drain my glass, then throw the cigar butt away and worriedly go to sleep we have sat, an easy generation in houses held to be indestructible (thus we built those tall boxes on the island of manhattan and those thin aerials that amuse the atlantic swell). of those cities will remain what passed through them, the wind the house makes glad the eater: he clears it out. we know that we're only tenants, provisional ones and after us there will come:nothing worth talking about. in the earthquakes to come, i very much hope i shall keep my cigar alight, embittered or no i, bertolt brecht, carried off to the asphalt cities from the black forests inside my mother long agobb
deep in the darkest valleys the hungry are perishing. you merely show them bread and leave them to perish. you merely lord it eternal, invisible beaming and brutal over the infinite plan. you let the young men die and those who enjoy their life but those who wanted to die you would not accept... many of those who now lie rotting away had faith in you, and died completely secure. you let the poor stay poor for year after year feeling that their desires were sweeter than your paradise too bad they died before you had brought them the light but they died in bliss all the same - and rotted at once. many of us say you are not - and a good thing too. but how could that thing not be which can play such a trick? if so much lives by you and could not die without you - tell me how far does it matter that you don't exit?bb
one time there was a man whose drinking bouts began when he was eighteen...so that was what laid him low. he died in his eightieth year: what of, is crystal clear. one time there was a child which died when one year old quite prematurely...so that was what laid it low. it never drank, that's clear and died aged just one year. which helps you to assess alcohol's harmlessness.bb
it was a day in that blue month september silent beneath a plum tree's slender shade i held her there, my love so pale and silent as if she were a dream that must not fade. above us in the shining summer heaven there was a cloud my eyes dwelt long upon it was quite white and very high above us then i looked up, and found that i had gone. and since that day so many moons, in silence have swum across the sky and gone below. the plum trees surely have been chopped for firewood and if you ask, how does that love seem now? i must admit: i really can't remember and yet i know what you are trying to say. but what her face was like i know no longer i only know: i kissed it on that day. as for the kiss, i'd long ago forgot it but for the cloud that floated in the sky i know that sitll, and shall for ever know it it was quite white and moved in very high. it may be that the plum trees sitll are blooming and yet that cloud had only bloomed for minutes when i looked up, it vanished on the air.bb
1 marie farrar: month of birth, april an orphaned minor; rickets; birthmarks, none; previously of good character, admits that she did kill her child as follows here in summary. she visited a woman in a basement during her second month, so she reported and there was given two injections which, though they hurt, did not abort it. but you i beg, make not your anger manifest for all that lives needs help from all the rest. 2 but nonetheless, she says, she paid the bill as was arranged, then bought herself a corset and drank neat spirit, peppered it as well but that just made her vomit and disgorge it. her belly now was noticeably swollen and ached when she washed up the plates. she says that she had not finished growing. she prayed to mary, and her hopes were great. you too i beg, make not your anger manifest for all that lives needs help from all the rest. 3 her prayers, however, seemed to be no good. she'd asked too much. her belly swelled. at mass she started to feel dizzy and she would kneel in a cold sweat before the cross. still she contrived to kee her true state hidden until the hour of the birth itself was on her being so plain that no one could imagine that any man would ever want to tempt her. but you i beg, make not your anger manifest for all that lives needs help from all the rest. 4 she says that on the morning of that day while she was scrubbing stairs, something came clawing into her guts. it shook her once and went away. she managed to conceal her pain and keep from crying. as she, throughout the day, hung up the washing she racked her brain, then realised in fright she was going to give birth. at once a crushing weight grabbed at her heart. she didn't go upstairs till night. and yet i beg, make not your anger manifest for all that lives needs help from all the rest. 5 but just as she lay down they fetched her back again: fresh snow had fallen, and it must be swept. that was a long day. she worked till after ten. she could not give birth in peace till the household slept. and then she bore, so she reports, a son. the son was like the son of any mother. but she was not like other mothers are - but then there are no valid grounds why i should mock her. you too i beg, make not your anger manifest for all that lives needs help from all the rest. 6 so let her finish now and end her tale about what happened to the son she bore (she says there's nothing she will not reveal) so men may see what i am and you are. she'd just climbed into bed, she says, when nausea seized her. never knowing what should happen till it did, she struggled with herself to hush her cries, and forced them down. the room was still. and you i beg, make not your anger manifest for all that lives needs help from all the rest. 7 the bedroom was ice cold, so she called on her last remaining strength and dragged her- self out to the privy and there, near dawn unceremoniously, she was delivered (exactly when, she doesn't know). then she now totally confused, she says, half frozen and found that she could scarcely hold the child for the servants' privy lets in the heavy snows. and you i beg, make not your anger manifest for all that lives needs help from all the rest. 8 between the servants' privy and her bed (she says that nothing happended until then), the child began to cry, which vexed her so, she says she beat it with her fists, hammering blind and wild without a pause until the child was quiet, she says. she took the baby's body into bed and held it for the rest of the night, she says then in the morning hid it in the laundry shed. but you i beg, make not your anger manifest for all that lives needs help from all the rest. 9 marie farrah: month of birth, april died in the meissen penitentiary an unwed mother, judged by the law, she will show you how all that lives, lives frailly. you who bear your sons in laundered linen sheets and call your pregnancies a `blessed'state should never damn the outcast and the weak: her sin was heavy, but her suffering great. therefore, i beg, make not your anger manifest for all that lives needs help form all the rest.bb
1 we came from the mountains and from the seven seas to kill him. we caught him with snares, which reached from moscow to the city of marseilles. we placed cannon to reach him at every point to which he might run if he saw us. 2 we gathered together for four years abandoned our work and stood in the collapsing cities, calling to each other in many languages, from the mountains to the seven seas telling where he was. then in the fourth year we killed him. 3 there were present: those whom he had been born to see standing around him in the hour of his death: all of us. and a woman was present, who had given him birth and who had said nothing when we took him away. let her womb be ripped out! amen! 4 but when we had killed him we handled him in such a way that he lost his face under the marks of our fists. this was how we made him unrecognisable so that he should be the son of no man. 5 and we dug him out from under the metal carried him home to our city and buried him beneath stone, an arch, which is called triumphal arch which weighed one thousand hundredweight, so that the unknown soldier should in no circumstances stand up on judgement day and unrecognisable walk before god though once more in the light and, pointing his finger, expose us who can be recognised to justice.bb
this is the story of the world middleweight champions their fights and careers from the year 1891 to the present day. i started the series in the year 1891 - the age of crude slogging wehn contests still lsted 56 or 70 rounds and were only ended by the knockout - with bob fitzsimmons, the father of boxing technique holder of the world middleweight title and of the heavyweight title (by his defeat of jim corbett on 17 march 1897). 34 years of his life in the ring, beaten only six times so greatly feared that he spent the whole of 1889 without an opponent. it was not till the year 1914 when he was 51 that he accomplished his two last fights: an ageless man. in 1905 bob fitzsimmons lost his title to jack o'brien, known as philadelphia jack. jack o'brien started his boxing career at the age of 18. he contested over 200 fights. never did philadelphia jack inquiere about the purse. his principle was one learns by fighting and so long as he learned he won. jack o'brien's successor was stanley ketchel famous for fhour veritable battles against billy papke and, as the crudest fighter of all time shot from behind at the age of 23 on a smiling autumn day sitting outside his farmhouse undefeated. i continued my series with billy papke the first genius of in-fighting. that was the first time people used the term `human fighting-machine'. in paris in 1913 he was beaten by a greater master of the art of in-fighting: frank klaus. frank klaus, his successor, encountered the famous middleweights of the day jim gardener, billy berger willy lewis and jack dillon and georges carpentier by comparison seemed weak as a baby. he was beaten by george chip the unknown form oklahoma who performed no other deed of significance and was beaten by al mccoy, the worst middleweight champion of them all who was good at nothing but taking punishment and was stripped of his title by mike o'dowd the man with the iron chin beaten by johnny wilson who beat 48 men k.o. and was himself k.o.'d by harry grebb, the human windmill the most dependable boxer of them all who never refused a contest and fought each bout to a finish and when he lost said: i lost. who so infuriated the man-killing dempsey tiger jack, the manassa mauler that he flung away the gloves when training the `phantom who couldn't keep still' beaten on points in 1926 by tiger flowers, the negro clergyman who was never k.o.'d the next world middleweight champion successor to the boxing clergyman, was micky walker, who on 30 june 1927 in london in 30 minutes beat europe's pluckiest boxer the scot tommy milligan to smithereens. bob fitzsimmons jack o'brien stanley ketchel billy papke frank klaus george chip al mccoy mike o'dowd johnny wilson harry greb tiger flowers micky walker - these are the names of 12 men who were the best of their day in their line confirmed by hard fighting conducted according to the rules under the eyes of the world.bb
at potsdam unter den eichen one noon a procession was seen with a drum in front and a flag behind and a coffin in between. at potsdam `under the oak trees' in the ancient dusty street - six men were carrying a coffin with helmet and oak leaves complete. and on its sides in red lead paint an inscription had been written whose ugly letters spelled the phrase: `fit for heroes to live in'. this had been done in memory of any and every one born in the home country fallen before verdun. once heart and soul cuaght by the tricks of the fatherland, now given a coffin by the fatherland: fit for heroes to live in. and so they marched through potsdam for the man who at verdun fell. whereat the green police arrived and beat them all to hell.bb
