Diana Ross and the Supreme

 I HEAR A SYMPHONY
THE RECORDINGS

 

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Make Someone Happy

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Mame               

(J. Herman) Produced by Tony Palmer with orchestra conducted by Jimmy Garrett.

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Manhattan

(Richarc Rodgers and Lorenz Hart) Produced by Berry Gordy & Gil Askey

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Medleys:

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Michelle

(John Lennon, Paul McCartney) Produced by Tony Palmer.  Orchestra conducted by Jimmy Garrett.

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Misery Makes Its Home In My Heart

(William "Smokey" Robinson, W. Moore) Produced by Brian Holland & Lamont Dozier.

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Money (That's What I Want)

(Berry Gordy, Janie Bradford) Produced by Frank Wilson & Hal Davis (Jobete Music Co., Inc/ASCAP; Stone Agate Music Division/BMI)

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Monologue (s)

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Closing Dialogue (8:27)
Dialogue - Diana Ross & Mary Wilson (:38)
Monologue - Diana Ross (:27)
Monologue - Diana Ross (3:59)
Monologue - Diana Ross (1:05)
Monologue - Diana Ross (1:23)
Monologue - Mary Wilson (:23)

MOONLIGHT & KISSES

(Werner Scharfenberger, Fini Busch)  Produced by March Gordon, Hal Davis & Berry Gordy. (Jobete Music Co./ASCAP)

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More              

(Marcello Ciorciolini, Riziero Ortolani, Nino Oliviero, Norman Newell) (Elbo Music Corp/BMI, E.B. Marks Music Co./ BMI, Creazioni Artistiche Musicali/SIAE)

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Mother Dear (7/65)

(Brian Holland, Lamont Dozier, Edward Holland, Jr.) Produced by Brian Holland and Lamont Dozier (Stone Agate Music Division/BMI)

FYI:  Mother Dear",  was a reworking of a previously unreleased song of DMF "It's All Your Fault", that was finally released on Vol 2 of the DMF
cd "25th Anniversary". 

Mother You Smother You

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UNRELEASED TRACKS - WITH LOVE (FROM US TO YOU)

Mountain Greenery

(Richard Rodgers and Lorenz Hart) Produced by Berry Gordy & Gil Askey

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Music That Makes Me Dance, The

(Music & Lyrics by Jule Styne & Bob Merrill)

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My Funny Valentine

(Richard Rodgers and Lorenz Hart) Produced by Berry Gordy & Gil Askey)

Also Sung by

Chaka Kahn

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My Guy, My Girl

(W. Robinson, R. White)

Also Performed by:

Mary Wells, The Temptations

 

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My Heart Can't Take It No More

(Clarence Paul) (Stone Agate Music/BMI)

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My Heart Stood Still

(Richard Rodgers and Lorenz Hart) Produced by Berry Gordy & Gil Askey)

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My Romance

(Richard Rodgers and Lorenz Hart) Produced by Berry Gordy & Gil Askey)

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My World Is Empty Without You (1/66) (#5)

(Brian Holland, Lamont Dozier, Eddie Holland, Jr.)  Produced by Brian Holland & Lamont Dozier.  (Stone Agate Music Division/BMI) Recorded October 28, 1965, Detroit. (Motown 1089)

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*My world is empty without you babe.  My world is empty without you babe.  And as I go my way I know I find it hard for me to carry on.  I need your strength, I need your tender touch.  I need the love my dear, I miss so much (*repeat) From this old world, I tried to hide my face but from this darkness there's no hiding place.  Inside this hole, an empty hourse I dwell, with darkness and memories, I know so well.  I need love now more than before, I can't finally carry on anymore. (*repeat) My mind and soul have felt like this.  since love between us no longer exists.  And each time that darkness falls, it finds me alone with these four walls (*repeat and fade).

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Never Again

(Berry Gordy, Jr.) Produced by Berry Gordy, Jr.

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Nitty Gritty (3/18/68)

(Lincoln Chase) Produced by Norman Whitfield (Embassy Music Corp/BMI)

Also Performed by:

Gladys Knight & the Pips

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No Matter What Sign You Are (6/69) (#31)

(Berry Gordy & Henry Cosby) Recorded January 1969, Detroit. (Motown 1148)

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Nothing But Heartaches (8/65)

(Brian Holland, Lamont Dozier, Eddie Holland, Jr.) Produced by Brian Holland and Lamont Dozier. (Stone Agate Music Division/BMI) Recorded May 13, 1965, Detroit. (Motown 1080, #11)

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Nothing Can Change This Love

 

 

 

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Ode To Billie Joe

(Bobby Gentry) Produced by Briand Holland and Lamont Dozier.

