The World is Alive with the Sound of Music

“Where have all the 'writers' gone ... long time passing,
Where have all the 'writers' gone ... long time ago."
(paraphrasing ... Peter, Paul, and Mary)

Songs "T" Through "Z"

TENNESSEE WALTZ
(Redd Stewart and Pee Wee King) ... recorded by Patti Page.

I was dancin' with my darlin' to the Tennessee Waltz,
When an old friend I happened to see,
I introduced her to my loved one,
And while they were dancin',
My friend stole my sweetheart from me.

I remember the night and the Tennessee Waltz,
Now I know just how much I have lost,
Yes, I lost my little darlin' the night they were playing,
The beautiful Tennessee Waltz.

THAT OLD BLACK MAGIC
(Harold Arlin) ... from "Star-Spangled Rhythm"

That old black magic has me in its spell,
That old black magic that you weave so well,
Those icy fingers up and down my spine,
The same old witchcraft when your eyes meet mine.

The same old tingle that I feel inside,
And then that elevator starts its slide,
Down and down I go,
Round and round I go,
Like a leaf that's caught in the tide.

I should stay away but what can I do,
I hear your name, and I'm aflame,
A flame with such a burning desire,
That only your kiss can put out the fire.

'Cause you're the lover I have waited for,
The mate that fate had me created for,
And every time you lips meet mine.

Darling, down and down I go,
Round and round I go,
In that spin of love that I'm in,
Under that old black of love.

THE CANDY MAN
(Leslie Bricusse and Anthony Newley)
from "Willy Wonka and the Chocolate Factory"
Recorded by Sammy Davis Jr.

Who can take a sunrise, sprinkle it with dew,
Cover it with choc'late and a miracle or two,
The Candy Man can, oh the Candy Man can,
The Candy Man can 'cause he mixes it with love and makes the world taste good.

Who can take a rainbow, wrap it in a sigh,
Soak it in the sun and make a groovy lemon pie,
The Candy Man can, the Candy Man can,
The Candy Man can 'cause he mixes it with love and makes the world taste good.

The Candy Man makes everything he bakes satisfying and delicious,
Now you talk about your childhood wishes, you can even eat the dishes.

Oh, who can take tomorrow, dip it in a dream,
Separate the sorrow and collect up all the cream,
The Candy Man can, oh the Candy Man can,
The Candy Man can 'cause he mixes it with love and makes the world taste good.

The Candy Man makes everything he bakes satisfying and delicious,
Talk about your childhood wishes, you can even eat the dishes.

Yeah, yeah, yeah,
Who can take tomorrow, dip it in a dream,
Separate the sorrow and collect up all the cream,
The Candy Man can, yes the Candy Man can,
The Candy Man can 'cause he mixes it with love and makes the world taste good,
Yes the Candy Man can, yes the Candy Man can.

THE HILLS ARE ALIVE WITH THE SOUND OF MUSIC
(Rodgers and Hammerstein) ... from the Broadway musical "Sound of Music"

The hills are alive with the sound of music,
With songs they have sung for a thousand years,
The hills fill my heart with the sound of music,
My heart wants to sing every song it hears.

My heart wants to beat like the wings of the birds,
That rise from the lake to the trees,
My heart wants to sigh like a chime that flies,
From a church on a breeze,

To laugh like a brook when it trips and falls,
Over stones on its way,
To sing through the night,
like a lark who is learning to pray.

I go to the hills when my heart is lonely,
I know I will hear what I've heard before,
My heart will be blessed with the sound of music,
And I'll sing once more.

THE HOUSE I LIVE IN
(Robinson/Allen) ... recorded by Frank Sinatra.

What is America to me,
A name, a map, or a flag I see,
A certain word, democracy,
What is America to me.

The house I live in,
A plot of earth, a street,
The grocer and the butcher,
Or the people that I meet.

The children in the playground,
The faces that I see,
All races and religions,
That's America to me.

The place I work in,
The worker by my side,
The little town the city,
Where my people lived and died.

