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Movie Information - Titanic
Ship of Dreams: The Making Of Titanic
"It's been 85 years...and I
can still smell the fresh paint.
The china had never been used. The sheets had never been slept
in.
Titanic was called the Ship of Dreams.
And it was. It really was..."
In every age, a seminal and dramatic moment will arrive that is a
catalyst for great change, sending a powerful ripple of emotion
throughout the world. At the start of the 20th century, the
allure of a wondrous seaworthy creation called Titanic brought
together a wide spectrum of humanity, all of whom had their own
reasons to be a part of her historic maiden voyage. From captains
of industry to hopeful emigrants looking to make their fortunes
in a new world, Titanic was a towering symbol of man's progress
toward a modern age.
Declared "unsinkable," her precious cargo of more than
2,200 men, women and children began their journey from
Southampton, England to New York City with a sense of
anticipation, awe and optimism. Yet this "ship of
dreams" ultimately carried over 1,500 people to their death
in the ice-cold waters of the North Atlantic in the early hours
of April 15, 1912.
In the years following, a powerful mythology would grow around
Titanic. Tales of bravery and cowardice would be spun through
countless historic accounts, poems, music, films and novels.
Varying theories on the accident itself were debated and continue
to divide many scholars. After decades of searching, the wreck of
Titanic was found by an expedition team led by Dr. Robert Ballard
in 1985 lying in two massive pieces 12,378 feet under the ocean
surface. The discovery answered many questions about the great
ship's demise, at the same time feeding the controversy and
fascination that has for decades surrounded this tragic event.
Drawing inspiration from this hulking specter below the sea,
James Cameron envisioned a love story intertwined with the
fascinating details about the ship and her maiden -- and only --
voyage to further humanize its legendary symbolism. Utilizing
advanced filmmaking technology, audiences will also set sail on
Titanic. However, despite its state-of-the-art pedigree, the film
is - and remains - a powerfully human tale. It is here that the
heart of "Titanic" beats.
"The tragedy of Titanic has assumed an almost mythic quality
in our collective imagination," Cameron says. "But the
passage of time has robbed it of its human face and vitality. I
hope that Rose and Jack's relationship will be a kind of
emotional lightning rod, if you will, allowing viewers to invest
their minds and their hearts to make history come alive
again."
Traveling on a ship physically designed to prevent them from ever
meeting, third-class passenger Jack Dawson and first-class
passenger, Rose DeWitt Bukater, have taken the ultimate risk --
to defy the oppressive social conventions of their time and fall
in love.
"Their connection on an emotional level is what transforms
Rose from this sort of Edwardian first-class geisha who is dying
on the inside into this spirited young woman on the cusp of a new
life," Cameron says about the young lovers. "Jack
possesses this natural energy and purity of spirit which makes
that transformation possible."
With such a clear image of who Jack and Rose were as people,
Cameron sought to find the definitive pair of actors who could
breathe life into such dynamic characters. He would ultimately
select two young rising stars, both Oscar® nominees before the
age of 21 - Leonardo DiCaprio and Kate Winslet.
"Luck was a major factor in casting Leo," Cameron says.
"I just felt you would care about him a lot more. He has
tremendous vitality on screen. Leo has a kind of wiry, survival
quality about him that's pretty cool. As for Kate, there was such
a luminous quality in her face, voice and eyes that I knew
audiences would be ready to go the distance with her, which was
critical because it's a hell of a journey and she's ultimately
the person you're making that journey with."
Jack is an artist coming back to America after a several-year
sojourn in Europe. Rose is traveling with her mother and fiancé,
returning home to Philadelphia for her impending marriage, a
destiny of polo matches, cotillions and the other mindless
trappings of her privileged class. Through their chance meeting,
class lines blur for one telling moment to allow these two
strangers to establish a powerful bond. Actress Kate Winslet
explains the attraction:
"Jack is the first person, the first man certainly, who has
shown interest in her desires and her dreams," Winslet says.
"They share so many of the same passions for life, which
he's already attained and to which she's aspiring."
Following her debut in the controversial drama "Heavenly
Creatures," the 22-year-old British native has quickly risen
as one of the most acclaimed young actresses in cinema today.
Receiving an Academy Award® nomination for Best Supporting
Actress in director Ang Lee's adaptation of Jane Austen's
"Sense and Sensibility," she takes on her first
starring American role as the headstrong Rose.
"She's a very spirited girl," Winslet says. "She
has a lot to give and a very open heart. She wants to explore the
world but knows that's not going to happen. When we first meet
her, there's a sense of resignation and despair about her. Then
she meets Jack Dawson and an amazing love surfaces, which is
based completely on trust and communication."
