My Favorite Movies

Many of the following films are primarily for children.
But most are my "pre-computer" days.
And then came Madam Computer ... Uh-oh ... you all know what I'm saying.

I offer the following list with this quotation attributed to Ben Hecht (1893-1964):

"Movies are one of the bad habits that corrupted our century. Of their many sins, I offer as the worst their effect on the intellectual side of the nation. It is chiefly from that viewpoint I write of them--as an eruption of trash that has lamed the American mind and retarded Americans from becoming a cultured people."

This was said in spite of the fact that he created some of the most entertaining screenplays in Hollywood (including Some Like it Hot). Who would know better than he who worked right in the middle of it. And truth be told, I would say he is right. Btw, he also was a prolific storyteller, and authored some 35 books; quite a guy for the 20th century.

    101 Dalmatians
    A Boy Named Charlie Brown
    A Chorus Line
    A Double Life
    A Face in a Crowd
    A Kiss Before Dying
    A New Leaf
    A Place in the Sun
    A Pocketful of Miracles
    A Thousand Clowns
    A Tree Grows in Brooklyn
    All About Eve
    All My Sons
    Anatomy of a Murder
    Annie
    Auntie Mame
    Bambi
    Bell, Book, and Candle
    Bicycle Thief
    Biloxi Blues
    Born Yesterday
    Carousel
    Casablanca
    Cavalleria Rusticana
    Charade
    Charlie Brown, the Musical
    Cinderella
    Chitty Chitty Bang Bang
    Citizen Kane
    City Lights
    Come Back Little Sheba
    D. O. A.
    Damn Yankees
    Death of a Salesman
    Dial M for Murder
    Double Indemnity
    Dr. Cyclops
    Dr. Jekyll and Mr. Hyde
    Dracula
    East of Eden
    Forest Gump
    Frenzy
    Gaslight
    Gentlemen's Agreement
    Gone With the Wind
    Guys and Dolls
    Harvey
    Hello Dolly
    High Noon
    How to Murder Your Wife
    How to Succeed in Business…
    Il Tabarro
    In the Heat of the Night
    Invasion of the Body Snatchers
    Irma LaDouce
    Kind Hearts and Coronets
    La Boheme
    La Strada
    Last Holiday
    Le Miserable
    Lifeboat
    Lillies of the Field
    Limelight
    Lost Horizon
    Love Letters
    Majority of One
    Margarie Morningstar
    Marty
    Mary Poppins
    Midnight Lace
    Mildred Pierce
    Moby Dick
    Modern Times
    Mr. Smith Goes to Washington
    Murder on the Orient Express
    Mutiny on the Bounty
    My Fair Lady
    My Little Chickadee
    Network
    Never Give a Sucker an Even Break
    Niagara
    North by Northwest
    Notorious
    Now Voyager
    O.Henry's Full House
    Ocean's Eleven
    Of Mice and Men
    Oklahoma
    Oliver
    On Borrowed Time
    On the Waterfront
    Once Upon a Time in America
    Once Upon a Time in the West
    Our Town
    Pagliacci
    Paper Chase
    Phantom of the Opera
    Picture of Dorian Gray
    Plaza Suite
    Porgy and Bess
    Pride and Prejudice
    Psycho
    Quiz Show
    Race for Your Life Charlie Brown
    Rashomon
    Rear Window
    Red Balloon
    Saboteur
    Scarlet Street
    Shadow of a Doubt
    Shane
    Show Boat
    Snoopy Come Home
    Snow White
    Solid Gold Cadillac
    Some Like it Hot
    Stalag 17
    Strangers On a Train
    Streetcar Named Desire
    Suddenly
    Suspicion
    Take the Money and Run
    Teahouse of the August Moon
    The 39 Steps
    The Apartment
    The Asphalt Jungle
    The Berenstain Bears
    The Big Clock
    The Bridge on the River Kwai
    The Cat in the Hat
    The Catered Affair
    The Dirty Dozen
    The Fortune Cookie
    The Fountainhead
    The Glass Managerie
    The Graduate
    The Great Dictator
    The Great Impostor
    The Gunfighter
    The Heiress
    The Hunchback of Notre Dame
    The Hustler
    The In-laws
    The Killers
    The King and I
    The Ladykillers
    The Last Chapter
    The Lavender Hill Mob
    The Lion King
    The List of Adrian Messenger
    The Lost Weekend
    The Maltese Falcon
    The Man in the Iron Mask
    The Man in the White Suit
    The Man Who Came to Dinner
    The Man Who Knew Too Much
    The Mechanic
    The Music Man
    The Naked City
    The Nuremberg Trials
    The Odd Couple
    The Out-of-Towners
    The Rainmaker
    The Red Shoes
    The Russians are Coming
    The Shrike
    The Sound of Music
    The Sting
    The Strange Loves of Martha Ives
    The Taking of Pelham One Two Three
    The Thin Man
    The Third Man
    The Wizard of Oz
    This Gun for Hire
    Three Days of the Condor
    To Catch a Thief
    Tobacco Road
    Tosca
    Touch of Evil
    Treasure of Sierra Madre
    Twelve Angry Men
    Vertigo
    Wall Street
    Where Eagles Dare
    Witness for the Prosecution
    You Can't Cheat an Honest Man

Charlie Chaplin ... Shorts silent films
    Easy Street
    One A.M.
    The Adventurer
    The Count
    The Cure
    The Fireman
    The Floorwalker
    The Goldrush
    The Immigrant
    The Pawnshop
    The Rink
    The Vagabond

"Oh, one more thing" ... every Columbo movie ever made.
That Peter Falk certainly knew how to create a character.

While putting this page together I keep thinking of one of the entries, Dracula, with Bela Lugosi. Using his naturally thick Eastern European accent and his stage experience, Lugosi masterfully made Bram Stoker's Count Dracula came alive in that 1931 movie. It was a pivotal performance that launched him into stardom. The truth is that he didn't know a word of English; I've been informed that the words were written out for him phonetically and that "handicap" helped him play the part in such a way that one can only think of him as the one and only, Count Dracula.

Listen to his first three lines when he slowly walks down those stairs and greets the unsuspecting Renfield, and says: "I am (pause) Count Dracula. (pause) I bid you (pause) welcome." (then he walks up the stairs through the huge spider web, we hear the wolves howling outside, he stops, turns around and continues) "Listen to them; (pause) children of the night; (pause) what music *they* make."

The effectiveness of this style was due to Lugosi's creepy lugubrious manner and the eerie silences of Browning's directing; it's those pauses that are most effective (I suppose he was struggling with the English sounds) and his Hungarian accent added to the total effect.

Lugosi was not alone with his scare ability in this picture. Dwight Frye, who played the "strongly influenced" Renfield, portrayed insanity in a very convincing manner (no small task unless you are really insane).

All right, back to my ... Brighton Beach... it was a short detour.
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