From the December Marie Claire:

marie claire | CHALLENGE

KRISTIN DAVIS
a leap of faith
BY TY WENGER

WE CHALLENGED SEX AND THE CITY'S SENSIBLE CHARLOTTE TO FACE DOWN HER TWO BIGGEST FEARS: HEIGHTS AND SNAKES. GEROMINO!

IN THE BAD DREAM, KRISTIN DAVIS IS FALLING. She's walking in a Victorian mansion. It's dark and spooky. A camera crew trails her, waiting to document the terror that Kristin senses is waiting arounf every corner. Even swamped in her fear, she's afraid she's blocking the camera and ruining the scene—an actress to the end. Suddenly, at the top of a long flight of stairs, she turns, loses her balance, and falls . . . and falls . . . and falls . . .
     I'm thinking of this dream as I watch Kristin shuffle to the open rear hatch of a perfectly good airplane and perch on the edge, preparing to jump out. From the look of abject horror in her eyes, she's thinking about it, too. We're 10,000 feet high. The wind is whipping by the door. And Kristin Davis is about to leap headfirst into her worst nightmare.
     Earlier than day, when we arrived at a skydiving school in upstate New York, I doubted that Kristin would even get on that plane, let alone jump out of it. And really, why would she? HBO, the network that pays her a hefty seven-figure salary per season to costar on its Emmy-winning show Sex and the City, has discouraged her from going. Her fellow cast members—the ones she's "as close to as sisters"—don't even know she's here. And last night, before she went to bed, her mother reminded her that her stepsister—a commercial pilot, no less—was so terrified when she tried to skydive herself that her instructor had to push her out of the plane.
     Oh, and did we mention that she also has a history of fainting?
     "As you can imagine," Kristin says, "I didn't sleep very well."
     Here we are, at a tiny airstrip about 30 minutes from Woodstock. It's a cross between a hippie commune and an Air Force base: scruffy tents, dilapidated trailers, a canopy covering a central staging area. We are ushered into the "classroom," a rusty, broken-down school bus with a TV monitor. To the left of the TV sits a small statue of the Grim Reaper. (I am not making this up!) Inside, an instructional video is cued; it feels more like a sitcom's blooper segment: The tape's cursory demonstrations of arching and landing are aborted when the instructors fall over laughing; a soundtrack of Pink Floyd and Jimi Hendrix plays throughout, adding to the whole "we were stoned when we shot this" vibe. None of this, mind you, seems particularly educational.
     The waivers we all have to sign, however—with their overblown "you die, it's on you" language—deliver a dose of unescapable reality. I consider briefly if this is the right time to mention to Kristin that about 35 Americans perish each year skydiving. I think better of it. Beside I'm going to be jumping with her. Why spook myself?
     "My lawyer would kill me if he knew I was signing this!" she exclaims, flashing her most plucky and courageous grin but appearing a bit pale as she clambers out of the bus in her jeans and T-shirt. Still, we've been told we will receive a two-hour training course before we actually jump with our tandem-diving partner, so there is no need to panic—yet.
     "Next jump group, you're going in 10 minutes! Get suited up!" yells a passing instructor. Maybe panic is entirely appropriate.
     "But what about the two-hour class?" Kristin asks. "Two-hour class? Who told you that? Time to suit up!" the instructor bellows back.
     The corners of Kristin's mouth curl down. "This is bad," she says. "I'm not ready for this. I have no idea what I'm supposed to do. As an actress, there's nothing worse than not knowing your cues.
     She's clearly ready to back out. Then Geoff appears.
     Geoff the Dashing British Instructor (GDBI), masculine in that Old Spice-cologne kind of way, sweeps in. Six-foot-six and 225 pounds with a crew cut, deep-set blue eyes, and character-enhancing scars, Geoff will be Kristin's diving partner. He is the kind of Marlboro man with whom any woman would jump out of a plane—or out of the space shuttle.
     I turn to Kristin, who looks relieved. I'm tempted to ask what Alec Baldwin. her well-publicized current beau, would think of GDBI but again hold my tongue. "I'm an actress who likes a strong, communicative director, and Geoff just became my director," she says.

