Contents



The Star Wars Saga Continues

1980




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The Empire Strikes Back (1980)  

Directed by 
Irvin Kershner    
  
Writing credits (in credits order) 
George Lucas   (story) 

 
Leigh Brackett   and 
Lawrence Kasdan    
  
Cast (in credits order) verified as complete  
Mark Hamill ....  Commander Luke Skywalker  
Harrison Ford ....  Captain Han Solo  
Carrie Fisher ....  Princess Leia Organa  
Billy Dee Williams ....  Baron Administrator Lando Calrissian  
Anthony Daniels ....  C-3PO (See-Threepio)  
David Prowse ....  Lord Darth Vader  
James Earl Jones ....  Lord Darth Vader (voice) (voice) (uncredited)  
Peter Mayhew (II) ....  Chewbacca  
Kenny Baker (I) ....  Rz-D2 (Artoo-Detoo)  
Frank Oz ....  Jedi Master Yoda (voice)  
Alec Guinness ....  Obi-Wan Ben Kenobi  
Jeremy Bulloch ....  Boba Fett/Lieutenant Sheckil  
John Hollis (I) ....  Lobot  
Jack Purvis ....  Ugloste  
Des Webb ....  Wampa Snow Creature  
Kathryn Mullen ....  Performing Assistant for Yoda  
Clive Revill ....  Emperor Palpatine (voice)  
Kenneth Colley ....  Admiral Piett  
Julian Glover ....  General Maximillian Veers  
Michael Sheard ....  Admiral Crane Ozzel  
Michael Culver ....  Captain Lorth Needa  
John Dicks (I) ....  Imperial Officer  
Milton Johns ....  Captain Bewil  
Mark Jones (II) ....  Imperial Officer  
Oliver Maguire ....  Imperial Officer  
Robin Scobey ....  Imperial Officer  
Bruce Boa ....  General Carlist Rieekan  
Christopher Malcolm ....  Zev Senesca(Rogue 2)  
Denis Lawson ....  Wedge Antilles(Rogue 3)  
Richard Oldfield ....  Derek "Hobbie" Klivian(Rogue 4)  
John Morton (I) ....  Dak Ralter(Luke's Gunner)/Boba Fett  
Ian Liston ....  Wes Janson (Wedge's Gunner)/AT-AT Driver  
John Ratzenberger ....  Major Bren Derlin  
Jack McKenzie (I) ....  Cal Alder  
Jerry Harte ....  Wyron Serper  
Norman Chancer ....  Rebel Officer  
Norwich Duff ....  Rebel Officer  
Ray Hassett ....  Tigran Jamiro  
Brigitte Kahn ....  Toryn Farr  
Burnell Tucker ....  Romas 'Lock' Navander  
rest of cast listed alphabetically  
Paul Klein (I) ....  IG-88 (uncredited)  
Ralph McQuarrie ....  General McQuarrie (uncredited)  
Chris Parsons ....  K-3PO/E-3PO/4-LOM (uncredited)  
Howie Weed ....  Wampa Snow Creature (uncredited) (special edition)  
Treat Williams ....  Bespin Guard/Hoth Soldier (uncredited)  
  
Produced by 
Jim Bloom (I)   (associate)  
Gary Kurtz    
George Lucas   (executive)  
Rick McCallum   (special edition)  
Robert Watts (II)   (associate)  
  
Original music by 
John Williams (II)    
  
Cinematography by 
Peter Suschitzky    
  
Film Editing by 
T.M. Christopher   (special edition)  
Paul Hirsch    
Marcia Lucas   (uncredited)  
  
Casting 
Rob Edmiston    
Irene Lamb    
Terry Liebling    
  
Production Design by 
Norman Reynolds    
  
Art Direction 
Leslie Dilley    
Harry Lange    
Alan Tomkins    
  
Set Decoration 
Michael Ford (I)    
  
