Episode #777- Monday, February 7

CAST: ALEC, ANTONIO, BEN, CAITLIN, CARMEN, COLE, GABI, JUDE (fantasy only), MARIA, MEG, RICARDO, ROBIN, VIRGINIA.

MINOR CAST: LAVERNE, MR. FORBISH.

SCENE 1- BEN AND MEG’S BEACH HOUSE

Ben and Maria walk through the front door.

MARIA: I still cannot believe that Tess and Ross took Benjy to Australia. When Tess said far away, she meant far away.

BEN: Maria, we are going to get him back. I’m not going to let anything happen to our son.

Ben and Maria hug, as Meg walks through the front door.

SCENE 2- RICARDO’S LOFT

Carmen, Ricardo and Gabi are eating dinner, and Antonio comes through the door.

ANTONIO: I’m home!

They all rise from their chairs.

CARMEN: Antonio!

GABI AND RICARDO: You’re back!

Gabi and Ricardo greet him, and Antonio then gives Carmen a hug; Carmen gets a strange look on her face.

ANTONIO: Mama, what’s wrong?

CARMEN: Something is not right, miego. While you were away, I was so worried about you, and I was right, something happen to you while you were gone, didn’t it?

SCENE 3- THE RICHARDS HOME

Caitlin comes through the front door, and walks upstairs. She enters her bedroom where Cole is in bed waiting for her.

CAITLIN: Cole.

COLE: Hi, sweetheart. Why don’t you join me?

SCENE 4- CEDAR OAKS

ALEC: And who is in this room?

LAVERNE: Oh, no one. You don’t want to know this patient.

ALEC: Why not?

MR. FORBISH: The patient was a little crazy, but is getting better. Though, I still have the feeling that she reminds me of someone that I once knew.

Alec opens the door, and takes a peak and the patient. The camera goes up the hospital bed slowly, to reveal none other than Virginia Harrison!

OPENING CREDITS

SCENE 5- CEDAR OAKS

ALEC: Is she sedated?

LAVERNE: No, she is just asleep.

Virginia opens her eyes and sees Alec; she thinks that she’s in heaven.

VIRGINIA: Oh, God, am I in heaven?

ALEC: Excuse me?

VIRGINIA: Oh, I’m sorry. I thought that I was dreaming.

ALEC: No, you’re not. I’m the new doctor here at Cedar Oaks- Alec Jensen.

VIRGINIA: I’m Virginia.

ALEC: It’s nice to meet you, Virginia. Why don’t you go back to sleep?

VIRGINIA: All right.

Alec, Laverne and Forbish leave the room; Alec closes the door behind him.

LAVERNE: She didn’t seem like it, but she really is out of her mind.

ALEC: Well, the only thing we can do is help her get better.

MR. FORBISH: That’s right. Oh, I sure do miss Selita Jones, she had such a great concern for our mental patients.

Laverne rolls her eyes.

SCENE 6- RICARDO’S LOFT

ANTONIO: I don’t know what you are talking about, Mama.

CARMEN: Something’s wrong. I know it.

ANTONIO: Well, I don’t know how to break this to all of you, but I decided to leave the priesthood. I already made the arrangements and I am no longer a priest.

CARMEN: No!

Carmen faints, and Ricardo catches her, while Gabi puts her hand on her stomach in disbelief.

Commercial

SCENE 7- THE RICHARDS HOME- COLE AND CAITLIN’S BEDROOM

Cole and Caitlin are making love, and Caitlin has a fantasy of Jude. He is naked, and he begins to undress her, and they begin to make love. As Caitlin continues to make love with Cole, she is thinking of Jude.

SCENE 8- BEN AND MEG’S BEACH HOUSE

MEG: Hello.

Maria and Ben break apart, and Meg walks over to them.

MEG: So is there any news on Benjy?

MARIA: Yes, I guess you could say that.

BEN: Apparently, Tess and Ross took him to Australia.

MEG: Australia?

MARIA: Yeah, we’re both still having trouble believing it.

MEG: So what are we going to do?

BEN: Well, I am booking a flight for the three of us tomorrow morning to Sydney.

MEG: Wow, that was quick.

MARIA: If we could do it quicker, I would. We have to get to Benjy before it’s too late.

BEN: Will you stop worrying, please.

MARIA: I’ll try. I am going to go to Ricardo’s, and tell them what is going on.

BEN: All right. Good-bye.

MEG: Bye.

MARIA: See you later.

Maria exits.

SCENE 9- CEDAR OAKS

LAVERNE: Well, I hope that you enjoyed your first day.

ALEC: I did. Thank you.

ROBIN: Alec!

ALEC: Hey, beautiful. You’re here.

Robin approaches Alec and they exchange a kiss.

ROBIN: Well, I thought I would see where you work. It’s a great little hospital.

ALEC: It sure is. (pause) Robin, this Laverne, the Head Nurse here, Laverne, this is my wife, Robin.

LAVERNE: Hi, it’s nice to meet you.

ROBIN: You, too. Well, we better get home. Good-bye.

LAVERNE: Good-bye.

Alec and Robin exit.

SCENE 10- RICARDO’S LOFT

RICARDO: Mama? Mama? Are you okay?

ANTONIO: Mama, wake up please.

Carmen comes to.

CARMEN: What happened?

