FROM OUT OF THE BLUE

Audio Log


Sound is done. The final sound mix went smoothly and is transferred to DAT reels. Dave and Sean did a remarkable job. See credits.


TRANSFERRED TO BETA:

WT	DESCRIPTION			VT#	TCI		TCO


1	PCT - Moving (Scene 1)		WILD1	01:00:39:00	01:02:50:00
2	PCT - Stationary (Scene 29)	WILD1	01:02:47:00
3	PCT - Moving, Skyline Blvd (29)	WILD1	01:06:19:00	01:07:58:00
4	PCT - Stationary, Pacifica (29)	WILD1	01:08:18:00	01:10:20:00
6	PCT - Stationary, Berkeley (41)	WILD1	01:10:30:00
7	Ambient, Lot in Berkeley (19)	WILD1	01:11:20:00
8	Drugstore Parking Lot (15)	WILD1	01:12:50:00	01:13:50:00
9	Drugstore Parking Lot (15)	WILD1	01:13:50:00	01:15:05:00
10	PCT - Moving, (Scene 12)	WILD1	01:15:06:00	01:17:06:00
11	Room Tone, Claire's (Scene 30)	WILD1	01:17:09:00
12	Room Tone, Carol's (Scene 40)	WILD1	01:18:22:00
13	Room Tone, Claire's (Scene 40)	WILD1	01:19:29:00
14	PCT - Stationary (Scene 11)	WILD1	01:20:28:00
15	SFX1 - Start, idle (Scene 11)	WILD1	01:22:14:00
16	SFX2 - Door open, close (11)	WILD1	01:22:30:00
17	SFX3 - Backing out (11)		WILD1	01:23:38:00
18	Ambient, Park (Scenes 7-9)	WILD1	01:24:45:00
19	Ambient, Batting Cage (17)	WILD1	01:27:01:00
20	Ambient, Ball Field (10, 25)	WILD1	01:27:33:00
21	Ambient, Campus Motel (20)	WILD1	01:28:35:00
22	Car Tone Girl's Van (Scene 2)	WILD1	01:29:27:00
23	Ambient, Parking Lot (27)	WILD1	01:30:25:00
24	Jorge's Loft (Scene 42)		WILD1	01:30:47:00
25	Holiday Lodge (Scene 48)	WILD1	01:33:04:00
26	Kokopelli Cafe (Scene 57)	WILD1	01:35:14:00
27	PCT2 - NM4, Moving (NM Scenes)	WILD1	01:36:50:00
28	Street Tone (Scene 51)		WILD1	01:38:23:00
29	Ambient - Overlook (Scene 56)	WILD1	01:39:04:00
30	Ambient, SF Forest (Scene 58)	WILD1	01:40:28:00
34	Ambient, Jorge's Loft (48)	VT8	13:28:30:00
45	Teacher's Pet (17)		VT9	14:15:04:00
45.2	Teacher's Pet (17), takes 2-4	VT9	14:15:52:00
46	M's door opens, close (42)	VT9	14:16:46:00
47	Restaurant Tone	(46)		VT9	14:17:28:00
48	Elevator, Japanese Tourist (47)	VT9	14:23:59:00	14:25:46:00
48.2	Elevator (with beeps) (47)	VT9	14:25:46:00	14:30:37:00
49	Hotel Lobby			VT9	14:30:37:00	14:32:05:00


TO BE TRANSFERRED:

WT	DESCRIPTION				DAT#	ATI	ATO


31	Ocean - Pacifica			6	0:00:30	0:06:10
32	Room Tone - George's Loft		6	0:09:21	0:10:45
33	Car Tone - HWY 1 Pacifica (Scene 33)	6	0:14:04	0:15:40
35	Cars Passing - Pacifica (from road)	6	0:38:52	0:41:15
36	Wooden Bats Shifting (for Scene 1)	7	0:00:29	0:01:25
37	Telephone Sounds (for Scene 28)		7	0:03:17	0:05:17
28Z1	Dialogue for Scene 28Z1 (Camera 36fps)	7	0:05:18	0:06:03
28Z2	Dialogue for Scene 28Z2 (Camera 36fps)	7	0:06:03	0:06:49
38	Car Tone - Alameda - Moving (Scene 28)	7	0:05:18	0:06:49
40	Mary's Video Show (Scene 50)		7	0:08:00	0:10:13
41	Mary's Poem (Scene 60)			7	0:10:13	0:11:19
42	Bathed in Light (Scene 54)		7	0:11:19	0:12:35
43	Mary's Driving Dialogue (Scene 19)	7	0:12:35	0:14:39		
44	Two Bodies Poem (Scene 62)		7	0:14:39	0:15:42
51.2	Santa Cruz Boardwalk/Beach (Scene 16)	7	0:55:08	1:00:00
52	Santa Cruz Beach/Boardwalk (Scene 16)	8	0:00:30	0:08:03
54	Airplane, Menlo Park (Scene 23)		8	0:21:01	0:33:13
55	Airplane, New Mexico (Scene 23)		9	0:05:46	0:06:00
56	Dist Thunder, Chaco Canyon (Scene 48)	9	0:42:00	0:43:20
57	Footsteps in Gravel (Scene 18)		9	0:51:40	0:52:40
58	Thunder, Chaco Canyon (Scene 48)	9	1:20:20	1:21:40
59.1	Wind in Trees				9	1:39:15	1:40:30
59.2	Wind in Trees				9	1:42:45	1:44:10
59.3	Wind in Trees				9	1:51:08	1:53:30
59.4	Wind in Trees				9	1:58:20	1:59:00
60.1	Crickets (PA)				10	0:01:30	0:05:00
60.2	Crickets (NY)				10	0:14:00	0:16:00
61.1	Sculpture Ambient (NY)			10	0:30:45	0:32:20
60.3	Crickets (NY)				10	0:54:00	0:56:26
61.2	Sculpture Ambient (NY)			10	1:03:08	1:09:54
62.1	Chimes - Decay (NY)			10	1:20:40	1:21:15
62.2	Chimes - Cornell (NY)			10	1:24:35	1:25:55
63	Seagulls				10	1:26:20	1:32:00
64	Jets					10	1:59:30	2:00:00
65	Loudspeaker				11	0:01:48	0:04:26

legend:

PCT = Picture Car Tone (Four Runner)
WT = Wild Track
VT# = BETA Video Tape # 
TCI = Time Code In 
TCO = Time Code Out 
ATI = Absolute Time In (for DAT)
ATo = Absolute Time Out (for DAT)


From Out Of The Blue

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