Jazz Trombone F.A.Q.
10) Who are some jazz trombonists that you would
recommend listening to for
inspiration, ideas, jazz trombone technique, etc.?
Alex Iles: You can listen for specific things, whether or not
you LIKE a certain player:
J.J. for the basis of the language of the modern
trombone, Jack Teagarden for how he
took the trombone out of the "tailgate
role", Tommy Dorsey for swing style
melody playing, particularly ballad playing, Dicky
Wells and Vic Dickenson for use of
riffs, and melodicism, Al Grey for plunger work and
how to build a solo to a
climax. Frank Rosolino for a totally unique way of
applying bebop language to
the trombone and his sense of wry sense of humor.
Curtis Fuller for how to apply
J.J.'s advances, while maintaining an individual
style. Urbie Green and Bill Watrous for
liquid smooth execution and ballad playing. Carl
Fontana for melodic playing,
strong sense of swing and phenomenal technique.
Robin Eubanks for how to make an
updated, neo-classic application of a JJ-based
trombone style. Ray Anderson for
pushing ALL rules aside and being different. The list goes on and on...
There are so many great players out there these days...a partial list of players I also
really enjoy listening to includes Hal Crook, Jim Pugh, Mike Davis, John Allred,
Scott Whitfield, John Fedchock, Andy Martin, Paul McKee and Tom Garling.
Jeff Adams: Hal Crook,
Conrad Herwig, Steve Turre', Robin Eubanks,
J.J. Johnson, Curtis Fuller, Carl Fontana, Bill
Watrous, Frank Rosolino, Slide Hampton,
Jack Teagarden, Tommy Dorsey (for that style), Urbie
Green, Matt Niess (Capitol
Bones and Army Blues), Harry Waters (Army Blues),
David Steinmeyer (Retired
Airmen of Note),
George Bohanon, John Allred, Scott Whitfield, Andy Martin
(LA), Bob McChesney (LA & Bob Florence big
band), Mike Fahn, Steve Davis
(currently with Chick Corea's Origin Band) and the
list goes on and on.
Sam Burtis: In roughly chronological order...Jack Teagarden,
Trummy Young,
Lawrence Brown, Tricky Sam Nanton, Dicky Wells, J.
C. Higginbotham, Jack Jenny,
Tommy Dorsey, Bill Harris, J.J. Johnson, Al Grey,
Curtis Fuller, Jimmy
Cleveland, Urbie Green, Frank Rosolino, Dick Nash,
Carl Fontana, Frank
Rehak, Jimmy Knepper, Slide Hampton, Albert
Mangelsdorff, Bill Watrous,
Barry Rogers, Art Baron, Papo Vasquez, Sam Burtis
(that's me...), Gary
Valente, Steve Turre, Dave Taylor, Keith O'Quinn,
Robin Eubanks...I'm sure
there are many, MANY more, but those are (some of)
the people I'VE heard
who found their own identifiable way around the horn
and sounded good (to
me) in the process.
Chris Smith: My favorites are J.J. Johnson (big surprise
there!), Teagarden,
and Abe Lincoln (a FANTASTIC Hollywood studio
trombonist who passed away
earlier this year at age 96.)
After these guys, I listen to everybody. All the
cats mentioned above. Others not
mentioned above include Julian Priester, Dan Barrett,
Grachan Moncur III, Pat
Hallaran (NYC). There are a lot of GREAT “unknown”
trombone players out there.
A guy I know in Detroit named Ed Gooch. We played a
whole night together last January,
a la Jay and Kai. Ed’s a fantastic musician. But not
many people have heard of him…….!?!
I check out any trombone
music I can. I think you can learn something (or NOT
learn something, meaning learning what NOT to do-
haha!) from anyone.
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