Contents



She'd Never Met Anyone Like Him. He'd Never Met Anyone... Period.

1999




Blast From The Past (1999)  

Directed by 
Hugh Wilson    
  
Writing credits (in credits order) 
Bill Kelly (II)   (story) 

 
Bill Kelly (II)   and 
Hugh Wilson    
  
Cast (in credits order) 
Brendan Fraser ....  Adam Weber  
Alicia Silverstone ....  Eve  
Christopher Walken ....  Calvin Weber  
Sissy Spacek ....  Helen Weber  
Dave Foley ....  Troy  
Joey Slotnick ....  Soda Jerk  
Dale Raoul ....  Mom  
Hayden Tank ....  Adam, age 3  
Douglas Smith (VI) ....  Adam, age 11  
Ryan Sparks ....  Adam, age 8  
Don Yesso ....  Jerry  
Scott Thomson ....  Young Psycho  
Ted Kairys ....  Navy Pilot  
Rex Linn ....  Dave  
Cynthia Mace ....  Betty  
Harry S. Murphy ....  Bob  
Wendel Meldurm ....  Ruth  
Richard Gilbert-Hill ....  Guest  
Steve Bean ....  Harold  
Ann Ryerson ....  Woman Guest No 1  
Donovan Scott (I) ....  Ron  
Hugh Wilson ....  Levy  
John Roselius ....  Atkinson  
Bill Gratton ....  Boss  
Bill Duffy (III) ....  Workman No. 1  
Bill Stevenson ....  Workman No. 2  
J. Bruce Eckert ....  Realtor  
Karen Geraghty ....  Woman Buyer  
Christopher Holloway ....  Man Buyer  
Harrison Young ....  Bum  
Jazzmun ....  Streetwalker  
Hannah Kozak ....  Drunken Hag  
Dori Mizrahi ....  Pakistani  
Fred Pierce ....  Bystander No. 1  
Annie O'Donnell ....  Woman  
Caroline Wilson (II) ....  Child  
Julie Zelman ....  Mother  
Monty Ash ....  Old Jewish Man  
Sheila Shaw ....  Bakery Clerk  
Michael Hagiwara ....  Japanese Produce Clerk  
Todd Susman ....  Butcher  
Rosalee Mayeux ....  Hotel Registration Clerk  
Danny Zorn ....  Bellboy  
Rod Britt ....  Hotel Desk Clerk  
Robb Skyler ....  Marine Manager  
Nathan Fillion ....  Cliff  
Todd Robert Anderson ....  Jason  
Michael Gallagher (II) ....  Jonathan  
Carmen More (I) ....  Sophie  
Deborah Kellner ....  Miss Sweet  
Mary Ann Hermanson ....  Heather  
Jenifer Lewis ....  Dr. Aron  
Jonathan Stockwell Baker ....  Broker  
Brian Blondell ....  Mr. Brown  
Sonya Eddy ....  Postal Worker  
Mary Portser ....  Woman Guest No. 2  
Hubert Hodgin ....  Bystander No. 2  
Gary W. Cruz ....  Low Rider  
Robert Sacchi ....  Bogey lookalike  
rest of cast listed alphabetically  
Stephen Blackehart ....  Bartender (uncredited)  
Eddie Moore ....  Startled Pervert (uncredited)  
  
Produced by 
Renny Harlin    
Mary Kane (III)   (co-producer)  
Sunil Perkash   (executive)  
Claire Rudnick Polstein   (executive)  
Amanda Stern   (executive)  
Hugh Wilson    
  
Original music by 
Steve Dorff    
  
Cinematography by 
José Luis Alcaine    
  
Film Editing by 
Don Brochu    
  
Casting 
Denise Chamian    
  
Production Design by 
Bob Ziembicki    
  
Art Direction 
Ted Berner    
  
Set Decoration 
Michael Taylor (III)    
  
Costume Design by 
Mark Bridges    
  
Make-up Department 
Jill Crosby ....  hair stylist  
Beatrice DeAlba ....  hair stylist  
Robert Hallowell II ....  hair designer (as Robert Hallowell) 
Matthew W. Mungle ....  special make-up effects  
Ben Nye Jr. ....  key make-up artist  
Heidi Seeholzer ....  key make-up artist  
Gustavo Sepulveda ....  prosthetic technician  
Ronnie Spector ....  make-up artist: Alicia Silverstone  
  
Production Management 
Mary Kane (III) ....  unit production manager  
  
Assistant Director 
Louis D'Esposito ....  first assistant director  
Michael Viglietta ....  second assistant director  
  