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Only Time I'm Happy, The (7/65)

(Brian Holland, Lamont Dozier, Edward Holland, Jr.) Produced by Brian Holland and Lamont Dozier (Stone Agate Music Dvision/BMI)

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OooWee Baby

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Penny Pincher

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People

(Music & Lyrics by Jule Styne & Bob Merrill)

Originally Sung by:

Barbara Streisand

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Originally done as a solo spot for Florence Ballard during the Supremes live shows, it was later revamped as a vehicle for the vocal talents of all three ladies.  Diana Ross took over the solo lead when they included the song in a "Funny Girl" medley, most commonly available as:  I'm The Greatest Star.  

Play A Sad Song

(Berry Gordy, Jr.) Produced by Berry Gordy, Jr.

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Pretty Baby

(R. Morris, R. West) (Lupine Records)
 
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First single release as the Primettes
 Lead Singer:  Mary Wilson

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Put On A Happy Face

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Song was originally introduced on the Broadway and movie of 'Bye, Bye Birdie'

Also Performed by:

Dick Van Dyke, Janet Leigh

Vanessa Williams, Jason Alexander

 

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Put Yourself in My Place

(Brian Holland, Lamont Dozier, Eddie Holland, Jr., John Thornton) Produced by Brian Holland & Lamont Dozier (Stone Agate Music Division/BMI)

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Queen Of The House

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Reflections (8/67)

(Brian Holland, Lamont Dozier, Edward Holland, Jr.) Produced by Brian Holland & Lamont Dozier. Recorded March 2, 1967, Detroit. (Motown 1111, #2 - 2 weeks)

Song used as theme song for ABC T.V. show, 'China Beach'

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COMPLETE MOTOWN ANTHOLOGY, THE (2:51)

Through the mirror of my mind, time after time.  I see reflections of you and me.  *Reflections of, the way it used to be Reflections of the love you took from me.  Oh I'm all alone now, no love to share in me.  Trapped in a world that's a distorted reality.  Happiness you took from me.  And left me alone.  With only memories.  Through the mirror of my mind.  Through these tears that I'm crying, Reflects the hurt I can't control.  'Cause although you gone  I keep holding on, to those happy times, ooo when you were mine.  As I peer through the window of lost time, looking over my yesterdays...and all the love I gave.  All is real; all the love that I wasted, all the tears, that I tasted, all again.    Through the hollow of my tears I see a dream that lost From hurt that you've caused.  Everywhere I turn.  Seems like everything i see reflects a love that used to be.  In you I placed All my faith and trust.  Right before my eyes, my world has turned to dust.  I feel all those nights, I sat alone and wept.  Just a hand full of promises are all that's left of loving you. (*repeat) (**repeat)

 

 

 

 

 

Remove This Doubt

(Brian Holland, Lamont Dozier & Edward Holland, Jr) Produced by Brian Holland & Lamont Dozier (Stone Agate Music/BMI)   B-side of 'You Keep Me Hanging On'

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Respect

(Otis Redding) Produced by Motown Productions, Inc. In association with George Schlatter-Ed Friendly Productions (East/Memphis Music & Irving Music/BMI)

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Return of Stagger

(R. Morris, R. West)  Lead singer:  Al Garner

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Rock-A-Bye Your Baby With A Dixie Melody

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ROCK AND ROLL BANJO BAND (THE MAN WITH THE)

(Clarence Paul, Berry Gordy) (Stone Agate Music/BMI)

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Run, Run, Run (1964)

(Brian Holland, Lamont Dozier, Edward Holland, Jr.), Produced by Brian Holland & Lamont Dozier.  (Stone Agate Music Division/BMI/1964, #93, Pop)

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Sadie, Sadie

(Music & Lyrics by Jule Styne & Bob Merrill)

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Sam Cooke Medley

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Second Hand Rose

(J. Hanley, G. Clarke) Produced by Tony Palmer with orchestra conducted by Jimmy Garrett.

