Contents

STAR TREK V
THE FINAL FRONTIER


Adventure And Imagination Will Meet At The Final Frontier

1989




Star Trek V: The Final Frontier (1989)  

Directed by 
William Shatner    
  
Writing credits (in credits order) 
William Shatner   (story) & 
Harve Bennett   (story) & 
David Loughery   (story) 

 
David Loughery    
  
Cast (in credits order) verified as complete  
William Shatner ....  Captain James Tiberius Kirk  
Leonard Nimoy ....  Captain Spock  
DeForest Kelley ....  Cmdr. Leonard "Bones" McCoy, M.D.  
James Doohan ....  Capt. Montgomery "Scotty" Scott  
Walter Koenig ....  Cmdr. Pavel Chekov  
Nichelle Nichols ....  Cmdr. Nyota Uhura  
George Takei ....  Cmdr. Hikaru Sulu  
David Warner ....  St. John Talbot  
Laurence Luckinbill ....  Sybok  
Charles Cooper (I) ....  General Korrd  
Cynthia Gouw ....  Caithlin Dar  
Todd Bryant ....  Captain Klaa  
Spice Williams ....  Vixis  
Rex Holman ....  Y'onn  
George Murdock ....  "God"  
Jonathan Simpson ....  Young Sarek  
Beverly Hart ....  High Priestess  
Steve Susskind ....  Pitchman  
Harve Bennett ....  Head of Starfleet Command  
Cynthia Blaise ....  Young Amanda  
Bill Quinn ....  McCoy's Father  
Melanie Shatner ....  Yeoman  
  
Produced by 
Harve Bennett    
Brooke Breton   (associate)  
Mel Efros   (co-producer)  
Ralph Winter   (executive)  
  
Original music by 
Jerry Goldsmith    
  
Cinematography by 
Andrew Laszlo    
  
Film Editing by 
Peter E. Berger   (as Peter Berger)  
  
Casting 
Bill Shepard    
  
Production Design by 
Herman F. Zimmerman   (as Herman Zimmerman)  
  
Art Direction 
Nilo Rodis-Jamero    
  
Set Decoration 
John M. Dwyer    
  
Costume Design by 
Nilo Rodis-Jamero    
  
Make-up Department 
Jan Alexander (I) ....  special make-up artist  
Hazel Catmull ....  hair stylist  
Jeff Dawn ....  make-up artist  
Wes Dawn ....  make-up artist  
Katalin Elek ....  special make-up artist  
Donna Barrett Gilbert ....  hair stylist  
Edouard F. Henriques ....  special make-up artist  
Rolf John Keppler ....  special make-up artist  
Michael Mills (II) ....  special make-up artist  
Kenny Myers ....  special make-up  
  
Production Management 
Mel Efros ....  unit production manager  
  
Assistant Director 
Burt Burnam ....  second assistant director (as Burt 'Skip' Burman) 
George Fortmuller ....  second assistant director  
Douglas E. Wise ....  first assistant director  
  
Sound Department 
Gary Alexander (II) ....  sound re-recording mixer  
Wayne Allwine ....  sound effects editor  
Scott Austin ....  sound recordist  
Ron Bartlett (I) ....  foley editor  
Michael J. Benavente ....  sound effects editor  
Destiny Borden ....  assistant sound editor  
Greg Curda ....  foley mixer  
Ken Dufva ....  foley editor  
John Dunn (II) ....  sound effects editor  
David Lee Fein ....  foley editor  
Warren Hamilton Jr. ....  sound effects editor  
Doug Hemphill ....  sound re-recording mixer  
Alan Howarth ....  special sound effects  
Chris Jenkins (I) ....  sound re-recording mixer  
Ken J. Johnson ....  sound effects recordist  
Angie Luckey ....  assistant sound editor  
Mark A. Mangini ....  supervising sound editor
sound effects  
Stewart D. McDonald Jr. ....  utility sound technician  
David Moreno (I) ....  sound effects recordist  
John P. ....  special sound effects  
Sonny Pettijohn ....  assistant sound editor  
David M. Ronne ....  sound mixer  
John B. Schuyler ....  boom operator  
Solange S. Schwalbe ....  foley editor  
David Spence ....  sound effects editor  
J.D. Ward ....  sound recordist  
David A. Whittaker ....  sound effects editor  
  