Sound Department 
Paul Aulicino ....  assistant sound editor  
Gary Blufer ....  additional sound effects  
Michael J. Broomberg ....  foley artist (as Michael Broomberg) 
Lance Brown ....  sound designer  
Kevin E. Carpenter ....  sound re-recording mixer  
Michael Dressel ....  supervising foley editor  
John Michael Fanaris ....  sound effects co-ordinator  
Bruce Fortune ....  dialogue editor  
Jeffrey J. Haboush ....  sound re-recording mixer  
Michael Herbick ....  sound re-recording mixer  
Glenn Hoskinson ....  sound effects editor  
David Jobe ....  foley mixer  
Steve Mann (IV) ....  foley editor  
Kathy McCart ....  sound recordist  
Mark Hopkins McNabb ....  sound mixer  
Christopher Moriana ....  foley artist  
Steve Nelson (I) ....  sound effects editor  
Jay Nierenberg ....  sound effects editor  
Gary Ritchie ....  sound recordist  
Kim Secrist ....  sound effects editor  
Bruce Stambler ....  supervising sound editor  
Becky Sullivan ....  supervising adr editor  
Robert Troy ....  dialogue editor  
Donald L. Warner Jr. ....  dialogue editor  
Bernard Weiser ....  dialogue editor  
Richard E. Yawn ....  sound effects editor  
  
Special Effects 
Mike Bartak ....  effects technician  
Syd Dutton ....  special visual effects  
Scott Lewis (II) ....  special effects  
Brian Robbins (II) ....  welder  
Bill Taylor ....  special visual effects  
David Waine ....  effects co-ordinator
special effects supervisor  
Chris Walkowiak ....  special effects  
Charles Wolff ....  special effects  
  
Stunts 
Hannah Kozak ....  stunts  
A.J. Nay ....  stunt co-ordinator  
  
Other crew 
Bob Beecher ....  assistant music editor  
Paul Broucek ....  music executive  
Colin De Rouin ....  set designer  
Greg DeCamp ....  film assembly  
Adam M. Duthie ....  assistant editor  
Elizabeth Ervin ....  production supervisor  
Anne Fletcher ....  assistant choreographer  
Richard Ford (III) ....  additional music editor  
Shepherd Frankel ....  assistant art director  
Carla Fry ....  executive in charge of production  
Anthony Gaudioz ....  camera operator  
Emily Glatter ....  inhouse production co-ordinator  
Mark Goerner ....  illustrator  
Tom Gorey ....  imaging supervisor  
Larry Herbstritt ....  orchestrator  
Erik Holmberg ....  production executive  
Kara Katsoulis ....  casting associate  
Rich King (I) ....  extras casting  
Jennifer Law-Stump ....  digital effects supervisor  
Chris Ledesma ....  music editor  
Jody Levin ....  executive in charge of post-production  
Dave Luckenbach ....  camera operator  
P.K. MacCarthy ....  storyboard artist  
Eddie Moore ....  driver: Mr. Wilson  
Carmen More (I) ....  assistant to Hugh Wilson  
Robert Morgan (IV) ....  costume supervisor  
Claire O'Brien ....  post-production supervisor  
Rachel E. Prentiss ....  production accountant  
Paul Prokop ....  production controller  
Trudy G. Ramirez ....  script supervisor  
Rick Riccio ....  score recordist  
Adam Shankman ....  choreographer  
Ariel Velasco Shaw ....  visual effects supervisor  
Mark Andrew Stanfield ....  production assistant  
Tammy Surber ....  costumer  
David Taritero ....  visual effects producer  
Steve Tyrell ....  music supervisor  
Marie Wadsworth ....  production assistant  
Jeff Wells ....  2-D artist  
Boyd Wilson ....  location manager  
Diana Zock ....  production co-ordinator  
  

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BLAST FROM THE PAST
A film review by Steve Rhodes
Copyright 1999 Steve Rhodes
RATING (0 TO ****):  ***

It was during the movie's hilarious and frenzied big dance number that I came to the full realization that I had grown to love BLAST FROM THE PAST, a movie that starts off as slow as molasses. The movie is a delightful romantic comedy starring Brendan Fraser, a gifted actor from movies as widely varied as GEORGE OF THE JUNGLE and GODS AND MONSTERS, and Alicia Silverstone, a talented actress whose only notable success was in CLUELESS. As directed by THE FIRST WIVES CLUB's Hugh Wilson and written by Bill Kelly, BLAST FROM THE PAST manages to use low-key, subtle humor to come up with big laughs, no small feat.

