EdB's Corrections to the Rolling Stone Album Guide
OK, here I go proving my arrogance once again.
But I couldn't help, upon perusing my friend's copy of the Rolling Stone
Album Guide (1992 edition), taking exception (some quite significant)
to the ratings given certain artists and their albums. So, for posterity's
sake, I've taken upon myself to offer corrections to this compendium. |
Artist | Album | R.S. Rator | R.S. Rating | My Rating | Comments |
AC/DC | *** | MC | + | . | . |
Aerosmith | Pump | MC | 3.5 | 3.0 | Let's not go overboard. |
Alarm | Change | PE | 2.5 | 3.0 | Though tinges of The Alarm's dronability haunt this collection, it has strong rock n' blues material that carries it firmly to "good" ground. |
Allman Brothers | *** | MC | + | . | . |
America | *** | PE | X | . | Ignore PE's whining, and give em each an extra point. |
Asia | *** | JDC | + | . | . |
Bachman- Turner Overdrive | *** | MC | + | . | . |
Bad Company | *** | MC | + | . | . |
Beatles, The | *** | PE | + | . | Well done! |
Black Sabbath | *** | MC | + | . | . |
Blondie | *** | MC | + | . | . |
Boston | Boston | MC | 3.5 | 4.0 | This is a historically impactful album, epitomizing the power-pop genre. You can't take that away from Scholz and Co. |
Boston | Don't Look Back | MC | 2.5 | 3.5 | Epic sophomore effort. Didn't we really want more of the same? |
Boston | Third Stage | MC | 2.5 | 3.0 | Not quite the trump the first two releases were, but still notably good. |
Bowie, David | Diamond Dogs | MC | 2.0 | 3.0 | Dogs rocks! |
Bowie, David | (post Station to Station releases) | MC | X | . | All ratings on albums after Station to Station really need to be downgraded by a full point, mostly because of poor production. |
Browne, Jackson | *** | MC | + | . | . |
Carpenters | *** | MC | X | . | MC disdains Easy Listening/Adult Pop, as is obvious here. Up these each by two points. |
Cars, The | *** | MC | + | . | . |
Charlie Daniels Band | *** | MC | + | . | . |
Clapton, Eric | *** | JDC | X | . | Don't get me wrong, I like EC, but I always felt he was over-rated. Someone once said, 'if you get enough at-bats, you're bound to get a hit.' Except for the collections, I would take one star off each of JDC's ratings for EC. |
Clapton, Eric | 461 Ocean Boulevard | JDC | 5.0 | 3.0 | Some good songs and writing, but hardly excellence. Sound production is often sparse (Mainline Florida, Willie and the Hand Jive). |
Clapton, Eric | Slowhand | JDC | 5.0 | 3.5 | Wonderful Tonight and Cocaine are EC hallmarks, but a 5.0? |
Clapton, Eric | Journeyman | JDC | 4.0 | 3.5 | Proving that albums can be over-produced, on this one EC seems to be working too hard on the sound of the band. |
Clash, The | *** | JDC | + | . | . |
Cockburn, Bruce | *** | JDC | + | . | . |
Cocker, Joe | *** | MC | + | . | . |
Cooper, Alice | Muscle of Love | MC | 1.0 | 2.5 | It's really, no really, not that bad. |
Costello, Elvis | Armed Forces | MC | 4.0 | 4.5 | . |
Cream | *** | JDC | + | . | . |
Creedence Clearwater Revival | *** | PE | + | . | . |
Crosby, Stills, & Nash | CSN | PE | 4.0 | 4.5 | . |
Crosby, Stills, Nash, & Young | Deja Vu | PE | 4.0 | 5.0 | This is a rock standard classic. Period. |
Crowded House | *** | JDC | X | . | Minus 1 across the board. |
Deep Purple | *** | MC | + | . | . |
