Suppose you were a significant composer of symphonies, and on one of your better orchestra scores you indicated that you wished a particular section to play "with emotion." Would the conductor know what you intended? Would the musicians in that section understand?

D.D. Jackson communicated particular emotions to his duo partners on Paired Down, Volume II, with the result that each of the pianist's compositions cause two emotionally-charged artists to convey a theme to the listener, who in turn may interpret as he or she feels. Jackson's second album of duos was recorded in late 1996 and features the dynamic pianist paired with trombonist Ray Anderson, bassist Santi Debriano, flutist Jane Bunnett, violinist Billy Bang, clarinetist Don Byron, and tenor saxophonist David Murray. With Anderson, the pianist performs three pieces, conveying joy on "Catch It," intense fear on the brief "Interlude," and sorrow on "Closing Melody," a lush ballad. Debriano and Jackson evoke love on the ballad "One of the Sweetest." Bunnett and Jackson express joy on "Flute-Song." Murray and Jackson express the kind of joy found in a Gospel celebration on "Peace of Mind," and sincere love on the ballad "Love-Song." Byron and Jackson express joy and happiness on "Time." For "Pleasure and Pain" Billy Bang and Jackson opt for a minor key, moaning phrases, and a feeling of sadness. The album is charged with emotion, and each track offers something different.

D.D. Jackson's piano style is strong and percussive, influenced by the late Don Pullen, and quite accessible. Each of the guests offers something different, making the session eclectic and interesting. David Murray's performance on "Peace Of Mind" recalls his role as a fictional Herschel Evans in Robert Altman's recent film Kansas City. Don Byron's performance highlights his accuracy and precision. Ray Anderson's work is both conservative and innovative. Both Bunnett and Debriano provide lovely melodies; the bassist uses a noticeable vibrato, even though the piece is performed pizzicato. Billy Bang is in fine form, evoking the kinds of melodies that have flowed to our ears from violins for centuries. Recommended.