THE
JULIET LETTERS
ORIGINAL ALBUM (62:50)
- Deliver Us (0:48)
- For Other Eyes (2:54)
- Swine (2:05)
- Expert Rites (2:22)
- Dead Letter (2:18)
- I Almost Had A Weakness (3:52)
- Why? (1:24)
- Who Do You Think You Are? (3:25)
- Taking My Life In Your Hands (3:17)
- This Offer Is Unrepeatable (3:11)
- Dear Sweet Filthy World (4:16)
- The Letter Home (3:08)
- Jacksons, Monk And Rowe (3:42)
- This Sad Burlesque (2:46)
- Romeo's Seance (3:29)
- I Thought I'd Write To Juliet (4:06)
- Last Post (2:24)
- The First To Leave (4:57)
- Damnation's Cellar (3:25)
- The Birds Will Still Be Singing (4:27)
BONUS DISC (74:29)
- She Moved Through The Fair (4:44)
- Pills And Soap (live) (4:37)
- King Of The Unknown Sea (live) (3:51)
- Skeleton (live) (4:54)
- More Than Rain (live) (3:23)
- God Only Knows (live) (3:58)
- They Didn't Believe Me (live) (3:59)
- O Mistress Mine John Harle
with Elvis Costello (4:03)
- Come Away, Death John Harle
with Elvis Costello (4:27)
- Put Away Forbidden Playthings (live) Elvis Costello & Fretwork (4:12)
- Can She Excuse My Wrongs (live) Elvis
Costello, Fretwork & Composers Ensemble (4:03)
- Fire Suite 1 Roy Nathanson
with Cyrus Chestnut & Elvis Costello (5:27)
- Fire Suite 3 Roy Nathanson
with Elvis Costello (3:19)
- Fire Suite Reprise Roy
Nathanson with Elvis Costello (2:36)
- Gigi (live) Elvis Costello
& Bill Frisell (4:14)
- Deep Dead Blue (live) Elvis
Costello & Bill Frisell (3:45)
- Upon A Veil Of Midnight Blue (live) Elvis Costello & The Punishing Kiss
Band (4:34)
- Lost In The Stars (3:56)
The 2001 Billboard
article announcing Rhino's reissue program reported that The Juliet Letters "might be issued
with" what reissue co-producer Gary Stewart described as "something that
collects a lot of his artier things, records he did with the Jazz
Passengers, things that reflect a jazz and classical flavor."
I had previously speculated that this could refer to a
separate album that would be released at the same time as The Juliet Letters, but it certainly
appears at this point that the "artier things" collection and The Juliet Letters bonus disc are the
same project. Nine of its 18 songs are collaborations with the Brodsky
Quartet (including "Upon A Veil Of Midnight Blue," which incorporates
the quartet into a larger ensemble), while the other nine are seemingly
unrelated works "that reflect a jazz and classical flavor." (A few,
however, offer some intriguing connections to William Shakespeare, who
indirectly inspired The Juliet Letters
and is referenced in the album's title and some of its songs. "O
Mistress Mine" and "Come Away, Death" are adapted from Shakespeare's Twelfth Night, while "Can She
Excuse My Wrongs" was written by John Dowland, a composer in
Shakespeare's time.)
Despite Stewart's comment in Billboard
about "records he did with the Jazz Passengers," the disc surprisingly
does not include "Aubergine" and "Doncha Go 'Way Mad" from the Jazz
Passengers' 1997 album Individually
Twisted. It does, however, include three songs credited solely
to Jazz Passengers leader Roy Nathanson but featuring several other
members of the group as accompanists. Perhaps that is what Stewart meant
all along.
Six songs on the bonus disc are previously unreleased, all of them live
recordings from the 1995 Meltdown festival, for which Elvis served as
artistic director.
WHAT'S
NEW
PILLS AND SOAP (LIVE, LONDON,
JUN. 28, 1995)
Paul Cassidy's
arrangement of "Pills And Soap" has featured regularly in
Costello/Brodsky concerts since January 1995.