Denver, John | *** | MC | X | . | MC consistently under-rates Easy Listening artists. Denver moved folk in a new direction, and should be recognized for such. His Greatest Hits albums, at least, deserve a 4.0 to 5.0 star rating in their genre. |
Derringer, Rick | *** | PE | + | . | . |
Dire Straits | *** | JDC | + | . | . |
Doobie Brothers | *** | . | X | . | On these four albums, The Doobies synchritized rock n blues, pop, and guitar rock like no other band did. When Johnston suffered a nervous breakdown, and McDonald took the lead, the entire sound of the band changed, and they should have changed their name. Takin' It To The Streets and Minute By Minute are OK, I guess, but these aren't Doobie albums. |
Doobie Brothers | Toulouse Street | MC | 3.0 | 3.5 | Listen to the Music could carry this LP on it's own, but Roll On Down the Highway, Disciple, and Jesus Is Just Alright put it securely in the above-average range. |
Doobie Brothers | The Captain and Me | MC | 2.5 | 4.0 | This is a near 'perfect' album. Two great singles (China Grove and Long Train Runnin'), a formidable power-rocker (Without You), mellowtones (South City Midnight Lady), and thoroughly satisfying inter-fare make this album excellent. |
Doobie Brothers | What Were Once Vices | MC | 2.5 | 3.5 | Black Water, the single off this one, is probably it's worse track. |
Doobie Brothers | Stampede | MC | 2.0 | 3.5 | OK, so Templeman Spector-ized the Doobies on Take Me In Your Arms (and the album in general), but Sweet Maxine and Neil's Fandango earn this LP a high mark. |
Doors, The | *** | PE | + | . | . |
Duran, Duran | *** | JDC | + | . | . |
Dylan, Bob | *** | PE | + | . | . |
Eagles | *** | MC | + | . | . |
Electric Light Orchestra | *** | MC | + | . | . |
Emerson, Lake, and Palmer | Emerson, Lake, and Palmer | MC | 3.0 | 3.5 | This debut release re-defined, or even defined, Progressive Rock, and is easily rated above average in writing, scope, skill, diversity, and impact. |
Emerson, Lake, and Palmer | Brain Salad Surgery | MC | 3.0 | 4.0 | Excellence. Check this out: a hymn (Jerusalem), a ballad (Still...You Turn Me On), honky-tonk (Benny the Bouncer), classicism (Ginastera's Toccata), and pure progressiveness (Karn Evil 9 in three movements). Case closed. |
Emerson, Lake, and Palmer | Works I | MC | 2.0 | 3.0 | The strengths of this LP (Emerson's Piano Concerto/Fanfare/Pirates) more than outweigh it's weaknesses. |
Enuff Z'Nuff | *** | JDC | + | . | . |
Enya | *** | PE | + | . | . |
Fletwood Mac | *** | MC | + | . | . |
Fogelberg, Dan | Home Free | MC | 2.0 | 3.0 | Along with Jackson Browne, this debut LP helped set the direction of Southern California Rock. |
Fogelberg, Dan | Souvenirs | MC | 3.0 | 3.5 | . |
Fogelberg, Dan | Captured Angel | MC | 2.0 | 2.5 | . |
Fogelberg, Dan | Netherlands | MC | 2.0 | 3.0 | . |
Fogelberg, Dan | Phoenix | MC | 2.0 | 3.5 | Though maybe not his best, this is Fogelberg's strongest LP. |
Fogelberg, Dan | Innocent Age | MC | 2.5 | 3.0 | OK, maybe most of us were getting a little tired of Fogelberg by this time, but this double album can not be written off as just another Fogelberg album. |
Foghat | *** | MC | + | . | . |
Forbert, Steve | *** | MC | + | . | . |
Foreigner | 4 | PE | 3.5 | 3.0 | Urgent and Waiting for a Girl Like You make this good, average Foreigner. |
