Tips for the Beginner Wood
Carver By: Jimmy Cox
You, as a beginner wood carver, may be ready to think of
designing something yourself. Before doing so, look at some
really good wood carvings. Photographs can remind us of things
seen but for proper appreciation it is better to see the actual
work. A visit to the local museum is a good idea, or to a
church or building where fine wood carvings can be seen
There is no harm in borrowing ideas from the richest
sources. This has always happened as a natural evolution in the
arts. It would be absurd to say that the artist must always
endeavor to copy natural forms, but rather that in nature we
have a field of inspiration and profitable study. If for
instance, we use the human figure or animal form in design, we
are engaged in a translation from flesh to wood, stone, or
paint, from life movement to movement in a static material.
We can find pattern motives in such natural forms as shells
and leaves. The African carver finds many of his patterns in
the skins of snakes. We draw our ideas then from works of the
present and the past and also from life. Even visionary artists
such as William Blake did not find the image of their designs
without the influence of environment and the work of other
artists.
It may appear at a glance that the business of wood carving
is too involved or costly. I must therefore point out at once
that you can carve if you have a piece of wood, a kitchen
table, three gouges, and two 'G' cramps. Indeed, some
well-known highly successful wood carvers manage perfectly well
with very simple equipment and prefer to do so. So much depends
on the work in hand. As you progress you will naturally wish to
buy more tools from time to time but this can be a gradual
process.
Do not try to work too small at first. It is easier to work
on broad surfaces and will also make you bolder and more
fearless in the way you use the tools. A complete figure may be
too difficult if you have no experience in drawing.
A head or an animal would be less of a problem. If you are
interested in ornament, you could pick a leaf from the garden
and use it as a basis for a design. In leaves you can find
simple shapes with infinite variety. When you have carved one
simple piece well it is easy to advance to something more
difficult.
Design
If you are very eager to try a figure, it will do no harm to
look at primitive and peasant carving. Carve the body and head
as one uniform statement. In the work of early civilizations
and more primitive communities there is a zest and simplicity
far away from naturalism.
There is also a great feeling for pattern and design. It is
interesting to make a near copy of something you admire but you
will not wish to continue working in a manner that belongs to
other countries and civilizations. Therefore, it is better to
learn from them but gradually begin to make your own
designs.
You can try out texture and pattern with your different
tools and master the use of them before starting on a definite
project. It is often easier for the beginner to visualize his
design as a profile or silhouette. If you are working in
relief, an outline is enough to work from. You will discover
how to develop this in the process of cutting. Even if you
prefer to carve some object of simple design, these principles
can be adapted and will still hold good.
If you have a desire to carve, take note of the above tips
and begin. Remember, practice makes perfect!
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