Costume Design by 
John Mollo    
  
Make-up Department 
David Barkley ....  special make-up effects trainee (uncredited) 
Nick Dudman ....  special make-up effects trainee (uncredited) 
Graham Freeborn ....  key make-up artist  
Kay Freeborn ....  make-up artist  
Stuart Freeborn ....  make-up and special creature design  
Bob Keen ....  special make-up effects trainee (uncredited) 
Nick Maley ....  make-up artist actually: special make-up effects crew  
Barbara Ritchie ....  hair stylist  
  
Production Management 
Patricia Carr ....  assistant production manager  
Sven Johansen ....  production manager location second unit  
  
Assistant Director 
Roy Button ....  second assistant director  
Dominic Fulford ....  assistant director studio second unit  
Steve Lanning ....  second assistant director  
Andrew Montgomery ....  second assistant director studio second unit  
Ola Solum ....  assistant director location second unit  
David Tomblin ....  first assistant director  
Bill Westley ....  assistant director location second unit  
  
Sound Department 
John Benson (II) ....  assistant sound editor  
Michael Burrow ....  sound editor  
Ben Burtt ....  supervising sound effects editor
sound designer  
Joanna Cappuccilli ....  assistant sound editor  
Teresa Eckton ....  sound editor  
Ken Fischer ....  assistant sound editor  
Scott Hecker ....  foley editor  
Craig S. Jaeger ....  assistant sound editor  
Nancy Jencks ....  assistant sound editor  
Michael Kelly (IV) ....  sound effects editor  
Bonnie Koehler ....  sound editor  
Laurel Ladevich ....  assistant sound editor  
Gregg Landaker ....  sound re-recordist  
Steve Maslow ....  sound re-recordist  
John Roesch ....  foley assistant  
Robert R. Rutledge ....  foley editor  
Edward M. Steidele ....  foley assistant  
Lisa Storer ....  assistant sound editor special edition  
Gary Summers ....  re-recording mixer special edition  
Peter Sutton ....  production sound  
Randy Thom ....  sound effects recording  
Bill Varney ....  sound re-recordist  
Don Wortham ....  sound boom operator  
  
Special Effects 
Conrad Buff IV ....  visual effects editorial supervisor  
Richard Edlund ....  special visual effects  
Brian Johnson (I) ....  special visual effects  
Joe Johnston ....  art director visual effects  
Nilo Rodis-Jamero ....  assistant art director visual effects  
  
Stunts 
Bob Anderson (VII) ....  stunts  
Peter Diamond ....  stunt co-ordinator  
Colin Skeaping ....  stunts  
  