RICARDO: You fainted, Mama.

CARMEN: Oh. Antonio, no, you cannot leave the priesthood.

ANTONIO: Mama, I made a decision.

GABI: This is all my fault.

Everyone looks at Gabi.

CARMEN: You are damned right it is!

RICARDO: Mama-

CARMEN: If this bruha had leave town and stayed away, this would have never happened.

ANTONIO: That’s enough, Mama.

MARIA: What is going on here?

Commercial

SCENE 11- THE RICHARDS HOME- COLE AND CAITLIN’S BEDROOM

Cole and Caitlin are lying in bed.

COLE: Caitlin, what’s wrong?

CAITLIN: Nothing.

COLE: Are you sure?

CAITLIN: Yeah.

CAITLIN’S VOICE: I just can’t stop thinking about Jude.

SCENE 12- ALEC AND ROBIN’S HOME

Alec and Robin walk into the kitchen.

ROBIN: Well, I suppose that I should get dinner started.

ALEC: All right, I’ll help.

ROBIN: Great.

ALEC: Can I ask you something first?

ROBIN: Sure.

ALEC: You think we made the right decision coming back to Sunset Beach, don’t you?

ROBIN: Well, I had my reservations, but I have a great job. So, yeah, I think we did.

ALEC: Good.

They hug and Alec has a worried look on his face.

SCENE 13- RICARDO’S LOFT

MARIA: Antonio, you’re back!

ANTONIO: Yup, I am.

MARIA: That’s great. It’s so good to see you.

ANTONIO: You too.

MARIA: So what’s going on here?

CARMEN: Your brother just told us that he left the priesthood!

MARIA: Antonio, no.

CARMEN: Yes, and it’s that slut’s fault.

MARIA: Mama-

GABI: You don’t have to tell me it’s my fault, Carmen. I know it is! Excuse me.

Gabi goes running to her bedroom crying, and Ricardo goes after her.

When she approaches the bedroom, there is a note on the bed. Gabi is afraid, but picks it up. It reads: I’m keeping a close eye on you. It’s only a matter of time…

ON THE FEBRUARY 8th EPISODE:
Bette begins to suspect that Elaine still has feelings for A.J.
Annie and Iris put the next step of the plan into action.
Sean and Emily spend a romantic day together.
Antonio makes plans for Gabi’s demise.
Paula sees an opportunity to get closer to Ricardo.

Episode #778- Tuesday, February 8

CAST: A.J., ANNIE, ANTONIO, BETTE, ELAINE, EMILY, GABI, IRIS, JUDE, PAULA, RICARDO, SEAN.

SCENE 1- A.J.’S HOTEL ROOM

It is a new day in Sunset Beach; Bette and A.J. come walking out of their bedroom dressed for work.

BETTE: It was just so strange, A.J. They didn’t need me at the Sentinel and I got that message from the Maitre D’ at Grenadine’s.

A.J.: It was some kind of mix-up I guess. Forget about it, it happened a couple of days ago.

BETTE: I know, but how can you get Bette Katzenkazrahi mixed up with someone else?

A.J.: I honestly could not tell you.

They kiss, and are interrupted by a knock at the door; they part and Bette answers the door; it’s Elaine.

ELAINE: Good morning.

BETTE: Hi, Elaine.

Elaine walks in and Bette shuts the door.

A.J.: Elaine, how are you?

ELAINE: Fine, I guess.

BETTE: So what are you doing here?

SCENE 2- IRIS’ HOTEL ROOM

Iris opens the door to Annie.

IRIS: Do you have it?

ANNIE: I sure do.

Annie walks in and Iris shuts the door.

SCENE 3- SUNSET BEACH POLICE DEPARTMENT

Jude is sitting at his desk, and Ricardo comes up to him; Jude looks up.

JUDE: Ricardo, I am glad that you are here.

RICARDO: What did you want to see me about?

JUDE: I have an offer that I think that you are going to like.

SCENE 4- RICARDO’S LOFT

Gabi walks out of her bedroom and sighs; She walks into the kitchen; she pours herself a bowl of cereal. Outside, someone is watching her every move; the camera moves around to reveal Antonio’s face.

OPENING CREDITS

SCENE 5- SUNSET BEACH POLICE DEPARTMENT

RICARDO: Is that so?

JUDE: Yeah, Ruiz transferred out a few days ago, and I was wondering if you would be interested in taking over for him.

RICARDO: Interested? I would love to!

JUDE: Great!

PAULA: What’s this I hear?

JUDE: Ricardo is going to be taking Ruiz’s position.

PAULA: Oh, that’s wonderful, Ricardo?

JUDE: Yeah, I guess the two of you will be partners now.

RICARDO: Partners?

Paula is beaming.

SCENE 6- IRIS’ HOTEL ROOM

ANNIE: Now what’s the next step?

IRIS: Well, we have to go to the bank and perform a little transaction. But I will take care of that. All of Olivia’s money is going to be ours, and soon she will be destitute and on the streets like she deserves.

ANNIE: What did Olivia ever do to you? You left her when she was a kid.

IRIS: She took her father away from me, that’s what. Thomas didn’t give a damn about me after she was born.

ANNIE: Is Olivia an only child?

IRIS: No, I had another daughter named Christina, but she was kidnapped when she was young. I never knew what happened to her.