KING OF THE UNKNOWN SEA (LIVE,
LONDON, JUN. 28, 1995)
SKELETON (LIVE, LONDON, JUN. 28, 1995)
This is the first
official release in any form for these two songs. "King Of The Unknown
Sea" was written by Costello (lyrics) and Michael Thomas (music) after
the completion of The Juliet Letters
and premiered on the 1993 tour promoting the album. "Skeleton" was
written by Michael Thomas alone and first performed in January 1995.
Both songs disappeared from the Costello/Brodsky concert repertoire
after Michael Thomas left the Brodsky Quartet in the late '90s. (Elvis
writes in his liner notes that "King Of The Unknown Sea" was "recorded
at a soundcheck," but that is incorrect.)
PUT AWAY FORBIDDEN PLAYTHINGS
(LIVE, LONDON, JUL. 1, 1995) Elvis Costello &
Fretwork
CAN SHE EXCUSE MY WRONGS (LIVE,
LONDON, JUL. 1, 1995) Elvis Costello,
Fretwork & Composers Ensemble
Elvis wrote "Put Away Forbidden Playthings" especially for the
"pre-classical" viol consort Fretwork and countertenor Michael Chance to
perform at a 1995 concert commemorating the 300th anniversary of the
death of English composer Henry Purcell (1659-1695). Four months later
at Meltdown, Elvis sang the song himself accompanied by Fretwork, and
that performance is heard here. (Additionally, Fretwork and Chance
recorded a version in 1996 released on the 1997 album Sit Fast. Costello's 2004
performance with the Metropole Orkest was released on My Flame Burns Blue in 2006.) "Put
Away Forbidden Playthings" is based on the works of both Purcell and an
even earlier English composer, John Dowland (1563-1626). "Can She Excuse
My Wrongs" is a Dowland composition, and this was Elvis' first public
performance of the song.
UPON A VEIL OF MIDNIGHT BLUE
(LIVE, LONDON, JUN. 28, 1995) Elvis Costello &
The Punishing Kiss Band
Among Elvis' performances at Meltdown was the two-part Punishing Kiss concert. The first
half had Costello and the Brodsky Quartet playing highlights from their
standard concert repertoire and is represented by three songs on the
bonus disc. The second half was more unusual in terms of song selection
and featured the backing of the Punishing Kiss Band, a one-off
collective of the Brodsky Quartet joined by seven additional musicians.
This was Elvis' first public performance of "Upon A Veil Of Midnight
Blue," a song with a complicated history. Elvis wrote it especially for
Charles Brown, but Brown's 1992 recording (issued under the song's
original title, "I Wonder How She Knows") was so loose an adaptation
that Brown was justifiably listed as the song's co-writer. Costello
subsequently offered the original composition to Mary Coughlan, who
released a much more faithful version (now retitled "Upon A Veil Of
Midnight Blue") in 1993. Although Elvis has yet to release his own
studio recording of the song, this is his third live version to be
released officially: A June 18, 1996 performance appears on the 1997
video A Case For Song, while a
July 9, 2004 performance can be found on the 2006 CD My Flame Burns Blue.
WHAT'S
OLD
SHE MOVED THROUGH THE FAIR
Elvis and the Brodsky Quartet had played this arrangement of "She
Moved Through The Fair" in concert in Boston on St. Patrick's Day 1993.
This version was recorded at Whitfield Recording Studios in February
1994 for the Brodsky Quartet's otherwise Elvisless album Lament. It can also be found on the
Brodsky "best of" collection Elegie.