Other crew 
Nick Allder ....  mechanical effects supervisor  
Bunny Alsup ....  assistant to producer  
Ted Ambrose ....  draftsman  
Peter Amundson ....  optical line-up  
Chris Anderson (I) ....  assistant cameraman: effects unit  
Alan Arnold ....  unit publicist  
Maurice Arnold ....  assistant camera  
Charles Bailey (III) ....  model maker  
Craig Barron (I) ....  matte photography assistant  
John Barry (III) ....  director studio second unit  
Frank Batt ....  dolly grip location second unit  
Jane Bay ....  assistant to executive producer  
Greg Beaumonte ....  machinist  
James Beaumonte ....  camera and movement design  
William Beck ....  stage technician  
Ivor Beddoes ....  sketch artist  
Jon Berg ....  stop motion animation  
David Berry ....  optical printer operator  
Doug Beswick ....  stop motion technician  
Patricia Blau ....  production secretary  
Mike Bolles ....  design engineer  
Michael Boone ....  draftsman  
Reg Bream ....  draftsman  
Ed Breed ....  stage technician  
Mike Brewster ....  assistant cameraman location second unit  
Leon Briggs ....  film restoration consultant special edition  
Kris Brown (II) ....  system programming  
Thomas Brown ....  production associate
digital animator  
Frank Bruton ....  property master  
Allan Bryce ....  location unit supervisor: effects unit  
Chris Bushman ....  optical supervisor special edition  
Ron Butcher ....  production maintenance  
John J. Campbell ....  assistant cameraman location second unit  
Dave Carson (I) ....  model maker  
Chris Casady ....  animator  
Gill Case ....  effects secretary  
Terry Chostner ....  still photographer  
Donald Clark (II) ....  optical printer operator  
John Clark (IV) ....  rigging gaffer  
Fred Clemons ....  machine room operator special edition (uncredited) 
Harley Cokliss ....  director studio second unit (as Harley Cokliss) 
Pete Comandini ....  film restoration supervisor special edition  
Samuel Comstock ....  animator  
Ron Cook ....  location accountant  
Steve Cooper ....  draftsman  
Laura Crockett ....  assistant accountant  
Joanne D'Antonio ....  dialogue editor  
Richard Dawking ....  draftsman  
Rob Dickinson ....  electrical consultant  
Joe Dipple ....  property dressing supervisor  
Dick Dova ....  stage technician  
Don Dow ....  camera operator: effects unit  
Loring Doyle ....  optical line-up  
Duwayne Dunham ....  assistant film editor  
Greg Dupre ....  location second unit second assistant cameraman  
Selwyn Eddy ....  assistant cameraman: effects unit  
Brian Eke ....  effects technician  
Harrison Ellenshaw ....  matte painting supervisor  
Barbara Ellis ....  assistant film editor  
Robert Elswit ....  matte photography assistant  
Fred Evans (III) ....  modeler  
Kathryn Farrar ....  production controller special edition  
Phillip Feiner ....  optical supervisor special edition  
Rick Fichter ....  assistant cameraman: effects unit  
Bobby Finley ....  stage technician  
Richard Fish ....  assistant cameraman: effects unit  
Tim Fox ....  archivist special edition  
Warren Franklin ....  optical line-up  
Roberta Friedman ....  optical co-ordinator  
Michael Fulmer ....  model maker  
Ted Gagliano ....  post-production executive special edition  
Dick Gallegly ....  production administration  
Martin Gant ....  effects technician  
David Garfath ....  operating cameraman  
Steve Gawley ....  modelshop foreman  
Tim Geideman ....  laboratory technician  
Rob Gemmel ....  model maker  
Geoff Glover ....  director of photography location second unit  
Ken Gordon ....  set cost controller  
David Grafton ....  special optical designer  
George Gunning ....  head carpenter  
Barbara Harley ....  production assistant  
Bob Hart (III) ....  negative cutter (as Robert Hart) 
John Hatt ....  electrical engineer  
Miki Herman ....  production co-ordinator  
Samuel H. Hinckley ....  assistant editor special edition  
Edward Hirsh ....  stage technician  
Darrell Hixson ....  negative cutter  
Fred Hole ....  assistant art director  
Ron Hone ....  robot fabrication and supervisor  
Howie ....  recording technician  
Guy Hudson (II) ....  effects technician  
Paul Huston (I) ....  model maker
assistant camera: effects unit  
Mike Jackson (I) ....  assistant avid editor special edition  
Jerry Jeffress ....  electronic systems designer  
Ed Jones (IV) ....  laboratory technician  
John Keen ....  location second unit second assistant cameraman  
Andrew Kelly (II) ....  robot fabrication: effects unit  
Paul Kenward ....  assistant camera  
Phil Knowles (I) ....  effects technician  
Kim Knowlton ....  animator  
Philip Kohler ....  location manager  
Neil Krepela ....  matte photography  
Peter Kuran ....  animation and rotoscope supervisor  
Michael Lamont ....  assistant art director  
Michael Larkins ....  assistant accountant  
Michael Lawler ....  additional matte photographer  
