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Criticism and Interpretation:
General and Handbook:
Benjamin, Walter. Versuche über
Brecht. Frankfurt a. M.: Suhrkamp, 1966.
(Understanding Brecht.Translated Anna Bostock. London: NLB, 1973.)
Bentley, Eric.The Brecht Commentaries
1943-1986. 2nd ed. New York: Grove Press, 1987.
Bentley, Eric.The Playwright
as Thinker: a Study of Drama in Modern Times. New York:
Harcourt, Brace & World, 1967.
Brooker, Peter. Bertolt Brecht:
Dialectics, Poetry, Politics. New York: Croom Helm, 1988.
Brown, Russell E. Intimacy
and Intimidation: Three Essays on Bertolt Brecht. Stuttgart: F. Steiner
Verlag, 1990.
Calabro, Tony. Bertolt Brecht's
Art of Dissemblance. Wakefield, N.H.: Longwood Academic, 1990
Dickson, Keith A. Towards Utopia:
a Study of Brecht. Oxford: Clarendon Press, 1978.
Gray, Ronald D. Brecht the
Dramatist. Cambridge: Cambridge University Press, 1976.
Hanssen, Paula. Elisabeth Hauptmann:
Brecht's Silent Collaborator. Berne: Lang, 1995.
Hill, Claude. Bertolt Brecht.
Boston: Twayne, 1975.
*Hill,
Claude. Bertolt Brecht. Princeton, N.J.: Films for the Humanities, 1986.
[1 videocassette: b&w ; 3/4 in.]
Knopf, Jan. Brecht-Handbuch:
eine Asthetik der Widerspruche. Stuttgart: Metzler, 1980-1984.
(Contents: <1> Theater.-- <2> Lyrik, Prosa, Schriften. Mit einem
Anhang, Film.)
Mews, Siegfried, ed. A Bertolt
Brecht Reference Companion. Westport, Conneticut: Greenwood Press, 1997.
Morley, Michael. Brecht: a
Study. London: Heinemann, 1977.
Needle, Jan and Peter Thomson.
Brecht. Chicago: University of Chicago Press, 1981.
Schoeps, Karl-Heinz. Bertolt
Brecht. New York: F. Ungar, 1977.
Schopes, Karl-Heinz. Bertolt
Brecht: LIfe, Work and Criticism. Fredericton, N.B., Canada: York Press,
1989.
Speirs, Ronald. Bertolt Brecht.
New York: St. Martin's Press, 1987.
Suvin, Darko. To Brecht and
Beyond: Soundings in Modern Dramaturgy. Totowa, N.J.: Barnes and Noble,
1984.
Willett, John. Brecht in Context:
Comparative Approaches. London: Methuen, 1984.
Willett. The Theatre of Bertolt
Brecht: a Study from Eight Aspects. Rev. ed. London: Methuen, 1977.
Wulbern, Julian H. Brecht and
Ionesco: Commitment in Context. Urbana: University of Illinois Press, 1971. |
Collections of Essays:
Bartram, Graham and Waine, Anthony,
ed. Brecht in Perspective. London: Longman, 1982.
Demetz, Peter. Brecht: a Collection
of Critical Essays. Englewood Cliffs, N.J.: Prentice-Hall, 1962.
Giles, Steve and Rodney Livingstone,
ed. Bertolt Brecht : Centenary Essays. (German Monitor ; no. 41.)
Atlanta, Ga. : Rodopi, 1998.
Kleber, Pia and ColinVisser,
ed. Re-interpreting Brecht: His Influence on Contemporary Drama and Film.
Cambridge: Cambridge University Press, 1990.
Lyon, James K. and Hans-Peter
Breuer, ed. Brecht Unbound. Presented at the International Bertolt Brecht
Symposium Held at the University of Delaware, February 1992. Newark: University
of
Delaware Press,1995.
Mews, Siegfried, ed. Critical
Essays on Bertolt Brecht. Boston: Hall, 1989.
Mews and Herbert Knust, ed.
Essays on Brecht: Theater and Politics. Chapel Hill: University of
North Carolina Press, 1974. ["Brecht's works in English; a select bibliography":
p. 227-229.]