Foreigner | Agent Provocateur | PE | 3.5 | 2.5 | I Want to Know What Love Is is this LP's highlight, the rest is been-done drone. |
Foreigner | Inside Information | PE | 3.0 | 2.0 | Give me a break. PE must be a Foreigner aficionado. |
Foreigner | Unusual Heat | PE | 3.5 | 2.0 | Ditto. And with the departure of Gramm's pipes, even more so. |
Frampton, Peter | Frampton Comes Alive | MC | 3.0 | 4.0 | This album inspired a generation, and could possibly be the last great rock n' blues LP of the 70's. |
Frey, Glenn | *** | MC | + | . | MC is right -- solo Frey just ain't that great. |
Gabriel, Peter | *** | JDC | + | . | JDC is right -- solo Gabriel is quite good. |
Genesis | ??? | JDC | ? | . | JDC rates these fine up to Duke. But Duke and on all deserve a point subtracted. |
Grand Funk | *** | MC | X | . | Sometimes you gotta do what you gotta do. Just add half a point to each album. |
Grant, Amy | Straight Ahead | DM | 4.0 | 3.0 | Fan I was, and this album was OK, but it was under-produced making it merely average on second look. |
Grant, Amy | Lead Me On | DM | 3.0 | 4.0 | Easily her best. Her best rocking (Wait for the Healing), her best crooning (If These Walls Could Speak), her best writing (1974), her best convicting (What About the Love), her best production (Lead Me On). I think John Lennon would have approved! |
Grateful Dead | *** | PE | + | . | (Dare I disagree -- I don't, anyway). |
Griffith, Nanci | *** | DM | + | . | . |
Guns N' Roses | *** | JDC | X | . | Taking an entire point off each -- no staying power. |
Hall & Oates | *** | MC | + | . | . |
Harrison, George | Cloud Nine | PE | 3.5 | 2.5 | I really want to like Harrison's solo work, and agree with PE on all the other albums, but this one's got to go. |
Heart | *** | MC | + | . | . |
Henley, Don | *** | MC | X | . | Slightly over-rated solo career -- minus one star on all. |
Hooters | *** | JDC | + | . | . |
Hornsby, Bruce | *** | PE | X | . | All three of his first albums are above average -- givin' em 3.5s. |
Humble Pie | Smokin' | PE | 1.0 | 2.0 | Not great, but it gave us some good times. |
Humperdink, Englebert | *** | PE | X | . | Now, my parents practically weaned me on this stuff. For adult balladeering, it's good, and I still take my hat off when After the Lovin' fills the dancefloor at a family wedding. Add 2.0 stars to each of these ratings easily. |
Indigo Girls | *** | PE | + | . | . |
Iron Butterfly | In a Gadda Da Vida | PE | 2.0 | 3.0 | I don't care what you think. |
Jackson, Joe | *** | MC | + | . | . |
Jefferson Airplane | After Bathing at Baxter's | PE | 4.0 | 3.0 | Whatever... |
Jefferson Airplane | Volunteers | PE | 4.5 | 3.5 | Whatever... |
Jefferson Starship | *** | PE | + | . | . |
Jethro Tull | Thick As A Brick | MC | 1.0 | 3.0 | I think MC's giving this a 1 totally disqualifies him from rating Tull in general. |
Jethro Tull | Living In The Past | MC | 4.0 | 3.0 | Why a 4.0? Because it's a greatest hits album? |
Jethro Tull | Passion Play | MC | 1.0 | 2.5 | Get a clue. |
Jethro Tull | War Child | MC | 2.0 | 3.0 | There! |
Jethro Tull | Minstrel In The Gallery | MC | 3.0 | 3.5 | At least you got close on this one. |
Jethro Tull | Songs from the Wood | MC | 3.0 | 3.5 | Whatever... |
Joel, Billy | *** | PE | + | . | A generally over-rated artist, but I think PE picked up on that. |
