Studio: Universal
Running Time: 1 hour, 33 minutes
Black and White
Video Availability: Available on MCA/Universal home video.
Cast:
Deanna Durbin...Anne Terry
Charles Laughton...Jonathan Reynolds
Robert Cummings...Jonathan Reynolds, Jr.
Guy Kibbee...Bishop Maxwell
Margaret Tallichet...Gloria Pennington
Catharine Doucet...Mrs. Pennington
Walter Catlett...Doctor Harvey
Charles Coleman...Roberts
Leonard Elliott...Reverend Stebbins
Irving Bacon...Raven
Gus Schilling...Raven
Wade Boteler...Newspaper Editor
Dorothea Kent...Jackie Donovan
Clara Blandick...Nurse
Credits:
Screenplay...Norman Krasna, Leo Townsend
Original Story...Hans Kraly
Director of Photography...Rudolph Maté, A.S.C.
Art Director...Jack Otterson
Associate...Martin Obzina
Film Editor...Bernard W. Burton
Assistant Director...Philip Karlstein
Gowns...Vera West
Set Decorations...R.A. Gausman
Musical Director...Charles Previn
Musical Score...H.J. Salter
Vocal Coach...Andres de Segurola
Sound Director...Bernard B. Brown
Technician...Joseph Lapis
Produced by...Joseph Pasternak
Directed by...Henry Koster
Millionaire Jonathan Reynolds, Jr. (Charles Laughton)
is on his deathbed. Everyone is expecting him to die, and the newspapers
already have the headlines prepared. Inside of his big mansion, he
is lying in bed, surrounded by doctors, nurses and clergymen. They
are awaiting the arrival of his son, Jonathan "Johnny" Reynolds, Jr. (Robert
Cummings) who is in Mexico.
He arrives and is sad to see his father so sick.
They talk, and Reynolds tells Johnny that he would like to see the woman
he is going to marry. Johnny knows that his father won't live much
longer, and wants to fulfill his dying wish. He rushes down to the
hotel where his snobby fiancee, Gloria Pennington (Margaret Tallichet)
and her mother (Catharine Doucet) are staying. He calls for them
but they have gone out. Desperate, he spots a pretty young hatcheck
girl named Anne Terry (Deanna Durbin). He asks her to help him out
since he is rushed for time and offers her money if she'll pose as his
fiancee. She agrees and travels to the mansion with him.
He takes Anne to see his father. Reynolds
thinks she is very pretty, and takes an instant liking to her. After
that, Johnny walks Anne to the door and pays her the $50 he offered her.
She takes it, but only because she spent all of her money on singing lessons,
and wants to go back home to Shelbyville, Ohio. Just at that moment,
Gloria calls and asks if she should come over. He tells her not to,
and waits up all night, hoping that his dad will make it.
Reynolds does make it through the night and feels
much better in the morning. He unexpectedly asks to see his son's
fiancee again. Surprised, Johnny rushes down to the train station,
where he manages to catch Anne before she gets on the train and convinces
her to pose as Gloria for his father once again.
Reynolds is very happy to see her and gives her
the combination to a hidden safe containing the family jewels. Johnny
feels very uncomfortable, since Anne isn't his fiancee. Reynolds'
affection for her grows even more when she lets him smoke some cigars,
which his physician, Dr. Harvey (Walter Catlett) has forbidden. Dr.
Harvey then brings in some get-well cards and telegrams for Reynolds, one
of them being from famous conductor Leopold Stokowski. Anne is excited
to hear this, and asks him about him. Reynolds says that Stokowski
is a frequent guest at his house. Anne wants to audition for Stokowski
and get her big break, but Reynolds refuses. In order to convince
him, Anne goes down stairs, moves a piano to the foot of the stairs, and
sings a song for him. Amazed by her voice, Reynolds actually gets
out of bed to hear her better! He then decides to throw a party in
her honor, so that she can sing for Mr. Stokowski.