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Se Il Filo Spezzenai

Italian version of You Keep Me Hangin' On

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Chi Mi Aiutera (Italian)

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NERO ITALIANO

Send Me No Flowers (May 4, 1964)

(Brian Holland, Lamont Dozier & Edward Holland, Jr.) Produced by Brian Holland & Lamont Dozier (Stone Agate Music/BMI)

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Searching For My Baby

(J. Howard)

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Seventeen (He's)

(R. Liles, M. Johnson)

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Shadows of Society

(J. Goga, W. Fields, I. Hunter)

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CREAM OF THE CROP (2:59)

 

 

Shake Me, Wake Me (When It's Over)

(Brian Holland, Lamont Dozier, Eddie Holland) Produced by Brian Holland & Lamont Dozier (Stone Agate Music Division/BMI)

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Sincerely (1965)

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Sing A Simple Song

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Sleep Walk

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Some Things You Never Get Used To (7/68)

(Nickolas Ashford, Valerie Simpson) Produced by Nickolas Ashford & Valerie Simpson (Jobete Music Co., Inc/ASCAP) Recorded April 15, 1968, Detroit. (Motown 1126, #30)

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It's the same routine of getting up every morning...And putting on a smile.  But underneath there's another person, Who can't find a reason to make living worthwhile.  Oh, another day to get through, without the love that once was mine.  Sometimes I think my heartaches come to an end and then something brings them all back again...Like wanting you, and not having you, I never get used to.  I've gotten used to not listening for familiar sounds you used to make and now I'm trying to get out of the habit of calling your name first thing when I awake, look here.  It's like a child's first step, I have to learn to walk all, all over again.  'Cause you were always there if I should fall, and now there's nobody else that I can call, it's like wanting you, and not having you, I'll never get used to.  Lost in a crowd, I think I caught a glimpse of you.  Gladly I rushed to touch your hand, ha! To discover it's my mind playing tricks on me again.  Some things you never get used to...

Sometimes I think my heartaches come to an end, And then something brings them all back again, like wanting you, and not having you, I never get used to.  Babe, baby it's wanting you, and not having you I never get used to, Looky here, oh I'm wanting you, and not having you I never get used to...

 

 

Someday My Prince Will Come

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Someday We'll Be Together (11/69) (#1 - 1 week)

(Jackie Beavers, Johnny Bristol, Harvey Fuqua) Produced by Johnny Bristol. Recorded June 1969, Detroit. (Motown 1156)

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The song that is most identified as the group's farewell performance was actually recorded nine years earlier by Johnny Bristol with his group, the Tri-Phi.  Even in it's last reincarnation, the song's history was such that its rise to the top makes it more amazing.  Diana Ross, from all accounts, didn't want to record the song; she was coaxed into singing it by Berry Gordy who asked the song's writer to help "guide" Diana through the song.  Unknowingly to both artists, Berry recorded their "demo" and decided to use it in the final release (a scene in the cult movie hit 'Sparkle' was inspired by this).  Another factor was the Supremes, Mary and Cindy, were not used in the recording session.  Instead, the Waters (Maxine & Julia) were called in to help with the background vocals.  The RIAA later acredited Diana Ross with the song (along with 'Love Child') raising Diana's solo #1 hits from 6 to 8.  The most infamous incident concerning 'Someday..' was during the taping of the reunion of Diana Ross & the Supremes for the Motown 25 special which resulted in Smoky Robinson inviting the night's performers to the stage, to join the Supremes for the show's finale.

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CD Singles

Someday w'll be together.  (Say it, say it, say it, say it again)  Someday we'll be together , (oh yeah, oh yeah).  You're far away from me my love.  And just as sure my my baby as there are stars above, I wanna say, I wanna say, I wanna say it...(Someday, we'll be together) Yes we will, yes we will.  (Someday) Some sweet day (we'll be together) I know, I know, I know I know, I know...  My love is yours baby Oh, right from the start.  You, you, you possess my soul now, honey.  And I know I know I know you own my heart and I wanna say it (Someday) Some sweet day (we'll be together)  Yes we will, yes we will (Someday) Tell everybody now (We'll be together)  Yes we will, yes we will.  Long time ago my my sweet thing.  I made a big mistake, honey.  I say I said goodbye.  Oh, oh baby, ever, ever, ever, ever, ever, ever since that day now now.  All I, all I wanna do.  Oh, is cry, cry, cry.  Hey, hey hey, I long for you.  Every, every night, ooh.  Just to kiss your sweet lips, baby.  Hold you ever, ever so tight and I wanna say it.  Someday, we'll be together.  Yes we will, yes we will.  Someday we'll be together.  yes we will, yes we will...

