ALMOST
BLUE
ORIGINAL ALBUM (32:42)
- Why Don't You Love Me (Like You Used To Do)? (1:35)
- Sweet Dreams (2:56)
- Success (2:38)
- I'm Your Toy (3:20)
- Tonight The Bottle Let Me Down (2:06)
- Brown To Blue (2:37)
- Good Year For The Roses (3:06)
- Sittin' And Thinkin' (3:00)
- Colour Of The Blues (2:18)
- Too Far Gone (3:24)
- Honey Hush (2:11)
- How Much I Lied (2:48)
BONUS DISC (76:06)
- Stranger In The House George
Jones with Elvis Costello (3:36)
- We Oughta Be Ashamed Johnny
Cash with Elvis Costello (2:44)
- Radio Sweetheart (live) (3:15)
- Stranger In The House (live) (3:56)
- Psycho (live) (3:35)
- If I Could Put Them All Together (I'd Have You) (live) (2:28)
- Motel Matches (live) (2:21)
- He'll Have To Go (live) (2:51)
- Girls Talk (live) (1:44)
- Too Far Gone ("Lost Session" version) (3:08)
- He's Got You ("Lost Session" version) (3:48)
- Honky Tonk Girl (2:24)
- That's Why I'm Walking (2:18)
- Wondering (2:20)
- Darling, You Know I Wouldn't Lie (2:36)
- My Shoes Keep Walking Back To You (2:01)
- Blues Keep Calling (2:05)
- Tears Before Bedtime (2:23)
- Psycho (3:20)
- Cry, Cry, Cry (2:47)
- I'll Take Care Of You (3:09)
- Your Angel Steps Out Of Heaven (1:55)
- Brand New Heartache (live) (2:29)
- There Won't Be Anymore (live) (2:32)
- Sittin' And Thinkin' (live) (2:51)
- Honey Hush (live) (2:28)
- I'm Your Toy (live) (4:01)
Almost Blue was recorded between
May 18 and May 29, 1981 at Nashville's CBS Studio A. The original LP is
the shortest album of Elvis' career, despite a wealth of additional
material recorded during the album sessions, including several outtakes
and alternates which first surfaced on the bootleg Nashville And More. Ryko repeated only one track from
the bootleg ("Tears Before Bedtime"), although it requires a close
listen to realize that Ryko used a slightly different version of
"Darling, You Know I Wouldn't Lie."
Rykodisc's 1994 reissue was quite ambitious, with a generous 11 bonus
tracks, although it also omitted several non-album B-sides from the
period. Rhino's bonus disc gathers together all of the unique songs
known to be recorded during this period and adds several new live tracks
and thematically connected duets with George Jones and Johnny Cash. It
does, however, drop two of the live performances which had been included
on the Ryko CD.
In the Ryko liner notes, Elvis offers "25 or more" as the total number
of songs attempted during the album sessions. The Rhino release includes
23 of these songs. As for the other two, one possibility is "He's Got
You," which is included on the bonus disc in a version which predates
the album sessions, but there is also a second version on bootlegs which
is possibly from the official Almost
Blue sessions. Also possible is that the unreleased but
bootlegged medley of "Blues Keep Calling" and "Cry, Cry, Cry" was
counted as a separate song. It could even be that "Too Far Gone" was
counted twice as a result of being attempted at both the "lost session"
and the main album sessions.
WHAT'S
NEW
WE OUGHTA BE ASHAMED Johnny Cash with Elvis
Costello
"We Oughta Be Ashamed" was recorded at Nick Lowe's home studio on
December 26, 1979 for Johnny Cash's album Rockabilly Blues but ultimately went
unused. Elvis' explanation in the Ryko liner notes was that the title
"proved to be prophetic," although he may have been exaggerating since
he says in the Rhino notes that he is "really glad that it has finally
found its way off the shelf." Its inclusion on the bonus disc is made
all the more unusual by the fact that Elvis is relegated to a supporting
role, providing harmonies on the chorus and singing only one line on
his own. Elvis and The Delivery Man
co-producer Dennis Herring mixed the track especially for this release.