Red Lawrence ....  head rigger  
Nick Laws ....  production assistant  
Robin Lee (IV) ....  assistant avid editor special edition  
Ed Lemke ....  color timer  
Gary Leo ....  electronic engineer  
Dennis Lewis ....  dolly grip  
James Lim ....  optical line-up  
Steve Lloyd ....  effects engineering  
Leo Loverro ....  stage technician  
Dennis Lowe ....  effects technician  
Peter MacDonald ....  director location second unit  
Mike MacKenzie ....  electronic engineer  
Pamela Mann (II) ....  continuity  
Scott Marshall (II) ....  model maker  
Robert Martin (V) ....  transportation  
Robert Marty ....  first assistant editor special edition  
Michael J. McAlister ....  assistant cameraman: effects unit  
Pat McClung ....  model maker  
Roberto McGraith ....  lab assistant  
Robert McLaren ....  effects assistant  
Ralph McQuarrie ....  design consultant and conceptual artist
matte artist  
T.E. Mehnke ....  supervising stage technician  
Chris Menges ....  directory of photography studio second unit  
Lhary Meyer ....  electronic engineer  
Dave Middleton ....  construction storeman  
Wendy Midener ....  yoda fabrication  
Digby Milner ....  effects assistant  
Thaine Morris ....  miniature pyrotechnics  
Allan Moss ....  modeler  
Madelyn Most ....  second assistant camera  
Dennis Muren ....  effects director of photography  
Duncan Myers ....  laboratory technician  
Per Mørk ....  construction manager (uncredited) 
Bill Neil ....  camera operator: effects unit  
Tiny Nicholls ....  wardrobe supervisor  
Roger Nichols ....  effects engineering  
Bruce Nicholson ....  optical photography supervisor  
Kevin O'Connell ....  recording technician  
Don Ongirolamo ....  stereo consultant: Dolby  
Brian Osborn ....  dolly grip  
Ease Owyeung ....  model maker  
Jenny Oznowicz ....  production assistant  
John Pakenham ....  model construction  
Clint Palmer ....  assistant cameraman: effects unit  
Udo Pampel ....  machinist  
Michael Pangrazio ....  matte artist  
Lorne Peterson ....  chief model maker  
Glenn Phillips ....  assistant accountant  
Ron Phipps ....  production accountant  
Dave Pier ....  miniature pyrotechnics  
Kelvin Pike ....  operating cameraman  
Tam Pillsbury ....  optical line-up  
Gary Plater ....  special projects  
Alan Poole ....  effects assistant  
Ken Ralston ....  effects cameraman  
Robert Raring ....  color timer special edition  
Kay Rawlings ....  continuity  
Arthur F. Repola ....  assistant effects editor  
Gary Rizzo ....  digital mix technician special edition  
Peter Robinson (III) ....  second assistant camera  
Edward Rodrigo ....  chief buyer  
Bert Rodwell ....  head plasterer  
Thomas Rosseter ....  optical line-up  
Ronald G. Roumas ....  re-recordist special edition  
Tom Rudduck ....  model maker  
Ray Sabo ....  negative continuity special edition  
Phil Sanderson ....  assistant film editor  
Nina Saxon ....  animator  
Stanley W. Sayer ....  matte photography consultant  
Ray Scalice ....  production accountant  
Curt Schulkey ....  dialogue editor  
Wesley Seeds ....  model maker  
Laurie Shane ....  gaffer  
Bruce Sharman ....  production supervisor  
Leslie Shatz ....  dialogue editor  
Debbie Shaw ....  assistant to direcctor  
Bob Smith (II) ....  operating cameraman location second unit  
Kenneth Smith ....  optical printer operator  
Herbert W. Spencer ....  orchestrator  
Tom St. Amand ....  stop motion technician  
Steve Starkey ....  assistant film editor  
Howard Stein ....  assistant effects editor  
Jan Stevens ....  modeler  
Eileen Sullivan ....  wardrobe mistress  
Gary Summers ....  recording technician  
Neil Swan ....  senior effects technician  
Chris Tanner ....  assistant camermen  
Rick Taylor ....  animator  
Ed Tennler ....  draftsman  
Jon Thaler ....  apprentice editor  
Marc Thorpe ....  model maker  
Phil Tippett ....  stop motion animation  
Eric Tomlinson ....  music recordist  
Paul Tomlinson ....  assistant film editor  
Charles Torbett ....  property supervisor  
Pam Traas ....  assistant accountant  
John T. VanVliet ....  animator  
Mark Vargo ....  optical line-up  
Jim Veilleux ....  effects cameraman  
Laurie Vermont ....  optical co-ordinator  
Joe Viskocil ....  miniature pyrotechnics  
Gary Waller ....  animator  
Kenneth Wannberg ....  supervising music editor  
David Watkins (II) ....  senior effects technician  
Bill Welch ....  construction manager  
Charles B. Wessler ....  production assistant  
Jody Westhiemer ....  assistant cameraman: effects unit  
George Whitear ....  staff photographer  
Gene Whiteman ....  equipment engineering supervisor  
Barry Whitrod ....  effects technician  
Diana Wilson ....  animator  
Kristen Wing ....  assistant publicist  
Stuart Ziff ....  special project co-ordinator  
Samuel Zolltheis ....  model maker  
Crew believed to be complete. 
  