Somewhere

(Stephen Sondheim, Leonard Bernstein) Produced by Motown Productions, Inc. In Association with George Schlatter-ed Friendly Productions (G. Schirmer, Inc./ASCAP)

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Spring Is Here

(Richarc Rodgers and Lorenz Hart) Produced by Berry Gordy & Gil Askey)

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Standing At The Crossroads of Love (1963)

(Brian Holland, Lamont Dozier, Edward Holland, Jr.) Produced by Brian Holland & Lamont Dozier.  (Stone Agate Music Division/BMI)

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Stay In My Lonely Arms

(Brian Holland, Lamont Dozier & Edward Holland Jr.) Produced by Brian Holland & Lamont Dozier.

Never before released track that surfaced on the CD version of the 'Reflections' album.

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Stop! In The Name Of Love (3/65) (#1 - 2 weeks)

(Brian Holland, Lamont  Dozier, Eddie Holland, Jr.) Produced by Brian Holland & Lamont Dozier. Recorded january 5, 1965, Detroit.  (Motown 1074)

Also sung by Kim Weston, Shalamar (Uptown Festival)

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Stop! In the name of love, before you break my heart.

Baby, baby, I'm aware of where you go, each time you leave my door

I watch you walk down the street.  Knowing your other love you'll meet.

But this time before you run to her, leavin' me alone and hurt.

*(Think it over) After (Haven't) I've been good to you.

(Think it over) After (Haven't) I've been sweet to you.

Stop!  In the name of love, before you break my heart.

Stop! in the name of love, before you break my heart.

 Think it over, think it over.

I've known of your, your secluded nights.  I've even seen her, maybe once or twice.

But is her sweet expression worth more than my loving affection.

This time before you leave my arms.  And rush off to her charms.

(*repeat)

I've tried so hard, hard to be patient.  Hoping you'll stop this infatuation.

But each time you are together, I'm so afraid of losing you forever

Stop! in the name of love, before you break my heart...think it over, baby...

Stop! In the name of love, before you break my heart (you better think it over)

Ooh, think about me baby

 

Stranger In Paradise

(Robert Craig Wright, George Forrest) Produced by Brian Holland &Lamont Dozier.  (Sheffel Music corporation/ASCAP, Alexandre Borodine/SACEM)

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Stubborn Kind Of Fellow

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Sunset         

(Clarence Paul, Stevie Wonder) Stone Agate Music/BMI, Sawandi Music/BMI, Jobete Music Co/ASCAP, Black Bull Music Inc.)

Lead Vocalist:  Mary Wilson

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Supremes Interview

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Surfer Boy

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Sweet Inspiration

(Dann Penn, Spooner Oldham)

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Sweet Thing

(William "Mickey" Stevenson & Ivy Jo Hunter) Produced by Smokey Robinson, Warren Moore & Terry Johnson (Stone Agate Music/BMI)

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T.C.B.       

(B. Kohna, B. Angelos) Produced by Deke Richards (BMI)

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Take Me Where You Go

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Tears     

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Lead vocalist:  Mary Wilson

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Tears In Vain

(Clarence Paul) (Stone Agate Music/BMI)

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Tears of Sorrow

(R. Morris, R. West)

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THANK YOU DARLING, THANK YOU BABY

(Werner Scharfenberger, Fini Busch)  Produced by Marc Gordon, Hal Davis & Berry Gordy.  (Jobete Music Co/ASCAP)

German version.

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Then         

(William 'Smokey' Robinson, Robert Rogers, Warren Moore) Produced by Brian Holland and Lamont Dozier.

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There's A Small Hotel

(Richard Rodgers and Lorenz Hart) Produced by Berry Gordy & Gil Askey)

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There's No Stopping Us Now

(Brian Holland, Lamont Dozier, Eddie Holland) Produced by Brian Holland & Lamont Dozier. (Stone Agate Music Division/BMI)

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These Boots Are Made For Walking

(Lee Hazelwood) Produced by Hal Davis & Frank Wilson (Criterion Music Corporation/ASCAP)

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Till Johnny Comes

(William "Smokey" Robinson, Jr.)