     And that is how 36-year-old Kristin Davis, a woman mortally afraid of falling, ended up here 15 minutes later—in the hatch of a deHavilland Twin Otter plan, poised to plummet two miles to the ground with a mountain of a man strapped to her back. As the plane climbs to an altitude of nearly 10,000 feet, she and Geoff inch to the edge of the open door. I watch as he reminds her to keep her feet together. Kristin's mind happily latches onto this tidbit: Feet together. Feet together. Feet together. And then, in a flash, they jump into the sky.
     There's a curious phenomenon that a skydiver experiences during his or her first jump: total sensory overload. Its impossible to come to grips with the sensation of unbridled gravity, the feeling of falling at 120 miles per hour. And so, Kristin's mind does the natural thing. It goes fzzzzzzzzt.
     When it's my turn to jump, I shuffle to the door and am paralyzed by fear. Consciously, I know that I need to exit the plane, yet every cell in my body is acutely aware of what a lousy idea this seems to be. (Note to self: Ask for more money next time a magazine asks you to jump out of an airplane with an actress.) Thankfully. my tandem partner has no such qualms, and together, we tumble out.
     As I free-fall, I crane my neck to try to see Kristin and spot her a few hundred yards away, seemingly floating in midair. But the truth is very different—she is actually dropping at a rate of 200 feet per second. After 45 seconds of dreamy free fall, her mind snaps back to reality. Her first thought is to check the altimeter on the back of her left wrist. This is a good thought. During training, we had been instructed to keep checking our altimeterand prepare to pull the rip cord at 6000 feet. Kristin glances at her altimeter. It reads 6000 feet.
     "I thought to myself, I know that's important. I'm supposed to do something at 6000 feet," she says later. "But for the life of me, I could not remember what the heck I was supposed to do!"
     Thankfully, with more than 5000 jumps under his belt, GDBI has seen his share of frozen brains. Five seconds later, while Kristin roams the middle of the sky trying to remember exactly what is supposed to happen, Geoff releases their chute. It deploys perfectly.
     If skydiving is like sex—which, according to Kristin (who, given the show she's on, should know), it most certainly is—the free fall is the orgasm. The warm afterglow comes after the parachute deploys. You spend five minutes floating to the ground, your heart pounding, adrenaline pumping, mumbling away like a fool about how beautiful life is and how good you feel. Indeed, as I drift down 100 yards away from her, I almost weep with joy at the sheer beauty of the moment.
     As Kristin and Geoff gently land—she on his legs, like a girl on Santa's lap—she untangles herself from the harness and begins jumping up and down, giddy and euphoric. "Let's go again! Lets go again, right now!" she yells over and over.
     Fear? What fear?
     "The best comparison I can make is to the buzz of a really great scene," she tells me later. "Sometimes, when you're acting, you are so in the moment that you don't even remember what just happened. The director says, 'Cut!' and you look around and everyone is looking at you saying, 'Wow. That was really great!' And you just have this blank look on your face because you don't remember a thing. It doesn't happen very much, but that's what it feels like."
     A few hours later, true to her word, Kristin jumps again. Only this time, she jumps from 14,000 feet—without a helmet and she pulls her own rip cord. As the sun nears the horizon, we pack up to leave. But there will be no falling nightmares tonight.

snake
charmer

Unfortunately ror Kristin, her ersatz game of Fear Factor is far from over. She has made the mistake of revealing to us her second biggest phobia: snakes. So, a day after plummeting from the sky, we ask her if she would be a sweetie and try draping an enormous, deadly python around her body.
     It would be understandable if she refused. In fact, it would be understandable if she disconnected her phone and took out a restraining order against us. But this is the new, fearless Kristin. She schedules us for the next morning.
     We arrive at a reptile museum that houses more than 3000 reptiles, the largest collection on the East Coast, and meet Mike, the curator, who takes us on a brief, ophidiphobia terror tour: pythons, rattlesnakes, vipers, cobras. Many are five feet long; some clock in at more than 15 feet and weigh up to 160 pounds. All of them, Mike says, are carnivores.
     Oddly enough, Kristin has only one question: "Do you have any water moccasins?" When Mike says no, Kristin appears relieved. Rattlesnakes may be the deadliest, but it seems Kristin has her own reasons for fearing moccasins.
     "When I was growing up in South Carolina and would go swimming in Lake Murray, water moccasinswere every kid's worst fear," she says. "Ewww. I get freaked just thinking about it!" She turns back to Mike. "So these snakes aren't going to be wet, are they? You're not going to make me swim with any right?"
     Mike assures her that she will not be swimming with the snakes and lets her start out with a harmless, five-inch "corn snake." Kristin instantly transforms into a 5-year-old girl, wrinkling her nose and squealing in fright. Time for snake number two.
     At four feet long and only two pounds in weight, the South American Rainbow boa is little more than a super-size corn snake. Of course, the boa is also a member of the constrictor family, so if it had its druthers, it would wrap itself around Kristin's body and squeeze until she could no longer breathe. But at its size, this is merely a pipe dream. Since it's aware that Kristin is too large to kill, Mike says it wouldn't even try.
     Kristin cradles the boa in her hands and it sits contentedly. It still has that creepy, implacable stare that all snakes must practice in the mirror—cold, unblinking, glassy-eyed. But, as Kristin says, "I jumped out of a plane twice on Tuesday. This guy isn't going to shake me."
     Clearly, Mike sees this as a personal challenge. It's time to bring out the Burmese python.
     Two burly assistants delicately lift a 12-foot, 60-pound momster as Mike announces that this is one snake that actually could squeeze Kristin to death—in about 15 minutes, to be exact.
     "But only if he was hungry," Mike assures us. "This snake is quite well fed. If he hadn't eaten, then he could kill you. But there are enough of us here that we would be able to pry him off you."
     What comfort! And with that, Mike drapes the python around Kristin's shoulders, like a mink stole.
     "Whoa! He's a big boy!" she shouts, as the snake settles around her neck and wraps around her legs. "And you can feel his muscles shift. Yeesh! When I try to move in some way he doesn't want to go, he really squeezes back." Yet another statistic flashes into my head: There are 45,000 snakebites in the United states each year. Mike must be reading my mind. He cautions Kristin that the python's head is its most dangerous part.
     "I'm aware of that!" she snaps back, her voice rising an octave as the snake lifts its head up to stare her in the eye. Clearly, she's working hard to keep the snake's head at arm's length while remaining calm. Since snakes can sense fear through a body's heart rate, Kristin's role here is to act like she's enjoying being squeezed by a cold-blooded reptile.
     Finally, after about 15 minutes of bonding—or torture, depending on your point of view—the snake is pried from her shoulders. Kristin has won her own personal game of Fear Factor. As we leave, I remind her that on the show, she would have earned $50,000 for facing her fears. She is, of course, receiving nothing from us—except perhaps an ulcer.
     "That's all right," she says, stepping into the car. "To tell you the truth, now that all of this is over, it was actually kind of cool. Icky and scary and creepy, but cool. Then again, I'm not about to go out and buy a snake for a pet. I mean, I may have faced a few fears," she says with her endearing trademark smirk "but I'm not insane."


Since she's dating Alec Baldwin, she should be used to being squeezed by a cold-blooded reptile.


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