1 often and copiously honor has been done to comrade lenin. there are busts and statues. cities are called after him, and children. speeches are amde in many languages there are meetings and demonstrations from shanghai to chicago in lenin's honor. but this is how he was honored by the carpet weavers of kuyan-bulak a little township in southern turkestan. every evening there twenty carpet weavers shaking with fever rise from their primitive looms fever is rife: the railway station is full of the hum of mosquitoes, a thick cloud that rises from the swamp behind the old camels' graveyard. but the railway train which every two weeks brings water and smoke, brings the news also one day that the day approaches honoring comrade lenin. and the people of kuyan-bulak carpet weavers, poor people decide that in their township too comrade lenin's plaster bust shall be put up. then, as the colleciton is made for the bust they all stand shaking with fever and offer their hard-earned kopeks with trembling hands. and the red ary man stepa gamalev, who carefully counts and nimutely watches sees how ready they are to honor lenin, and he is glad but he also sees their unsteady hands and he suddenly proposes that the money for the bust be used to buy petroleum to be poured on the swamp behind the camels' graveyard where the mosquitoes breed that carry the fever germ. and so to fight the fever at kuyan-bulak, thus honoring the dead but never to be forgotten comrade lenin. they resolved to do this. on the day of the ceremony thy carried their dented buckets filled with black petroleum one after the other and poured it over the swamp so they helped themselves by honoring lenin, an had understood him well. 2 we have heard how the people of kuyan-bulak honored lenin. when in the evening the petroleum had been bought and poured on the swamp a man rose at that meeting, demanding that a plaque be affixed on the railway station recording these events and containing precise details too of their altered plan, the exchange of the bust for lenin for a barrel of fever-destroying oil. and all this in honor of lenin. and they did this as wll and put up the plaque.bb
here in this zinc box lies a dead person or his legs and his head or even less of him or nothing, for he was a trouble-maker. he was recognised as the root of all evil. dig him in. it will be best if his wife goes alone to the knacker's yard with him because anyone else going would be a marked man. what is in that zinc box has been egging you on to all sorts of things: getting enough to eat and having somewhere dry to live and feeding one's children and insisting on one's exact wages and solidarity with all who are oppressed like yourselves. and thinking. what is in that zinc box said that another system of production was needed and that you, the masses of labor in your millions must take over. until then things won't get better for you. and because what is in the zinc box said that it was put into the zinc box and must be dug in as a trouble-maker who egged you on. and whoever now talks of getting enough to eat and whoever of you wants somewhere dry to live and whoever of you insists on his exact wages and whoever of you wnats to feed his children and whoever thinks, and proclaims his solidarity with all who are oppressed - from now on throughout eternity he will be put into a zinc box like this one as a trouble-maker and dug in.bb
1 because a man is human he'll want to eat, and thanks a lot but talk can't take the place of meat or fill en empty pot. so left, two, three! so left, two, three! comrade, there's a place for you. take your stand in the workers' united front for you are a worker too. 2 and because a man is human he won't care for a kick in the face. he doesn't want slaves under him or above him a ruling class. so left, two, three! so left, two, three! comrade, there's a place for you. take your stand in the workers' united front for you are a worker too. 3 and because a worker's a worker no one else will bring him liberty. it's nobody's work but the workers' own to set the worker free. so left, two, three! so left, two, three! comrade, there's a place for you. take your stand in the workers' united front for you are a worker too.bb
who built thebes of the seven gates? in the books you will find the names of kings. did the kinds haul up the lumps of rock? and babylon, many times demolished who raised it up so many times? in what houses of gold-glittering lima did the builders live? where, the evening that the wall of china was finished did the masons go? great rome is full of triumphal arches. who erected them? over whom did the caesars triumph? had byzantium, much praised in song only palaces for its inhabitants? even in fabled atlantis the night the ocean engulfed it the drowning still bawled for their slaves. the young alexander conquered india. was he alone? caesar beat the gauls. did he not have even a cook with him? philips of spain wept when his armada went down. was he the only one to weep? frederick the second won the seven years' war. who else won it? every page a victory. who cooked the feast for the victors? every ten years a great man. who paid the bill? so many reports. so many questions.bb