John, Elton | Goodbye Yellow Brick Road | MC | 3.5 | 4.0 | This was a monstrous album. Give it it's due no matter how fatigued you are of it. |
John, Elton | Captain Fantastic | MC | 3.5 | 3.0 | Fell short all over the place. Sparse production, slack song-writing, and incohesive. |
John, Elton | Rock of the Westies | MC | 3.5 | 2.5 | R. Dwight tries a change in direciton, but we're left unsatiated.. |
Journey | Escape | MC | 2.5 | 3.0 | This is a solidly "good" album. |
Journey | Frontiers | MC | 2.5 | 3.0 | This is also a solidly "good" album. |
Kansas | Leftoverture | MC | 2.5 | 3.5 | Kansas gave Prog Rock a stateside flavor that still rings true. The Livgren/Walsh team was and is an above average talent in rock music, and Leftoverture established that as fact. |
Kansas | Point of Know Return | MC | 2.5 | 3.5 | What Leftoverture established, PoKR confirmed. Kansas continues to show maturity in their interpretation of Prog Rock. |
Kansas | Vinyl Confessions | MC | 2.0 | 3.0 | Leans towards pop. You can feel the angst in the Livgren/Walsh wars, and it gives this album a quality worth noting. |
King's X | Faith, Hope, Love | JDC | 4.0 | 3.5 | This one gets a bit droney in places, but it's distortion-laden strengths keep it above average. |
King, Carole | *** | MC | + | . | . |
Kiss | Destroyer | MC | 3.0 | 4.0 | Hallmark Kiss, defining a genre. |
Kiss | Love Gun/Alive II/Double Platinum | MC | 2.0 | 3.0 | These are "good" poseur-rock albums. |
Led Zeppelin | Presence | MC | 3.5 | 2.5 | I've been around enough to know that denial is not a good thing. This album basically is good to own just so you can have the complete Zeppelin collection. |
Lewis, Huey | *** | PE | + | . | . |
Lightfoot, Gordon | *** | MC | + | . | . |
Loggins & Messina | Sittin' In | MC | 3.0 | 4.0 | OK, I'll admit my bias upfront: L&M is one of my favorite bands, and this one of my top 10 LPs of all time. But I defend this album on it's craftsmanship, production, diversity, and freshness. If you're a fan of folk rock, here's it's apex. |
Loggins & Messina | Loggins & Messina | MC | 2.5 | 3.0 | Good sophomore album with incredible strengths (Angry Eyes, Golden Ribbons). |
Loggins & Messina | Full Sail/Motherload | MC | 2.0 | 3.0 | Excusing Lahaina, these albums represent inventive pop, and Sailing the Wind/Be Free are ethereally wonderful. |
Loggins & Messina | Native Sons | MC | 2.0 | 2.5 | Not as strong, but not deserving a full 2.0. |
Los Lobos | *** | JDC | X | . | I'm a fan, but minus one across the board. |
Lowe, Nick | *** | MC | X | . | Had a chance to dig into Nick while DJing college radio. Good pop, but it left me wanting. Take a point away from each album. |
Lynyrd Skynyrd | *** | MC | X | . | Knock Street Survivors from a 5.0(!) to a 3.5, and take a point off each of the rest. What were you thinking, Mr. MC? |
Marshall Tucker Band | *** | MC | X | . | I'm not sure MC has a good appreciation for Southern Rock, as in Skynyrd above, though he did the Allman's justice. (I doubt he has an over-appreciation, as The Outlaws are not even included in this book.) I'm docking these each one half point. |
Mason, Dave | *** | PE | + | . | . |
McCartney, Paul | Tug of War | PE | 4.0 | 3.0 | It's really not that good. |
McCartney, Paul | McCartney II | PE | 3.0 | 2.0 | It's really that bad. |
McMurtry, James | *** | PE | + | . | . |
