Any Given Sunday
Released 1999
Stars Al Pacino, Cameron Diaz, Dennis Quaid, Jamie Foxx, James Woods, Aaron
Eckhart, LL Cool J, Lauren Holly, Charlton Heston, John C. McGinley, Matthew Modine,
Lawrence Taylor, Lela Rochon, Ann-Margret
Directed by Oliver Stone
Oliver Stone's "Any Given Sunday" is a smart sports movie almost swamped by production overkill. The movie alternates sharp and observant dramatic scenes with MTV-style montages and incomprehensible sports footage. It's a miracle the underlying story survives, but it does. The story's expose of pro football will not come as news to anyone who follows the game. We learn that veteran quarterbacks sometimes doubt themselves, that injured players take risks to keep playing, that team doctors let them, that overnight stardom can turn a green kid into a jerk, that ESPN personalities are self-promoters, that owners' wives drink, that their daughters think they know all about football and that coaches practice quiet wisdom in the midst of despair. We are also reminded that all big games are settled with a crucial play in the closing seconds.
These insights are not startling, but Stone and his actors give them a human face, and the film's dialogue scenes are effective. Al Pacino, comfortable and convincing as Tony D'Amato, a raspy-voiced curmudgeon, tries to coach the Miami Sharks past a losing streak and into the playoffs, and the movie surrounds him with first-rate performances. We're reminded that very little movie material is original until actors transform it from cliches into particulars. Even at 170 minutes, "Any Given Sunday" barely manages to find room for some of its large cast.
It's a close call here. I guess I recommend the movie because the dramatic scenes are worth it. Pacino has some nice heart-to-hearts with Quaid and Foxx, and the psychology of the veteran coach is well-captured in the screenplay by Stone and John Logan. But if some studio executive came along and made Stone cut his movie down to two hours, I have the strangest feeling it wouldn't lose much of substance and might even play better.
Summary by Roger Ebert