The howdy and the handshake,
The air a feeling free,
And the right to speak your mind out,
That's America to me.

The things I see about me,
The big things and the small,
That little corner newsstand,
Or the house a mile tall.

The wedding and the churchyard,
The laughter and the tears,
And the dream that's been a growing,
For more than two hundred years.

The town I live in,
The street, the house, the room,
The pavement of the city,
Or the garden all in bloom.

The church the school the clubhouse,
The millions lights I see,
But especially the people,
Yes especially the people,
That's America to me.

THE IMPOSSIBLE DREAM
From the Broadway musical "Don Quixote"

To dream the impossible dream,
To fight the unbeatable foe,
To bear with unbearable sorrow,
To run where the brave dare not go.

To right the unrightable wrong,
To be better far than you are,
To try when your arms are too weary,
To reach the unreachable star.

This is my quest, to follow that star,
No matter how hopeless, no matter how far,
To be willing to give, when there's no more to give,
To be willing to die, so that honor and justice may live.

And I know if I'll only be true to this glorious quest,
That my heart will lie peaceful and calm when I'm laid to my rest.

And the world will be better for this,
That one man scorned and covered with scars,
Still strove with his last ounce of courage,
To reach the unreachable star.

The Other Generation
(Rodgers and Hammerstein) ... from the Broadway musical "Flower Drum Song"

What are we going to do about the other generation,
How will ever communicate without communication.

You can't account for what they'll say or do,
And what peculiar thoughts they think,
They never reveal to you.

A very discouraging problem is the other generation,
They want to lead a life that's all their own,
Perhaps we ought to let them,
Forsake them and forget them,
But then we'd only find ourselves alone.--With one another--,
I don't believe we'd like to be alone.

What are we going to do about the other generation,
They never take the blame for one mistake.--Oh no--
Their parents are responsible,
For ev'ry mistake they make

A very discouraging problem is the other generation,
And soon there'll be another one as well,
And when our out of hand sons,
Are bringing up our grandsons,
I hope our grandsons give their fathers hell--Can't wait to see it--,
I hope our grandsons give their fathers hell

(Reprise)
Well, the more I see of grownups,
The less I want to grow,
The more I see what they have learned,
The less I want to know,
And yet we've got to all grow up,
There's no place else to go,
I wonder why we're all so poor,
And they've got all the dough.

What are we going to do about the other generation,
How will ever communicate,
Without communication,
When we are using words the modern way,
They're much too big to try to dig,
The colorful things we say.

If we could take over the training of the other generation,
We know we could improve them quite a lot,
But they will never let us,
They stay the way they met us,
And so we're simply stuck with what we've got.--You can't improve them.--,
The kids are simply stuck with what they've got.

What are we going to do about the other generation,
How are we going to stop them when,
They start an explanation,
Of what is used to mean to be a kid,
The clean and wholesome fun they had,
The innocent things they did.

They all had a wonderful childhood in the other generation,
The games they played were bright and gay and loud,
They used to shout "Red Rover,
Red Rover please come over,
They must have been an awful droopy crowd when they were younger,
They must have been an awful droopy crowd.

THE VERY THOUGHT OF YOU
(Ray Noble)

The very thought of you and I forget to do,
The little ordinary things that everyone ought to do,
I'm living in a kind of daydream,
I'm happy as a king,
And foolish though it may seem,
To me that's everything.

The mere idea of you, the longing here for you,
You'll never know how slow the moments go till I'm near to you,
I see your face in every flower,
Your eyes in stars above,
It's just the thought of you,
The very thought of you, my love.

THE WAY WE WERE
(Marvin Hamlisch, Alan Bergman and Marilyn Bergman)
recorded by Barbra Streisand.

Mem'ries, light the corners of my mind,
Misty water-colored mem'ries, of the way we were.

Scattered pictures, of the smiles we left behind,
Smiles we gave to one another, for the way we were.

Can it be, that it was all so simple then,
Or has time rewritten every line,
If we had the chance to do it all again, tell me, would we, could we.

