Timeline
December, 1995 | Director James Cameron announces his next film will be "Titanic", not "Terminator 3". |
March 20, 1996 | Kate Winslet is cast. Cameron budgets $110 million for 400 special effects. |
May 16, 1996 | Shooting begins in Mexico on sound stages constructed according to the Titanic's dimensions. |
May 25, 1996 | Leonardo DiCaprio is cast. |
June 20, 1996 | Filming moves to California. Work begins at Mexico's Rosarita Beach on a huge water tank three times the size of the Melbourne Cricket Ground to simulate the open sea. |
September 9, 1996 | Cast and crew move to Mexico. Final cost nudging $230 million. |
December 9, 1996 | Release date announced as July 4, 1997. |
February 18, 1997 | Filming near completion. |
March, 1997 | Cameron begins editing. Special effects problems slow him. |
April 16, 1997 | Fox studios says it is unsure Titanic will be ready by July 4. |
May 15, 1997 | Cameron tells studios July 4 is out. October 8 is set. |
May 22, 1997 | New release date of early November. |
June 2, 1997 | After viewing rough cut, studios decide it is so strong they hold release to December 19 to catch lucrative Christmas trade. |
October 21, 1997 | After six months of editing, the final cut clocks in at three hours and 14 minutes. To placate theatre owners and public, it's listed as two hours and seventy four minutes. |
November 1, 1997 | Titanic has world premier at the Tokyo International Film Festival. Positive reviews indicate raise the possibility of Oscar nominations in February. |
Something I thought you may want to know
From James Cameron
(commenting on the soundtrack)
James Horner's score for Titanic is all I had hoped and prayed it would be and much more. It deftly leaps from intimacy to grandeur, from joy to heart-wrenching sadness and across the full emotional spectrum of the film while maintaining a stylistic and thematic unity. The music spans time, making immediate the actions and feelings of people 85 years ago with conventional period picture score, or the inappropriately modern and anachronistic "counter program" score.
James has walked the tightrope by using synthesizer, vocals, and full orchestra to create a timeless sound which tells us that these people were not so very different from us. Their hopes, their fears, their passions are just like ours. In the film I have tried to accentuate the other time and our own. James has done the same thing, bridging the gap of time and making these people seem so alive, so vibrant, so real that the dreaded event, when it finally comes, is terrifying as its authenticity.
And most importantly, he has made us one with Jack and Rose, feeling the beat of their hearts as they experience the kind of love we all dream about, but seldom find.
JAMES CAMERON