RADIO SWEETHEART (LIVE, NORTH
HOLLYWOOD, FEB. 16, 1979)
STRANGER IN THE HOUSE (LIVE, NORTH HOLLYWOOD, FEB. 16, 1979)
IF I COULD PUT THEM ALL TOGETHER (I'D HAVE YOU) (LIVE, NORTH HOLLYWOOD,
FEB. 16, 1979)
MOTEL MATCHES (LIVE, NORTH HOLLYWOOD, FEB. 16, 1979)
HE'LL HAVE TO GO (LIVE, NORTH
HOLLYWOOD, FEB. 16, 1979)
GIRLS TALK (LIVE, NORTH HOLLYWOOD, FEB. 16, 1979)
Elvis and the Attractions played two shows in one night at the
Palomino club on February 16, 1979. Both shows featured John McFee
joining the band for a set of several country songs, among them the
version of "Psycho" which was released as a 1981 B-side. Rhino's bonus
disc adds six more songs from the show: the first two Costello originals
with an obvious country influence ("Radio Sweetheart" and "Stranger In
The House"), two covers otherwise unrecorded by Elvis (George Jones' "If
I Could Put Them All Together (I'd Have You)" and Jim Reeves' "He'll
Have To Go"), and overtly country arrangements of two then-unrecorded
Costello originals ("Motel Matches" and "Girls Talk"). This version of
"Motel Matches," which has substantially different lyrics, was
previously under consideration for the Get Happy!! bonus disc, which
ended up including a different song ("Opportunity") from the same show
instead. (All of the officially released songs from the Palomino club
are different performances from those available on the various Palomino
bootlegs. Since there were two Palomino shows, it is clear that the
official releases come from one show and the bootlegs from the other.)
TOO FAR GONE ("LOST SESSION"
VERSION)
HE'S GOT YOU ("LOST SESSION" VERSION)
On January 20, 1981, four months before the official start of the Almost Blue sessions, Elvis and the Attractions joined
Billy Sherrill at CBS Studio B for a trial session at which they
recorded these two songs with Pete Drake (and not John McFee) on pedal
steel guitar. Elvis had described these recordings as "lost" in his
liner notes for Ryko's Almost Blue,
but obviously the tape has since been found. (Elvis apparently also
misremembered which songs had been recorded at this session, listing
"I'll Take Care Of You" instead of "Too Far Gone." He repeats the same
mistake in the Rhino notes.) Both of these performances are entirely
unheard prior to this release. The studio version of "He's Got You" on
the bootleg Nashville And More
is an entirely different performance, although it is the same basic
arrangement.
THAT'S WHY I'M WALKING
PSYCHO
I'LL TAKE CARE OF YOU
Although
this is the first official release for these outtakes from the Almost Blue sessions, the same
performances have long been available on the bootleg Nashville And More in inferior sound
quality. In the case of "That's Why I'm Walking," Rhino adds a
previously unheard count-in and a slightly longer ending. Rhino's
"Psycho," however, is missing the count-in which can be heard on the
bootleg. "I'll Take Care Of You" includes a full ending on the Rhino CD,
while the bootleg fades out.
BRAND NEW HEARTACHE (LIVE,
ABERDEEN, JUL. 30, 1981)
This is Elvis' only known performance of the Everly Brothers/Gram
Parsons song.
WHAT'S
OLD (BUT NOT ON THE RYKO CD)
STRANGER IN THE HOUSE George Jones with Elvis
Costello
Elvis' duet with George Jones was started in 1978, completed in
March 1979, and released in April 1980. Although it obviously predates
the Almost Blue period, it is a
country song recorded in Nashville with producer Billy Sherrill, and it
makes its first appearance on a Costello album here. It was previously
available on Jones' 1980 album My Very
Special Guests and also released as a single.
HONKY TONK GIRL
WONDERING
BLUES KEEP CALLING
CRY, CRY, CRY
These outtakes from the album sessions were the most glaring
omissions from Ryko's Almost Blue.
Did Ryko's bonus material stop at 11 bonus tracks and 31 minutes for no
other reason than to avoid overwhelming the original album's 12 tracks
and 32 minutes? Thankfully, Rhino's recent bonus discs have shown no
such qualms about limiting the bonus material, and all four tracks now
appear on Almost Blue. They were first released as
B-sides of the "I'm Your Toy" single, with "Wondering" and "Cry, Cry,
Cry" on the 7-inch single and "Honky Tonk Girl" and "Blues Keep Calling"
on the 12-inch. All four should have made their CD debut on Singles, Volume 2,
but the wrong tapes were used for "Cry, Cry, Cry" and "Wondering," and
they appeared instead in an unfinished state with subtle differences in
Elvis' vocals. Rhino, thankfully, has used the correct single versions.