We meet the Webbers 35 years ago at a party at their Ozzie-and-Harriet style house during the height of the Cuban missile crisis. A very pregnant Helen Webber busies herself in the kitchen while her husband, Calvin, plies the guests with bad jokes and cocktails. Calvin is an avowed anti-Communist with a tidy net worth, thanks to his many inventions. He has plowed his investments into creating a copy of his house in his backyard bomb shelter and has his own Costco-sized supply store within it.

Looking like a wild-eyed idiot, Christopher Walken, as Calvin, takes the only broadly comedic approach of the leads and is the least successful because of it. Stealing all of her scenes with him is Sissy Spacek as his mousy wife, Helen. Ever-obedient Helen, protests in private with screams in locked rooms and the ingestion of lots of cooking sherry and other inebriates.

The party's plastic festivities are interrupted when a presidential address comes on television. A gleeful Calvin booms, "Kennedy is going toe to toe with Khrushchev now on television." Calvin's jubilant mood turns somber, however, when Kennedy informs the nation that the Russian missiles are pointed at us and "are capable of striking most cities in the Western Hemisphere." After that, Calvin sends the guests home and takes his wife down into the bomb shelter. Thinking, by mistake, that the big one had struck their LA home, Calvin sets the locks on the shelter to 35 years -- the half-life of nuclear radiation.

It is with the growth of their son Adam (Brendan Fraser) into an adult that the movie finally gets its legs. Adult is completely the wrong term, however. The strength of Fraser's performance is that he plays Adam as a 35-year-old "boy," a lumbering and lovable hunk of a boy, who knows his geography and Latin but has never had to mature. With his impeccable manners, he is every girl's parent's dream date.

The time approaches for them to venture above ground to survey the damage and see if the area is habitable - their old neighborhood is now LA at its worst, very uninhabitable. Helen asks her son if he has been thinking about meeting a girl. "I've been thinking about that a little, just the last 15 years," he smiles in reply.

His mom, as mom's do, gives Adam a laundry list of do's and don'ts after he has to go alone on the first trip to the wasteland above. One of these instructions is to look for a Holiday Inn to spend the night. Typical of the delicious subtly of the script is his reaction to the fancy touch-tone, room phone. The bellboy explains that he just needs to dial 9 to get out. "Get out of what?" Adam asks. "The hotel," the nonplussed bellboy says as he stares in disbelief.

After Adam meets a cute and sassy young woman named Eve Rustikov (Alicia Silverstone), he enlists her help in procuring enough supplies for another decade or so. He also asks her assistance in finding a non-mutant woman from Pasadena so he can get married. Eve takes Adam under her wing like a big sister might take care of her mentally deficient little brother. With their marvelous chemistry together, the two begin to fall for each other without either of them admitting it. Both actors give sweet and compelling performances, but Fraser dominates the movie with his striking comedic grace. In a wonderful supporting role, Dave Foley, from A BUG'S LIFE, plays Troy, a gay man who is Eve's best friend. He provides the glue that makes many of the scenes between the leads work.

The movie hits its comedic zenith in the scene in which Eve and Troy go in search of the entrance to the bomb shelter. It is the reaction shots of those around them that will have you doubling over in laughter. The mark of a good comedy is whether you like to see it again. A couple more times would be just fine with me.

BLAST FROM THE PAST runs 1:46. It is rated PG-13 for brief profanity and sexuality and would be appropriate for kids around 11 and up.

Email: Steve.Rhodes@InternetReviews.com Web: www.InternetReviews.com




Have I seen this movie: Yes
And what did I think: Blast From The Past had the opportunity to be really funny from the concept, but never really comes through like it. A family lives in a bomb shelter for 35 years after they think a nuclear blast destroyed Los Angeles. In that time they have a son, and he comes out of the bomb shelter in present day L.A. It sounds a little like a cross between Encino Man, which Brendan Fraser also starred in and Pleasantville. Unfortunately the laughs here were few and far between, and the story went nowhere. Alicia Silverstone was ok here, a typical ditzy California blonde. Christopher Walken also gives a good performance here as the ecentric father. The problem with the movie is that its a rehashed script with a weak story. It would have been better if they went the more wacky funny route, but they tried for a sweet romantic story and it didn't really come out that way. It's ok if you're desperate to rent something, and it will make you feel good at the end, but its not much of a comedy or a romance.

I give Blast From The Past 2.5 out of 5 stars
Review written August 5, 1999
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