ANNIE: I see. Well, I will let you get off to the bank. Call me and let me know how it goes.

IRIS: All right.

Annie exits.

IRIS: Oh, Annie. What a fool you are. This is the last you are ever going to see of me.

Commercial

SCENE 7- THE PARK

Emily is wheeling Sean through the park, and they are enjoying the beautiful day outside; they spot and Emily helps Sean out of the chair and sits him on the bench.

EMILY: So are you having fun?

SEAN: I’m always having fun when I am with you.

Emily kisses him, and they begin to kiss for a while; suddenly, Sean opens his eyes and he begins to start seeing again; his vision is blurred but then he can see Emily.

EMILY: Sean, are you ok?

SEAN: Yeah. Oh, my god, I can see! I can see you!

EMILY: What?

SEAN: Emily, I got my sight back.

EMILY: Sean, that’s wonderful!

SEAN: You are wearing that yellow dress that I love on you.

EMILY: I can’t believe it! You finally have your eye sight back!

Sean and Emily kiss again in celebration.

SCENE 8- A.J.’S HOTEL ROOM

ELAINE: Just dropped by to say hello on my way out.

BETTE: Oh.

ELAINE: A.J., I really enjoyed lunch the other day. We really should do it again sometime.

A.J.: Of course.

Bette looks at Elaine suspiciously as she continuously pawns at A.J.

ELAINE: Well, I really should be going. Good-bye.

BETTE: Tally-ho.

A.J.: Bye, Elaine.

Elaine exits and Bette shuts the door.

BETTE: I think she’s after something.

A.J.: What do you mean?

BETTE: I don’t know. Let’s get going.

A.J. and Bette exit the room.

SCENE 9- SUNSET BEACH POLICE DEPARTMENT

JUDE: Yeah, Ruiz was Paula’s partner, so now she’s your partner.

RICARDO: Great.

PAULA: It is great. We are a team again Ricardo. It’ll be like old times.

RICARDO: Old times. Right.

JUDE: Well, why don’t you start tomorrow morning.

RICARDO: Jude, can I talk to for a minute in private?

JUDE: Sure.

Ricardo and Jude step away from Paula.

RICARDO: Jude, I can’t work with Paula.

Camera is back on Paula.

PAULA’S VOICE: This is how I am going to win Ricardo back. We are going to be working very closely again.

She smiles and walks away.

SCENE 10- RICARDO’S LOFT

Gabi is playing with her cereal; she is thinking.

GABI’S VOICE: Did I do the right thing not telling Ricardo about the note I got last night? What if this guy is still after me? I really shouldn’t be alone. I should be getting to work soon anyway.

She gets up and puts the cereal in the sink; she grabs her purse and opens the door to Antonio.

Commercial

SCENE 11- THE PARK

Sean and Emily are still kissing.

SEAN: You wouldn’t believe how relieved I am to have my sight back.

EMILY: I’ll bet.

SEAN: Come on, let’s go and have a celebratory breakfast at the Java Web.

EMILY: All right. What about the wheelchair?

SEAN: Leave it. I won’t be needing it.

Sean and Emily walk away arm in arm.

SCENE 12- IRIS’ HOTEL ROOM

Iris is packing her bags.

IRIS: Soon, I will have all of Olivia’s money, and off living a life of luxury. Too bad Annie and Gregory will realize that I double crossed them both. I wonder how Gregory’s trial is going to go. Oh well, I am going to be off in the South of France living it up! I love happy endings…

Annie is outside the door and has heard it all.

ANNIE: That’s what you think, Iris.

SCENE 13- SUNSET BEACH POLICE DEPARTMENT

JUDE: I don’t understand why can’t you work with Paula?

RICARDO: We used to be involved, Jude.

JUDE: But that’s all over, isn’t it? Or do you still have feelings for her?

RICARDO: No, I think that she still has feelings for me.

JUDE: Well, if she comes on to you, tell her that it’s not going to happen. Just put your feelings aside and be professional.

RICARDO: I’ll try.

JUDE: All right, see you tomorrow.

Jude walks away, and Ricardo sighs and walks to Paula.

RICARDO: Paula, we need to get a few things straight if we are going to be working together.

SCENE 14- RICARDO’S LOFT

GABI: Antonio. You scared me to death. Is everything ok?

ANTONIO: Yeah, everything’s fine.

GABI: Well, I was on my way to work.

ANTONIO: Oh? I need to talk to you for a few minutes.

GABI: About what?

ANTONIO: I just wanted you to know that my decision to leave the priesthood was my own decision and that it is not your fault.

GABI: I still feel responsible.

ANTONIO: Don’t- it wasn’t your fault.

GABI: Ok.

Antonio hugs Gabi.

ANTONIO’S VOICE: The hell it wasn’t your fault and soon you are going to pay dearly for what you have done to me.

ON THE FEBRUARY 9th EPISODE:
Iris gets a surprise at the bank.
Ricardo and Paula agree to work together to find Gabi’s stalker.
Elaine comes to Joan and Hank’s rescue.
Casey gets bad news from Sara.

Episode #779 Wednesday, February 9

CAST: ALEC, ANNIE, ANTONIO, CARMEN, CASEY, ELAINE, GABI, HANK, IRIS, JOAN, JUDE, MEG (voice only), OLIVIA, PAULA, RICARDO, ROBIN, SARA, VIRGINIA.

