"A LIFE DIVINE" From the album "Love, Devotion, and Surrender", 
featuring Carlos Santana, and John McLaughlin: arpeggio at your own risk.  
  My transcription is a "Subjective" version .
Please observe k\/_r)a)m)Pick and Roll terms.
 Try these voicings for the following comp:
see that the right annular finger "a)" attacks open 'B' string.

 
 
  
  B MAJOR/D#*:
 POS IX (Fret#9)"grip":
 first TAB voiced .

~.E__A__D__G__B__E.~
[Fr#9.  1  . (0)  . ] 
[ .  . (^B).  ^  . ]
[ 2        3     4 ]
_K\/k   \/ r  a  m _
B Major/D# Bass



$ _First Guitar Chord|Each bar two times apiece    $\
E|-r11++|4 " " " " \ |-r11+-||-r09++|-r09++||-r07++|\
B|--a0++|T " " " " | |--a00-||--a00+|--a00+||--a00+|\
G|---m11|I " " " " | |---m09||---mo9|---m08||---m08|\
D|-k09++|M " " " " | |-k08++||-k08++|-k06+-||-k06++|\
A|,-----|E " " " " | |,-----||,-----|,-----||,-----|\
E|K11+k"|S " " " " / |K09+k"||K09+k"|K07+k"||K07+k"|\
~`B/D#              `F#13/C# F#7/C# G#m11/B G#m7/B TO
___________________________________________/ Con't 2X
E|-r07++|-r06++|-r06++|-r04++|-r04++|-r02++||-r02++|E
B|--a00+|--a00+|--a0+-|--a0+-|--a0++|--a0++||--ao++|B
G|---m06|---m06|---m04|---m04|---m03|---m03||---m01|G
D|-k04++|-k04++|-k02++|-k02++|-k01++|-k01++||,-----|D
A|,-----|,-----|,-----|,-----|,-----|------||-k04++|A
E|K06+k"|K06+k"|K04+k"|K04+k"|K02+k"|K02+k"||K00+k"|E
 F#sus    F#/A# ESus#11 E/G#  D#-Sus D#-    C# -7/E $
___/F#            /G#           /F#   /F#____________
           
   A Life Divine: A Vicar-ious simulation
 John McLaughlin's chord Intro with added |E string| Bass Note.
The right hand attack here( look at RH palm-up ,hold pick)
_r)a)m) K\/k_ ?
is one of the tougher pick and roll combinations I can claim to
have tried ,as I use (K\/k) alternate picking as a simulation of 
Doug Rauch's bass figure kicking a roughly 12/8 rhythm feel.
               Sound like the whole Band!
 The fret #'s follow each RH attack so ,you'd do well to see the 
lowest fret # in each flow grid as being where the (L1) 1rst 
Left finger goes ,L2 and L3  trade off between the 6th and 3rd 
strings and pinky L4 gives the top |E| string a steady grip
voicing any kind of 10ths or 11ths. See|B| is open,throughout.

 Since the main Vamp is G#m(Ab Minor)__D#Minor(Eb Minor), other wise,
this wide contrast of Major ,Minor plus "sus" voicing gives John
McLaughlin some interesting options to voice the relative Major
chord BMaj( to G#m) ,the F# (to D# Minor), etc.  

 !!!!!  B MAJOR/D#* Use this "grip" to see the first TAB voiced .

~E__A__D__G__B__E.~
#1234Left [- x  1  - (0) -].POS IX  ~
 [-       -     -].
_(BMa/D#).[2       3     4].(Fret 11)

 Here is John McLaughlin's basic B Major voicing without the 'E' strings bass note
~E__A__D__G__B__E.~
#1234Left [x x  1  - (0) -].POS   IX~
 [        -     -].
_(Fret11).[        3     4].(Fret 11)

 
 
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