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I Wanna Hold Your Hand (1978):

Courtesy of Michael J. Hockinson's The Ultimate Beatles Quiz Book comes this pair of slips. The movie centers around the Beatlemania that gripped America when the Beatles first appeared on the Ed Sullivan Show in 1964. However, the Playboy magazine (featuring Jean Shepard's interview with the Beatles) that Tony Smerko (Bobby DiCicco) is reading in a shoeshine stall is dated February, 1965. Talk about an advanced issue!
And, when Rosie Petrofsky (Wendie Jo Sperber) first meets Ringo Klaus (Eddie Deezen), he is tearing up the carpeting outside the door of suite 1232 in the Plaza Hotel. She asks him what he's doing, and he replies that he's tearing up the carpeting in front of the Beatles' hotel suite. Sorry, Ringo, the carpeting is worthless; the Beatles and their entourage actually occupied suites 1209-1216 when they stayed at the Plaza.

In and Out (1997):

The high school's graduation is held less than a week after the Academy Awards. However, as Laura Lusardi points out, the Oscars are held in March; most graduations are in June. Must have been a really gifted class.

Independence Day (1996):

Slips abound in the biggest hit of 1996. There's a scene where a shadow from one of the spaceships falls over various Washington, D.C. landmarks, in this order:

Lincoln Memorial ... Washington Monument ... Capitol Building It's true that they are in the correct order. However, the shadow falls over the face of Lincoln's statue inside the monument. No way. As my friend Vanessa Emlich points out, the statue of Lincoln faces the Washington Monument and the Capitol. It's impossible for the ship to have made that pattern of shadows.
Fred McWilson noticed some unpredictable desert weather. When Cpt. Steven Hiller (Will Smith) is dragging the alien through the desert after the big fighter/alien ship dogfight, the sky changes from clear to cloudy when they go from long shot to closeup. Must be El Nino again.
Dan also found a celestial snafu. He points out that the sun must have set very quickly on July 2nd. According to the film, the alien signal is first detected at 10am. David Levinson (Jeff Goldblum) says the signal will be gone in about eight hours. However, when he and his father Jules (Judd Hirsch) drive to Washington, it is pitch black, and they're not beneath the spaceship.
Dan was also bothered by a couple illogical bits involving the fireball. First of all, when Jasimine (Vivica A. Fox) goes into the utility closet to escape the fireball, why don't people crowd in with her? And why doesn't the fireball go in anyway, since fire consumes oxygen and the closet door was open?
Liam Gibbs had a couple to add:
David manages to shut off the alien UFO defenses using a computer virus. But the different softwares (IBM vs. alien) must be incompatible. So a virus written for an IBM wouldn't work on an alien computer, not to mention that the modem connections would be incompatible and the handshaking process (where the protocols between the two modems are set) would never work, so he wouldn't be able to upload the virus. Of course, concessions must be made to the realm of Science Fiction, but this seems so blatently obvious that it's a wonder that nobody caught it and offered up an explanation.
No explanation will help the case of the Fireproof Trees, however. After the aliens destroy the cities by firing down on them, amongst the wreckage of El Toro stand two palm strees that managed to survive the fire walls.
Finally, something that really bugged me: Jules quotes John Lennon, then states that Lennon was "shot in the back, very sad." Actually, he was shot in the chest. A common misconception, but a slip nonetheless.

"Independence Day", ID4, and related characters are property of Twentieth Century Fox.

Indiana Jones and the Last Crusade (1989):

Blood may be thicker than water, but Betina M. found out that it has strange ways of flowing. In the beginning of the movie, when young Indy (River Phoenix) is hit in the face, blood drips down one side of his mouth. There's a cut to another shot, and when it goes back to Indy, the blood is on the other side.

Indiana Jones and the Temple of Doom (1984):

Near the end of the film, Indiana Jones (Harrison Ford) fights two guys who are holding machetes. Indy uses his whip to lash the machete from one guy's hand, and the machete flies off a cliff. However, my e-mail pen pal John Elliot noticed that Indy has the machete in his hand in the next shot.
Thales P. Carvalho shed some light on another one: When Indy finds a secret door, he lights a match to read the inscription in the cave's wall. You can see the shadow of Indy's hand, holding the match. But if the match was the real source of light, you shouldn't be able to see its own shadow. It's clear that the light source is behind Ford.

Interview with the Vampire (1994):

When Louis (Brad Pitt) is in Paris searching for other vampires, he meets Santiago (Stephen Rea). Santiago shows off his vampire skills by walking up the sides of a tunnel, but his cape is hanging at his feet. If he was really upside down, his cape should have been hanging away from him towards the ground. Grant Miller found the gravity-defying garment.

It's a Wonderful Life (1946):

Karen Munoz spotted a rather clingy wreath in this perennial holiday favorite. George Bailey (James Stewart) walks into an office with a Christmas wreath on his arm. He puts the wreath on the desk and picks up the phone. A few seconds later, the wreath pops back onto his arm.
Tice Rust also told me of a slip he spotted in the film. In the scene where Clarence (Henry Travers) takes George to the graveyard, he shows him his brother's grave, saying something like "Your little brother died when he was 8 years old." But the gravestone says otherwise. It reads something like born 1900, died 1907. Apparently angels aren't that good at math.
Finally, Doug Ables reveals that Uncle Billy (Thomas Mitchell) ended up being klutzier thatn he was supposed to be. When he stumbles into some offscreen trash cans, the sound you hear is really a prop table that was accidentally knocked over by a stagehand. Mitchell quickly ad-libbed, "I'm okay!" It all fit together so well, director Frank Capra left the mistake in the film and gave the stagehand a bonus.

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