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CREAM OF THE CROP (2:57)

 

Things Are Changing

(Phil Spector) Produced by Phil Spector (Mother Bertha Music/BMI) 7" single. Public Service for Radio only.  Issued by the Advertising Council for the Equal Employment Opportunities.

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This Can't Be Love

(Richard Rodgers and Lorenz Hart) Produced by Berry Gordy & Gil Askey)

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This Guy's/Girl's In Love With You

(Burt Bacharach, Hal David) Produced by Frank Wilson

Also sung by:  Dionne Warwick, Burt Bachrach, Herb Alpert, The Carpenters

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This Old Heart Of Mine (Is Weak For You)

(Brian Holland, Lamont Dozier, Eddie Holland, Sylvia Moy) Produced by Brian Holland & Lamont Dozier.  (Stone Agate Music Division/BMI; Jobete Music Co., Inc./ASCAP)

Also sung by:  The Isley Brothers, Rod Stewart w/Ronald Isley

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Those D.J. Shows

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Thou Swell

(Richard Rodgers and Lorenz Hart) Produced by Berry Gordy & Gil Askey)

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Thoroughly Modern Millie

(S. Cahn, J.V. Huesen) Produced by Tony Palmer with Orchestra conducted by Jimmy Garrett.

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Too Hurt To Cry, Too Much In Love To Say Goodbye (Feb 24 & 26, 1965)

(Brian Holland, Lamont Dozier & Edward Holland, Jr.) Produced by Brian Holland & Lamont Dozier. (Stone Agate Music/BMI)

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Treat Me Nice John Henry

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Try It Baby

(Berry Gordy)

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Tumbling Tumbleweeds

(Bov Nolan) (Music of the West/BMI)

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Unchained Melody

(Hy Zaret, Alex North) Produced by Brian Holland & Lamont Dozier.  (Frank Music Corporation/ASCAP)

Also sung by:  Righteous Brothers

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Up, Up and Away

(Jimmy Webb) Produced by Brian Holland & Lamont Dozier.

Originally sung by The Fifth Dimension.

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Uptight (Everything's Alright)  (w/The Temptations)

(S. Moy, W. Woner, H. Crosby)

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Wait Till You See Her

(Richard Rodgers and Lorenz Hart) Produced by Berry Gordy & Gil Askey)

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Way You Do The Things You Do, The

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We Couldn't Get Along Without You

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Weight , The (w/The Temptations)

(Jaime Robertson) Produced by Frank Wilson (Motown, ASCAP/1969, #46, 5 weeks, Pop)

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What The World Needs Now Is Love

(Hal David & Burt Bacharach)  Produced by Brian Holland and Lamont Dozier.

Diana Ross would later cover the song as a soloist.  See 'A Very Special Season'

Also sung by Dionne Warwick, Tom Clay, Dusty Springfield,

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When It's to the Top (Still I Won't Stop Giving You Love)

(J. Dean, W. Weatherspoon, R. Weatherspoon)

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CREAM OF THE CROP (2:56)

 

When The Lovelight Starts Shining Through His Eyes (12/63)

(Brian Holland, Lamont  Dozier, Eddie Holland, Jr.) Produced by Brian Holland & Lamont Dozier. (Stone Agate Music Division/BMI)  Recorded 1963, Detroit. (Motown 1051, #23)

Also sung by:  Debbie Boone

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He gave me the eye, but I just passed him by.  I treated him unkind but he didn't seem to mind.  I told him be on his way.  But not a word did he say.  He just stood there kind of bold.  While I acted cold.  But when the lovelight starts shing through his eyes; made me realize, I should apologize.  And when he placed a kiss upon my face, then I knew, oh then I knew that he won my heart.  So I quickly apologized, hoping he hadn't changed his mind.  But not a word did he say, So I turned to walk away.  *But when the lovelight starts shing through his eyes.  Made me realize how he felt inside and when he placed a kiss upon my face, **then I knew, oh then I knew that he won my heart.  When he asked could he walk my way, I hoped sweet things he'd say.  Instead he smiled kind of nice as he held my hand kind of tight. (*repeat) (**repeat) (*repeat)

When You Wish Upon a Star

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Where Did Our Love Go (7/64) (#1 - 2 weeks)

(Brian Holland, Lamont Dozier, Edward Holland, Jr.)  Produced by Brian Holland & Lamont Dozier.  (Stone Agate Music Division/BMI) (Motown 1060)

"Where Did Our Love Go" was originally written for the Marvelettes, but they rejected the song.  Wanda Rogers thought it was "absolutely ridiculous." and Gladys Horton said, "I couldn't get into that 'baby, baby' thing..."

