Who has dressed you in strange clothes of sand?
Who has taken you, far from my land?
Who has said that my sayings were wrong?
And who will say that I stayed much too long?
Clothes of sand have covered your face
Given you meaning, taken my place
So make your way on, down to the sea
Something has taken you, so far from me.
Does it now seem worth all the colour of skies?
To see the earth, through painted eyes?
To look through panes of shaded glass?
See the stains of winter's grass.
Can you now return to from where you came?
Try to burn, your changing name?
Or with silver spoons and coloured light
Will you worship moons, in winter's night.
Clothes of sand have covered your face
Given you meaning taken my place
So make your way on, down to the sea
Something has taken you, so far from me.
THE BACKGROUND:
Nick visited Morocco in March 1967 after visiting Aix-en-Provence. "Clothes of Sand" was recorded in November 1968 so chronologically fits with the Morocco visit being its inspiration. "Strange Meeting II" (written in 1967 or 1968) with its "princess of the sand" character may well have been inspired by the trip too.
According to accounts from his co-travellers, it was a drug-filled, memorable trip including crashing a car, being mistaken for being The Rolling Stones (they were in Morocco at the time too and were photographed by Cecil Beaton) and playing guitar to Mick Jagger and two of his friends in a restaurant.
I think the song is evidence of his absorption of the Moroccan culture and his inspiration to incorporate it into his work: the title, lyrics and theme of this song have very strong Middle Eastern overtones. I also think the song signifies the pivotal point in his life where he decides to follow a career in music (and all that comes with it) rather than the career path laid out for him by his parents.
THE TITLE:
To me, "Clothes of Sand" is inspired by the ubiquitous sand of Morocco and is a metaphorical way of conveying Nick's vulnerability in the way that clothes of sand would offer no protection to its wearer - clothes (protection) that is insubstantial, penetrable and would just fall away from the wearer.
THE PERSPECTIVE:
I believe the song is sung from the perspective of Nick's parents, expressing their apprehension at the crossroads Nick finds himself at in his life and the choice he makes.
THE LYRICS:
Who has dressed you in strange clothes of sand
The clothes of the Middle East (yashmaks and thobes) are certainly totally different from Western clothing and a striking feature of Middle Eastern life on first encounter. Nick's excellence in using metaphors ("Man in a Shed", "Fruit Tree", "Black-Eyed Dog") is manifested here again in using clothes of sand as a metaphor for psychological vulnerability.
Who has taken, you far from my land
Far from Nick's home of England.
Who has said that my sayings were wrong?
Who has persuaded Nick that the advice his parents have given him on his future is not for him.
Clothes of sand have covered your face
Middle Eastern women are expected/required to cover all of their body including their face with their black yashmaks.
Given you meaning, taken my place
He has found new meaning and purpose in his life that has taken the place of his parents'.
So make your way on, down to the sea
Something has taken you, so far from me.
Nick has become detached and distant from his parents' values and plans.
Does it now seem worth all the colour of skies?
A metaphor for him now opening his eyes to what else is in the world.
To see the earth, through painted eyes
Virtually all Middle Eastern women wear thick kohl eye-liner. They expose only their eyes in public (for obvious practical considerations) so they embellish them with make-up as the only opportunity they have to "dress up". It could also be a coupled reference to an acid-trip.
To look through panes of shaded glass?
Another reference to haze-inducing drugs.
See the stains of winter's grass
This could also be a reference to drugs.
Can you now return to from where you came
Can he go back home to England after this freak-out trip and resume the life mapped out for him by his parents. Nick's grandfather had attended Marlborough School, as did his father, as did he. He was currently attending Cambridge University and a predictable and conventional future lay ahead. This is the pivotal point for Nick: to decide whether he returns to this safe, mapped-out future or whether he takes his own path. He said of his father's comment that a Cambridge degree would at least be a safety net if his music career went awry: "the last thing I want is a safety net".
Try to burn, your changing name
Can he change from the Nick of the past to the Nick of the future.
Or with silver spoons and coloured light
Co-travellers report extensive drug indulgence on the Aix and Morocco trip by them and Nick, hence the reference to "silver spoons", a well-known drug metaphor. The "coloured light" may refer to incense, typical of smoking binges that I've seen across the Middle East and, perhaps, hallucinatory effects of certain drugs.
Will you worship moons, in winter's night.
Worship of moons sums up Middle Eastern life. The year is based on lunar cycles; the sighting of the moon determines Ramadan's and Eids' start and finish dates; the Quran places great emphasis on the significance of the moon to Islam; the minarets of mosques are usually topped with moon crescents. March 1967 would have been the end of winter in Morocco.
The most striking features of the Middle East to new visitors (from my own experience and others') are: the intense heat; the mass of sand; the clothes of the indigenous population; the smoking binges (tobacco and illicit substances); the domination of Islam; religious holidays all synchronised with the sighting of the moon; the oppression of women; very beautiful women with heavily made up eyes with the rest of their bodies totally covered in black.
Nick's included several of these factors in Clothes of Sand which leads me to believe its main inspiration was his Morocco visit. It is also the song where the boy decides what kind of man he wants to be.
Text © NigelDavies.home@Virgin.net