The Muses Before Titanic

			Three muses flit invisibly
			On Cameron's new floating set-
			Clio, sister of history,
			Melpomene, of tragedy,
			Calliope, for epics known.
			Poseidon turned to celluloid.
			Their uncle brings Titanic down.

			"Sisters," muses Calliope,
			"About the show I've birthed some thoughts.
			This pictured hubris and demise
			Echoes disaster in its costs.
			And furthermore, discern the scene
			Of writers and director lost.
			They tread their sea's techno-debris."

			"Let's fly," sighs bookish History.
			"Titanic brooks the fiscal fish
			That bore away her healthy wood.
			They leave receipts of slime and rust.
			The currents fed by lucre-winds
			Now pop her rivets and her joints.
			The past leaks out between her plates."

			"I stand with Clio, History,"
			Concurs tragic Melpomene.
			"Our home- Olympus- waits for us.
			Our home will keep this sight away
			Of pathos and catharsis drowned
			In water of most bitter salt.
			Let's teleport home now, okay?"

			"We must," injects Calliope,
			For I, the epic child of Zeus,
			Have now recalled my specialty.
			My sphere is narrative in verse.
			Titanic's legend, large in scope,
			Is fitted out for epic well.
			A poet now to hold the quill."
					
			"Now hold and slow your speedy pace,"
			Councels Clio, mistress of facts.
			You've put the wreck before the winch.
			You've put the who before the what.
			Put plot before the person now.
			For none receive inspired verse
			Unless details are laid out first."

			"Oh, dear! Details, details, details.
			Historic mantra-epic yaawwwn.
			For 'bergs of fact do surely prick 
			Imagination's titan hull.
			Sister, your podium looms near,
			With shattering old lecture bell.
			Do please refrain from ringing now."

			"And yet, you'll surely hear it toll,"
			Assures historic child of Zeus.
			"First, open these colossal doors
			Summon young Ganymede for me.
			For I, after trekking home heights
			Now entertain relentless thirst.
			You'll let me drink ambrosia first."

			"Oh, Ganymede, cup-bearer dear,"
			Melpomene calls wistfully.
			"When through with jealous Hera's chores,
			Abrosia please for one parched throat.
			I'll sit, a silent statue me.
			A coming storm of words I sense.
			Avoidance is my plotted course."

			"Oh, Ganymede, so there you are,
			And thank you boy for coming fast.
			Now sis, I'll ring that lecture bell,
			And History will teach today.
			For what your epic voyage needs-
			Provisioned wheat, as well as sweets.
			Frosting can be revisionist."

			"Revisionist," cries epic's muse.
			Please, sister don't mistake my aim.
			The whos, the whys, the whens, and hows
			Of rigid fact are lousy marks.
			An epic arrow's path through words
			Has been and shall be fictional.
			Since Homer, myth and Bible reign."

			"You know right well Calliope
			You wrote the book on epic form.
			If I can brook changed history
			When I would have it writ in stone,
			Then you can brook adapting poem.
			And anyway, what of the Rape by Pope?
			You loosened up your wants for that."

			"I do. I do. I do know well.
			It's simply that my pride still smarts.
			My Clio, you and Thalia,
			Comedic muse, made mockery
			Of Milton's Paradise with Pope.
			After I came to you for help,
			I felt I'd been usurped, disgraced."

			"You've thrown me for a loop, by Jove!
			Two centuries and eighty years
			Have passed as mortals measure time.
			You can't have locked grudge in your heart
			Over a bit, some trifle rhymes.
			Calliope, advice: to shed-
			To shed and grow a thicker skin."

			"It's easier to say than do.
			Pallas Athena ordered an
			'Heroi-Comic' olive branch-
			Lord Petre raped a lock of hair
			From Arabella Fermor's head.
			Collaborating on that text
			Did drive me to the 'Cave of Spleen'."

			"Was writing rosy then for us?
			For Thalia and me I mean.
			The history of Pope's hybrid-
			A history that's filled with thorns.
			We fought about the blended bud.
			What epic parents should we breed
			To birth a bloom of true events?"