 
 
 
                          THE EMPIRE STRIKES BACK
                       A film review by Steve Rhodes
                        Copyright 1996 Steve Rhodes
RATING (0 TO ****):  ****

THE EMPIRE STRIKES BACK is the first sequel to STAR WARS, but using a bit of revisionist history, George Lucas renumbered it to be the fifth in the series and STAR WARS to be the fourth. A more intriguing marketing gimmick I have never seen. For my money, nothing like STAR WARS could be as good, but THE EMPIRE STRIKES BACK is certainly excellent with some characters stronger and one weaker than the first, but the script is as impressive and innovative as ever. Over 15 years after THE EMPIRE STRIKES BACK was released, I got to see it anew with my seven year old son Jeffrey.

Basically the plot of THE EMPIRE STRIKES BACK is that the rebels are continuing to fight the Empire. Darth Vader (David Prowse acting with voice by James Earl Jones) leads a mission to destroy the rebels' base on Hoth where our old rebel friends Luke Skywalker (Mark Hamill), Han Solo (Harrison Ford), Princess Leia (Carrie Fisher), Chewbacca "Chewy" (Peter Mayhew), C3PO (Anthony Daniels), and R2D2 (Kenny Baker) are. In a vision Obi-Wan (Alec Guinness) tells Luke to go to Dagobah to train under the Jedi master Yoda (Frank Oz).

The movie is an adventure and a comedy like STAR WARS, but THE EMPIRE STRIKES BACK's main theme is the duality of The Force and the struggle between good and evil as manifested in Luke and Darth Vader. Vader reveals a big secret in the show, which was a shock back then. Although everyone probably knows it by now, I will not repeat it lest one of the few people to have never seen the movie may be reading this review.

One of the parts of this episode that I was particularly fond of the way is that the romantic aspect is more fully developed. There is a genuine chemistry between Han and Leia that starts off as verbal sparring, such as when Han sarcastically says, "Fraid I'd leave without giving you a good-bye kiss?" Leia turns up her nose and says, "I just as soon kiss a Wooky!" Eventually the ripostes stop, and their relationship evolves into genuine and explicitly proclaimed love. My god, they even have three brief mouth-to-mouth kisses!

Ford was immature, but hilarious in the original. In this episode he isn't quite as funny, but his character is much more central to the plot. To me this was Ford's movie even if it appeared to be Luke's story. Overall, I liked Ford just as much as before, but Fisher better. She warmed up to the part more and was given a more substantial role.

Whereas George Lucas was STAR WARS, having directed and wrote it, in this episode he was only listed as the executive producer and was credited with the story idea, but not the script itself. The director this time was Irvin Kershner and the script was by Leigh Brackett and the great screenwriter Lawrence Kasdan (WYATT EARP, THE BODYGUARD, GRAND CANYON, THE ACCIDENTAL TOURIST, THE BIG CHILL, BODY HEAT, and RAIDERS OF THE LOST ARK).

