Contents



The Messenger Must Be Silenced

1999



Stigmata (1999)

Directed by 
Rupert Wainwright    
  
Writing credits (in credits order) 
Tom Lazarus   (story) 
Tom Lazarus   (screenplay) and 
Rick Ramage   (screenplay) 
  
Cast (in credits order) complete, awaiting verification  
Patricia Arquette ....  Frankie Paige  
Gabriel Byrne ....  Father Andrew Kiernan  
Jonathan Pryce ....  Cardinal Daniel Houseman  
Nia Long ....  Donna Chadway  
Thomas Kopache ....  Father Durning  
Rade Serbedzija ....  Marion Petrocelli (as Rade Sherbedgia)  
Enrico Colantoni ....  Father Dario  
Dick Latessa ....  Father Gianni Delmonico  
Portia DeRossi ....  Jennifer Kelliho  
Patrick Muldoon ....  Steven  
Ann Cusack ....  Dr. Reston  
Shaun Toub ....  Doctor  
Tom Hodges ....  ER Nurse  
Lydia Hazan ....  Attending Nurse  
Duke Moosekian ....  Dr. Eckworth  
Valarie Trapp ....  Woman with a Baby  
Kessia Randall ....  Cheryl (as Kessia Kordelle)  
Mariah Nunn ....  Sister Angela  
Tom Fahn ....  MTA Man  
Mariah Pitzer ....  Homeless Woman  
Jack Donner ....  Father Pablo Alameida  
Richard Conti ....  Valet Priest  
Mary Linda Phillips ....  Sister Agnes  
Liz Cruz ....  Waitress  
Faith Christopher (II) ....  Waitress  
Joe Ruffo ....  Guard  
Federico Scutti ....  Guard  
William Howell ....  Aerialist  
Kristopher Davis ....  Aerialist  
Devin Unruh ....  Flower Boy  
Vera Yell ....  Jennifer's Costumer [sic]  
Mary Marshall (II) ....  Nun  
Daniel Escalzo ....  Italian Businessman  
Michael P. Dearth ....  Italian Businessman  
Mark Adair-Rios ....  Deacon  
rest of cast listed alphabetically  
Joyce Bradsher ....  Concerned Woman (uncredited) (scene deleted)  
Frankie Thorn ....  Donna's Customer (uncredited)  
  
Produced by 
Frank Mancuso Jr.    
Vikki Williams   (line)  
  
Original music by 
Elia Cmiral    
Billy Corgan    
Mike Garson   (additional music)  
  
Cinematography by 
Jeffrey L. Kimball    
  
Film Editing by 
Michael J. Duthie    
Michael R. Miller    
  
Casting 
Wendy Kurtzman    
  
Production Design by 
Waldemar Kalinowski    
  
Art Direction 
Anthony R. Stabley    
  
Set Decoration 
Florence Fellman    
  
Costume Design by 
Louise Frogley    
  
Makeup Department 
Michelle Bühler ....  makeup artist: Mr. Byrne  
Barbara Lorenz ....  hair stylist: Ms. Arquette  
James MacKinnon ....  makeup artist  
Ve Neill ....  makeup effects supervisor  
Brian Penikas ....  special makeup effects  
Michael Reitz ....  hair stylist  
Ron Scott (I) ....  key hair stylist  
Perri Sorel ....  key makeup artist  
Debbie Zoller ....  makeup artist: Ms. Arquette  
  
Production Management 
Perry Husman ....  unit production manager  
  
Second Unit Director or Assistant Director 
Terence J. Edwards ....  additional first assistant director (as
Terence Edwards)  
Basil Grillo ....  second second assistant director  
Eric Fox Hays ....  second assistant director  
Kristina M. Peterson ....  second assistant director  
Benjamin Rosenberg (I) ....  first assistant director  
  
Sound Department 
Richard L. Anderson ....  sound effects editor  
Bob Beemer ....  re-recording sound mixer  
Rick Canelli ....  adr recordist  
Mike Chock ....  sound effects editor  
Bob Deschaine ....  adr mixer  
Donald Flick (II) ....  foley editor  
Avram D. Gold ....  adr editor  
Hilda Hodges ....  foley artist  
Doc Kane ....  adr mixer  
David Kirschner (II) ....  production sound recordist  
Mary Jo Lang ....  foley mixer  
Mark A. Mangini ....  supervising sound editor  
Scott Millan ....  sound re-recording mixer  
Oscar Mitt ....  second assistant sound editor  
Alyson Dee Moore ....  foley artist (as Alyson Moore)  
Jack M. Nietzsche Jr. ....  boom operator (as Jack Nietzsche)  
Thomas J. O'Connell ....  adr mixer  
Sonny Pettijohn ....  sound effects assistant  
Troy Porter ....  adr mixer  
Charleen Richards ....  adr mixer (as Charlene Richards)  
John Roesch ....  foley artist (as John B. Roesch)  
Dennis S. Sands ....  re-recording sound mixer (as Dennis Sands)  
Curt Schulkey ....  adr editor
supervising dialogue editor  
George Simpson (I) ....  sound effects editor  
Greg Steele (I) ....  adr mixer  
Mark Steinbeck ....  cable person  
Carolyn Tapp ....  foley recordist  
Matthew W. Tenggren ....  cable person  
Bryan O. Watkins ....  adr mixer (as Bryan Watkins)  
  