Munk, Erika, ed. Brecht. New
York: Bantam Books,1972.
Thomson, Peter, and Glendyr
Sacks, ed. The Cambridge Companion to Brecht. Cambridge:
Cambridge University Press, 1994.
Weber, Betty Nance, and Hubert
Heinen. Bertolt Brecht. Political Theory and Literary Practice. Athens:
University of Georgia Press, 1980. |
Film:
Gersch, Wolfgang. Film bei Brecht:
Bertolt Brechts praktische und theoretische Auseinandersetzung mit
dem Film. Munich: Hanser, 1975.
Lellis, George. Bertolt Brecht,
Cahiers du cinéma and Contemporary Film Theory. Ann Arbor:
UMI Research Press, 1982.
Mueller, Roswitha. Bertolt
Brecht and the Theory of Media. Lincoln: University of Nebraska Press,
1989.
Murray, Bruce Arthur. Film
and the German Left in the Weimar Republic: from Caligari to Kuhle Wumpe.
Austin: University of Texas Press, 1990.
Walsh, Martin. The Brechtian
Aspect of Radical Cinema. Edited by Keith M. Griffiths. London: British
Film Institute., 1981. |
Influence:
Berg-Pan, Renata. Bertolt Brecht
and China. Bonn: Bouvier, 1979.
Bodek, Richard. Proletarian
Performance in Weimar Berlin: Agitprop, Chorus, and Brecht. Columbia, SC:
Camden House, 1997.
("We are the red megaphone!" Political Music, Agitprop Theater, Everyday
Life and
Communist Politics in Berlin during the Weimar Republic. Ph. D. Dissertation.
University of Michigan, 1990.)
Chick, Edson M. Dances of Death:
Wedekind, Brecht, Dürrenmatt, and the Satiric Tradition. Columbia,
S.C.:
Camden House, 1984.
Ellis, Lorena. Brecht's Reception
in Brazil. New York: Lang, 1995.
Hill, Victoria Williams. Bertolt
Brecht and Post-war French Drama. Stuttgart: Akademischer Verlag
H.-D. Heinz, 1978.
Lyon, James K. Bertolt Brecht
and Rudyard Kipling: a Marxist's Imperialist Mentor. The Hague:
Mouton, 1975.
Mayer, Hans. Brecht.
Frankfurt a. M.: Suhrkamp, 1996.
Murphy, G. Ronald. Brecht and
the Bible: a Study of Religious Nihilism and Human Weakness in Brecht's
Drama of Mortality and the City. Chapel Hill: University of North Carolina
Press, 1980.
Nagavajara, Chetana. Brecht
and France. Berne: Lang, 1994.
Parmalee, Patty Lee. Brecht's
America. Columbus: Ohio State University Press, 1981.
Reinelt, Janelle G. After Brecht
: British Epic Theater. Ann Arbor: University of Michigan Press, 1994.
Rouse, John. Brecht and the
West German Theatre: the Practice and Politics of Interpretation.
Ann Arbor: UMI Research Press, 1989.
Sieg, Katrin. Exiles, Eccentrics,
Activists: Women in Contemporary German Theater. Ann Arbor:
University of Michigan Press, 1994.
Spalter, Max. Brecht's Tradition.
Baltimore: Johns Hopkins Press, 1967.
Tatlow, Antony and Tak-Wai
Wong, ed. Brecht and East Asian Theatre: the Proceedings of a
Conference on Brecht in East Asian Theatre. Hong Kong: Hong Kong University
Press, 1982.
Tatlow, Antony. The Mask of
Evil: Brecht's Response to the Poetry, Theatre and Thought of China and
Japan: a Comparative and Critical Evaluation. Berne: Lang, 1977. |
Major Plays:
[The Materialien
series by Suhrkamp Verlag]
Fischer, Gerhard. The Paris
Commune on the Stage: Valles, Grieg, Brecht, Adamov. Frankfurt a. M.:
Lang, 1981.
Hinton, Stephen, ed. Kurt Weill:
The Threepenny Opera. Cambridge: Cambridge University Press, 1990.
Kaufmann, Hans. Bertolt Brecht:
Geschichtsdrama und Parabelstück. Berlin: Rütten and Loening,
1962.