MINOR CAST: LAVERNE, TELLER.

SCENE 1- CEDAR OAKS

LAVERNE: Good morning, Dr. Jensen.

ALEC: Good morning, Laverne.

LAVERNE: Virginia has requested to see you. She wants to talk to you.

ALEC: Really? Is she all right?

LAVERNE: I don’t know. All I know is that she wants to see you.

ALEC: All right.

Alec goes into Virginia’s room.

VIRGINIA: Hello, Dr. Jensen. There is something that I want to discuss with you.

SCENE 2- SUNSET SISTERS

Sara has just opened up and is reading papers; She plays the machine for messages.

MEG’S VOICE: Sara, hi, it’s Meg. I am sorry to have to do this to you, but you are going to have to cover for me at the shop for a while. I left for Australia this morning with Ben and Maria to find Benjy. I don’t know when I will be back, but hopefully it will be soon. I will talk to you soon. Bye.

SARA: Great.

Sara goes under the counter and pulls out some more papers and looks up and sees Casey.

SCENE 3- SUNSET BEACH POLICE DEPARTMENT

Jude walks into Robin.

JUDE: I am so sorry. I didn’t mean to bump into you.

ROBIN: It’s all right. You are Jude Cavanaugh, aren’t you?

JUDE: Yes, and who are you?

ROBIN: I’m Robin Jensen, the new district attorney.

JUDE: It’s very nice to meet you.

They shake hands.

ROBIN: You too.

Scene changes over to another section of the station.

RICARDO: Paula, we need to get a few things straight if we are going to be working together.

PAULA: Like what? We shouldn’t have any problems. We used to be a team, remember?

RICARDO: Yes, but the circumstances are different this time. We aren’t a couple anymore, and we never will be.

PAULA: Ricardo, I know things are finished between us.

RICARDO: Do you?

PAULA: Yes, I do.

RICARDO: I need you to help me, Paula. I want you to help me find Gabi’s stalker.

PAULA: Of course I will.

RICARDO: All right, I will be in touch. Talk to you later.

Ricardo walks away.

PAULA: Oh, Ricardo. Still in denial about your feelings for me, but any day now my plans will all come through and you will be back in my arms where you belong.

SCENE 4- RICARDO’S LOFT

ANTONIO: I just wanted you to know that my decision to leave the priesthood was my own decision and that it is not your fault.

GABI: I still feel responsible.

ANTONIO: Don’t- it wasn’t your fault.

GABI: Ok.

Antonio hugs Gabi.

ANTONIO’S VOICE: The hell it wasn’t your fault and soon you are going to pay dearly for what you have done to me.

Antonio takes a pocket knife out, and opens the blade.

OPENING CREDITS

SCENE 5- SHOCKWAVE

JOAN: Hank, what are we going to do? Not just with our problems with Sara, but if we don’t make our payment to the insurance company by the end of the week, then we’ll have to close the restaurant.

HANK: And we can’t ask Ben for the money. I couldn’t do it with this whole thing with Benjy going on, and now that he and Meg are off looking for him- with Maria no less.

JOAN: I know. But what are we going to do?

ELAINE: Excuse me. I couldn’t help but overhear, I just might be able to help you.

SCENE 6- SUNSET SISTERS

SARA: Casey, what are you doing here?

CASEY: I came to see how you were.

SARA: No better than before. And now that Meg has gone off to Australia, I have to take care of the store all by myself.

CASEY: I see. Sara, listen to me. I know that everything will work out in the end.

SARA: Work out? How can things possibly work out?

Commercial

SCENE 7- CEDAR OAKS

ALEC: What do you want to talk about, Virginia?

VIRGINIA: How about getting out of this place?

ALEC: Well, from what I understand, that is not an option right now.

VIRGINIA: But I have been here for almost a year now. I’ve been making progress.

ALEC: I see.

VIRGINIA: What can I do to get myself out of here?

ALEC: I will work with you, and you will get better in time, and then we will see what we can do about getting you out of here as soon as possible.

VIRGINIA: Thank you.

ALEC: You’re welcome. Now, I have to get back to work.

VIRGINIA: Bye.

Virginia smiles gleefully; She hasn’t looked at a man like that since Michael.

SCENE 8- RICARDO’S LOFT

Antonio lifts the knife up to Gabi’s neck.

CARMEN (at the door): What is going on here?

Commercial

SCENE 9- SUNSET BEACH FEDERAL BANK

Iris goes up to the teller.

IRIS: Hello, I’m Olivia Richards and I would like to close my account.

TELLER: All right, may I see some I.D.

IRIS: Sure.

She hands her an I.D.

TELLER: One moment, please.

A few seconds later, the teller returns.

TELLER: I can’t close this account.

IRIS: What?! Why not?

SCENE 10- SUNSET BEACH POLICE DEPARTMENT

JUDE: Well, it was nice meeting with you. We’ll have to get to know each better over lunch sometime.

ROBIN: Sounds great. I will see you later.

JUDE: Ok. Good-bye.

ROBIN: Bye.

Jude walks out, and Robin walks past Paula.

PAULA: It’s only a matter of time before I have Ricardo again.

SCENE 11- RICARDO’S LOFT

CARMEN: Get off of my son, you bruja!