			"But why," now asks Melpomene,
			"Clio, did you and Comedy
			Not trust yourselves to grow the plant?
			Did you esteem your talents low?
			How tragic if that's really true.
			Oh why couldn't Calliope
			Just leave the garden for that once?"

			"Because, in truth," sighs epic's muse,
			"Historic and comedic buds,
			With other petaled disciplines,
			Are abstract flowers of the brain.
			Antique narrative blooms alone
			Blend hardiness into the breeds.
			The blossoms made are strong in wind."

			"So thank you dear Calliope,"
			Melpomene feels free to say.
			"Although I sought our Clio's views,
			Your contribution can be used.
			And I for one think substance counts.
			The forms are reeds that bend in winds
			Of changing, fickle fashion fads.

			And further," says the tragic muse,
			The substance of the constant theme
			Is that of bitter tears and loss.
			The human race does gravitate
			To blurbs of pain and bites of death.
			Each day and night the people see
			Proverbial, sad, sunken ships."

			"Our silent statue speaks again,"
			Laughs Clio, muse of history.
			"For marble, you've had much to say.
			I've chronicled your views just now.
			I'm glad you jumped into our storm.
			Your word-drops falling with our rain.
			I'm sure you thought no lull would come."

			"It's true," affirms Calliope.
			Historic Clio and myself
			Have epic talks and old debates.
			Convinced, cajoled, and often screamed,
			Clio and I leave little room
			Within our chats for other views.
			But now, I'll drive old habit out."

			"And thanks again Calliope,"
			 Melpomene extends her hand,
			"For giving up the floor to me.
			My great oration for the day
			Will focus on Titanic's course-
			Exposing spirits in her bowels.
			I mean her ghosts should be the text.

			Today, before, I spoke to you
			About the need for bites of sound
			And blurbs of pain for modern folk.
			This too applies to poetry,
			As well as to what people watch.
			Therefore, I phantoms recommend-
			Dissolving in to prick the mind.

			Use venue of the Underworld-
			The sea as setting for the dead.
			They're paranormal blurbs and bites.
			They're fit for now's attention span.
			They flit and float upon the scene.
			They rivet readers to their plight.
			With dialogue, this comes to pass."

			"Aha, tragic Melpomene
			Has hit the Sphinx upon the head,"
			Exclaims excited History.
			"She's solved the riddle of our lead,
			For Dr. Ballard did descend.
			He visited Titanic's wreck
			And found large echoes of her past."

			"I'm sure," adds epic's muse with thought,
			"That you Clio will make yourself
			As busy as an octopus-
			Endeavoring to trap the facts
			Surrounding Ballard's treasure hunt
			With each of your long tentacles.
			Along with you, we'll need some help.

			Conveying readers undersea
			Amid Titanic's underworld,
			We three alone can't bring about.
			Young sister Psi, muse of unknowns-
			Our mother's child, but not with Zeus,
			Inspires visions of that sort.
			Tell Hermes he must summon her."

			"Before we find winged messenger,"
			Says whining muse of history,
			"Please tell me there's some other way.
			She may have helped you, epic sis-
			Conveying Scylla and the sylphs.
			However, Psi can wade too deep
			Within her fancy's charybdis."

			"Reserve your thoughts," speaks epic's muse.
			"Our mother Memory's affair
			With Morpheus, the god of dreams,
			Ensured that Psi would hear a beat
			That's different from ours for sure.
			She strives to walk the line between
			Remembered truths and maybe mists.

			And also," says Calliope,
			"We'll need our Psi for any hope
			of conjuring late Captain Smith.
			Titanic's master left behind
			Unsettled doubts about his end.
			Which version of his death to use?
			You talk about revisionist."

			"Oh, whether Smith did save a babe,"
			Opines  tragic Melpomene
			"Before he sank within the waves
			Is less important than the flares-
			Titanic's hope, white-hot and high.
			Those fires doused by Captain Lord.
			Why give me such a stare Clio?"

			"Because," cites muse of history,
			"Late Stanley Lord's recorded course			
			Amid Titanic's tragic loss
			Keeps changing with opinion-winds.
			One day, he's blown to infamy.
			The next, a friendly breeze will sigh
			And take his vessel past all blame."