Kitching, Laurence Patrick
Anthony. Der Hofmeister: a Critical Analysis of Bertolt Brecht's
Adaptation of Lenz's Drama. Munich: Fink, 1976.
Kleber, Pia. Exceptions and
Rules: Brecht, Planchon, and "The Good Person of Szechwan." Frankfurt a.
M.:
Lang, 1987.
Milfull, John. From Baal to
Keuner: the "Second Optimism" of Bertolt Brecht. Frankfurt a. M.:
Lang, 1974.
Schumacher, Ernst. Drama und
Geschichte. Berlin, Henschel, 1965.
Schumacher. Die dramatischen
Versuche Bertolt Brechts, 1918-1933. Reprint. Berlin: Das
europaische Buch,1977.
Speirs, Ronald. Brecht's Early
Plays. London: Macmillan, 1982.
Subiotto, Arrigo. V. Bertolt
Brecht's Adaptations for the Berliner Ensemble. London: Modern Humanities
Research Association, 1975.
Thomson, Peter. Brecht: Mother
Courage and Her Children. Cambridge: Cambridge University Press, 1997.
Weber, Betty Nance. Brechts
"Kreidekreis", ein Revolutionsstück: eine Interpretation: mit Texten
aus
dem Nachlaß. Frankfurt a. M.: Suhrkamp, 1978.
White, Alfred D. Bertolt Brecht's
Great Plays. London : Macmillan, 1978. |
Poetry:
Thomson, Philip John. The Poetry
of Brecht: Seven Studies. Chapel Hill: University of North
Carolina Press, 1989.
Whitaker, Peter. Brecht's Poetry:
a Critical Study. Oxford: Clarendon Press, 1985. |
Political Views:
Arendt, Hannah. Men in Dark Times.
New York: Harcourt, Brace & World, 1968.
Bloch, Ernst, et al. Aesthetics
and Politics. Ed. by Ronald Taylor. London : NLB, 1977.
Lunn, Eugene. Marxism and Modernism:
a Historical Study of Lukacs, Brecht, Benjamin, and Adorno.
Berkeley: University of California Press, 1982.
Giles, Steve. Bertolt Brecht
and Critical Theory: Marxism, Modernity, and the Threepenny Lawsuit.
New York: Lang, 1997.
*Grass,
Gunter. The Plebeians Rehearse the Uprising: a German Tragedy. Translated
by Ralph Manheim.
New York: Harcourt, Brace & World, 1966.
Ley, Ralph. Brecht as Thinker:
Studies in Literary Marxism and Existentialism. Normal, Illinois :
Applied Literature Press, 1979.
Pike, David. Lukács
and Brecht. Chapel Hill: University of North Carolina Press, 1985. |
Prose:
Jeske, Wolfgang. Bertolt Brechts
Poetik des Romans. Frankfurt a. M.: Suhrkamp, 1984.
Müller, Klaus-Detlef.
Brecht-Kommentar zur erzählenden Prosa .Munich: Winkler, 1980. |
Theory:
Barthes, Roland. Critical Essays.
Translated by Richard Howard. Evanston: Northwestern University Press,
1972.
Brown, H. M. Leitmotiv and
Drama: Wagner, Brecht, and the Llimits of 'Epic' Theatre. Oxford:
Clarendon Press, 1991.
Eaton, Katherine Bliss. The
Theater of Meyerhold and Brecht. Westport, Conneticut: Greenwood Press,
1985.
Gilbert, Michael John Tyler.
Bertolt Brecht's Striving for Reason, Even in Music: a Critical Assessment.
New York: Lang, 1988.
Kiebuzinska, Christine Olga.
Revolutionaries in the Theater : Meyerhold, Brecht, and Witkiewicz.
Ann Arbor, Michigan: UMI Research Press, 1988.
Steinweg, Reiner. Das Lehrstück:
Brechts Theorie einer politisch-asthetischen Erziehung.
Stuttgart: Metzler, 1972.
Wiles, Timothy J. The Theater
Event: Modern Theories of Performance. Chicago: University of Chicago Press,
1980.
Wright, Elizabeth. Postmodern
Brecht: a Re-presentation. London: Routledge, 1989. |
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Production:
Directing:
Berlau, Ruth, et al, ed. Theaterarbeit.