Antonio puts the knife back in his pocket without Gabi or Carmen noticing.

GABI: Carmen, come down.

CARMEN: No, I will not calm down! You told me that you would leave and that you wouldn’t come between my sons! You broke your promise, Gabi, and you will rot in hell for it!

ANTONIO: That’s enough, Mama.

CARMEN: No, Antonio. This girl has destroyed this family, and just when I thought she brought us back together, she destroy us again.

RICARDO (at the door): That’s enough, Mama! Stop it right now.

SCENE 12- SHOCKWAVE

JOAN: We don’t know how to thank you, Ms.

ELAINE: Elaine Stevens.

HANK: Elaine as in Elaine’s Waffle Shop.

JOAN: That’s right- we’ve met before.

ELAINE: Yes, you’re Meg’s mother.

JOAN: Yes. Thank you so much, Elaine.

ELAINE: Well, it looks like we are all partners now.

HANK: I’m glad that you are joining us here.

ELAINE: Me too. I am back in Sunset Beach and I am going to get my life back to the way it was.

JOAN: I see.

ELAINE: And now I don’t have to run a business by myself.

HANK: Well, we are looking forward to working with you.

ELAINE: I am too. I will see you later.

JOAN AND HANK: Bye.

Elaine is about to exit, but looks at the picture of Armando Deschanel on the wall.

ELAINE: Everything is coming together. I am going to get back what is mine: A.J, your son, Armando.- no matter what I have to do.

Commercial

SCENE 13- SUNSET SISTERS

CASEY: Sara, don’t talk like that. SARA: I have to. Right now nothing is going right.

CASEY: Give it time.

SARA: I will, and I don’t think that we should be getting married. At least not right now. Maybe even not at all.

CASEY: You don’t mean that.

SARA: I don’t know. Right now, I just think I need sometime to myself and I don’t want to be getting married.

CASEY: Ever?

SARA: Not on Valentine’s Day. (pause) Or any other day in the future.

CASEY: Are you saying that it’s over?

SARA: For now, it is.

CASEY: Sara, don’t do this!

SARA (sobbing): I have to. Now, please go.

CASEY: Sara-

SARA: Get out of here!

Casey is obviously upset, but complies and leaves; Sara begins to cry.

SCENE 14- SUNSET BEACH FEDERAL BANK

IRIS: I don’t understand why I can’t close my own account.

OLIVIA: Well, Mother, first of all, it isn’t your account.

Iris turns around in shock to Olivia and Annie.

SCENE 15-RICARDO’S LOFT

RICARDO: Mama, stop causing trouble. Please go home, so I can talk to Gabi.

CARMEN: Fine, but I am not going to stand by and let Gabi destroy my family again.

ANTONIO: Mama, come on. I will take you home.

Carmen and Antonio walk out the door.

GABI: Listen, Ricardo, I think that we should take the notes to the police to by analyzed.

RICARDO: That’s a good idea.

Gabi takes them out of her purse and hands them to Ricardo.

GABI: Here they are.

RICARDO: Ok. Let’s head on over there. Wait a second.

Ricardo is looking at the note and notices the postmark: Gresham, California.

RICARDO’S VOICE: Gresham? Isn’t that where the monastery was that Antonio went to?

ON THE FEBRUARY 10th EPISODE:
Olivia confronts Iris.
Iris vows revenge against Annie and Olivia.
Ricardo decides to investigate the monastery and asks Paula for help.
Casey finds Rae waiting for him at Surf Central.
Sara realizes the error of her ways.

Episode #780- Thursday, February 10

CAST: ANNIE, ANTONIO, CAITLIN, CARMEN, CASEY, COLE, GABI, EMILY, IRIS, OLIVIA, PAULA, RAE, RICARDO, SARA, SEAN.

MINOR CAST: CRAIG, TREY.

SCENE 1- SUNSET SISTERS

Sara is standing at the counter with tears in her eyes; she is extremely upset and she has a flashback of her last conversation with Casey.

SARA: I don’t know. Right now, I just think I need sometime to myself and I don’t want to be getting married.

CASEY: Ever?

SARA: Not on Valentine’s Day. (pause) Or any other day in the future.

CASEY: Are you saying that it’s over?

SARA: For now, it is.

CASEY: Sara, don’t do this!

SARA (sobbing): I have to. Now, please go,

CASEY: Sara- P>SARA: Get out of here!

Sara decides to leave the store; she closes the door and puts the close sign up.

SCENE 2- ON THE BEACH

Casey is working and is looking out at the ocean, but he keeps thinking about Sara.

CASEY: I can’t believe that it’s really over.

He starts to have flashbacks of his and Sara’s relationship.

CASEY’S VOICE: I can’t keep thinking about Sara like this. I have to keep my eye on the water.

SCENE 3- SUNSET BEACH FEDERAL BANK

IRIS: I don’t understand why I can’t close my own account.

OLIVIA: Well, mother first of all it isn’t your account.

Iris turns around in shock to Olivia and Annie.

IRIS: What are you doing here?

ANNIE: You thought that you’d get away with it, didn’t you, Iris?

IRIS: Annie, what is going on here?

OLIVIA: I know everything, Mother and you are going to be sorry.