			"I thought I heard some muse say bang,"
			Now enters in Astronomy,
			"As in Big Bang- the start of all
			That's known within the universe?
			Apologies for I now sense
			The startled silence in this room.
			What musings did this muse put off?"

			"Oh greetings dear Urania.
			It wasn't 'bang', but 'blame' you heard,"
			Calliope, the epic speaks.
			"For blame, like flotsam, floats around
			Above Titanic's resting place.
			But wait, Hermes can rest his wings.
			Urania can fill his shoes.

			Urania, Astronomy-
			For years, a kindred soul to Psi,
			Can say the precincts where she strolls,
			While pondering the world's unknowns.
			We'll sit with bated breath until
			Astronomy reveals our star.
			What murky place does Psi dare plumb?"

			"Not place, but space, is Psi's chief care,"
			Informs Urania, stars' muse.
			"Today our Psi turns telescope
			Atop Olympus Mount to find
			If holes of theory do exist.
			These holes, unstable wanderers,
			Can worm someone away in space."

			"Can you Urania persuade
			Our Psi to pay some stellar fare,"
			Calliope inquires now,
			"And ride these holes back through to earth.
			Unknown, unseen, but all the same,
			This cosmic rail means passage down.
			Titanic waits for her to come."

			"Of course, I'll take the part assigned
			And step in sandals for a while.
			I'll fly our brother's customed route,
			For Hermes, born our messenger,
			Does need a break from Hera's wants.
			She runs him ragged through the sky.
			I'll take my leave and take to wing."

			"Urania, Astronomy
			Has left our space, has exited,"
			The tragic muse now notes for all.
			"What puzzle of Titanic's tale
			Is pictured, shaped on Epic's brow?
			Do pieces fit the way you want?
			Calliope, what do you think?"

			"Not think, but know, Melpomene.
			Titanic's poem will sink, indeed,
			If certain ballast is not dumped-
			I mean post-modern bags of sand.
			Bob Ballard's sub must first go down,
			Before he brings the data up.
			To shift events could make some sick.

			And furthermore," says epic's muse,
			To keep the ghosts encountered straight,
			Our diver Ballard needs a guide,
			As Beatrice to Dante was.
			This spirit must be called by Psi,
			The muse inscrutable, unknown,
			Along with other ghosts below."

			"May I suggest," asks History, 		
			"These spirits enter on the scene
			Upon the scribbling of a draft.
			For even I'm prepared to cite
			That certain points are ironed out
			On paper board with steaming pen.
			The time has come for poet's hand."

			"You may," delights Calliope.
			I'm glad you've shed your rigid need
			To plan each word, each line in mind.
			Our mental storms must pour on dirt
			And mix with sun to grow a bloom.
			Our sister Psi can find the hands
			To plant our guided seed with love."

			"Indeed, I can! Urania,
			Your temporary messenger,
			Has flown the skies in search of me.
			She spoke as vaguely as a star
			Is seen by day, but mystery
			Has spurred this muse of world's unknowns.
			Explain and poet's hand will come."

			"It's simply put," says epic's muse.
			We seek Titanic's ghosts conveyed
			By you to readers of our poem,
			And help from Morpheus to find
			A willing soul to take up pen.
			Oh, look and see she summons him.
			We'll have to wait for Dad to send...."

			Oh, god of dreams, your babe now calls
			On you- her father in the mists.
			Please send a dream to poet's mind-
			A dream to call on muses here-
			For we can't act unless invoked.
			A  narrator in verse we seek
			To tell Titanic's tale for all.

			And do please call on Memory
			My mother holds the key to bring
			The images from out of past
			And mix them with your spell for sleep.
			Titanic's faces calling out
			Should leave our poet wanting us
			To send ideas floating down.

			My thanks to you for hearing me.
			It's Psi now signing off with love.
			I'll see you in the dining hall....
			"I know that when 'in medias'
			It's hard to back your mind again,
			But please, I'd like some filling in-
			The what, the who, the how, the when....."
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