Adam Joachim Goldmann is a junior at Columbia University double majoring in Philosophy and English.
In addition to the following clipppings, his articles have appeared in:
The New York Daily News, The Weekly Forward, The Jerusalem Post Magazine, Der Aufbau,
The New York Jewish Week, Ha'aretz, The Jewish Journal of Greater Los Angeles and Comingsoon.net.
*All articles originally appeared in the Columbia Daily Spectator*
Two Icons Crashing Against Convention
NC-17 Rating Obscures Egoyan's Mastery of Form
Movie Review: The Man
The Fantastic Five: 5x2
Video Pick: The Corporation
Kim Ki-duk: Korean New Wave's Outsider
Radiohead Grounds Stylized Matrimony
Kontroll (Review)
No Regrets and Oscar Anxieties for Downfall (Interview)
Ditch the Oscar Buzz to Brush Up on Your Subtitles (DVD Review)
Office Conformity and Inner Anarchy (She's One of Us - Review)
A Remastered Tribute to the Imagination (Fanny and Alexander - DVD Review)
Fitting Fritz Lang in a Box (DVD Review)
Learning the Hard Way (Bad Education - Review)
Theatre of the Confused (Being Julia - Review)
Living the Good Life on Video (La Dolce Vita - DVD Review)
The Modern Teen Ambassadors (Eurotrip - Review)
Sex and Cinema in the City (Feature on Bertolucci)
Paradise Lost and Restored (The Rules of the Game - DVD Review)
The Surreal McCoy (L'Age D'or - Review)
The Statement: Running Away from a Tarnished Past (The Statement - Review)
A Farewell to Arms (Dans Ma Peau - Review)
Italian Comedies at the Met Verdi and Strauss Recieve Dazzling Revivals at the MetMetropolitan Opera Reviews
Fall 2005
A Theatric Hybrid: Ariadne auf Naxos
Spring 2005
Debussy Enchants at the Met (Pelleas et Melisande)
Almost Modern Music (Samson et Dalila)
Fall 2004
Metropolitan Opera (Les Contes D'Hoffmann)
Scantily Clad Dancers Upstage the Vocalists (Tannhaeuser)
Double Bill Shines with Integrity and Beauty (Cavalleria Rusticana / Pagliacci)
Finally, Not the Same Old Carmen at the Met
Met Takes a Risk with Treacherous Nabucco
Strauss' Salome Still Shocks
At the Met, A Russian Terror (Boris Godunov)
Met's Surreal Frau Returns (Die Frau ohne Schatten)
A Case of Mistaken Identity (La Juive)
A One-Hit Wonder's Other Works
Costumes Fail to Revive Fishers
Carmelites Fail to Reach Full Potential
Reinvigorated Electra Claims Place as Classic (Mourning Becomes Electra)
Brahms Revisited by Ensemble at Carnegie
Concert Review: Carnegie Hall (BSO) Assured, Aristocratic Brendel Still in Command
No Predictions, Only Mind Games
A Surreal Show in Philadelphia Reveals a Different Dali
Gems Of German Expressionism (The Neue Gallery)
Reggae on Purim: Matisyahu and Co.
New York City Opera Reviews
Fall 2005
Rossini's Viaggio Boasts Too Much Buffa, Too Little Opera
Lofty Strauss Opens NYCO Season
Spring 2005
City Opera Gives New Life to Handel (Orlando)
Candide at City Opera
Fall 2004
Rare Strauss Opens NYCO's Fall Season (Daphne)
Spring 2004
Carnegie Hall Reviews
Fall 2005
Spring 2005
Gergiev Loses the Baton at Carnegie
Czech Comes to Carnegie
Carnegie Hall in Review (The Vienna Philarmonic and SFO)
Orchestre National de France
The Emerson String Quartet
Fall 2004
Performers Make Winter Warmer at Carnegie hall (Andsnes and Met Orchestra)
Rock Fiddlers and Poets Spice Up Carnegie Hall (Kremerata Baltica)
Visitors Breathe New Life into Russian Classics (St. Petersburg Symphony Orchestra)
Barenboim Impresses with Creative Interprettation of Clavier
Pollini Inagurates Carnegie's Virtuoso Series
Spring 2004
Trio Plays their Way to Carnegie Triumph (Mutter-Previn-Harrell Trio)
Jansons Leads Radiant Mahler Celebration (Pittsburgh Symphony Orchestra)
Theatre Reviews
Fall 2005
Fall 2004
Berlioz's Symphony Lights Up (Symphonie Fantastique)
Spring 2004
Art Reviews
Spring 2005
Spring 2004
News Stories
Spring 2005
Opera Goes Up in Smoke: Hookah Bar to Replace Tacci at 110
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