Soon, Reynolds is well enough to walk around the
house. Now that he is better, Johnny realizes that Anne can't play
his fiancee forever, especially since Gloria and her mother are anxious
to meet his father. He tells Anne this, but she says that they can't
tell Reynolds now since he has arranged for her to sing for Leopold Stokowski.
Johnny doesn't care however, and decides to tell his father that they got
in an argument and broke the engagement off.
That night at dinner, Johnny tells Reynolds the
story only to be interrupted by none other than Anne, who runs in sobbing
and begs Johnny for forgiveness. He is upset but, at his father's
urgings, takes her back. When Reynolds leaves the room, Johnny becomes
outraged at Anne, since she spoiled his plan. They get in an argument
and Anne tells him that she'll be willing to tell him, but only after the
party/audition. Reynolds overhears this and realizes that Anne is
not really his future daughter-in-law. He decides not to let on that
he knows, though. Then, Gloria and her mother arrive, announced as
"the Smiths" (as arranged by Johnny). They are introduced to Reynolds
who doesn't care about them at all. Gloria thus becomes mad at Johnny
since he hasn't told his father about the fake fiancee yet.
That same night, when Johnny is gone with Gloria,
Anne, feeling guilty, decides to tell Reynolds about the whole thing.
He realizes her intent and manages to get around it.
Before she leaves, Johnny and Anne talk and come
up with a plan to end their "relationship." The night of the party,
she calls Reynolds and tells him that she can't come since she is feeling
sick. He goes over to her apartment and tells Anne that he knows
what is going on. He tells Anne that if she isn't going to the party,
she might as well go with him to "a little place" where no one knows him.
She agrees.
That little place turns out to be a swinging nightclub,
where everyone does know him. A photographer snaps a picture
of them together, and Anne tells Reynolds to have the picture destroyed
so that rumors won't start. He catches the photographer and, instead
of telling him to destroy the photo, tells him that the girl he is with
is his son's fiancee. Reynolds then calls his son and tells him to
come to the nightclub. Anne asks him why he brought her here, and
he said it is because he supports the opera and thus has many connections.
She might get her big break by just being seen with him. He and Anne
then spend the night laughing and dancing.
Meanwhile, at the party, Johnny realizes his father
is gone and then receives the phone call. Outraged, he goes down
to the club to find his father and Anne dancing the conga on the dance
floor. He tells Anne off, she throws a drink in his face and storms
off.
The next morning, Anne is getting ready to leave
for Shelbyville, Ohio when Johnny runs up and says that he just got a call
that his father is sick again and is close to death. Anne goes with
him to the mansion, only to find that it was a prank. Reynolds is
fine. He informs Johnny that Gloria and her mother left for Mexico.
He is happy with this news, but doesn't want to show it. Johnny and
Anne then realize that they are in love with each other, and apologize
for all the quarreling they have done. Reynolds is happy to have
brought them together.
Songs:
[Songs performed by Deanna Durbin in boldface]
"Tchaikovsky Waltz" (Tchaikovsky)
"Clavelitos" (Verde)
"Going Home" (Dvorak)
Academy Awards and Nominations:
Best Music, Scoring of a Musical Picture (Charles Previn, Hans J. Salter - nominees)
Reviews:
"It Started with Eve...should please - as they say - both young
and old. It's the perfect '8-to-80' picture."
- New York Times
My Review:
It Started with Eve is definitely one of my favorite Deanna films. It is the first film in which she plays a grown woman and she does a fantastic job. Charles Laughton is perfect as the dying millionaire and Robert Cummings is funny as his son. I would say that this is by far Deanna's funniest film, especially the "fight" scene between Durbin and Cummings and the nightclub scenes. The music is not that great, in my opinion. There are only three songs, which are good, but not that memorable. Instead of a musical, I would classify this movie as a very good screwball romantic comedy with music. It is a must for any fan of Deanna!
Notes:
This was the first of two films Deanna and Charles Laughton would make together, and the third and last film she would make with Robert Cummings.
Deanna and Charles Laughton had a fun time making this film, and remained friends until his death in 1962.
Remade as I'd Rather Be Rich in 1964 with Sandra Dee and Robert Goulet.