Ice
Maiden
by Celia Duncan
from THE FACE No 77 February 1995
In Heavenly Creatures
she's a precocious schoolgirl who earns infamy
through an appalling crime. In real life she's a
bright young actress with a pile of movie scripts on
her doormat. Kate Winslet is enjoying the attention
Kate Winslet is
in that curious limbo between British obscurity and
Hollywood stardom. After completing 20 US auditions in
six days, the ebullient 19-year-old has returned home to
the prospect of serving in a Regents Park deli and
auditioning for a Rover car ad. Well almost. In her
boyfriend's north London flat, life is now punctuated by
incessant telephone shrills and door buzzers. Her
smooth-talking British agent. Her Irish-American agent.
Her boyfriend. A journalist from home town Reading. It's
8pm before she winds up on a neat wicker chair with an
apology and a Carlsberg Ice.
Just
over a year ago Winslet was filming Heavenly Creatures
in New Zealand, her first (low-budget and stunningly
oddball) film. Set in Fifties Christchurch, the picture
follows the true story of two 15-year-old girls, Juliet
Hulme and Pauline Parker, whose obsessional friendship
and fevered imaginations led to their shocking murder of
Pauline's mother. It proved a surprising crossover
success in the US, transforming Winslet, in her role as
the arrogntly English Juliet, into a director's darling.
Scripts including Romeo and Juliet in the original
Shakespearian prose (directed by Baz Strictly Ballroom
Luhrmann and co-starring Leonardo DiCaprio) started
crowding the doormat. "The variety of roles is
great. I'm sick of playing snobs all the time so when
parts arrive for a Tank-Girl-style heroine, that's great.
I've got a whole stack of American scripts in the
bedroom," she beams, relishing the workload.
In contrast her
17-year-old co-star in Heavenly Creatures, the
equally able but less beautiful New Zealander Melanie
Lynskey, remains in New Plymouth, New Zealand, a Twin
Peaks of a town where suicides are monthly and kicks
come in the form of I-hate-Melanie-Lynskey anti-fanclubs (Thai-
"Oh dear.."). Melanie is reportedly very
like Pauline in real life, a recalcitrant
"fiddler". Winslet, meanwhile, shares Juliet's
love of attention. "Juliet is this incredibly exotic
figure that suddenly enters their lives. She's seen as
the creme de la creme and everyone adores
her." The similarity doesn't stop there. "Old
photos of Juliet look scarily like me, and right from the
beginning I really understood where she was coming
from." Given that Juliet is imaginative yet arrogant
- a sympathetic character but not necessarily a lovable
one - it's an odd parallel for Kate to acknowledge.
Perhaps it's because they both share the same film-star
ambitions. "If I made it to Hollywood, it would be
Juliet's dream come true. That's really what the girls
wanted to do," she says answering the intercom yet
again. Three film scripts arrive by motorcycle courier.
Ang Lee's Sense and Sensibility starring Emma
Thompson, Joe's Basement written by John Paton,
and Feeling Minnesota with Keanu Reeves. "Who
knows?" she says. "Maybe Hollywood will
happen."
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