Composer: John Beal
Lable (Release Year): Sonic Images (1998) Availability: **** Rating: **** | |
In recent years, many people become obessed with movie trailer music, whether it is score or song. Some people even wrote to me and complained about a song that he or she her in a trailer is not in the sountrack! I don't know about other people but I will tell you why I want to know what music (not songs) is used for some trailers: I always thonght that all trailer "scores" are taken from scores of other movies. When I hear a piece of good trailer music, I want to know which movie it is from so that I can buy that particular score. I got Come See The Paradise(Randy Edelman) and Rudy(Jerry Goldsmith) because I heard them in trailers. But of course I was wrong. Some trailer music are in fact original compositions. And John Beal is being one of the few trailer music composers. This release features more than 60 trailer music composed by John Beal. I was very excited when I first heard about this release because I was hoping I would find many great trailer music that I have heard, especially those symphonic trailer music. I am kind of disappointed because symphonic cues are not a major portion of the release. The album contains a great variety of music from start to finish. Jazz, disco, symphonic cues, new age, rock, horror, bombastic, quiet, you name it. It is definitely different than listening to a score or compilation album. It is very "intereting" to listen to it but it is not as enjoyable as listening to a score or compilation album. It is interesting because you got many many different kinds of motifs and themes back to back. It is not as enjoyable because the music varies too much. Although it said that all tracks are composed by John Beal except four tracks, many tracks are variations of works of other great film composers. Some of them are ridiculously blatant that I can tell it is NOT totally by John Beal right away.
There maybe more but I just don't know. They are kind of disturbing the first few times I heard them but now I find them quite interesting. Also, Mr. Beal only gave credits to Robert Folk and James Newton Howard specifically. Why doesn't he give credit to other composers? I am kind of angry about that. Moreover, the synthesizer sounds are two heavy on many tracks. Some of the demos sound just like midi music. I think I had a little headache after finished listening to both CDs. I listened to a Hans Zimmer score afterward. I felt so much better and I know why I like Zimmer so much. If this release is not a 2CD set for the price of one, I would give it a three star instead of four. Although my comments sound a little negative, I still encourage you to give this release a try since it does contains a lot of good themes and motifs. | |
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All tracks composed by John Beal, except tracks 1.30 and 2.19 composed by Jerry Goldsmith, track 1.26 composed by Tangerine Dream and track 2.28 by Beal/Leoncavallo |