Contents


BIG MOMMA'S HOUSE

On June 2nd He's Deep Undercover

2000



Big Momma's House (2000)

Directed by 
Raja Gosnell    
  
Writing credits (in credits order) 
Darryl Quarles   (story) 
Darryl Quarles   (screenplay) and 
Don Rhymer   (screenplay) 
  
Cast (in credits order) 
Martin Lawrence ....  Malcolm  
Nia Long ....  Sherry  
Paul Giamatti ....  John  
Jascha Washington ....  Trent  
Terrence Dashon Howard ....  Lester  
Ella Mitchell ....  Big Momma  
Anthony Anderson (I) ....  Nolan  
Carl Wright ....  Ben  
Phyllis Applegate ....  Sadie  
Starletta DuPois ....  Miss Patterson  
Jessie Mae Holmes ....  Miss Other Patterson  
Nicole Prescott ....  Lena  
Octavia Spencer ....  Twila (as Octavia L. Spencer)  
Tichina Arnold ....  Ritha  
Cedric the Entertainer ....  Reverend  
Philip Tan ....  Kang  
Edwin Hodge ....  Basketball Teen #1  
Aldis Hodge ....  Basketball Teen #2  
Brian Palermo ....  Cazwell  
Brian Paul Stuart ....  Prison Doctor  
Sarah Zinsser ....  Receptionist  
Sean Lampkin ....  Cab Driver  
Tony McEwing ....  Anchorperson  
Sean Thibodeau ....  Jud  
Ramsey Luke ....  FBI Agent  
Rosi Rosi ....  Nolan's Volunteer  
Minnie O. Burton ....  Nolan's Volunteer  
Rita Fagan-Lewis ....  Nolan's Volunteer  
John Eddings ....  Police Officer  
Louis Archie Shackles ....  Choir #1  
Tameka Holmes ....  Choir #2  
Ellis Hall ....  Organist  
rest of cast listed alphabetically  
Phil Hawn ....  Mailman (uncredited)  
Eric Arthur Linden ....  Mr. Joblansky  
  
Produced by 
Peaches Davis   (co-producer)  
David T. Friendly    
Michael Green (XI)    
David Higgins (IV)   (co-producer)  
Jeff Kwatinetz   (executive)  
Martin Lawrence   (executive)  
Rodney M. Liber   (executive)  
Arnon Milchan   (executive)  
Aaron Ray   (co-producer)  
  
Original music by 
Richard Gibbs    
  
Cinematography by 
Michael D. O'Shea    
  
Film Editing by 
Kent Beyda    
Bruce Green (I)    
  
Casting 
Nancy Klopper    
  
Production Design by 
Craig Stearns    
  
Art Direction 
Randy Moore (II)    
  
Set Decoration 
Ellen Totleben    
  
Costume Design by 
Francine Jamison-Tanchuck    
  
Makeup Department 
Greg Cannom ....  special makeup effects  
Keith VanderLaan ....  makeup effects producer: Captive Audience Productions  
  
Production Management 
Steven Brown (I) ....  production manager  
  
Second Unit Director or Assistant Director 
Richard Graves ....  first assistant director  
Rodney M. Liber ....  second unit director (as Rodney Liber)  
  
Sound Department 
Thomas Causey ....  production sound mixer  
Yann Delpuech ....  supervising sound editor  
Robert Grieve ....  supervising sound editor (as Bob Grieve)  
Doug Hemphill ....  sound re-recording mixer  
Paul Massey ....  sound re-recording mixer  
  
Stunts 
Ernie F. Orsatti ....  stunt co-ordinator (as Ernie Orsatti)  
  
Other crew 
Spring Aspers ....  music supervisor  
Mariko Braswell ....  set designer  
Charisse Cardenas ....  set designer  
Jeffrey Jenofsky ....  production assistant  
Don McCuaig ....  director of photography: second unit (as Donald M. McCuaig)  
Jacqui Popelka ....  production co-ordinator  
Jack S. Schlosser ....  gaffer  
Deborah Simmrin ....  unit publicist  
Nancy A. Terriberry ....  second assistant accountant  
Jodi Tripi ....  clearance co-ordinator  
  
 
 
 

Susan Granger's review of "BIG MOMMA'S HOUSE" (20th Century-Fox)

If you're a die-hard Martin Lawrence fan, you'll appreciate this movie. If not, forget it. Lawrence plays FBI agent Malcolm Turner, who has built a reputation as a master of disguises. When he's sent to a small town in Georgia to capture a bank robber who's escaped from prison, he sets up a stakeout near the home of the con's girl-friend's long-lost grandmother (Ella Mitchell), an old woman known as Big Momma. Only Big Momma's not around. So Turner decides to go deep undercover and impersonate the hefty Southern matriarch, including cooking soul food, singing gospel, even delivering babies. The result is an outrageous romantic farce because, predictably, Turner experiences an emotional transformation, falls for the girl-friend, a single mother played by lovely Nia Long ("Boiler Room"), befriends her son and struts on the basketball court: "Grandma knows she's got game!" Of course, when the real Big Momma surfaces, a stunned onlooker chirps, "Are you the Doublemint twins?" The screenplay by Darryl Quarles and Don Rhymer, based on a story by Quarles, serves primarily as a vehicle for Martin Lawrence's riff on Eddie Murphy's "Nutty Professor" concept of playing several different characters. And if it looks derivative, perhaps it's because director Raja Gosnell served as editor on "Mrs. Doubtfire," while Big Momma's make-up and prosthetics are the work of "Mrs. Doubtfire" Oscar-winner, Greg Cannom. Cannom's also responsible for transforming Lawrence into an Asian man for the opening sequence in which Turner busts an illegal dog fighting ring. On the Granger Movie Gauge of 1 to 10, "Big Momma's House" is a sporadically funny 5 - and, yes, the fat lady sings!




Have I seen this movie: Yes
And what did I think: I was expecting perhaps a bit more from Big Momma's House, but I found it average at the most. Martin Lawrence gives a funny performance here, but the story was weak and so were the characters. Lawrence plays an fbi agent named Malcolm who is tracking an escaped convict. Since he figures that he'll go after his ex girlfriend, Sherry (Nia Long), Lawrence somehow figures out that she'll go to her long last grandmother. She can't be that long lost if everyone seems to know about her. The problem is the grandmother has to leave town, so Martin Lawrence has to assume her identity. While he looks somewhat close to what she really looks like with all the makeup and padding he puts on, he doesn't look exactly like her. I could maybe see why Sherry wouldnt recognize her since they haven't seen each other in awhile. It doesn't explain why Big Momma's friends don't notice the change though. There were other things I didnt quite understand either, like how Sherry's son, Trent, took an immediate liking toward Malcolm out of his makeup as a father figure after only meeting him for a little bit one time. Well, from the flaws this movie has it does have a lot of funny parts too, like the delivery scene where Big Momma acts as the midwife, the karate scene, and the basketball scene. I wouldnt suggest paying $8.50 for this, but rather wait for it to come onto video.

I Give Big Momma's House 3 out of 5 stars
Review written June 27, 2000
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