REVIEW ON AOL
Reviewed by Erika Milvy Less about the
foibles of Everyman and more about the
failure of gadgetry, Futurama, the new
animated sitcom from the zany folks who
brought us The Simpsons, pales next to
its superlative sibling. But it may still
prove to be a big success for cybergeeks
and future-philes, as well as hard-core
Simpsons loyalists.
This
Sunday (March 28), FOX premieres the
promising, if not exceptional, new
cartoon with a half-hour episode that
sets the premise and introduces us to a
throng of human and non-humans who
inhabit the future. Set in Y3K, the show
is a cynical, thinking person's Jetsons,
created by The Simpsons genius Matt
Groening. A certain savvy enhances this
tale of a gaggle of losers and misfits
who fumble through space and time only to
find out the future is far less than
Utopian.
In the
absence of Homer Simpson, we meet Fry
(voice of Billy West), a twentysomething
underachiever who leads a pathetic
existence delivering pizza. It's New
Year's Eve 1999 and Fry is muttering his
mantra "I hate my life, I hate my
life," forced to work while the
world counts down to midnight. On his way
to a delivery, his girlfriend dumps him
and he sinks deeper into a colossal funk.
Delivering
pizza to an "Applied
Cryogenics" office, he accidentally
falls into a cryogenics freezer scheduled
to defrost in the year 3000. As we watch
the years tick by on the counter, we bear
witness to the future history of the
universe through the nearby window. In
this wry comic nugget, night turns into
day, several intergalactic wars ensue,
buildings crumble, forests emerge, the
medieval ages reoccur and finally a
Jetsons-like skyline appears and Fry
arrives in the 31st century.
Before he
can drink in all the future shock, Fry
must flee to avoid being implanted with a
career chip that will brand him as a
delivery boy forever. Persuaded by his
fate assignment officer -- a sexy,
one-eyed alien -- Fry dashes through the
future city (built atop the remains of
old New York) and befriends a crusty
robot named Bender (voice of John
DiMaggio) who smokes and drinks. Pop
culture references and celebrated voices
still abound as Fry and Bender seek
shelter in a "head museum"
where the heads of the likes of Leonard
Nimoy, Richard Nixon and (if you can
catch it) Matt Groening swim around in
fishbowls and are fed with fish flakes.
Leela the
Cyclops (Katey Sagal's voice) pities poor
Fry, who, she explains, is from "the
stupid ages." Before long she joins
Fry and Bender as the kooky crew takes
refuge on a space ship crafted by Fry's
great-great-great-great-great..nephew.
The nephew, now a very old man, offers
his great-uncle Fry employment as an
intergalactic delivery boy, a classically
Homer-esque "duh!" moment.
Future episodes will no doubt follow this
trio of misfits as they encounter
multifarious alien life forms while
zooming through the cosmos.
As of yet,
Futurama does not display the wicked
humor, dead-on parody and witty social
commentary that made The Simpsons classic
comedy for adults and kids alike.
Instead, slapstick runs rampant as Fry is
forever getting caught in automatic doors
or crashing into walls thanks to the
modern transportation services. Much like
the annual Halloween Simpsons episodes,
Futurama is a bastion of weirdness with
more sight gags than heady humor or comic
wisdom.
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