Mem'ries, may be beautiful and yet,
What's too painful to remember, we simply choose to forget,
So it's the laughter we will remember,
Whenever we remember, the way we were.

THEY SAY IT'S WONDERFUL
(Irving Berlin) ... from the Broadway musical "Annie Get Your Gun"
Recorded by Ethel Merman in the original show ... also recorded by Perry Como.

(Verse)
Rumors fly and you can't tell where they start,
Specially when it concerns a person's heart,
I've heard tales that could set my heart aglow,
Wish I knew if the things I hear are so.

(Refrain)
They say that falling in love is wonderful,
Wonderful, so they say,
And with a moon up above, it's wonderful,
It's wonderful, so they tell me.

I can't recall who said it,
I know I never read it,
I only know they tell me that love is grand, and,
The thing that's known as romance is wonderful,
Wonderful, in every way so they say.

(Verse)
Rumors fly and they often leave a doubt,
But you've come to the right place to find out,
Everything that you've heard is really so,
I've been there once or twice and I should know.

(Refrain)
They say that falling in love is wonderful,
Wonderful, so they say,
And with a moon up above, its wonderful,
It's wonderful, so they tell me.

To leave your house some morning and without any warning,
You're stopping people shouting that love is grand, and,
To hold a girl in your arms is wonderful,
Wonderful, in every way, so they say.

THIS NEARLY WAS MINE
(Rodgers and Hammerstein) ... from the Broadway musical "South Pacific"

One dream in my heart,
One love to be living for,
One love to be living for,
This nearly was mine.

One girl for my dream,
One party in paradise,
This promise of paradise,
This nearly was mine.

Close to my heart she came,
Only to fly away,
Only to fly as day flies from moonlight.

Now, now I'm alone,
Still a-dreaming of paradise,
Still saying that paradise once nearly was mine.

One dream in my heart,
One love to be living for,
One love to be living for,
This nearly was mine.

Close to my heart she came,
Only to fly away,
Only to fly as day flies from moonlight,
Now, now I'm alone,
Still a-dreaming of paradise,
Still saying that paradise once nearly was mine.

THREE COINS IN A FOUNTAIN
(Styne and Chan)

Three coins in a fountain,
Each one seeking happiness,
Thrown by three hopeful lovers,
Which one will the fountain bless.

Three hearts it a fountain,
Each heart longing for its home,
There they lie in the fountain,
Somewhere in the heart of Rome.

Which one will the fountain bless,
Which one will the fountain bless.

Three coins in a fountain,
Through the ripples how they shine,
Just one wish will be granted,
One heart will wear a Valentine.

Make it mine, make it mine, make it mine.

TILL THE END OF TIME
(Buddy Kaye and Ted Mossman) ... recorded by Perry Como.
Adapted from Chopin's "Polonaise in A-flat Major"

Till the end of time, long as stars are in the blue,
Long as there's a Spring of birds to sing I'll go on loving you,
Till the end of time, long as roses bloom in May,
My love for you will grow deeper with every passing day.

Till the wells run dry and each mountain disappears,
I'll be there for you to care for you through laughter and through tears,
So take my heart in sweet surrender and tenderly say that I'm,
The one you love and live for till the end of time.

TO EACH HIS OWN
(Jay Livingston and Ray Evans)
recorded by the Ink Spots ... it became their theme song.

A rose must remain with the sun and the rain,
Or its lovely promise won't come true,
To each his own, to each his own,
And my own is you.

What good is a song if the words just don't belong,
And a dream must be a dream for two,
No good alone, to each his own,
For me there's you.

(Chorus)
If a flame is to grow there must be a glow,
To open each door there's a key,
I need you, I know, I can't let you go,
Your touch means too much to me.

Two lips must insist on two more to be kissed,
Or they'll never know what love can do,
To each his own, I've found my own,
One and only you.

TRY TO REMEMBER
(lyrics by Tom Jones, music by Harvey Schmidt) … from the musical, “The Fantasticks”

Try to remember the kind of September,
When life was slow and oh so mellow
Try to remember the kind of September,
When grass was green and grain was yellow.
Try to remember the kind of September,
When you were a tender and callow fellow.
Try to remember and if you remember,
Then follow,
Follow follow follow...