RYKO
REPEATS
PSYCHO (LIVE, NORTH HOLLYWOOD, FEB. 16,
1979)
The band recorded a studio version of "Psycho" during the Almost Blue sessions, but this
relatively old live recording was issued instead as the B-side of "Sweet
Dreams" in December 1981. "Psycho" made its CD debut on the various
artists collection From Hell To
Obscurity prior to its inclusion on Ryko's Almost Blue. Rhino's bonus disc adds
a previously unavailable spoken intro in which Elvis credits Jack Kittel
with writing the song. In fact, it was written by Leon Payne, although
Kittel's recording is what influenced Elvis' version. According to some
reports, Elvis' vocal was re-recorded in the studio prior to the song's
official release. Indeed, when "Psycho" is placed between other songs
from the same concert on this CD, Elvis' voice sounds significantly
different on "Psycho" and quite similar to other studio recordings from
the Almost Blue period.
DARLING, YOU KNOW I WOULDN'T LIE
MY SHOES KEEP WALKING BACK TO YOU
TEARS BEFORE BEDTIME
YOUR ANGEL STEPS OUT OF
HEAVEN
These were the only Almost Blue outtakes to appear on the
Ryko CD. "Your Angel Steps Out Of Heaven" was originally the B-side of
"Good Year For The Roses" (making the single a pairing of two George
Jones covers, although Elvis would also have been aware of the Flying
Burrito Brothers' version of "Your Angel Steps Out Of Heaven"). "My
Shoes Keep Walking Back To You" was on the "I'm Your Toy" 12-inch
single. The other two were released officially for the first time on the
Ryko CD, although the bootleg Nashville
And More had included the same "Tears Before Bedtime" and a very
similar alternate take of "Darling, You Know I Wouldn't Lie." Rhino's
version of "Darling, You Know I Wouldn't Lie" has a slower fadeout than
the Ryko version, allowing the full ending to be heard more easily.
THERE WON'T BE ANYMORE (LIVE, ABERDEEN,
JUL. 30, 1981)
SITTIN' AND THINKIN' (LIVE, ABERDEEN,
JUL. 30, 1981)
HONEY HUSH (LIVE, ABERDEEN, JUL. 30,
1981)
These performances come from between the recording and the
release of Almost Blue and are
notable for including Charlie Rich's "There Won't Be Anymore," which is
otherwise unreleased by Elvis. These first appeared on the Ryko Almost Blue along with two other
songs from this concert, "He's Got You" and "Cry, Cry, Cry," which have
not made the transition to the Rhino bonus disc, where they appear
instead as studio recordings. Rhino has apparently returned to the
original source tape for the three remaining tracks, because "There
Won't Be Anymore" and "Honey Hush" are presented in remixed form, with
"There Won't Be Anymore" also sporting a previously unheard spoken intro
and a slightly longer musical intro, and "Honey Hush" no longer fading
quite as quickly at the end of the song. "Sittin' And Thinkin'" differs
even more significantly from its Ryko incarnation, with enough vocal
and instrumental variations to suggest a completely different
performance. Since the main purpose of the Aberdeen show was to produce
footage for a TV documentary about the making of the album, it does not
seem unreasonable to think that a song may have been played twice for
the benefit of the TV cameras. Another possibility is that it is the
same basic performance, and the variations are the result of the
original live track being subjected to studio overdubs for use in the
documentary. (There are also two other rather odd differences between
the Ryko and Rhino versions of this material. An audience member's
shouted request for "a Charley Pride number" appears before "Sittin' And
Thinkin'" on the Ryko but appears instead before "There Won't Be
Anymore" on the Rhino. Even more bizarre is that when Elvis says "thank
you" at the end of "There Won't Be Anymore," it is a different "thank
you" on each CD! Most likely this is the result of different crossfades,
with one "thank you" truly belonging to "There Won't Be Anymore" and
the other belonging to a different song which came before "Sittin' And
Thinkin'" at the actual concert.)
I'M YOUR TOY (LIVE, LONDON, JAN.