Meatloaf | *** | MC | + | . | MC put this over-bloated, I mean, over-egoed, I mean, over-rated artist in his proper place. |
Mitchell, Joni | *** | MC | + | . | . |
Molly Hatchet | *** | MC | + | . | . |
Moody Blues | Days of Future Past | PE | 3.0 | 3.5 | Now I've met many a reputable amateur rock critic who just do not like the Moody Blues sound, and they had the sense to humbly refrain from criticism. I wish PE did the same. On that note, I'm not going to give reasons, but simply correct the ratings as need be. |
Moody Blues |
In Search of the Lost Chord/
On the Threshold of a Dream/ To Our Children's Children's Children |
PE | 1.5 | 2.5 | (see above) |
Moody Blues | Question of Balance/Seventh Soujourn | PE | 1.5 | 3.0 | (see above) |
Moody Blues | Every Good Boy Deserves Favour | PE | 1.0 | 2.5 | (see above) |
Moody Blues | Long Distance Voyager | PE | 2.0 | 3.0 | (see above) |
Morrison, Van | *** | PE | + | . | . |
Nash, Graham | *** | PE | + | . | . |
Nilsson, Harry | *** | MC | + | . | . |
Pearl Jam | *** | JDC | + | . | . |
Pink Floyd | Wish You Were Here | MC | 5.0 | 4.5 | Not quite as cohesive or strong as Dark Side, but still outstanding. |
Pink Floyd | The Wall | MC | 4.0 | 3.5 | Over-rated, over-rated, over-rated. |
Poco | Legend | MC | 2.5 | 3.0 | Poco peaks, and does it well. |
Police, The | *** | JDC | X | . | I'll be hated for this, but I'm sorry, no Police album deserves a 5.0 rating. I liked them, they were a great band, but we can guiltlessly take a half star off each LP. |
Pretenders | *** | JDC | X | . | The Police were a great band, The Pretenders were a good band. Sorry JDC, but I've got to take a half star off each of these LPs too. |
Prine, John | *** | MC | + | . | . |
Pure Praire League | *** | JDC | X | . | I'm a lover of country and southern rock. Pure Prairie is a staple, but their albums always left me just on the edge of being satisfied. JDC gives a 3.0 to each, but I need to take a half off each. |
Queen | *** | MC | + | . | . |
Queensryche | *** | JDC | + | . | . |
REO Speedwagon | You Can Tuna Piano... | MC | 2.5 | 3.0 | Roll With The Changes/Time For Me To Fly carry this LP to solid "good" standing. |
REO Speedwagon | Hi Infidelity | MC | 2.5 | 3.5 | They made us enjoy listening to pure pop all over again! |
Rolling Stones | *** | PE | + | . | . |
Ronstadt, Linda | Hasten Down the Wind | MC | 3.0 | 3.5 | With Linda, I'm an expert. Though hardly her most popular (That'll Be The Day was the only single and weak point off this LP), it is her most cohesive and expressive offering. Linda borrowed heavily from Karla Bonoff's debut LP (buy it! if you like Linda), making this album oh so special. |
Rush | 2.0112.0 | MC | 2.5 | 3.0 | This album works, and that from a used-to-be-Rush-hater, now-Rush-lover. |
Rush | Moving Pictures | MC | 3.5 | 4.0 | Ughh. If Red Barchetta was the only cut on this album, it would earn a 4.0. But Tom Sawyer, Limelight, and YYZ secure this LP over the top. |
Rush | Power Windows | MC | 2.5 | 3.0 | This album falls off towards the end, but that's what keeps it from greatness. It defines a turning point in Rush music, and the one-two-three-four punch of The Big Money/ Grand Designs/ Manhattan Project/ Marathon settles this as a good album. |
Rush | Presto | MC | 2.0 | 3.0 | Once again, Rush launches into a new direction, maturing wonderfully. Rush fans in general don't even like this album, but it really is very good. |