Special Effects 
Eric Angelson (III) ....  visual effects co-ordinator  
Patricia Barry (III) ....  assistant producer: special visual effects  
Mike Edmonson ....  special effects supervisor  
Bran Ferren ....  visual effects  
Susan Le Ber ....  purchasing agent: special visual effects  
James Shelly ....  general manager: special visual effects  
Michael Wood ....  special effects supervisor  
  
Stunts 
Gregory J. Barnett ....  stunt double: Leonard Nimoy (as Greg Barnett) 
Kenny Bates ....  high fall stunt  
David Burton (II) ....  stunts  
David R. Ellis ....  stunts David Richard Ellis  
Linda Fetters ....  stunts  
Jim Halty ....  stunts  
Freddie Hice ....  stunts  
Tommy J. Huff ....  stunts  
John McCleod ....  stunt rigger: Yosemite climbing sequence  
Joyce McNeal ....  stunts  
Tom Morga ....  stunts  
Frank Orsatti (II) ....  stunts  
Bernie Pock ....  stunt rigger: Yosemite climbing sequence  
Don Pulford ....  stunt double: William Shatner  
Air Randall ....  stunts  
Bruce Wayne Randall ....  stunts  
Ronnie Rondell Jr. ....  stunts  
Tom Wetterman ....  stunts  
Glenn R. Wilder ....  stunt co-ordinator  
Scott Wilder (III) ....  stunts  
Dick Ziker ....  stunts  
  