MORE THAN RAIN (LIVE, NEW YORK,
MAR. 18, 1993)
GOD ONLY KNOWS (LIVE, NEW YORK, MAR. 18, 1993)
THEY DIDN'T BELIEVE
ME (LIVE, NEW YORK, MAR. 18, 1993)
Following the release of The
Juliet Letters, Elvis and the Brodsky Quartet embarked on a short
tour during which they performed the entire album in order, followed by
an extended encore sequence. The exact set list varied slightly from
show to show, but in New York the encores consisted of eight songs: the
newly written Costello/Michael Thomas composition "King Of The Unknown
Sea," Tom Waits' "More Than Rain," Elvis' own "Almost Blue," Brian
Wilson and Tony Asher's "God Only Knows," Jerome Kern and Herbert
Reynolds' "They Didn't Believe Me," reprises of both "I Almost Had A
Weakness" and "Jacksons, Monk And Rowe" from The Juliet Letters, and Kurt Weill
and Maxwell Anderson's "Lost In The Stars." A CD drawn from these
encores, appropriately entitled Encores,
was scheduled for release in the summer of 1993. There is some
confusion as to whether this CD would have included all eight songs or
possibly only seven of them (the most likely omission being "Jacksons,
Monk And Rowe"), but in any event the Encores
CD was never released. Instead, the concept was scaled back to the
four-song promo-only CD Live At New
York Town Hall featuring the three songs listed above plus one not
included on the bonus disc, "I Almost Had A Weakness." The applause
after each song fades much more quickly on the Rhino CD.
O MISTRESS MINE John Harle with Elvis
Costello
COME AWAY, DEATH John Harle with Elvis
Costello
These tracks originally appeared on John Harle's 1996 album Terror And Magnificence as part of
the 17-minute four-song "Mistress Mine" sequence, in which Elvis sings
the words of William Shakespeare's Twelfth
Night accompanied by Harle's music. The complete "Mistress Mine"
sequence includes a third song sung by Elvis, "When That I Was And A
Little Tiny Boy," which is not included here, and the instrumental
"Illyria," which does not feature any Elvis involvement. The entire
piece was recorded November 3 and 4, 1995 at Abbey Road, while Elvis was
taking a break from the All This Useless Beauty sessions.
FIRE SUITE 1 Roy Nathanson with Cyrus Chestnut &
Elvis Costello
FIRE SUITE 3 Roy Nathanson with Elvis Costello
FIRE SUITE REPRISE Roy Nathanson with Elvis Costello
These three songs originally appeared on Fire At Keaton's Bar & Grill,
the 2000 solo album from Jazz Passengers saxophonist Roy Nathanson. The
album is intended to tell a story, with various guest singers providing
the voices of the story's characters. Elvis plays the part of Singleton
the narrator, and these songs represent the entirety of his
contribution. The backing tracks were recorded without Elvis'
involvement, with his vocals added separately. Rhino has created a
fadeout to end "Fire Suite 1." On the original album it segued directly
into "Fire Suite 2," a song which does not feature Elvis.
GIGI (LIVE, LONDON, JUN. 25,
1995) Elvis Costello & Bill
Frisell
DEEP DEAD BLUE (LIVE, LONDON, JUN. 25,
1995) Elvis Costello & Bill
Frisell
The only Meltdown recordings to be released in the immediate
aftermath of the festival were the seven songs that made up Costello and
Frisell's Deep Dead Blue EP,
which was released in the UK a mere seven weeks after the performance.
(It was not issued in the US.) There are no plans to reissue this CD in
its entirety, but two of its songs — Alan Jay Lerner and Frederick
Loewe's "Gigi" and the otherwise unrecorded Costello/Frisell original
"Deep Dead Blue" — appear on the bonus disc.
LOST IN THE STARS
"Lost In The Stars" had featured regularly in their 1993
concerts, and Elvis and the Brodsky Quartet reteamed to record this
version January 20, 1994 at Toronto's Glenn Gould Studio. It was
specifically intended for the September
Songs — The Music Of Kurt Weill film, which was broadcast in
1996, with the soundtrack album following in 1997.
WHAT'S
MISSING (RELEASED RECORDINGS)
I ALMOST HAD A WEAKNESS (LIVE,
NEW YORK, MAR. 18, 1993)
[Live At New York Town Hall promo CD]
A regular feature of The Juliet Letters tour was a reprise
of "I Almost Had A Weakness" during the encores. Although this
performance was included on the promo-only Live At New York Town Hall CD, it was
not included on the bonus disc. This appears to be the result of a
conscious decision by the reissue producers not to repeat any of the
songs from the main album on the bonus disc. (The
Juliet Letters is in fact the only of the Rhino reissues to bear
that distinction.)
