Articles/Interviews:
EW
In "The Fast and the Furious," the
illegal sport of street racing gets a glossy big screen paint job. Featuring
hyper-accelerated special effects and a hipper-than-thou cast, including "Pitch Black"'s Vin Diesel and
"Girlfight"'s Michelle Rodriguez, "Fast" gives teen
audiences a need for speed. But it didn't do the trick for some of the
stars: Several got nervous when it came time to get behind the wheel.
"I don't like risking my life that much," says Jordana Brewster
("The Faculty"), who reluctantly attended racing school just one
day after getting her driver's license. "My fastest street speed is
65 miles per hour." Even tough guy Diesel, who performed several of
his own stunts, admitted, "I'm a New Yorker, and I don't think you
can live in New York and be a car guy."
Even the cast's most enthusiastic speed
demons, Rodriguez and Paul Walker ("The Skulls"), had to leave
the majority of their stunts to professionals. "Without the stunt
people, we wouldn't have a movie," Rodriguez grumbles. "I was
kind of disappointed. I only had one day of racing school. It was
sickening in this beautiful way. It pissed me off I wasn't allowed to go
more than 80 miles per hour. I can do that on the freeway, you know?"
More disappointing were the actors'
so-called high-speed chases, which clocked in well under the speed limit.
"The tone I set was, 'We're not hot-dogging here,'" says
director Rob Cohen ("Dragonheart," "The Rat Pack"),
who took the added precaution of gathering the cast and crew in a silent
prayer before filming began. "I told them, 'Sometimes you're going to
be in front of green screen and going no miles an hour. And then you still
might feel stupid going 50 miles per hour, but when the film comes out,
it'll look like light speed."
Ultimately Walker, who owned two race cars
prior to joining the cast and imported another (a rare Japanese
manufactured Nissan Skyline R33, which is also featured in the film) after
production wrapped, was allowed to risk his neck. "I did 80 miles per
hour standing on the door of a Supra going down the highway. That was
intense," he says. But Cohen says there was only one injury during
shooting, when a stuntman broke his leg.
Though teens who are inspired to put pedal
to the medal after seeing the movie could hurt more than their feelings,
Cohen argues that the film should deter all but the dimmest daredevils.
"Nobody cake-walks away from anything in this film," he says.
"If you're stupid enough to try to outrun a train, you see what can
happen in this film. There's a fairly spectacular crash; I don't think
anyone would want to try to live through that." Cohen, who visited
several illegal races in Southern California to do research, says the
movie is merely reflecting a trend, not starting one. More than 1,500 Los
Angeles area racers showed up in tricked-out Hondas and Nissans to be
extras in the film. "Kids are already doing this all over this
country, and banning the street racing phenomenon is akin to
prohibition," says Cohen. "If you tell kids no, they want to do
it twice as hard."
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