Other crew 
John Alagua ....  senior optical layout: optical unit  
Miles Ambrose ....  electrical technician: live action effects unit  
Valerie Baiardi ....  effects animator: optical unit  
Dale Bard ....  technical advisor: Yosemite climbing sequence  
Nick Baum ....  computer engineering: live action effects unit  
Richard J. Bayard ....  construction co-ordinator  
Dr. Charles A. Beichman ....  scientific advisor: infared 
processing and analysis center, Jet Propulsion Lab, Pasadena  
Christopher E. Bennett ....  apprentice film editor  
Charlene Bergman ....  assistant to Mr. Bennett  
James H. Betts ....  production painter  
Judy Biggs ....  production assistant  
Bruce Birmelin ....  still photographer  
Bruce Botnick ....  music scoring mixer  
Kimberly Boyle ....  secretary to Mr. Bennett  
Werner Braun ....  climbing rigger: Yosemite climbing sequence  
Jim Bridwell ....  climbing rigger: Yosemite climbing sequence  
Anthony Brockliss ....  assistant art director  
John D. Bronson ....  wardrobe: men  
Rebeca Brookshire ....  assistant to Mr. Winter  
Stewart Brown ....  precision printer: optical unit  
David Bruce (V) ....  animation stand camera operator: model unit  
Deborah L. Campbell ....  production assistant  
Philip Caplan ....  camera operator  
Robert Carmichael ....  director: Yosemite climbing sequence  
Gary Clark (II) ....  paint foreperson  
Paul Michael Clemente ....  unit co-ordinator: model unit  
James Collins ....  production assistant  
Susan Coursey ....  assistant to Mr. Ferren  
Tony Criscione ....  assistant production auditor  
Phillip Cullem ....  mechanical fabrication: live action effects unit  
David Drapkin ....  animation stand camera operator: model unit  
Rachel A. Drapkin ....  unit manager: model unit  
Lex DuPont ....  assistant photographer: Yosemite climbing sequence  
Joe Dubs ....  computer animation and tactical displays  
Tom Dupont ....  paramedic: Yosemite climbing sequence  
Syd Dutton ....  matte painter  
Mike Edmonson ....  pyrotechnician  
Marie Elder ....  assistant production auditor  
Kinnereth Ellentuck ....  film librarian: live action effects unit  
Terry J. Erdmann ....  unit publicist  
Jim Evans (II) ....  co-ordinator: Yosemite climbing sequence  
Michael Faerman ....  production executive: model unit  
Jon Falkengren ....  dolly grip  
Mary Jo Fernandez ....  assistant to Mr. Shatner  
Bob Francis ....  electrical technician: live action effects unit  
Eva Marie Friedrick ....  assistant to Mr. Shatner  
John Frith ....  electrical technician: live action effects unit  
John Gaeta ....  cheif lighting technician: model unit  
Bob Gains ....  climbing double: William Shatner, Yosemite climbing sequence  
Jim Gerken ....  computer animation and tactical displays  
Mike Gerzevitc ....  cheif lighting technician: model unit  
Louis Goold ....  optical layout: optical unit  
Antoinette J. Gordon ....  set designer  
Ben Gorman ....  prosthetics: 'Klingon' and 'Vulcan'  
Phil Gosiewski ....  camera operator: live action effects unit  
John Haggar ....  assistant film editor  
Steven Haire ....  climbing rigger: Yosemite climbing sequence  
Ken Hall ....  music editor  
Gregory Harker ....  senior animation stand photographer: optical unit  
Barbara Harris (II) ....  voice casting  
Richard Hartley (II) ....  assistant chief lighting technician  
Chester Hartwell ....  equipmant manager: live action effects unit  
Clint Hope ....  special projects supervisor: live action effects unit  
Carmon H. Howell ....  first company grip  
Don Hulett ....  property master  
Kurt V. Hulett ....  property master  
Barry Hyman ....  title and opticals  
Gregory Jein ....  model constructor (uncredited) 
Troy Johnson ....  climbing rigger: Yosemite climbing sequence  
Wendell Johnson ....  production assistant  
Mitch Jones ....  production assistant (uncredited) 
Thomas B. Jones ....  craft service  
Paul Jordan (IV) ....  electrical engineering: live action effects unit  
Michael Kellough ....  set construction: model unit  
Bill Killey ....  camera operator: Yosemite climbing sequence  
Robert Kohut ....  mechanical fabrication: live action effects unit  
Maria Konwicka (I) ....  2-D artist: model unit  
Valerie Mickaelian Kucera ....  production co-ordinator  
Peter Kuran ....  special optical effects
visual concept engineering  
Otto Leichliter ....  computer engineering: live action effects unit  
Veronica E. Lesser ....  2-D artist: model unit  
Burton Lindemoen ....  second company grip  
Robert Lyons ....  motion control camera operator: model unit  
Michael Mann (III) ....  location manager  
Joseph Markham ....  wardrobe: men  
John Matheson ....  construction foreperson  
Daniel Mauke ....  fabricator: model unit  
Susan McCrae ....  production assistant: Yosemite climbing sequence  
Jeff McGrath (I) ....  computer animation and tactical displays  
Richard McKenzie (II) ....  set designer  
Raymond A. McLaughlin ....  transportation co-ordinator  
David V. Mei ....  senior model maker: model unit  
Richard Craig Meinardus ....  first assistant camera  
Nadim Melkonian ....  climbing rigger: Yosemite climbing sequence  
Dean Miller (III) ....  climbing rigger: Yosemite climbing sequence  
Linda Miller ....  computer animation and tactical displays  
Eric Moore ....  property master: model unit  
Sue Moore (II) ....  wardrobe: women  
Arthur Morton (I) ....  orchestrator  
Seth Nathanson ....  electrical engineering: live action effects unit  
Andrew Neskoromny ....  set designer  
Ken Nishino ....  first assistant photographer (as Kenneth Nishino) 
Don Nolan ....  optical layout: optical unit  
Donald O. Nygren ....  chief lighting technician  
Marc Okrand ....  dialog consultant: Klingon  
Michael Okuda ....  scenic artist  
Andrew Patterson ....  adr editor  
Keith Peterman ....  camera operator  
Don Petrie ....  production auditor  
Raymond Phelps ....  wardrobe: men  
Ron Pipes ....  prosthetics: 'Klingon' and 'Vulcan'  
Sean Plunkett ....  climbing rigger: Yosemite climbing sequence  
Thomas Quinn (III) ....  motion control support: model unit  
Corky Randall ....  wrangler  
Edward Lee Rapp ....  motion control and animation producer: model unit  
Robert Raring ....  color timer  
Dick Rauh ....  effects animation supervisor: optical unit  
Jack Riedel ....  senior motion control photographer: model unit  
Gene Roddenberry ....  executive consultant  
Stephen J. Ross ....  producer: Yosemite climbing sequence  
Robert Rowohlt ....  senior optical photographer: optical unit  
Bill Russell (VI) ....  climbing rigger: Yosemite climbing sequence  
Susan Sackett ....  assistant to Mr. Roddenberry  
Mark Sawicki ....  matte photographer  
Noel Scheinberg ....  optical co-ordinator: model unit  
Paul F. Schlichting ....  dga Traniee  
Robert Schulze ....  optical photographer: optical unit  
Dennis Seawright ....  second assistant camera (as Dennis B. Seawright) 
Dodie Shepard ....  costume supervisor  
Walter Shipley ....  climbing rigger: Yosemite climbing sequence  
Paul Sibley ....  climbing rigger: Yosemite climbing sequence  
Tom Snowden ....  optical layout: optical unit  
Rick Sternbach ....  illustrator  
Eddie Stewart ....  precision printer: optical unit  
Eric Stich ....  electrical engineering: live action effects unit  
Bob Stradling ....  assistant photographer: Yosemite climbing sequence  
Michael Sullivan (IV) ....  model photography design and lighting: model unit  
Barton M. Susman ....  lead person  
Dick Swanek ....  optical supervisor: optical unit  
Rob Sweeney ....  first assistant climbing photographer: Yosemite climbing sequence  
Michael Tabacco ....  model maker: model unit  
Cari Thomas ....  scenic artist  
Jeffrey Thorin ....  second assistant photographer  
Peterson Tooke ....  motion control stage manager: model unit  
Susan Trembly ....  2-D supervisor: model unit  
Marion Tumen ....  script supervisor  
Joseph F. Valentine ....  camera operator: Yosemite climbing sequence  
Bruce Vaughin ....  assistant photographer: live action effects unit  
Gaston Veilleux ....  transportation captain  
Sandy Veneziano ....  assistant art director  
Michael Ventresco ....  senior effects animator: optical unit  
Valentine Vignes ....  assistant model wrangler: model unit  
George C. Villaseņor ....  assistant film editor  
Bill Voigtlander ....  adr editor  
Brian Wade ....  prosthetics: 'Klingon' and 'Vulcan'  
Peter Wallach ....  motion control and animation supervisor: model unit  
Liz Wassel ....  2-D artist: model unit  
Alan D. Webb ....  process projection support: live action effects unit  
Ron Webster (II) ....  computer engineering: live action effects unit  
Michael Weis ....  technical advisor: Yosemite climbing sequence  
Tom Weston ....  photographer: live action effects unit  
Frost Wilkinson ....  photographer: live action effects unit  
Ronald Wilkinson ....  set designer  
Mitch Wilson ....  senior optical timer: optical unit  
Ken Wisner ....  mechanical engineering: live action effects unit  
Tim Zach ....  decals and graphics: model unit  
 