Try to remember when life was so tender,
That no one wept except the willow.
Try to remember when life was so tender,
That dreams were kept beside your pillow.
Try to remember when life was so tender,
That love was an ember about to billow.
Try to remember and if you remember,
Then follow,
Follow follow follow...

Deep in December it's nice to remember,
Although you know the snow will follow.
Deep in December it's nice to remember,
Without a hurt the heart is hollow.
Deep in December it's nice to remember,
The fire of September that made you mellow.
Deep in December our hearts should remember,
And follow...

UNFORGETTABLE
(Irving Gordon) ... recorded by Nat King Cole.

Unforgettable, that's what you are,
Unforgettable though near or far,
Like a song of love that clings to me,
How the thought of you does things to me,
Never before has someone been more.

Unforgettable in every way,
And forever more, that's how you'll stay,
That's why, darling, it's incredible,
That someone so unforgettable,
Thinks that I am unforgettable too.

No, never before has someone been more,
Unforgettable, in every way,
And forever more, that's how you stay,
That's why, darling, it's incredible,
That someone so unforgettable,
Thinks that I am unforgettable too.

We Kiss in a Shadow
(Rodgers and Hammerstein) ... from the Broadway musical "The King and I"

We kiss in a shadow,
We hide from the moon,
Our meetings are few,
And over too soon.

We speak in a whisper,
Afraid to be heard;
When people are near,
We speak not a word.

Alone in our secret,
Together we sigh,
For one smiling day to be free.

To kiss in the sunlight
And say to the sky:
"Behold and believe what you see! Behold how my lover loves me."

WHAT A WONDERFUL WORLD
(George Weiss / Bob Thiele) ... Recorded by Louis Armstrong (Sachmo).

I see trees of green, red roses too,
I see them bloom for me and you,
And I think to myself what a wonderful world.

I see skies of blue and clouds of white,
The bright blessed day, the dark sacred night,
And I think to myself what a wonderful world.

The colors of the rainbow so pretty in the sky,
Are also on the faces of people going by,
I see friends shaking hands saying how do you do,
They're really saying I love you.

I hear babies crying, I watch them grow,
They'll learn much more than I'll never know,
And I think to myself what a wonderful world,
Yes I think to myself what a wonderful world.

WHEN THE SAINTS GO MARCHING IN

(Introduction)
We are trav'ling in the footsteps,
Of those who've gone before,
But we'll all be reunited,
On a new and sunlit shore.

(Verses)
Oh when the Saints go marching in,
When the Saints go marching in,
Oh L-rd I want to be in that number,
When the Saints go marching in.

Additional verses can start with each of the following lines:

And when the sun refuse (begins) to shine ...
Oh when the moon turns red with blood ...
Oh on that hallelujah day ...
Oh when the trumpet sounds the call ...
Oh when the revelation (revolution) comes ...
Oh when the rich go out and work ...
Oh when the air is pure and clean ...
Oh when we all have food to eat ...
Oh when our leaders learn to cry ...

WHEN YOU WALK THROUGH A STORM
(Rodgers and Hammerstein) ... from the Broadway musical "Carousel"

When you walk through a storm,
Hold your head up high,
And don't be afraid of the dark.
At the end of a storm is a golden sky,
And the sweet silver song of a lark.

Walk on through the wind.
Walk on through the rain,
Tho' your dream be tossed and blown.
Walk on, walk on,
With hope in your heart,
And you'll never walk alone.
You'll never, walk alone.

WHERE HAVE ALL THE FLOWERS GONE
(Peter, Paul, and Mary ... also by Pete Seeger)

Where have all the flowers gone, long time passing,
Where have all the flowers gone, long time ago?
Where have all the flowers gone, young girls picked them everyone,
When will they ever learn, when will they ever learn?