Also sung by:  Donnie Elbert (#15/71), Soft Cell (#8/82)

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Baby, baby, baby never leave me, Please don't leave me all by myself.  I've got this burning, burning, yearning feeling inside me, ooh, deep inside me and it hurts so bad.  You came into my heart so tenderly with a burning love that stings like a bee.  Now that I surrender so helplessly.  You now wanna leave.  You wanna leave me.  Baby, baby, where did our love go.  Don't you own me, don't you want me no more.  Baby, baby, where did our love go?  And all of your promises, all my love would ever know.  I've got this burning, burning yearning, feeling inside me.  ooh, deep inside me, and it hurts so bad.  Before you won my heart.  You were a perfect guy.  But now tht you've got me.  You want to leave me behind.  Baby, baby, baby don't leave me.  Please don't leave me all by myself.  Baby, baby, where did our love go?

Where Or When

(Richard Rodgers and Lorenz Hart) Produced by Berry Gordy & Gil Askey)

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Whisper You Love Me Boy (7/65)

(Brian Holland, Lamont Dozier, Eddie Holland) Produced by Brian Holland & Lamont Dolzier. (Stone Agate Music Division/BMI)

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Who Can I Turn To (When Nobody Needs Me)

Also Performed by:

Sammy Davis Jr.

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Who Could Ever Doubt My Love

(Brian Holland, Lamont Dozier, Edward Holland, Jr.) Produced by Brian Holland and Lamont Dozier (Stone Agate Music Dvision/BMI)

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Why (Must We Fall In Love) (w/The Temptations)

(D. Richards, S. Matthews)

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With A Song In My Heart

(Lorenz Hart, Richard Rodgers) Produced by Brian Holland & Lamont Dozier.  (Harms, Inc./ASCAP c/o Warner Bros Music, Inc.)

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Without A Song

(Billy Rose, Edward Eliscu, Vincent Youmans) Produced by Brian Holland & Lamont Dozier (Miller Musk Corporation/Rachel Corporation/ASCAP)

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Wonderful, Wonderful

(Ben Raleigh, Sherman Edwards) Produced by Brian Holland & Lamont Dozier.  (Edward B. Marks Music/BMI)

Also Performed by:

Johnny Mathis

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Yesterday

(Paul McCartney, John Lennon) Produced by Norman Whitfield.  (Maclen Music Inc./BMI)

Also sung by:  The Beatles, Marvin Gaye, Tony Bennett, Dionne Warwick

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Oh yesterday, all my troubles seemed so far away

Now I need a place to hide away, oh I believe in yesterday

Suddenly, I'm not half the man I used to be, there's a shadow hangin' over me

Oh yesterday, came suddenly

*Why did she have to go, I don't know.  She wouldn't say.

I must have said something wrong, now I long for yesterday.

**Yesterday, love was such an easy game to play

Now I need a place to hide away, Lord, I believe in yesterday.

(*repeat)

(**repeat)

I believe in yesterday.

 

 

 

You Ain't Livin' Till You're Lovin'

(Nickolas Ashford, Valerie Simpson) Produced by Nickolas Ashford & Valerie Simpson. (Jobete Music Co., Inc/ASCAP)

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You Bring Back Memories

(William "Smokey" Robinson) Produced by Berry Gordy, Jr. & William Robinson.

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You Can't Do That

(Paul McCartney, John Lennon) Produced by Hal Davis and Marc Gordon (Maclen Music, Inc., BMI, U.S.A., 1964)

Also sung by:  The Beatles

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You Can't Hurry Love (8/66)

(Brian Holland, Lamont Dozier, Eddie Holland, Jr.) Produced by Brian Holland & Lamont Dozier (Stone Agate Music Division/BMI) Recorded June 11, 1966, Detroit. (Motown 1097, #1 - 2 weeks)     Reviews

 

Also Performed by Phil Collins (from the motion picture "Buster")

The Dixie Chicks (from the motion picture 'Notting Hill')

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L'Amore Verra  (Italian)

