sarah riggs
Red [poem+painting]
It travels. Like other
colors, but faster. You become red
looking
at red. You’re already
red. As in, the nature artist crushes
rock (iron
inside of us, iron outside of us) and it rushes through a stream
red.
Stream bed. Bed. Red red red. It’s energy. No,
anger. No, energy.
No, anger. No energy.
Love. It’s love. Red coursing through
a river. Artificial. Nothing is artificial. How could it be?
Red
The emotion that bleeds. A
color of. Very much is. This
you can feel. How
red. If some reds are deeper than
others,
to what do we respond.
Respond how. Respond when.
Red
It expands. If it
does. Does not exist in the dark. Is a color of.
We cannot see it. Can.
Red
So vibrant it does not see.
Sees. Red only. Forgets. A bull
does/not see color. Who
sees much sees, not often, anyway. What’s
your red cloth? Who pulls
it away? Would you settle for a cloth
without color? Would you
settle? Settle where? With whom.
Why.
Is it a red feeling? What
color is the feeling.
Red
A statement against war.
For war. Of the reds. Of blood.
Blood
is good. Not
bloodshed. But blood. Rose red. Mitral valve red. Ribbon
red. Oxygenated red. Merlot red.
Red on red. Red on red on
red. A red
point makes a point that is red on a surface. That surface is red and
that surface would be round.
Would have to be. War is an
inner state
for those who do not wish to go to war. But it shows. Shows red.
Wanting war is a black feeling.
Not wanting war is a black feeling.
Black wins? Pitches
against color. Pitches into. Pitches black. The
colors are different but they are the same. They are the same. But
black is not a color. Or
is made of other colors? Tints of
red. Ribbons.
Lines. Darts. All is red.
All of it. All black? All red.
Not = war is
a red feeling.
Red
Red is a color that looks differently. Does not look.
Feels. Red feels.
Won’t stop. Pulsing. It pulses.
It’s a pulsing color. Hate it.
Hate red. Then try to
separate out the feeling. Will you?
Red
Someone said the word red indicates an idea. What idea I wonder. I
would like to know.
Rose madder geranium lake
in/dul/gent bright red
carmine
perylene red crimson lake Chinese en/raged alps red
rose doré
scarlet lake alizarin crimson
peony red Actually no, that
would be,
a/live.
Not all reds are the same.
What if they were? Would you
want them to be?
If you read exhibition notes even though you dislike them, it’s
probable that you fear language. And cannot do without it. What you
need to know about this red is that it’s as subtle as a stop sign. You
stop to go. Not to stay stopped forever. Language is as blunt
or as slippery as you want it to be. If you resent this poem, that would
be good. If not, you’re a free bull. at the time of writing, sarah riggs is pleased to read rife,
to be in rife. she’s in paris, but her heart is half in san
francisco. since starting to translate french
poetry, everything feels like translating, even cooking. but painting has
always felt like cooking. there’s a very thin black book, Word
Sightings: American Poetry and Visual Media, with routledge (2002) and some
poetry in New American Writing and forthcoming in Aufgabe and Petite
(a nice little French journal). |