SCENE 4-RICARDO’S LOFT

GABI: Listen, Ricardo, I think that we should take the notes to the police to be analyzed.

RICARDO: That’s a good idea.

Gabi takes them out of her purse and hands them to Ricardo.

GABI: Here they are.

RICARDO: Ok. Let’s head on over there. Wait a second.

Ricardo is looking at the note and notices the postmark: Gresham, California.

RICARDO’S VOICE: Gresham? Isn’t that where the monastery was that Antonio went to?

OPENING CREDITS

SCENE 5- THE RICHARDS HOME

Sean and Emily walk into the house holding hands both smiling. Caitlin and Cole are sitting in the living room, and Cole is playing with Trey; Sean and Emily enter the living room.

CAITLIN: Sean, where’s your wheel chair?

SEAN: I don’t need it anymore, Cait. I just got my sight back a little while ago!

CAITLIN: Sean, that’s wonderful!

Caitlin gives Sean a hug.

COLE: That’s great, Sean.

SEAN: I’m just so relieved, ya know?

EMILY: I know that I was when I got my sight back at the church on Christmas Eve.

SEAN: Yeah, I guess you know the feeling.

EMILY: I sure do.

COLE: Well, it looks like Trey is ready to go to the park. Caitlin, would you like to join us?

CAITLIN: I would, but I have some things that I have to do.

COLE: Ok, see you all later.

EMILY: Bye.

SEAN: Later.

Caitlin gets a look of worry on her face and frowns.

SEAN: Caitlin, what’s wrong?

SCENE 6- CARMEN’S SHOP

ANTONIO: All right, Mama. Now that you are home, I am going to get going.

CARMEN: Where are you off to?

ANTONIO: I have to go talk to Gabi.

ARMEN: Antonio, I think that it would be wise for you to stay away from Gabi.

ANTONIO: Why?

CARMEN: She’s trouble, Antonio.

ANTONIO: If you say so, Mama.

CARMEN: No, Antonio, I mean it, she is going to destroy this family even more than she already has.

Carmen touches Antonio’s arms.

CARMEN: Please believe me, miego. (pause) Oh dear god!

ANTONIO: What is it, Mama?

CARMEN: Something terrible is about to happen. And you are going to be involved, Antonio.

Commercial

SCENE 7- SUNSET BEACH FEDERAL BANK

IRIS: What do you mean, Olivia?

OLIVIA: Annie told me everything. You were going to embezzle all my money and take off for parts unknown.

IRIS: That’s not true, why would you believe Annie?

OLIVIA: Oh, I knew that you weren’t in town trying to patch things up with me.

IRIS: Darling, that’s why I was here.

OLIVIA: She even told me about Gregory! The two of you were in this together! You have been in cahoots all along! I can’t believe that he orchestrated this whole thing!

ANNIE: Yeah, since the whole Tobias thing failed, Gregory had to figure out another way to get at it Trey. So, he was going to escape from jail, take Caitlin and Trey and go off somewhere with Olivia’s money.

OLIVIA: There’s no use in denying it, mother. You’ve been caught red-handed!

Iris is enraged.

SCENE 8- RICARDO’S LOFT

GABI: Ricardo, what is it?

RICARDO: It’s nothing. I don’t think that we need to take these down to the station.

GABI: What do you mean?

RICARDO: I think that I have my own investigating to do about this whole thing. Let me call Casey, so he can stay here with you.

GABI: What about Antonio?

RICARDO: I’m not sure that he’s around.

GABI: What do you mean? I’m sure that he will be back later.

RICARDO: I’m just going to call Casey, ok?

He takes out his cell phone and dials the number.

Scene changes to the Beach.

Casey’s cell phone rings.

CASEY: Hello.

RICARDO: Casey, it’s Ricardo. I need you to come over right away.

CASEY: What’s up?

RICARDO: I need someone to stay with Gabi while I go out and take care of something.

CASEY: Why? Is something wrong?

RICARDO: We’ll explain when you get here.

CASEY: All right, my lunch break is coming soon, but I have to stop by Surf Central first, but then I will be right there.

RICARDO: Ok, bye.

CASEY: Bye.

RICARDO: Casey is on his way.

GABI: Ricardo, I still don’t understand-

RICARDO: I have to go make a phone call in private. I will be right in the bedroom if you need me.

GABI: Ok.

Ricardo goes into the bedroom, and dials on his phone again.

PAULA: Paula Stevens.

RICARDO: Paula, it’s Ricardo. I need your help.

Commercial

SCENE 9-CARMEN’S SHOP

ANTONIO: Mama, please. I’m going to go now.

CARMEN: No, Antonio! You mustn’t leave!

ANTONIO: What is it?

CARMEN: Antonio, I see death.

SCENE 10- THE RICHARDS HOME

CAITLIN: Nothing’s wrong, Sean.

SEAN: Did something happen with Cole?

CAITLIN: No, nothing happened.

EMILY: Let me give you two some privacy.

CAITLIN: No, Emily, it’s ok because nothing is wrong, Sean.

SEAN: Are you sure?

CAITLIN: Yeah, I’m sure.

SCENE 11- SUNSET BEACH FEDERAL BANK

IRIS: All right, I’ll admit it, it’s all true! But Annie you failed to mention your role.

ANNIE: My role?

IRIS: Yes, you helped me with the whole plan.

