Composer: Thomas Newman
Lable (Release Year): Sony Classical (2000) Availability: **** Rating: *** | |
Thomas Newman has been quite active recently, scoring blockbuster The Green Mile and An American Beauty last year and now Erin Brockovich. I have not heard An American Beauty so I don't know how Erin Brockovich compares to it. However, you can probably imagine that it is nothing like The Green Mile. While most people are familiar with his classical/romantic side (Little Women, Meet Joe Black, The Horse Whisperer, Oscar and Lucinda, etc), Erin Brockovich shows the contemporary side of him. Erin Brockovich is a contemporary music score performed by 8 musicians, including Newman himself on piano. The name of the musicians and the instruments are listed at the bottom of the page. Upon reading the list, you probably already have some ideas what the score sounds like. The first time I heard the score, it reminds me a lot of Unstrung Heroes, one of four Newman's Oscar nominations. So I pull out the insert of Unstrung Heroes and had a look. I found, not surprisingly, few of the musicians below also contributed in Unstrung Heroes. Although Erin Brockovich and Unstrung Heroes are the only contemporary score of his that I know, I am sure he has other similar scores. Compare to Unstrung Heroes, Erin Brockovich sounds less stranger and a little funckier. The opening track "Useless" somewhat has a theme that appears several timesin the score. It's like a acid jazz tune and it reminds me of John Lurie's music for Get Shorty a lot. The rhythm is quite catchy. The soft piano track "Miss Wichita" is one of the very few cues that sound like the romantic Newman. The score does not really have any other dominant themes. It sounds like a impromptu score (but I am sure isn't). Also, out of the 21 score tracks, only two are longer than 2 minutes. So you can tell none of them have chance to be played around more. They just come and go. If you like Unstrung Heroes or contemporary (and somewhat funcky) music, you will definitely like this score. However, it's defintiely not up to everyone's taste. Although, it will not be a highlight score of 2000, I will still listen to it once in a while. | |
Instrumental Soloists: JOHN BEASLEY: Fender Rhodes, Wurlitzer
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