The purpose of the experiment was to supply someone, who had knowledge of neither Doctor Who nor its history, with every episode from the beginning. However, the subject moved to Indiana in early 1998, therefore the experiment has had to draw to an untimely close. He saw and/or listened to every story up until The Smugglers, but only gave me reaction up until Marco Polo. Here is the reaction toward...
The first story of
Dr. Who at first struck me as
intriguing: the concept of a machine that could travel
freely through space and time, yet externally looking
rather like a police callbox; a girl who looked, acted, and
spoke as a 20th century English schoolgirl yet turns out to
be from another place and time; a visit to our "Neanderthal
roots" (which, I might add, has no definitive foundation
either in History or Archaeology, based only on the
unfounded premise that human civilization had rather
uncivilized beginnings); and their escape from the hands of
these savages, only to be transported to some undefined
location with deadly (albeit unperceived) levels of
radiation.
The
characterization was particularly
good, all of the characters involved had their own distinct
personalities (except for the cavemen, who apparently had
not yet evolved distinct personalities, friendship, or even
love, but could speak English that was by far more modern
than that spoken by Beowulf...) The plot was developed
rather well, except for the Doctor's inexplicable coldness,
even to his own granddaughter, a travesty equalled only by
the fact that the series is named after him. However, the
characterization is consistent, we must give the writers
credit for that, if for nothing else.
I personally
feel that everything after the first episode of this story
was a waste of time, money, talent (yes, there was a
smidgen there somewhere), and above all else,
film, contributing nothing to the plot, but only serving as
one of a supposedly endless stream of encounters with other
beings in other times and worlds, and only further reducing
the chance that the school teachers will ever be returned
to their proper place and time.
I do, however, look
forward to seeing the next story, in hopes that the writers
may have somehow learned from their past follies and
somehow discovered how to develop a storyline properly. God
will give me the strength to endure this test...
All
in all I do feel it was a fairly good attempt, and for a
first story I consider it to be pretty OK, inasmuch as it
did set the stage for a continuing series.
I have
completed watching The Daleks and The Edge of
Destruction.
I loved the Daleks
story. It was very well written, had a sensible plot, and
left few if any loose ends untied.
Unfortunately,
The Edge of Destruction was such a monstrosity of a
story... The story never explained why Susan and the Doctor
suffered from pains in the back of their necks, why they
lost their memory, or why they suddenly became so violently
disposed against Ian and Barbara, why they could only
approach the control column from one side.
And then
the whole deal was solved by remembering that the fast
return switch was never released, and that the TARDIS,
which has refused to be destroyed, was actually
"intelligent" enough to provide altogether cryptic signs to
the crew. Very bad storywriting indeed.
The
Daleks story, however, is a masterpiece of production
and writing, except, of course, for some obvious flaws,
such as the way that the alien humanoid tribe spoke and
read perfect English, without even ever having had
contact with 20th Century England. (a flaw I fear can be
present in every Dr. Who story ever made, and must
be treated with a willful suspension of disbelief), the
self-destroying styrofoam cavern sets, and other minute
production faults.
I look forward to seeing the next
story, provided of course it does not prove to be as
pathetic as The Edge of Destruction.
This review is so long, it has been given a seperate page all to itself, which may be seen by clicking here.