ANNIE: That’s ridiculous!

IRIS: Olivia, believe me, Annie wanted to destroy you.

OLIVIA: I don’t know what to believe, Mother, but I just know that it is over for you. Get out of my sight!

IRIS: Gladly. But not before I tell you everything, there are some things that you need to know before we say good-bye for good.

Commercial

SCENE 12- RICARDO’S LOFT-BEDROOM/SBPD

PAULA: This is a surprise, Ricardo.

RICARDO: I think I know who is stalking, Gabi. I don’t know the whole story but I don’t believe that I have the whole story yet. I need your help.

PAULA: Of course. Who is it?

RICARDO: I can’t tell you right now.

PAULA: Ok.

RICARDO: I’ll be over soon and I’ll explain everything.

PAULA: Ok.

RICARDO: Bye.

GABI: What was that all about?

SCENE 13- THE BEACH

Sara is walking on the beach looking for Casey. A good-looking lifeguard walks by Sara.

SARA: Hey, Craig, have you seen Casey?

CRAIG: Yeah, he’s on his lunch break.

SARA: Thanks. He must be back at Surf Central.

SCENE 14- SURF CENTRAL

Casey, still upset about Sara, walks in the door, and his eyebrows widen in surprise. Rae is standing by the couch naked waiting for him.

RAE: Hello, Casey.

ON THE FEBRUARY 11th EPISODE:
Iris tells Olivia some shocking secrets.
Antonio realizes that his mother might get in the way of his plans for Gabi.
Rae entices Casey.
Ricardo tells Paula what he suspects is going on.
Gabi is alone with Antonio.

Episode #781- Friday, February 11

CAST: ANNIE, ANTONIO, CARMEN, CASEY, GABI, HANK, IRIS, JOAN, OLIVIA, PAULA, RAE, RICARDO, SARA.

MINOR CAST: CRAIG, MCGALLUM.


POLLS are at the end of this episode.


SCENE 1- SUNSET BEACH FEDERAL BANK

IRIS: All right, I’ll admit it, it’s all true! But Annie you failed to mention your role.

ANNIE: My role?

IRIS: Yes, you helped me with the whole plan.

ANNIE: That’s ridiculous!

IRIS: Olivia, believe me, Annie wanted to destroy you.

OLIVIA: I don’t know what to believe, Mother, but I just know that it is over for you. Get out of my sight!

IRIS: Gladly. But not before I tell you everything, there are some things that you need to know before we say good-bye for good.

OLIVIA: Like what?

IRIS: Annie, could you please excuse us?

ANNIE: Well-

IRIS: Come with me, Olivia.

Annie waits until they leave, but she soon follows.

SCENE 2- CARMEN’S SHOP

ANTONIO: Mama, please. I’m going to go now.

CARMEN: No, Antonio! You mustn’t leave!

ANTONIO: What is it?

CARMEN: Antonio, I see death.

ANTONIO: You’re being ridiculous, Mama.

CARMEN: No, please don’t leave. Stay, Antonio. I don’t want anything to happen to you.

ANTONIO: Oh, don’t you worry, Mama. Nothing is going to happen to me.

SCENE 3- RICARDO’S LOFT- BEDROOM/SBPD

RICARDO: I think I know who is stalking, Gabi. I don’t know the whole story but I don’t believe that I have the whole story yet. I need your help.

PAULA: Of course. Who is it?

RICARDO: I can’t tell you right now.

PAULA: Ok.

RICARDO: I’ll be over soon and I’ll explain everything.

PAULA: Ok.

RICARDO: Bye.

GABI: What was that all about?

SCENE 4- THE BEACH

Sara is walking on the beach looking for Casey. A good-looking lifeguard walks by Sara.

SARA: Hey, Craig, have you seen Casey?

CRAIG: Yeah, he’s on his lunch break.

SARA: Thanks. He must be back at Surf Central.

SCENE 5- SURF CENTRAL

Casey, still upset about Sara, walks in the door, and his eyebrows widen in surprise. Rae is standing by the couch naked waiting for him.

RAE: Hello, Casey.

OPENING CREDITS

SCENE 6- THE BEACH

Sara is walking up to the beach towards Surf Central.

JOAN’S VOICE (from behind): Sara?

Sara turns around to her parents, and they approach her; Sara looks angry.

SCENE 7- SURF CENTRAL

CASEY: Rae, what are you doing here?

RAE: What does it look like?

CASEY: Look, you need to get out of here.

Rae moves closer to Casey.

RAE: Why? Are you afraid of your feelings?

CASEY: Boy, for a doctor you sure have a lot of free time.

RAE: Well, I have been working round the clock the last few days, so this is my day off.

CASEY: I think you need to go.

RAE: Look me in the eyes and tell me that you don’t want anything to with me again and I will go.

Casey looks at Rae and Rae moves in for a kiss, and they begin to kiss passionately.

Commercial

SCENE 8- SUNSET BEACH FEDERAL BANK LADIES’ ROOM

OLIVIA: So you drag me in here, what’s this all about?

IRIS: There are things that you need to know, Olivia.

OLIVIA: Ok, tell me.

IRIS: First of all, I am not your mother.

OLIVIA: What?! You look just like her. Though, I must say, you do look young for your age.