Where have all the young girls gone, long time passing,
Where have all the young girl gone, long time ago?
Where have all the young girls gone, gone to husbands everyone,
When will they ever learn, when will they ever learn?

Where have all the husbands gone, long time passing,
Where have all the husbands gone, long time ago?
Where have all the husbands gone, gone to soldiers everyone,
When will they ever learn, when will they ever learn?

  • Where have all the soldiers gone, long time passing,
    Where have all the soldiers gone, long time ago?
    Where have all the soldiers gone, gone to graveyards everyone.
    When will they ever learn, when will they ever learn?

    Where have all the graveyards gone, long time passing,
    Where have all the graveyards gone, long time ago ?
    Where have all the graveyards gone, covered with flowers everyone,
    When will they ever learn, when will they ever learn.

    WHERE OR WHEN
    (Rogers and Hart) ... from the Broadway musical "Babes in Arms"

    It seems we stood and talked like this, before,
    We looked at each other in the same way then,
    But I can't remember where or when.

    The clothes you're wearing are the clothes you wore,
    The smile you are smiling you were smiling then,
    But I can't remember where or when.

    Some things that happened for the first time,
    Seem to be happening again.

    And so it seems that we have met before,
    And that we laughed before, also loved before,
    But who knows where or when.

    WHITE CHRISTMAS

    From Irving Berlin's 1942 movie "Holiday Inn" - The cast included: Bing Crosby, Fred Astaire, and Marjorie Reynolds ... The song was written and composed by Irving Berlin, the son of Jewish immigrants - Suprisingly, he wrote hundreds of songs, but he couldn't read a note of music. Note that "White Christmas" is widely regarded as the best selling single record of all time. Its success inspired the movie "White Christmas," which starred Bing Crosby, and Danny Kaye. Other songs listed here by Irv Berlin are:
    Blue Skies .......How Deep is the Ocean
    They Say It's Wonderful .......G-d Bless America.

    I'm dreaming of a white Christmas,
    Just like the ones I used to know,
    Where the treetops glisten,
    And children listen,
    To hear sleigh bells in the snow.

    I'm dreaming of a white Christmas,
    With every Christmas card I write,
    May your days be merry and bright,
    And may all your Christmases be white.

    WITHOUT A SONG
    (Youmans/Rose and dEliscu)

    Without a song, the day would never end,
    Without a song, the road would never have been,
    When things go wrong, a man ain't got a friend,
    Without a song.

    That field of corn, would never see a plow,
    That field of corn, would be deserted now,
    A man is born, but he's no good no how,
    Without a song.

    I've got my trouble and woe, but sure as I know,
    The Jordan will roll,
    I'll get along, as long as a song,
    Is strung in my soul.

    I'll never know, what makes the rain to fall,
    I'll never know, what makes the grass so tall,
    I only know, there ain't no love at all,
    Without a song.

    WOULDN'T IT BE LOVELY
    (Alan Jay Lerner and Frederick Loewe)
    from the Broadway musical "My Fair Lady"

    All I want is a room somewhere,
    Far away from the cold night air,
    With one enormous chair,
    Oh, wouldn't it be lovely.

    Lots of chocolate for me to eat,
    Lots of coal makin' lots of heat,
    Warm face, warm hands, warm feet,
    Oh, wouldn't it be lovely.

    Oh so lovely sittin' abso-bloomin'-lutely still,
    I would never budge till Spring crept over the window sill.

    Someone's head restin' on my knee,
    Warm and tender as she can be,
    Who takes good care of me,
    Oh, wouldn't it be lovely,
    Lovely, lovely, lovely, lovely.

    YES SIR, THAT’S MY BABY
    (Gus Kahn and Walter Donaldson)

    Yes sir, that's that's my baby,
    No sir, I don't mean maybe,
    Yes sir, that's my baby now.

    Yes, ma'm, we've decided,
    No ma'm, we ain't gonna hide it ,
    Yes, ma'm, you're invited now.

    By the way, by the way,
    When we walk up to the preacher I'll say.