teaching without pupils writing without fame are difficult. it is good to go out in the morning with your newly written pages to the waiting printer, across the buzzing market where they sell meat and workmane's tools: you sell sentences. the driver has driven fast he has not breakfasted every bend was a risk in haste he steps through the doorway: the man he came to fetch has already gone. there speaks the man to whom no one is listening: he speaks too loud he repeats himself he says things that are wrong: he goes uncorrected.bb
1 once i thought: in distant times when the buildings have collapsed in which i live and the ships have rotted in which i travelled my name will still be mentioned with others. 2 because i praised the useful, which in my day was considered base because i battled against all religions because i fought oppressions or for another reason. 3 because i was for people and entrusted everything to them, thereby honouring them because i wrote verses and enriched the language because i taught practical behavior or for some other reason. 4 therefore i thought my name would still be mentioned; on a stone my name would stand; from books it would get printed into the new books. 5 but today i accept that it will be forgotten. why should the baker be asked for if there is enough bread? why should the snow be praised that has melted if new snowfalls are impending? why should there be a past if there is a future? 6 why should my name be mentioned?bb
whenever we seemed to have found the answer to a question one of us united the string of the old rolled-up chinese scroll on the wall, so that it fell down and revealed to us the man on the bench who doubted so much. i, he said to us am the doubter. i am doubtful wheter the work was well done that devoured your days. whether what you said would still have value for anyone if it were less well said. whether you said it well but perhaps were not convinced of the truth of what you said. whether it is not ambiguous; each possible misunderstanding is your responsibility. or it can be unambiguous and take the contradictions out of things; is it too unambiguous? if so, what you say is useless. your thing has no life in it. are you truly in the stream of happening? do you acceptall that develops? are you developing? who are you? to
whom do you speak? who finds what you say useful? and, by the way: is it sobering? can it be read in the morning? is it also linked to what is already there? are the sentences that were spoken before you made use of, or at least refuted? is everything verifiable? by experience? by which one? but above all always above all else: how does one act if one believes what you say? above all: how does one act? reflectively, curiously, we studied the doubting blue man on the scroll, looked at each other and made a fresh start.bb
they won't say: when the walnut tree shook in the wind but: when the house-painter crushed the workers. they won't say: when the child skimmed a flat stone across the rapids but: when the great wars were being prepared for. they won't say; when the woman came into the room but: when the great powers joined forces against the workers. however, they won't say: the times were dark rather: why were their poets silent?"bb
1 once he was seventy and getting brittle quiet retirement seemed the teacher's due. in his country goodness had been weakening a little and the wickedness was gaining ground anew. so he buckled on his shoe. 2 and he packed up what he would be needing: not much. but enough to travel light. items like the book that he was always reading and the pipe he used to smoke at night. bread as much as he thought right. 3 gladly looked back aat his valley, then forgot it as he turned to take the mountain track. and the ox was glad of the fresh grass it spotted munching, with the old man on its back happy that the pace was slack. 4 four days out among the rocks, a barrier where a customs man made them report. `what valuables have you to declare there?' and the boy leading the ox explained: `the old man taught'. nothing at all, in short. 5 then the man, in cheerful disposition asked again: `how did he make out, pray?' said the boy: `he learnt how quite soft water, by attrition over the years will grind strong rocks away. in other words, that hardness must lose the day.' 6 then the boy tugged at the ox to get it started anxious to move on, for it was late. but as they disappeared behind a fir tree which they skirted something suddenly began to agitate the man, who shouted:`hey, you! wait!' 7 `what was that you said about the water?' old man pauses: `do you want to know?' man replies: `i'm not at all important who wins or loses intersts, though. if you've found out, say so. 8 `write it down. dictate it to your boy there. once you've gone, who can we find out from? there are pen and ink for your employ here and a supper we can share; this is my home. it's a bargain: come!' 9 turning round, the old man looks in sorrow at the man. worn tunic. got no shoes. and his forehead just a single furrow. ah, no winner this he's talking to. and he softly says: `You too?' 10 snubbing of politely put suggestions seems to be unheard of by the old. for the old man said: `those who ask quetions deserver answers'. then they boy; `what's more, it's turning cold. `right. then get my bed unrolled.' 11 stiffly from his ox the sage dismounted. seven days he wrote there with his friend. and the man brought them their meals (and all the smugglers were astounded at what seemed this sudden lenient trend). and then came the end. 12 and the boy handed over what they'd written - eighty-one sayings - early one day. and they thanked the man for the alms he'd given went round that fir and climbed the rocky way. who was so polite as they? 13 but the honor should not be restricted to the saye whose name is clearly writ. for a wise man's wisdom needs to be extracted. so the customs man deserves his bit. it was he who called for it.bb