Simon & Garfunkel | *** | JDC | + | . | . |
Simon, Paul | *** | JDC | + | . | . |
Springsteen, Bruce | *** | PE | + | . | . |
Steely Dan | Countdown to Ecstasy | MC | 4.5 | 4.0 | Let's not get carried away. This is a terrific LP, but not nearly of such definitive status. |
Steely Dan | Pretzel Logic | MC | 5.0 | 4.0 | Does Rikki, Don't Lose That Number carry this one to perfection? No, and neither do the rest of the songs carry it that close to a 5. |
Stewart, Rod | *** | PE | + | . | . |
Stryper | To Hell With The Devil | PE | 2.5 | 3.0 | Yeah, this is good "Ratt" good. |
Summer, Donna | *** | MC | + | . | . |
Supertramp | *** | MC | + | . | . |
Talking Heads | *** | MC | + | . | . |
Taylor, James | *** | MC | + | . | . |
Thin Lizzy | *** | MC | + | . | . |
'Til Tuesday | *** | JDC | + | . | . |
Toto | *** | MC | X | . | MC dismisses Toto as a pop-fluke band, which makes me wonder if he based his ratings on their most popular 1st and IVth albums. Regardless, the pop is good pop, with a progressive edge, and you can comfortably add 1.5 to each of his ratings. |
U2 | *** | JDC | + | . | . |
Van Halen |
Women & Children First/
Fair Warning Diver Down |
JDC |
3.0
3.5 3.5 |
2.5
3.0 3.0 |
The saviors of R&R didn't save it that much... |
Van Halen | 1984 and the rest | JDC | X | . | Take em down a point. |
Walsh, Joe | *** | MC | + | . | . |
Who, The | *** | PE | + | . | Good job! |
Wings | Back to the Egg | JDC | 2.5 | 3.5 | JDC rated Wings well, except for this one. |
Wright, Gary | *** | MC | + | . | . |
Yes | Fragile | MC | 4.0 | 3.5 | Though Heart of the Sunrise/ Long Distance Runaround/ and Roundabout are outstanding, the between song ditties make this a just above average album. |
Yes | Close to the Edge | MC | 2.5 | 4.0 | The first band to pull off an album-side long song. Yes's best. |
Yes | Relayer | MC | 2.0 | 2.5 | So tempted to up this to a 3, but only a real Yes fan can see how it merits that rating. |
Yes | Going for the One | MC | 2.5 | 3.0 | Over-produced and poppy where it shouldn't be, this is strong material. |
Yes | Tormato | MC | 2.0 | 2.5 | Possibly Yes's worst effort, but still good stuff. |
Yes | Drama | MC | 1.0 | 2.0 | Just because J.A.'s vocals are missing here doesn't make it a waste of resources. |
Yes | Big Generator | MC | 2.0 | 2.5 | Yes turned power-pop gets old here. |
Yes | Union | MC | 1.0 | 3.0 | 1.0?!?! You have no idea... |
Young, Neil | Harvest | PE | 4.0 | 4.5 | Tempted to 5.0 this alongside After the Gold Rush. |
Young, Neil | Tonight's the Night | PE | 5.0 | 3.5 | Sparse and dark, but that doesn't earn it a 5.0! |
Young, Neil | Comes A Time | PE | 2.5 | 3.0 | . |
Young, Neil | Ragged Glory | PE | 4.0 | 3.0 | . |
Young, Neil | Weld | PE | 4.0 | 2.5 | . |
SITE NAVIGATOR: PAGE TOP | SITE UPDATES | OMEGA QUADRANT HOME PAGE | OMEGA QUADRANT SITE MAP
Send me email via the
OQ Comment Form
Or...leave a public comment on the
OQ Message Board
I am trying to keep this page accurate in content and accessible on all platforms. Please inform me of any updates, errors, or problems you may find (including dead links), and feel free to submit your own link. Oh...and I'd love to just hear your thoughts and impressions about this page. So drop me a message. Ciao!
Hits since 11/15/97: