| Proper movements taught to slaves on Gor
Slaves (most often in slaver houses) taught to move in ways which are beautiful and attractive to men... To stand To sit To turn To lift head and lower it To kneel To rise But I was taught to dance, and to give pleasure, and to stand, and move, and sit and turn, and lift my head and lower it, and kneel, and rise." Captive of Gor, pg. 169 Taught not to bend over but instead to lower to a crouch to pick things up For example, we were taught how to serve at a table, deferentially, skillfully, unobtrusively and, for the most part, silently, and how to move and walk, and kneel and rise, gracefully, and even such a tiny, interesting things, as how to pick up a fallen, object, by crouching down, retrieving it, rather than bending over,... Dancer The slave, for example, and this is commonly included in their training, seldom bends over to retrieve a fallen object. Rather she flexes her knees, lowering the body beautifully, and retrieves the object from a graceful and humble crouch. " Mercenaries of Gor" p. 207 Subtle movements, while in position Rising a bit from heels Hands moving on thighs Shoulders & belly moving Eyes lively and vital A girl, incidentally, in the position of the Gorean pleasure slave, but who is not being kept in position as a discipline, in which case she remains rigid, is allowed much subtle latitude, which she exploits, without breaking the position. Sometimes, as she becomes animated, she rises a bit from her heels, sometimes her hands move on her thighs, her shoulders and belly move, her head moves, her eyes are live and vital, she speaks and laughs, and, radiantly, every inch, every bit, of her alive, converses lyrically and delightedly. "Slave Girl of Gor" (page 36) Beauty in the smallest of her movements A woman can be very beautiful simply greeting her master, head down, at the door of his chambers, She can be very beautiful in doing so small a thing as pouring his wine, eyes downcast, gracefully, as his slave. Perhaps she is a bit more beautiful, however when she kneels, helplessly before you or lies piteously at your feet supplicating you to satisfy her slave need. Perhaps she is most beautiful when she, collared in your arms, cries out in orgasm, acknowledging you as her master. Explorers of Gor; page 343 Movements are sensual, graceful, fluid The hips of the dancer now moved, seemingly in isolation from the rest of her body, though her wrists and hands, ever so slightly moved to the music. "You cannot even move like that now." I told the blondish girl. "Yet muscles can be trained. You will be taught to move like a woman, not a puppet of wood." I grinned down at her. "You will be taught to be sensual." Tribesmen Slave girls walk proudly 'Most female slaves,' said Hassan, 'walk very proudly. They are proud of their slavery, and their mastery by men. They have learned their womanhood. It has been taught to them. Tribesmen Taught to stand with beauty - back straight, head high, belly in, hip turned "Stand as a slave," he said. I stood beautifully, back straight, head high, belly sucked in, hip turned. No woman can stand more beautifully than as a gorean slave girl. "Excellant," said Ladletender, smacking his lips. "Master is pleased," I said. "Yes," he said. Slave Girl Distance from Master when heeling "The Gorean slave girl, incidentally, will space herself from her master quite differently in different situations. For example, if she is somewhat farther away, it is easier for her to display herself in all her beauty; if she wishes to wheedle for his caress she may approach quite closely; if she is receiving instructions she may kneel a few feet away; if she is begging to serve his pleasure she may kneel at his feet, perhaps kissing them. She who fears she is to be disciplined will commonly hang back; sometimes too, a girl will fear to approach too closely until the master, by an expression or small sign, indicates that she is not in obvious disfavor and may do so. Explorers of Gor, p 201 Distance from Master when kneeling It is customary in the kneeling position to remain back a few feet from the male. The kneeling position, itself, expresses the servitude of the slave, and her submission,. the distance serves three major purposes. It symbolizes in the distance, as well as in the differential in height, the social inferiority of the slave to the master. It puts the slave in a position where all of her, for the master's delight, can be seen. A kneeling woman is incredibly beautiful. It also puts enough space between the slave and the free male so that the releasing of his rapacity is then likely to require a decision, and is less likely to be simply, reflexively, triggered. This is regarded as being particularly important when the slave is in the presence of a male who is not her master. The kneeling position, thus interestingly, can occasionally provide a measure of security, if somewhat tenuous one, for the slave, tending to reduce the some extent the frequency with which, in a culture with such interpersonal proximities, she might otherwise be subjected to unauthorized rape. This same tiny measure of protection, of course, puts her in much greater danger from her real master, for he, observant her, seeing her kneeling beautifully before him, can also delay in his considerations as to her suitable exploitation. How shall her use her? What shall he have her do, and so on. To be sure, sometimes he simply takes her and when he wants her and almost by reflexive whim. she is his. The main reason why a slave kneels, of course, aside from such subtle and complex considerations, is simply that she is a slave, and that that position, accordingly, is appropriate for her. Dancer of Gor, pages 156-157 Palms upward when kneeling as a signal of need & helplessness "Position!," I snapped. Swiftly she knelt again, as she had been commanded earlier. You obey with the alacrity of a slave girl," I observed. If I do not," she said, "I could be punished as one, could I not?" "Yes," I said, "and would be." I walked about her, examining her, She kept her back very straight, and her head up. I was then again before her. I noted that the palm of her hands, so soft, so vulnerable, had turned on her thighs, so that they faced up. Among slave girls this is a common ways of signaling need, helplessness, a desire to please. Vagabonds of Gor...pg.209 Palms turning upward unconsciously when kneeling She knelt in the position of the Pleasure Slave but her hands on her thighs had unconsciously, pleadingly, turned their palms to me, and she no longer knelt quite back on her heels. It was as though she begged to be allowed to lift and open her arms and rise and come to my arms. But as I looked upon her sternly she turned her palms again to her thighs, knelt back on her heels and dropped her head, holding her eyes as if by force of will fixed on the plastic beneath my sandals. "Priest Kings of Gor" (pages 234-235) Running with short rapid steps, legs almost straight, back straight, head turned to the left, arms at sides and palms out She ran rapidly to a place before the stone platform, before the curule chair of Cernus, where she fell to her knees in the position of pleasure slave, head bowed. I was amused, for she had run as a slave girl is sometimes taught to run, with rapid short steps, her legs almost straight, her feet scarcely leaving the ground, back straight, head turned to the left, arms at her sides, palms out at a forty-five degree angle, more of a dancer's motion than a true run. Assassin Serving, leaning forward with knees slightly bent, body graceful The girl turned and withdrew, then approached again, climbing the stairs, delicately, as though timidly, head down. Then she leaned forward, bending her knees slightly, her body graceful, and spoke, her voice a whisper in my ear, an invitation, "Wine, Master?" as though offering not wine, but herself. Assassin |