Fresh from his acclaimed performances in "William
Shakespeare's Romeo + Juliet" and "Marvin's Room,"
Oscar® nominee Leonardo DiCaprio stars as Jack Dawson, a
struggling young artist who wins his third-class ticket aboard
Titanic in a lucky game of poker. "Jack is a sort of
wandering person," Leonardo DiCaprio says, "who seizes
on the opportunities life presents to him. At a young age, I
think he realizes how short life really is, and that's a big
factor in who he is as a person."
Seduced by Jack's artist soul, Rose at first cannot find the
strength to extricate herself from her engagement to Caledon
Hockley (Billy Zane) and the weighty presence of his family name
and wealth. At first, Cal and his intimate circle of wealthy
friends look at Jack with a sense of amusement. After Jack and
Rose's chance meeting, Cal invites Jack to dinner in first-class,
expecting to entertain his fellow guests at the expense of the
young man. Instead, he has set the stage for his own rejection.
"Jack Dawson doesn't exist as far as my character, Cal
Hockley, is concerned, at least not at first," Zane
observes. "Except for servants, the lower classes were
pretty much invisible to the super-rich denizens of Hockley's
class."
Since his gripping film debut in Phillip Noyce's thriller
"Dead Calm," Zane has forged an acclaimed film career
that encompasses independent and Hollywood feature films. Before
joining "Titanic," Zane co-produced and starred in
"This World, Then the Fireworks," based on Jim
Thompson's novella, as well as donning the guise of Lee Falk's
comic book hero in "The Phantom." As snobbish tycoon
Cal Hockley, Zane's chameleon abilities come into play, providing
an important contrast to DiCaprio's sensitive hero.
"The world of 1912 was on a precipice," Zane notes.
"It marked extreme change in terms of social reform. You
have the birth of a new era, embodied by Jack, who is kind of a
reminder of the frontier spirit. Cal represents a more imperious
sensibility that is flawed and collapsing."
Not oblivious to his fiancee's melancholy, Cal attempts to
placate Rose in the only way he understands, presenting her with
a priceless blue diamond called the "Heart of the
Ocean." It is a turning point for Rose, seeing at last her
place in Cal's life as mere adornment and not as a wife.
"Cal is the guy you love to hate," Zane smiles.
"He's coming to terms with exactly what a relationship is
all about. Cal's relationship with Rose is built more upon public
appearance. She is a catch -- a bauble -- and there lies the root
of the problem."
Complicating matters further for Rose is her socially driven
mother, Ruth (Frances Fisher). Terrified by the carefully guarded
secret of her family's near destitution, Ruth sees Jack's
presence in Rose's life as a threat to the financial survival
insured by her daughter's union with Cal.
As Jack and Rose's forbidden love grows, Cal and Ruth exert their
formidable powers to keep them apart. And all the while Titanic
and her passengers plunge inevitably toward their tragic destiny.
Winslet says, "I believe that this story does take you to
the point where you would do anything you could to stop that ship
from sinking in order for them to be together." Adds
Cameron, "Every single moment that you're with them, there
is this little voice in the back of your mind that's saying
they're all doomed. This knowledge gives every moment Jack and
Rose share an extra sense of poignancy."
While the epic journey chronicled by "Titanic" begins
in the present, the story flashes back to the past, allowing a
new generation to witness this series of powerful events with the
added benefit of an historic perspective. In the process, Cameron
explores the social and cultural layers that were exposed as a
result of the accident.
"There's a startling fact that emerges from an analysis of
who lived and died on Titanic," Cameron says. "If you
were a male in steerage class, you stood about a one in 10 chance
of surviving. If you were a first-class male, you stood about a
50/50 chance of surviving. If you were a first-class female, you
stood virtually a 100% chance, and if you were a third-class
female, you're chances were about 25%. In short survival was
largely a function of gender and class. Titanic represented the
first time class was translated into body count, and published
for all the world to see."
In further examining the historic significance and societal
impact of Titanic, the film offers a respectful homage to the
historical passengers on the famed ship. Yet, the emotional
anchor remains with the relationship between Jack and Rose.
"We wanted to tell a fictional story within absolutely
rigorous, historically accurate terms," Cameron says.
"If something is known to have taken place, we do not
violate it. Likewise, there's nothing that we show that could not
have happened. Our fictitious characters are woven through the
pylons of history in such a way that they could have been there.
All the accuracy and all the special visual effects are intended
for one purpose: to put the viewer on Titanic. It's a very
you-are-there kind of experience."
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