  
 

 


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                      STAR TREK V: THE FINAL FRONTIER
                       A film review by Randy Parker
                        Copyright 1996 Randy Parker
RATING:  **  (out of ****)
(Review written in 1989)

Before I say anything about STAR TREK V, you should know that "Star Trek" is my favorite TV series and that I love the Star Trek movies, especially THE WRATH OF KHAN and THE VOYAGE HOME. So with that in mind perhaps you can appreciate just how much it pains my heart to report that STAR TREK V: THE FINAL FRONTIER sucks Dilithium crystals! THE FINAL FRONTIER is not only a shockingly poor follow-up to the enormous critical and popular success of STAR TREK IV, it's also the worst film of the series.

As part five begins, the Enterprise is docked for repairs, and its beloved crew is vacationing in Yosemite, no doubt recovering from their adventures in the previous film. But the camping trip abruptly comes to an end when Star Fleet orders Captain Kirk and company to Paradise City on Nimbus III, a planet in the neutral zone where a renegade Vulcan has taken hostages. Laurence Luckinbill plays Sybok, a Vulcan outcast who has forsaken logic in favor of base emotions and instincts. He possesses a mysterious, spiritual power to relieve people of their emotional anguish, and he uses this power to assemble a devoted following of worshippers. With their help, he high-jacks the Enterprise. Sybok intends to use the starship to reach Sha Ka Ri, a mythical planet at the center of the galaxy (beyond the Great Barrier) where no man has gone before. There he expects to find enlightenment from God almighty himself.

