Trisha McFarland is a plucky 9-year-old hiking with her brother and mom, who is grimly determined to give the kids a good time on their weekends together. Trisha's mom is recently divorced, and her brother is feuding with her for moving from Boston to small-town Maine, where classmates razz him. Trisha steps off the trail for a pee and a respite from the bickering. And gets lost.

Trisha's odyssey succeeds on several levels. King renders her consciousness of increasing peril beautifully, from the "first minnowy flutter of disquiet" in her guts to her into-the-wild tumbles to her descent into hallucinations, the nicest being her beloved Red Sox baseball pitcher Tom Gordon, whose exploits she listens to on her Walkman. The nature writing is accurate, tense, and sometimes lyrical, from the maddening whine of the no-see-um mosquito to the profound obbligato of the "Subaudible" (Trisha's dad's term for nature's intimations of God). Our identification with Trisha deepens as we learn about her loved ones: Dad, a dreamboat whose beer habit could sink him; loving but stubborn Mom; Trisha's best pal, Pepsi Robichaud, vividly evoked by her colorful sayings ("Don't go all GIRLY on me, McFarland!"). The personal associations triggered by a full moon, the running monologue with which she stays sane--we who have been lost in woods will recognize these things.

From the inside cover of Bag of Bones:

Stephen King's most gripping and unforgettable novel, Bag of Bones, is a story of grief and a lost love's enduring bonds, of a new love haunted by the secrets of the past, of an innocent child caught in a terrible crossfire.

Set in the Maine territory King has made mythic, Bag of Bones recounts the plight of forty-year-old bestselling novelist Mike Noonan, who is unable to stop grieving even four years after the sudden death of his wife, Jo, and who can no longer bear to face the blank screen of his word processor. Now his nights are plagued by vivid nightmares of the house by the lake. Despite these dreams, or perhaps because of them, Mike finally returns to Sara Laughs, the Noonans' isolated summer home.

He finds his beloved Yankee town familiar on its surface, but much changed underneath -- held in the grip of a powerful millionaire, Max Devore, who twists the very fabric of the community to his purpose: to take his three-year-old granddaughter away from her widowed young mother. As Mike is drawn into their struggle, as he falls in love with both of them, he is also drawn into the mystery of Sara Laughs, now the site of ghostly visitations, ever-escalating nightmares, and the sudden recovery of his writing ability. What are the forces that have been unleashed here -- and what do they want of Mike Noonan?

As vivid and enthralling as King's most enduring works, Bag of Bones resonates with what Amy Tan calls "the witty and obsessive voice of King's powerful imagination." It's no secret that King is our most mesmerizing storyteller. In Bag of Bones -- described by Gloria Naylor as "a love story about the dark places within us all" -- he proves to be one of our most moving.

Troy Phelan is a self-made billionaire, one of the richest men in the United States. He is also eccentric, reclusive, confined to a wheelchair, and looking for a way to die. His heirs, to no one's surprise - especially Troy's - are circling like vultures.

Nate O'Riley is a high-octane Washington litigator who's lived too hard, too fast, for too long. His second marriage in a shambles, he is emerging from his fourth stay in rehab armed with little more than his fragile sobriety, good intentions, and resilient sense of humor. Returning to the real world is always difficult, but this time it's going to be murder. Rachel Lane is a young woman who chose to give her life to God, who walked away from the modern world with all its strivings and trappings and encumbrances, and went to live and work with a primitive tribe of Indians in the deepest jungles of Brazil.

In a story that mixes legal suspense with a remarkable adventure, their lives are forever altered by the startling secret of The Testament.

From the back cover of the Chamber:

HE'S A YOUNG LAWYER WHO DOES YARD WORK IN EXCHANGE FOR RENT. THEN ONE LITTLE CASE BEGINS TO EXPLODE...

It's summer in Memphis. The sweat is sticking to Rudy Baylor's shirt and creditors are nipping at his heels. Once he had aspirations of breezing through law school and punching his ticket to the good life. Now he doesn't have a job or a prayer...except for one: an insurance dispute that leaves a family devastated and opens the door for a lawsuit, if Rudy can find a way to file it.

By the time Rudy gets to court, a heavyweight corporate defense team is there to meet him. And suddenly he's in over his head, plunged into a nightmare of lies and legal maneuverings. A case that started small is exploding into a thunderous million-dollar war of nerves, skill, and outright violence - a fight that could cost one young lawyer his life, or turn him into the biggest rainmaker in the land...

Now also a Major Motion Picture.

From the back of the book:

Michael was in a hurry. He was scrambling up the ladder at Drake & Sweeney, a giant D.C. law firm with eight hundred lawyers. The money was good and getting better; a partnership was three years away. He was a rising star with no time to waste, no time to stop, no time to toss a few coins into the cups of panhandlers. No time for a conscience.

But a violent encounter with a homeless man stopped him cold. Michael survived; his assailant did not. Who was this man? Michael did some digging, and learned that he was a mentally ill veteran who'd been in and out of shelters for many years. Then Michael dug a little deeper, and found a dirty secret, and the secret involved Drake & Sweeney.

The fast track derailed; the ladder collapsed. Michael bolted the firm and took a top-secret file with him. He landed in the streets, an advocate for the homeless, a street lawyer.

And a thief.

Read the first chapter.