DECLARATION OF INTENT

1. We intend to glorify Distinction, Definition, and Discrimination. 
   We reject unification, homogenization, and assimilation.

2. We intend to glorify Productivity, Activity, and Procreativity.
   We reject passivity, laxity and complacency.

3. We intend to glorify Elitism, Psychecentricism, and Ostracism.
   We reject equality, allocentricity, and inclusivity.

4. We intend to glorify Triadism, Subsistentialism, and Neotericism.
   We reject dualism, nihilism, and atavism.

5. We intend to glorify Asymmetry, Discontinuity, and Complexity.
   We reject symmetry, continuity, and simplicity.

6. We intend to glorify Agitation, Repulsion and Rebellion.
   We reject relaxation, attraction, and abstention.

7. We intend to ATTACK when necessary.
   We reject the docility of the victim.
 
 

"Intensely angry, partly heavily layered sound, and partly dark, percussive noise" -Alistair Vis Binks/CRANE-UP

"The new Mind Skelp-cher sounds a lot more linear than what I have heard before. More spoken text, more
songlike. Reminds me of Sigilum S." -Joel Bender/BELT

"Electronic noise that mostly resembles the classic industrial sounds of groups like early SPK, with its cold,
machine-like aggression." -Todd Zachritz/GODSEND PRODUCTIONS

"Nervous buzzing high frequency noise. The vocals and synth create a real scary ritualistic feel. Lots of original
tape manipulation." -M. Boyd/DEAD EYES MAGAZINE

"Psychic cleanliness through abrasion. Though their music has occasionally been dubbed power electronics,
closer scrutiny reveals fare more insidious forces at work." -Robert Olver/FREEDOM IN A VACUUM

"A purist approach to electronic sound sculpting mixed with controlled collage. A surrealistic soundscape with a
post-modernist message." -Karla Ingleton/SOUND MAGAZINE

"Very crazy music, a sort of ambient grindcore, which they produce with keyboards, guitars, drum machines,
and lots of effects." -Mike Van Lammeren/FRINGE BENEFITS MAGAZINE

"Mind Skelp-cher consider themselves to be Audio Terrorists to avoid stereotyping and restricting themselves.
They experiment with different sounds to create music that effects the entire body." -Amy Wrobleski/SPOKE
NEWSPAPER

"Cold and typical of a dream, not clear and resolved. Impressionistic and alienating, where the listener is prey
to the execution of uncontrollable concepts in the heart of consciousness" -Vincent Bondet/NOTIONS MAGAZINE

"The Psychecentric Womb is an exceptional release. It will have broad appeal among fans of new and old
industrial musicks." -Tim Olivera/HEBI LIKE A SNAKE TAPES

"Distorted sounds with all kinds of effects. Great stuff for death industrial fans." -Donna Kelmm/ARTWARE
AUDIO

"Frightening, grinding noise core." -Jen Brown/CKWR FM

"The sampling is very creative in getting that cold mechanical feeling. Excellent use of sound effects. A real
cyber-gothic type of sound." -Lloyd Peart/BAUD

"Morbid hallucinatory soundtracks Qualities of noise, melodic progression and dark surrealistic effect." -Rich
Oddie/ORPHYX

"Very atmospheric, dark and original music. Very hard to compare to anyone I can think of." -Brian Noring/FDR
TAPES

"Nice post-industrialism. Sounds to lull you into fear and shake you into sleep. Disconcerting and beautiful."
-David Miller/SICK MUSE RECORDINGS

"The Psychecentric Womb is fantastic! I've been listening to your tape over and over wondering why you haven't
been signed to a major label yet?" -John/BROCA'S AREA

"I really liked The Psychecentric Womb, it's a really sick and twisted vision with excellent production work."
-Dave Fuglewicz

"What a change in sound! I quite like the sound of the new material, sort of dark ambient, a return to earlier
ideas, although a progression as well." -David S. Faris/PLAN ELEVEN

"Canada's most evil band. Soon the airwaves will be cleansed and only the purity of Mind Skelp-cher will
remain." -Brian Damage/MUSICUS PHŸCUS