The Mammoth Book of Best New Horror 9 by Stephen Jones (Editor) Darkside: Horror for the Next Millennium by John Pelan (Editor) DARK..CHILLING..SEXY..HOT - REVIEWS OF HORROR EROTICA
Hot Blood X by Jeff Gelb (Editor), Michael Garrett (Editor)
The 17 original tales in Hot Blood X include a brilliant, shocking story about radical body-sculpting by the underrecognized Brian Hodge, an atmospheric Civil War piece by Stephen Gresham, a wry suspended-time tale by Graham Masterton (inspired by Peter Weir's film Picnic at Hanging Rock), and a fine tale about fire fetishism by Bentley Little. The other well-crafted stories are by Ramsey Campbell, Max Allan Collins, O'Neil De Noux, Dawn Dunn, Nancy Holder, Greg Kihn, Marthayn Pelegrimas, Melanie Tem, Judy Tracy, Graham Watkins, and each of the editors (Jeff Gelb and Michael Garrett). * THE
HOT BLOOD SERIES * THE HOT BLOOD SERIES * THE HOT BLOOD SERIES
*
Masters of the macabre take readers into their private world of fear, fantasy, and fatal riveting stories of sex and terror ...stories of a woman who fulfills fantasies for a price... a trucker who gets more than he expected from a midnight pickup, a young woman who loves sex to death--literally, a porn producer who recruits the wrong star...an incomprehensibly sex-starved man, and a wife-swapping party that barters with blood pacts...and so much more....
The sound of a tree branch tapping the window on a winter night--what if that tree suddenly appeared out of nowhere? The bare scalp and wide eyes of a starving child in Somalia--what if that child began to drain your body in order to stay alive? This ninth volume in the award-winning Best New Horror anthology series is packed with such chilly treasures. Editor Stephen Jones has an admirably discerning eye for the best-written tales in the field. He also introduces American horror readers to topnotch writers from the U.K., such as Simon Clark, Christopher Fowler, and Stephen Laws. And there's humor, too: You'll laugh while you shudder, reading novella-length satires of The Bridges of Madison County and the filmmaking style of Francis Ford Coppola.
This anthology of 30 tales serves up one smart, biting story after another. It reaches across preexisting boundaries into the possible future of horror with such assurance it invites comparison to Dennis Etchison's The Cutting Edge or Thomas Monteleone's Borderlands. All of the stories are original, some by established masters such as Steve Rasnic Tem, Lucy Taylor, and Thomas Ligotti, and quite a few others by promising newcomers such as Wayne Edwards, Brian McNaughton, Caitlin R. Kiernan, and Christa Faust. The stories range from those with striking premises--a poet who writes his best poems on the skin of a woman, poems that can only be captured in photographs because of how quickly they fade--and those that reinvent familiar themes through the wit and verve of their execution.
The 10th annual edition of the Hot Blood series amply proves that erotic horror is no passing fad:the physical and psychological connections between bodies in lust and bodies in extremis appear to stimulate the imaginations of horror writers as few other themes can. And the behavior of people in sexual situations is always open to new turns of the screw. As Lawrence Block writes in the effective
opening tale, "Three in the Side Pocket," "People always got more interesting when you handed them something they didn't expect. Especially if it wasn't what they wanted. Especially if it was painful, or frightening, or both."