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I need love, love to ease my mind.  I need to find, find, someone to call mine but Mama said, *'You can't hurry love, no you just have to wait.' She said love don't come easy, it's a game of give and take.  You can't hurry love no, you just have to wait.  You got to trust give it time.  No matter how long it takes.  But how many heartaches must I stand.  Before I find the love to let me live again.  Right now the only thing, that keeps me hanging on when I feel my strength, yeah is almost gone, I remember Mama said... (*repeat) How long must I wait how much more can I take before loneliness will cause my heart heart to break.  No I can't bear to live my life alone.  I grow impatient for a love to call my own.  But when I feel that I, I can't go on.  These precious words keep me hanging on, I remember Mama said (*repeat) You can't hurry love, no, you just have to wait.  she said just give it time no matter how long it takes, no love, love don't come easy, but I keep on waiting, anticipating, for that soft voice to talk to me at night.  For some tender arms to hold me tight.  I keep waiting, I keep on waiting, but it ain't easy, it ain't easy My Mama said...You can't hurry love, now you just have to wait.  she said give it time no matter how long it takes....

 

You Didn't Care

(Clarence Paul) (Stone Agate Music/BMI)

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You Gave Me Love

(Johnny Bristol, Harvey Fuqua, M. Johnson)

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CREAM OF THE CROP

You Keep Me Hangin' On (11/66)

(Brian Holland, Lamont Dozier, Eddie Holland, Jr.) Produced by Brian Holland & Lamont Dozier. (Stone Agate Music Division/BMI) Recorded June 30, 1966, Detroit. (Motown 1101, #1 - 2 weeks)

 Reviews

Also sung by Vanilla Fudge (#6/68), Kim Wilde (#1/87)

Also available as:

Chi Mi Aiutera (Italian)

Se Il Filo Spezzenai (Italian)

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Set me free why don't you baby, get out of my life, why don't you baby.  'Cause you don't really love me.  You just keep me hangin' on.  You don't really need me.  But you keep me hangin' on.  Why do you keep a-comin' around.  Playing with my heart.  Why don't you get out of my life and let me make a new start.  Let me get over you the way you've gotten over me.  Hey, set me free.  Why don't you baby, let me be why don't you baby.  'Cause you don't really love me.  You just keep me hangin' on.  Now you don't really want me.  You just keep me hangin' on.  You say although we broke up, you still wanna be just friends.  But how can we still be friends when seeing you only breaks my heart again.  And there ain't nothing I can do about it.  Set me free why don't you baby.  Why don't you baby, set me free.  Why don't you baby get out of my life, why don't you baby.  You claim you still care for me.  But your heart and soul needs to be free.  Now that you've got your freedom you wanna still hold on to me.  You don't want me for yourself.  so let me find somebody else.  Hey, hey, why don't you be a man about it.  And set me free.  Now you don't care a thing about me.  You're just using me.  Go on, get out, get out of my life and let me sleep at night.  Please 'cause you don't really love me.  you just keep me haingin' on.

You Need Me

(Clarence Paul) (Stone Agate Music/BMI)

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You Send Me (1965)

(Sam Cooke) Produced by Harvey Fuqua, Hal Davis & Marc Gordon (Kags Music/BMI)

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You Took Advantage of Me

(Richard Rodgers and Lorenz Hart) Produced by Berry Gordy & Gil Askey)

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You've Really Got a Hold On Me

(William "Smokey" Robinson) Produced by Hal Davis & Marc Gordon (Jobete Music Co., Inc., ASCAP,U.S.A., 1964)

Originally Performed by:  Smokey Robinson & the Miracles

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Young Folks, The

(Hal Gordy, A. Story)

For Your Info:

(Motown - /1986, #69, 5 weeks, U.S.A.)

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Your Heart Belongs to Me (1962)

(William "Smokey Robinson) Produced by William "Smokey" Robinson (Jobete Music Co./ASCAP/1962, #95, Pop)

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Your Kiss Of Fire

(Harvey Fuqua, Robert Gordy) Produced by Robert Gordy.  (Jobete Music Company, Inc/ASCAP, Stone Agate Music Division/BMI)

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You're Nobody 'Til Somebody Loves You

Also Performed by: 

Dean Martin

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You've Been So Wonderful To Me

(Allen Story, George Gordy, Anna Gaye) Produced by George Gordy (Jobete Music Co., Inc./ASCAP)

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