After some consideration, I have decided to include ratings at the end of the reviews for each of the movies, ranging from 0 (worst) to 10 (best). Also, the directors' names are included on this index and with the reviews but if you want the full cast, crew, or other general information about the film, try the IMDB.
Note: The number ratings are somewhat meaningless and are present just for curiosity's sake. They include subjective and personal biases and are not meant to say one film is better than another. They might change at any time and are often low compared to others' ratings. They also may reflect: the copy of the film I saw, preconceived expectations, the external conditions, what kind of mood I was in when I watched the film, enjoyment, incomprehension, if I would like to see the film again, or how much the film spoke to my personal concerns. They hopefully represent how the film felt, without analyzing it too much.
American Graffiti (1973, Lucas)
The Ballad of Narayama (1983, Imamura)
The Battle Over Citizen Kane (1996, Epstein and Lennon)
Battleship Potemkin (1925, Eisenstein)
The Best Years of Our Lives (1946, Wyler)
The Bicycle Thief (1948, De Sica)
The Birth of a Nation (1915, Griffith)
The Burmese Harp (1956, Ichikawa)
The Cabinet of Dr. Caligari (1919, Wiene)
Citizen Kane (1941, Welles)
The Crowd (1928, Vidor)
Go (1999, Liman)
Gold Diggers of 1933 (1933, LeRoy)
Grand Illusion (1937, Renoir)
Greed (1925, Stroheim)
Intolerance (1916, Griffith)
Invasion of the Body Snatchers (1956, Siegel)
Juliet of the Spirits (1965, Fellini)
The Last Laugh (1924, Murnau)
L'Avventura (1960, Antonioni)
Life Is Beautiful (1997, Benigni)
Modern Times (1936, Chaplin)
Nostalghia (1983, Tarkovsky)
The Passion of Joan of Arc (1928, Dreyer)
Paths of Glory (1957, Kubrick)
Rashomon (1950, Kurosawa)
Sherlock Jr. (1924, Keaton)
Solaris (1971, Tarkovsky)
Stagecoach (1939, Ford)
The Thin Blue Line (1988, Morris)
Time Indefinite (1993, McElwee)
To Be or Not to Be (1942, Lubitsch)
Zero for Conduct {Zéro de conduite} (1933, Vigo)
Delphi Forum for discussion of foreign and 'art' films