IRIS: That’s because I’m only a few years older than you- it’s me, Olivia. It’s Christina.

OLIVIA: What? Christina? You’ve been missing since you were three.

CHRISTINA: I know. Enemies of mother and fathers kidnapped me and raised me as their own in Wales. I had no idea that I was really Christina Blake. Anyway, I was Christina Carrington, daughter of Gordon and Nunei Carrington. There are the ones that killed our parents in that explosion.

OLIVIA: What?!

CHRISTINA: It’s true.

OLIVIA: I can’t believe what I am hearing.

CHRISTINA: There’s more…

Annie is outside the door listening in disbelief.

SCENE 9- RICARDO’S LOFT

RICARDO: Nothing. I have to get down to the station. Casey should be here any minute, will you be ok alone for a few minutes?

GABI: Ok.

RICARDO: Don’t let anyone, but Casey, in the house, do you understand, me?

GABI: Why?

RICARDO: Just do as I say!

They walk out of the bedroom into the foyer, and Ricardo walks to the door.

GABI: Ricardo, I don’t understand, why just Casey.

RICARDO: You heard what I said. Just Casey. I’ll be back soon.

Ricardo exits.

GABI: Ricardo-

SCENE 10- CARMEN’S SHOP

ANTONIO: I’m going, Mama!

CARMEN: You mustn’t, Antonio.

ANTONIO’S VOICE: What if she follows me? I can’t have her interfering in my plans for Gabi.

CARMEN: Please, don’t leave, Antonio.

ANTONIO: Be quiet, I am so sick of your psychic crap! You are a phony!

CARMEN: Antonio-

ANTONIO: Come with me-

Antonio grabs Carmen’s arm.

CARMEN: Where are you taking me?

Antonio pushes Carmen into a closet, and locks the door.

CARMEN (from inside the closet): Antonio! What are you doing?! What is wrong with you!?

ANTONIO: Now on to my plans for Gabi.

Commercial

SCENE 11- SUNSET BEACH FEDERAL BANK- LADIES’ ROOM

CHRISTINA: The reason that I needed your money wasn’t for selfish reasons.

OLIVIA: Oh?

CHRISTINA: I wanted to hire a hitman to kill them.

OLIVIA: Who? Your parents?

CHRISTINA: The people I thought were my parents anyway.

OLIVIA: Does Gregory know your true identity?

CHRISTINA: No, you’re the only one.

CHRISTINA: Olivia, I’m sorry.

Olivia looks at Christina and wonders what to do, while outside Annie is still listening.

ANNIE: Boy, Olivia sure had some life growing up. A lot worse than mine.

SCENE 12- THE BEACH

SARA: Look, I don’t have time to talk right now, I have to go see Casey.

JOAN: It’ll only take a minute.

SARA: Fine.

HANK: Look, honey. All we want is our daughter back.

SARA: I’m not your daughter, I’m your niece. Uncle Hank and Aunt Joan, I have to get going.

HANK: Sara-

SARA: Look I just broke things off with Casey, and I need to go tell him that I made a mistake before it is too late!

JOAN: Ok. Can we talk later?

SARA: Yes, I will come by the Shockwave, ok?

HANK: See you then, sweetie.

Sara walks up to Surf Central.

Scene changes to Surf Central

Casey and Rae are getting hot and heavy on the couch; Casey takes his shirt off and continues to kiss Rae. Sara approaches Surf Central and sees them through the window. From her angle, it appears that Casey and Rae are making love…

SCENE 13- RICARDO’S LOFT

There’s a knock on the door.

GABI: That must be Casey!

She opens the door to Antonio, who has an evil smirk on his face.

ANTONIO: Hello, Gabi.

SCENE 14- SUNSET BEACH POLICE DEPARTMENT

Ricardo approaches Paula.

RICARDO: I think that Antonio is stalking Gabi.

PAULA: Antonio, as in your brother, Antonio?

RICARDO: The letter that Gabi got is postmarked Gresham, where the monastery he was at was.

PAULA: There has to be some other explanation.

RICARDO: He has been acting so strange since he got back. I think that maybe he was brainwashed. Look, Casey is probably with Gabi now. I am go to take the copter up to Gresham and check out his monastery with Jude.

PAULA: Ricardo, I’m not so sure that is a good idea.

RICARDO: I don’t care. I’m going to go talk to him, and then we’re out of here.

Ricardo leaves, and Paula grabs the phone in a panic.

Scene changes to an unknown room.

A hand picks up the phone.

MAN’S VOICE: Hello?

PAULA: It’s me. We have a real problem right now.

MCGALLUM: What do you mean?

PAULA (whispering in a panic): Ricardo is this close to figuring it all out, and he’ll realize that I arranged Antonio’s kidnapping and his brainwashing so I could get rid of Gabi. He’s on his way there right now.

MCGALLUM: I’ll take care of it.

PAULA: Don’t you dare hurt him!

MCGALLUM: I’ll take care of it, Paula.

He hangs up the phone, and Paula is very edgy.

PAULA: I have to stop Ricardo from going. But how? He can’t learn the truth, he just can’t.

ON THE FEBRUARY 14th EPISODE:
Antonio corners Gabi.
Paula tries to stop Ricardo and Jude from leaving.
In Australia, Tess and Ross brag on their victory.
Sara thinks that she’s lost Casey for good.