7, 1982)
This live version of the Almost
Blue track features the Royal Philharmonic Orchestra and was
first issued as the A-side of an April 1982 single. The complete concert
was professionally recorded and filmed, but this is the only track to
receive official release so far. The Rhino CD reinstates the brief
spoken introduction ("This is called 'I'm Your Toy'") which originally
appeared on the 12-inch single but was left off the 7-inch single, the
Ryko CD, and Singles,
Volume 2.
WHAT'S
MISSING (RELEASED RECORDINGS)
HE'S GOT YOU (LIVE, ABERDEEN,
JUL. 30, 1981)
CRY, CRY, CRY (LIVE, ABERDEEN, JUL.
30, 1981)
[Almost
Blue Ryko CD & 1994 Demon CD]
The Rhino CD ties up most of the previously available loose ends
related to Almost Blue, but
these two tracks from the Ryko version have been left off. Presumably
they were considered redundant when studio versions of the same songs
appear on the bonus disc, with "He's Got You" sounding especially
similar to the studio version. A snippet of "Why Don't You Love Me
(Like You Used To Do)?" can be heard during the fadeout of "Cry, Cry,
Cry." The Ryko CD is also the only place to find unique mixes of "There
Won't Be Anymore," "Sittin' And Thinkin'," and "Honey Hush" from the
same concert.
PSYCHO (LIVE, LONDON, JUN. 1,
1981)
[Fundamental Frolics LP by various
artists]
With the more famous 1979 live version and the 1981 studio version
being used on the bonus disc, it is not surprising that a third version
of "Psycho" failed to make the grade. Unlike the other two, this one is
performed by Elvis solo. A live "Gloomy Sunday" from this same concert
is commercially available only on video.
CRY, CRY, CRY (ALTERNATE VOCAL)
["I'm Your
Toy" CD single included in Singles,
Volume 2]
WONDERING (ALTERNATE VOCAL)
["I'm Your
Toy" CD single included in Singles, Volume 2]
These were left off
the Rhino CD with good reason. Aside from being redundant, they were
never intended for release in the first place and only appeared on Singles, Volume 2
when the wrong tapes were used by mistake. These are the same basic
performances that appear on the bonus disc, but they include subtle
differences in Elvis' vocals. They were previously available in inferior
quality on the bootleg Nashville And
More and probably represent the tracks as originally recorded,
before they were touched up for official release.
WHAT'S
MISSING (UNRELEASED RECORDINGS)
BLUES KEEP CALLING / CRY, CRY, CRY
HOW MUCH I LIED (ALTERNATE
VERSION)
HE'S GOT YOU (ALTERNATE TAKE)
DARLING, YOU KNOW I WOULDN'T LIE (ALTERNATE TAKE)
These outtakes from the Almost Blue sessions can be found on Nashville And More. The medley of
"Blues Keep Calling" and "Cry, Cry, Cry" is moderately interesting, but
it is not surprising it was passed over in favor of the individual
versions of each song which do appear on the bonus disc. There are
actually two alternates of "How Much I Lied" which are similar to each
other but noticeably different from the album version thanks to a faster
tempo. "He's Got You" and "Darling, You Know I Wouldn't Lie" are unique
takes, but they differ little from the released versions. (It seems
possible, however, that "He's Got You" is from the main album sessions
as opposed to the "Lost Session" version on the bonus disc. This would
mean that it features John McFee rather than Pete Drake on pedal steel
guitar.) Nashville And More also
includes versions of "My Shoes Keep Walking Back To You" and "Honky Tonk
Girl" with slight differences in Elvis' vocals.
ADDITIONAL
NOTES
Just prior to the May 1981 album sessions, the band (with Paul
"Bassman" Riley substituting for an ill Bruce Thomas) rehearsed "30 or
so songs," according to the Rhino liner notes. (Elvis had previously
claimed "more than 40 songs" in the Ryko notes.) Since the rehearsals
for the albums immediately before and after Almost Blue are known to have been
recorded, it seems very likely that these tapes exist and include some
songs which went unrecorded during the main sessions. Although specific
titles are not available, these could include songs outside the country
genre which fit the album's original concept of "melancholy songs of
many styles." Among the songs reportedly under consideration early on
were "Gloomy Sunday" and Little Willie John's "Need Your Love So Bad."
No songs from the rehearsals were used on Rhino's bonus disc.