    Yes sir, that's my baby,
    No sir, I don't mean maybe,
    Yes sir, that's my baby now.

    By the way, by the way,
    When we run into the preacher I'll say.

    I'll say yes sir, that's my baby,
    No sir, I don't mean maybe,
    Yes sir, that's my baby now.

    YESTERDAY
    (Paul McCarthy)

    Yesterday, all my troubles seemed so far away,
    Now it looks as though they're here to stay.
    Oh, I believe in yesterday.

    Suddenly, I'm not half the man I used to be,
    There's a shadow hanging over me,
    Oh, yesterday came suddenly.

    Why she had to go, I don't know,
    She wouldn't say,
    I said something wrong,
    Now I long for yesterday.

    Yesterday, love was such an easy game to play,
    Now I need a place to hide away,
    Oh, I believe in yesterday.

    Why she had to go, I don't know,
    She wouldn't say,
    .I said something wrong,
    Now I long for yesterday.

    Yesterday, love was such an easy game to play,
    .Now I need a place to hide away,
    Oh, I believe in yesterday.

    YOU'D BE SO NICE TO COME HOME TO
    (Cole Porter) ... from "Something To Shout About"

    You'd be so nice to come home to,
    You'd be so nice by the fire,
    While the breeze, on high, sang a lullaby,
    You'd be all that I could desire.

    Under stars, chilled by the winter,
    Under an August moon, burning above,
    You'd be so nice, you'd be paradise,
    To come home to and love.

    YOU'LL NEVER KNOW
    (Mack Gordon and Harry Warren) ... from "Hello 'Frisco, Hello"

    You'll never know just how much I love you,
    You'll never know just how much I care,
    And if I tried, I still couldn't hide my love for you,
    You ought to know for haven't I told you so,
    A million or more times.

    I see your face and my heart goes to you,
    I speak your name in my every prayer,
    If there is some other way to prove that I love you,
    I swear I don't know how,
    You'll never know if you don't know now.

    You'll never know just how much I miss you,
    You'll never know just how much I care,
    You said good-bye, no stars in the sky refuse to shine,
    Take it from me, it's no fun to be alone,
    With moonlight and memories.

    (Repeat second stanza.)

    Younger Than Springtime
    (Rodgers and Hammerstein) ... from the Broadway musical "South Pacific"

    I touch your hands and my heart goes strong,
    Like a pair of birds that burst with song,
    My eyes look down at your lovely face,
    and I hold a world in my embrace,
    Younger than springtime, are you.

    Softer than starlight, are you,
    Warmer than winds of June, are the gentle lips you gave me.

    Gayer than laughter, are you,
    Sweeter than music, are you,
    Angel and lover, Heaven and Earth, are you to me.

    And when your youth and joy invade my arms,
    And fill my heart as now they do.

    Then younger than springtime, am I,
    Gayer than laughter, am I,
    Angel and lover, Heaven and Earth, am I with you...,

    And when your youth and joy invade my arms,
    And fill my heart as now they do,
    Then younger than springtime, am I,
    Gayer than laughter, am I,
    Angel and lover, Heaven and Earth, am I with you.

    You've Got To Be Carefully Taught
    (Rodgers and Hammerstein) ... from the Broadway musical "South Pacific"

    You've got to be taught to hate and fear,
    You've got to be taught from ear to ear,
    It's got to be drummed in your dear little ear,
    You've got to be carefully taught.

    You've got to be taught to be afraid,
    Of people whose eyes are oddly made,
    And people whose skin is a different shade,
    You've got to be carefully taught

    You've got to be taught before it's too late,
    Before you are six or seven or eight,
    To hate all the people your relatives hate,
    You've got to be carefully taught.


    Art is art only if it helps your soul fly on eagles' wings,
    If music is not uplifting to the human soul, then it just isn't music.
    It should allow you to see and feel where you otherwise couldn't see and feel.

    So another look at the …Menu ... maybe another song?
    For those of you familiar with …Jewish Songs ... so go, give it a try, why not.
    Had enough singing for today? …Navigator ... takes you to other sections.

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