Film Commentary [2-16-00]
I should have paid more attention to the video box cover. “From the director of Bad
Lieutenant and The King of New York,” it proudly exclaims. Both of these films were
bad, even stupid at times. However, I rented it because it also stated that it was based on a short
story by cyberpunk author William Gibson from his book Burning Chrome and it had
actors Christopher Walken and William Defoe. Both of who I particularly like as they always
choose interesting or off-center characters to play. However, even they just can’t save this film,
neither did they particularly try.
Usually, I don’t write reviews on bad movies simply because I don’t want to waste my time
doing so. However, this film was so rotten it actually pissed me off that I was cheated out of the
money I paid to rent the thing. The characters’ dialog was flat, banal and uninspired. I was forced
not only to endure Asia Argento’s stilted english, but her horrifying singing voice as well. The
cinematography was bleached and looked like it was made in the seventies. The editing was
appalling as they tried to add in some bad footage of Toyko to try and convince you that they
were in Japan. Walken and Defoe’s performances were bland and they seemed to merely be
walking through their roles. There was nothing high-tech or cyberpunk about the background of
the film despite the origin of the story. The entire film was directionless, but worst of all, this
movie broke my cardinal rule of film, it was BORING. From the beginning to the end nothing
much happened that was of the least interest to me and probably anyone else.
AVOID THIS FILM.
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Cyberpunk Not - - New Rose Hotel
Genre: Drama
Grade = D-
Short synopsis of the story: two corporate espionage guys (Christopher Walken and William
Defoe) try to convince a genius Japanese high tech researcher and inventor to defect from his
present corporation (they just don’t appreciate him) and join another by using a singer/prostitute
(Asia Argento) to seduce him. The majority of the film follows their planning of the defection
and its engagement.
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