The script again is imaginative and full of laughs. Poor Chewy remains the brunt of the many of the jokes. When Chewy starts guffawing, Han tells him, "Laugh it up fuzzball!"

Yoda provided the figure that was the fountainhead of wisdom much as Obi-Wan did in the original. Yoda plays his role like some good old boy Ph. D. from the south. He looks and sounds like a yokel who knows nothing, but actually possesses almost infinite knowledge. He tells Luke, who doesn't know he is Yoda, "Looking for someone? Found someone I'd say." When Luke is having trouble moving rocks by using The Force, Yoda tells him, he can do it. Luke responds, "Okay, I'll try." Yoda gets angry with his pupil and admonishes him, "No, try not. Do or do not. There is no try."

C3PO still gets some of the best lines. When the going gets tough, C3 would just as soon give up. When in a jam, he suggests to his companions, "Surrender is a perfectly acceptable alternative in such situations." He tells R2D2 what computer veterans know, "R2D2 you know better than to trust a strange computer."

The visual special effects (Richard Edlund and Brian Johnson) are even more imaginative than last time. As just an example, consider the Imperial Walkers. They are essentially 10 story tall, mechanical, four legged dinosaurs with human operators and laser cannons in the head portion. The design makes absolutely no sense, but creates a great visual. The way they lumber along is the piece de resistance. Watching them was actually my favorite part of the film. My son, I should point out, does a great Imperial Walker imitation.

The kids learn creativity when they watch any of the STAR WARS episodes. Consider in this one the dilemma of how to stop these huge Imperial Walkers. The answer? Why spin a web like a spider from the fighters and lasso their legs cowboy style of course! Actually, there are a lot of parallels with cowboy shows and the STAR WARS movies.

I have a single, but significant criticism of this episode. Although I know they had to do it, I did not like the casting of Mark Hamill to play Luke Skywalker again. The other actors had matured and improved, whereas Hamill seems to have gone downhill. Missing was his enthusiastic and fresh outlook. In its place was someone who looked constantly haggard as if he were out drinking late every night before the morning shooting. He was boyishly handsome in STAR WARS, but in this episode, he had curiously seemed to have lost all of his good looks, and his energy level was too low.

THE EMPIRE STRIKES BACK runs 2:04, and I think Paul Hirsch's editing needed the tighter focus that STAR WARS had. The film is rated PG. Again, the film is beautifully devoid of foul language. Would that modern screenwriters would realize that bad language should generally be saved for R rated films and above. The story has cartoon level violence although there is one realistic, but not graphic picture of a hand being cut off. There is no sex, nudity, smoking or drug use. I think it would be fine for most kids over 4. My son Jeffrey (age 7) loved it as did his Dad. Even with my above noted one major reservation, THE EMPIRE STRIKES BACK still gets my top recommendation and rating of ****.


**** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show. Don't waste your money. 0 = One of the worst films of this or any year. Totally unbearable.
REVIEW WRITTEN ON: April 16, 1996



Have I seen this movie: Oh Yes... Many Times: Both the original
                        and special editions
And what did I think: As much as I loved Star Wars, I loved Empire Strikes back even more. The original was a space cowboy shoot'em up, while empire delves more deeply into the Characters that we grew to love. This movie is also a lot darker then the original. Here is where we find out the ultimate revelation that Darth Vader is Luke's father. We see Lei's and Han's relationship grow throughout this movie and eventually she tells him that she loves him right before he is put into carbonite freeze. That proved to be one ultimate cliffhanger leading to Return of the Jedi. Luke begins his Jedi training here and meets the wise Jedi master Yoda. We also meet the ultracool character, Boba Fett.... even though he was in the scene in the first movie that was deleted, but later reinstated in the Special Edition. So, while Star Wars started it all, Empire has the real substance and makes it the best movie out of the original trilogy. I give it 5 out 5 lightsabres
Review written May 26, 1999
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