WHEN THAT I WAS AND A LITTLE TINY
BOY John
Harle with Elvis Costello
[Terror And Magnificence album by John
Harle]
Elvis sings three songs on John Harle's album Terror And Magnificence. The other
two appear on the bonus disc, but this one does not.
WEIRD NIGHTMARE (LIVE, LONDON,
JUN. 25, 1995) Elvis Costello &
Bill Frisell
[Deep Dead Blue EP]
LOVE FIELD (LIVE, LONDON, JUN.
25, 1995) Elvis
Costello & Bill Frisell
[Deep Dead Blue EP]
SHAMED INTO LOVE (LIVE, LONDON,
JUN. 25, 1995) Elvis Costello &
Bill Frisell
[Deep Dead Blue EP]
POOR NAPOLEON (LIVE, LONDON, JUN.
25, 1995) Elvis
Costello & Bill Frisell
[Deep Dead Blue EP]
BABY PLAYS AROUND (LIVE, LONDON,
JUN. 25, 1995) Elvis Costello &
Bill Frisell
[Deep Dead Blue EP]
These are the remaining songs from the Deep
Dead Blue EP. An eighth song, "Poisoned Rose," was also performed
at the concert but has never been officially released.
WHAT'S
MISSING (UNRELEASED & UNRECORDED)
ALMOST BLUE (LIVE)
SCARLET RIBBONS (LIVE)
FAVOURITE HOUR (LIVE)
The concert repertoire
for Elvis Costello and the Brodsky Quartet was relatively limited during
the 1992-1997 period (in large part due to the fact that most of their
concerts included the entirety of The
Juliet Letters, which left little time for other selections). The
vast majority of their songs are included on the reissue in either
studio or live renditions. Of the few songs omitted, "Almost Blue" is
the most curious, since it was performed regularly at Costello/Brodsky
concerts during this period, and the March 18, 1993 performance was once
scheduled for release on the Encores
CD. "Scarlet Ribbons" (the Evelyn Danzig/Jack Segal-penned song
associated with Harry Belafonte and the Browns, among others) and
"Favourite Hour," however, were rarely performed, and it is conceivable
that they were never professionally recorded.
HAVING IT ALL (LIVE) Elvis Costello & The Punishing Kiss
Band
PUNISHING KISS (LIVE) Elvis Costello & The Punishing Kiss
Band
These are just two of the
most interesting songs from Elvis' June 28, 1995 set with The Punishing
Kiss Band, which is represented by just one song on the bonus disc.
"Having It All" has only been released in demo form (on the King Of America
bonus disc). "Punishing Kiss" is a song Elvis and Cait O'Riordan wrote
for Annie Ross which has yet to be officially released in an Elvis-sung
version (although a demo does exist). Also performed: "The Long
Honeymoon," "New Lace Sleeves," "Almost Blue," "London's Brilliant
Parade,""Lost In The Stars," "Shipbuilding," and "Favourite Hour," plus
an instrumental "Stalin Malone" performed without Elvis.
ADDITIONAL
NOTES
Elvis recorded piano-based demos for at least some of the songs on The Juliet Letters. These are
especially likely to include the five songs he wrote on his own
("Deliver Us," "Expert Rites," "I Thought I'd Write To Juliet," "The
First To Leave," "Damnation's Cellar," and "The Birds Will Still Be
Singing"), but they could include others as well.
Elvis' more recent work with the Brodsky Quartet (notably "My Mood
Swings" and "Real Emotional Girl") will eventually be discussed on a
page devoted to North. It may
be worth noting that in the late '90s, Elvis changed record labels
around the same time the Brodsky Quartet changed its lineup (Michael
Thomas was replaced by Andrew Haveron), and either of both of these
factors may have prevented their more recent recordings from being
included on this release.