Kate
Winslet Interview
by Begoņa Arce, Cinemania, January 28, 1998
Six films in four years and one nomination to the
Oscars, her prestige is rising fast. Obsessed with her
characters to unhealthy limits, Kate Winslet talks about
her latest work, Titanic.
She smokes a lot, drinks much coffee and speaks without a
break, all at the same time, with a passion almost
mediterranean. Her skin seems like porcelain, pale and
perfect, but she ainīt neither a fragile doll nor an
unbearable diva. Solid as an english oak, she is concious
of her opportunities and she fights to the limit for
everything she believes in. Kate Winslet, just 22 years
old, has become the most international star of the new
british talented generation. Even she is surprised of her
trajectory.
Kate thought her future was on a stage, following her
familyīs tradition ; her grandparents owned a theater in
Reading, the city where she was born, and her two sisters
are actresses too. However, at the age of seventeen, her
cinematographic career took off with the character of a
maniac teenager in heavenly creatures. With her second
movie, Sense and sensibility, [for which] she was
nominated for an Oscar. Then came Jude, Kenneth
Branaghīs Hamlet and , now, Titanic, the hardest and
longest shooting.
She recognizes she gets obsessed with her characters to
unhealthy limits. In Titanic, for example, even placed
into freezing water she used to isolate herself from the
surrounding world listening to music (gregorian chants)
with a discman she kept in a plastic bag. This devotion
to her characters leaves her exhausted, so she must rest
a few months after each film to become herself again.
This summer, during one of the breaks, she decorated the
two floor house she has bought in London and where she
lives with a friend.
The british capital city doesnīt displease her as much
as other giant cities, for example Los Angeles, but she
doesnīt love big cities.
The shooting of Titanic has been surrounded by all kind
of rumours about director James Cameronīs tiranny. For
Kate Winslet, Rose DeWitt Butaker (a good girl from
Philadelphia) in the film, this shooting has been one of
the most difficult experiences in her whole life.
I was told that Kate nearly drowned twice, her health
wasnīt perfect because the water was freezing, and after
a huge physical effort there were days when she hardly
could sleep four hours.
Question (Q) : I think that Titanicīs Shooting was an
enormous physical and mental proof for you.
Kate (K) : Yes, it was a very long and tiring shooting.
It took seven months and every day we worked many hours
into freezing water, running, jumping, and after each
take i was exhausted, with just enough energy to fall on
the bed. But i knew all this before we started īcause
shooting a film ainīt always enjoyable or a work full of
glamour. Anyway, the physical effort was not the most
difficult part. The main problem is that in Titanic there
are very technical parts and itīs very difficult as an
actress to find enough consistence because you must try
to organize yourself mentally while jumping from one take
to another, from one emotinal reaction to another. Also i
had never worked with such a big crew (600 technicians,
1000 extras). Besides, it was a very interesting
experience.
Q : What can you tell me about your relationship with
Leonardo DiCaprio ?
K : Our relationship was fantastic. Since the beginning
we understood each other perfectly, we looked after and
supported each other during the whole shooting. People
think that Leo behaves like an unbearable Hollywood star
but that ainīt true. He is a very quiet person, with
both feet on the ground, he is not obsessed with his
image ; Leo is a very family guy and a great actor. I
could ask him for advice about any personal matter or
about our work and i always knew he would tell me the
truth 100%. Weīve been like a sister and her brother.
Q : And,
what about James Cameron ?
K : I think there have been a lot of rumours about Jimīs
relationship with the crew and the actors. He is a good
guy and an amazing director, i think he is a genious and
iīve always admired his work. That was one of the
reasons which led me to work in Titanic. Jim has a very
clear vision of what he wants in each take, he is always
trying to improve whatever he does. We had a good
relationship.
Q : You insisted a lot to work in the film, didnīt you ?
K : I said, "well, what can i lose ?", so i
phoned Jim and i tried to convince him ; first he laughed
and then he asked me why should he give me the role. I
enumerated all the affinities between Rose and me. It was
a story which motivated me a lot and i gave everything
iīve got, i gave all my passion to my character because
i believed in that project and i knew it was a film i had
to do.
Q : And, are you happy with the result ?
K : It is a fantastic film and iīm very proud of being a
part of Titanic. Itīs very epic and it describes very
well the meaning of LOVE, something that just a few
people find in their lives. The story between Leo and me
is the most important thing in the film. Itīs not
another film about the sinking, about Titanicīs
catastrophe, but a story about passion, very dramatic
because of the circumstances.
Q : After this experience, are you interested in
following your career in Hollywood ?
K : I think Hollywood is an extraordinary place, itīs
unique. Everything spins around cinema, but Los Angeles
is suffocating, i donīt like it much and i would never
live there. Anyway, of course iīd love to work in many
other films.
Q : Now there are more opportunities to work in your
country, what do you think about the new british cinema ?
K : Itīs an stimulating moment. In the U.K. there are
great actors, you can learn a lot from them, and they
need to work in as many films as possible. There is also
a new generation that is changing the image of my country
abroad.
Q : Do you consider yourself a part of that generation ?
K : Yes, and iīm very proud of it. Maybe i am in a
privileged situation, and it is, in part, a matter of
luck. Iīve grown up in a country where there is little
work and i know you must take it as it comes and get a
move on, because maybe next week itīs not there. I still
ask myself : what am i gonna do next year ? who will
offer me another role ?. I guess it is something that
will never disappear.
Q : But you keep on fighting.
K : I canīt sit down and see how time goes by. This is a
very hard work and mentally destructive because you
always doubt, you are always testing yourself. You doubt
about if you can do it, if you are able. Before every
film i think about suicide...ha,ha !, i start thinking
:"God, i canīt do it ! itīs terrible ! but you
must do it !.
Q : You get obsessed with your characters ; when you
played Ophelia in Hamlet you cried, you banged your head
against the walls, and everything seemed so real and
traumatic..
K : It was horrible īcause it took two days shooting
those takes and you canīt finish one take and disconnect
ītil the next day. It was extremely tiring and very
painful because you must be in a terrible emotional
state, and you must stay there ītil you finish the
shooting. You must leave everything else aside, you must
work with your mind and your heart.
Q : Your career seems to go very fast. Have you got
everything under control ?
K : I donīt think everything has gone so fast. Maybe you
can think that but iīve done five films in five years. I
had enough free time after each project and i have just
made a six months break.
Q : Are you worried about money, does responsibility
weigh you down ?
K : Iīve never intended to be rich but itīs true there
are many high economic costs in this work. Sometimes i
feel like a part of a business. Suddenly i say : "My
God, i am employing six persons, and now iīve got an
assistant i had not before !". It is something i had
never planned.
Q : What actors and actresses do you admire ?
K : Iīve always admired Leonardo DiCaprio, so when i
knew i was going to work with him i just couldnīt
believe it. I also love Harvey Keitel, Meryl Streep, Emma
Thompson. And I think Ewan McGregor is very good too.
Q : Whatīs your new project ?
K : Iīm working in a british film directed by Gillies
MacKinnon called Hideous Kinky. It is based on an
autobiographic novel written by Esther Freud. Itīs the
story of a "hippy" woman that decides to take
her two little daughters with her and go to live to
Morocco. They lived there two years, with no money and no
reason to be there. It was just an impulse.
Translated
from Spanish by Ignacio Prieto KWFC member.
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