6 Aufführungen des Berliner Ensembles. Dresden: VVV
Dresdner Verlag, 1952. 3rd ed. Berlin: Henschel, 1967.
Fuegi, John. Bertolt Brecht:
Chaos, According to Plan. Cambridge: Cambridge University Press, 1987.
Fuegi, John. The Essential
Brecht. Los Angeles: Hennessey and Ingalls, 1972.
Hurwicz, Angelika. Brecht inszeniert:
Der kaukasische Kreidekreis. Velber bei Hannover: Friedrich
Verlag, 1964.
Jones, David Richard. Great
Directors at Work: Stanislavsky, Brecht, Kazan, Brook. Berkeley:
University of California Press, 1986.
Mitter, Shomit. Systems of
Rehearsal: Stanislavsky, Brecht, Grotowski, and Brook. London: Routledge,
1992.
Rülicke-Weiler, Käthe.Die
Dramaturgie Brechts: Theater als Mittel der Veranderung. Berlin, Henschel,
1966. |
Music:
Adorno, Theodor and Hanns Eisler.
Composing for the Films. Oxford: Oxford University Press, 1947.
Reprint. Atlantic Highlands, NJ : Athlone Press, 1994.
Betz, Albrecht. Hanns Eisler
Political Musician. Translated by Bill Hopkins. Cambridge: Cambridge
University Press, 1982.
Drew, David. Kurt Weill: a
Handbook. London: Faber and Faber, 1987.
Fowler, Kenneth. Received Truths:
Bertolt Brecht and the Problem of Gestus and Musical Meaning. New
York:
AMS Press, 1991.
Gilbert, Michael John Tyler.
See Theory.
Hennenber, Fritz, ed. Brecht-Liederbuch.
Frankfurt a. M.: Suhrkamp, 1984.
Lucchesi, Joachim and Ronald
K Shull. Musik bei Brecht. Frankfurt a. M.: Suhrkamp, 1988.
Shull, Ronald K. Music and
the Works of Bertolt Brecht: a Documentation. Ph. D. Dissertation,
University of Kansas, 1986. |
Reviews:
Ihering, Herbert. Bert Brecht hat
das dichterische Antlitz Deutschlands verändert : gesammelte Kritiken
zum
Theater Brechts. Edited by Klaus Völker. Munich: Kindler, 1980.
Schumacher, Ernst. Brecht-Kritiken.
Berlin: Henschel, 1977.
Wyss, Monika. Brecht in der
Kritik: Rezensionen aller Brecht-Uraufführungen, sowie ausgewählter
deutsch- und
fremdspracher Premieren. Munich: Kindler, 1977. |
Scenic Design:
Appen, Karl von. Karl von Appen:
Altes und Neues, Bilder und Texte. Berlin: Berliner Ensemble, 1975.
Willett, John. Caspar Neher,
Brecht's Designer. London: Methuen, in association with the Arts
Council of Great Britain, 1986. |
Stage History:
*Brecht
on Stage. Cicero, Illinois: Roland Collection of Films on Art, 1989. [1
videocassette (25 min.): b&w with color
sequence. 1/2 in.]
Eddershaw, Margaret. Performing
Brecht. London: Routledge, 1996.
Hiley, Jim. Theatre at Work:
the Story of the National Theatre's Production of Brecht's Galileo. London:
Routledge and Kegan Paul, 1981.
Jacobs, Nicholas and Prudence
Ohlsen, ed. Bertolt Brecht in Britain. London: IRAT Services/
TQ Publications, 1977.
*McCann,
David R., ed. The Theater of Bertolt Brecht: as Performed by the Berliner
Ensemble.
Glendale, California: KaiDib Films International, 1971. [46 slides : b&w
; 2x2 in. & teacher's guide]
Niessen, Carl, ed. Brecht auf
der Buhne. Cologne: Institut für Theaterwissenschaft der Universität
Köln, 1959.
Pintzka, Wolfgang. Helene Weigel,
Actress: a Book of Photographs. Translated by John Berger and Anna Bostock.
Leipzig : VEB Offizin Andersen Nexö, 1961. |
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