During THE FINAL FRONTIER, we learn something new about Captain Kirk, a.k.a. William Shatner; while his command of a Federation starship is indeed impressive, he's not so adept at writing and directing movies. Shatner's hackneyed story and heavy-handed direction make the film far too self-serious and pretentious. THE FINAL FRONTIER is as subtle as a sledge hammer; it hits us over the head with its melodramatic plot and syrupy, overbearing score. The movie captures neither the good-natured, light-hearted whimsy of VOYAGE HOME nor the suspenseful, nerve-wracking excitement of WRATH OF KHAN.

The story line in THE FINAL FRONTIER is astonishingly unbelievable. Sybok's quest for God is so ludicrous it's almost funny--almost so bad it's good. Almost, but not quite: I groaned more than I laughed. Not once during the movie did I accept the premise or suspend my disbelief. And how could I with these embarrassingly cheesy special effects?

After striking it rich at the box office with STAR TREK IV, Paramount somehow decided it could no longer afford the services of Industrial Light and Magic. I.L.M. (the special effects division of Lucasfilm) produced the special effects for the last three Trek films, and it also creates the fine effects in "Star Trek: The Next Generation." Giving I.L.M. its walking papers was a fatal mistake; the special effects in THE FINAL FRONTIER are simply atrocious. They barely look better than those in the original TV series, which were good for their day but which look shabby, laughable, and campy on the big screen. The Enterprise and the Shuttle Craft look plastic and artificial, almost as if they were straight out of 2001. Gone is the high-tech STARS WARS look of WRATH OF KHAN, SEARCH FOR SPOCK, and VOYAGE HOME.

STAR TREK V is far too often derivative of other films. The bar in Paradise City, for example, immediately brings to mind the Catina Bar in STAR WARS. Paradise City itself, with its grungy inhabitants, looks suspiciously like the city of Bartertown in MAD MAX BEYOND THUNDERDOME. To make matters worse, the movie's spiritual, mystical overtones conjure images of 2001: A SPACE ODYSSEY. THE FINAL FRONTIER tries to cover so much ground that it fails even to capture the heart, soul, and flavor of Star Trek. The movie tastes too much like a potluck dinner of science fiction leftovers.

STAR TREK V also suffers from a nagging problem that has plagued the entire film series; it lies in the way in which the movies have depicted the Klingons. In the original TV series, humans and Klingons differed not in appearance nor in intelligence but in cultural philosophy and ideology. Whereas the Federation preached peace and cooperation, Klingon society was based on warfare, competition, and hatred. In the movies, on the other hand, the Klingons have become ugly, gruesome-looking barbarians devoid of intellect. They are so crude and one-dimensional that they fail to make credible adversaries. We can't take them seriously because we are too busy laughing at their stupidity. This problem, which nearly sunk STAR TREK III, once again rears its ugly head in THE FINAL FRONTIER. The idiocy of the Klingon commander in STAR TREK V makes the movie's already silly plot even harder to swallow.

The sole salvation of STAR TREK V is the humorous banter and rapport between the characters, especially between Kirk, Spock, and McCoy--who else? In the tradition of the TV series, THE FINAL FRONTIER contains some vintage Star Trek dialogue. The characters in Star Trek are so familiar and so dear to our hearts that it's fun spending time with them even in the worst of circumstances, such as a disappointingly mediocre movie. Even so, unless you're a true die-hard Trekkie, I'd suggest you skip this one and wait for STAR TREK VI; I hear Checkov and Sulu are co-directing.

---
Randy Parker
rparker@slip.net
http://www.shoestring.org

Have I Seen This Movie: Yes
And What Did I Think?: Star Trek V is one of the weakest in the Trek series..... actually second weakest to the first film in my opinion. However, it isn't as bad as some people made it out to be. True, William Shatner didn't do a great job directing (The campfire sing-along was painful), but it does has its moments. I liked Sybok showing Bones his father's death and the meeting of the alien entity portraying God. However there were lots of bad parts too.... Uhura's nude dance, horses on an alien planet, the alien entity's attack was kind of weak.... all he can do is knock them down... and of course the singing at the end (shudder). There was some extremely bad humor here as well. As far as acting, well Lawrence Luckinbill had a nice performance as Sybok, but the Klingons in this film left something to be desired. Luckily for us, Star Trek VI came out afterwards and was much better. I agree this movie isn't the greatest one, but its not unwatchable either. I think it took a lot of heat because it followed up the successful Star Trek IV.

I give Star Trek V 3 out of 5 stars

Review written July 9, 1999

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