Special Effects 
Al Broussard ....  special effects  
Al Di Sarro ....  special effects coordinator  
Peter Elliot (II) ....  visual effects editor  
Rory Hinnen ....  compositor: Dream Quest Images  
Cynthia Hyland ....  effects compositor  
Blaine Kennison ....  digital effects supervisor: Dream Quest Images  
Rick Lopez ....  scanning and recording technician  
Tim McGovern ....  visual effects supervisor  
George Merkert ....  visual effects producer  
Janet Quen ....  digital effects artist  
Thomas Rasada ....  special effects technician  
Mark Spatny ....  visual effects production manager: POP Film  
Kenneth VanOrder ....  special effects  
  
Stunts 
Joni Avery ....  stunts  
Rick Avery ....  stunts  
David Barrett (II) ....  stunt co-ordinator  
Kelsee Devoreaux ....  stunt double: Nia Long  
Mickey Gilbert ....  stunts  
Tim Gilbert ....  stunts  
James M. Halty ....  stunts (as Jim Halty)  
Steve Holladay ....  stunts  
Henry Kingi ....  stunts  
Cole McLarty ....  stunts  
Manny Perry ....  stunts  
Charlie Picerni ....  stunts  
Steve Picerni ....  stunts  
Ronnie Rondell Jr. ....  stunts  
Erik Rondell ....  stunts  
  
Other crew 
Pete Anthony ....  conductor
orchestrator  
Rick Baca ....  payroll  
Maria L. Baker ....  set designer  
Barry Barclay (II) ....  dispatcher  
Thomas Bartke ....  assistant music editor  
Anne Berger (III) ....  key set production assistant  
Judy Biggs ....  production secretary  
Catherine Bush Cain ....  costumer  
Jeanne Byrd ....  script supervisor (as Jeanne Byrd Hall)  
A. Charles Carnaggio ....  assistant property master  
Budd Carr ....  executive music producer  
Ray D. Chase ....  second company grip (as Ray Chase)  
Andrew A. Cohen ....  apprentice editor  
Genevieve Thomas Colvin ....  associate music supervisor  
Billy Corgan ....  music mixer  
David Crone (I) ....  camera operator: "b" camera
steadicam operator  
Douglas Cumming ....  assistant art director  
Sandy DeCrescent ....  orchestra contractor  
Dan Delgado ....  chief lighting technician (as Daniel Delgado)  
Peter Elliot (II) ....  first assistant editor  
Mike Flicker ....  music editor  
Richard Foreman Jr. ....  still photographer  
Michael J. Fowler ....  24 frame video operator (as Michael 
Fowler)  
Will Fowler (II) ....  24 frame video co-ordinator  
Monica Frommholz ....  art department co-ordinator  
Rebecca Gibson ....  assistant production office co-ordinator  
Thomas Gibson (II) ....  rigging key grip (as Tom Gibson)  
Candi Guterres ....  on-set dresser  
Gregor Habsburg ....  art department produciton assistant: Fine 
Art Reproduction  
Barbara Harris (II) ....  voice casting  
Kenneth Karman ....  music editor (as Ken Karman)  
David Katz (VI) ....  video assist operator  
Adam Kay ....  assistant music editor  
Tracy L. Kettler ....  production office co-ordinator  
Barry Kingston ....  construction co-ordinator  
Joyce Kogut ....  costume supervisor  
Jon Kull ....  orchestrator  
Kevin J. Lang ....  rigging lighting technician (as Kevin Lang)  
Barry Lehrman ....  set designer  
David Linck ....  unit publicist  
Jeff Lingle ....  assistant music editor  
Scott Allen Logan ....  location manager  
Stephen Lotwis ....  music editor  
Frank Mathews ....  assistant lighting technician  
Mark Meyers ....  dolly grip (as Mark 'Chief' Meyers)  
Lysa Moser ....  accountant  
Ken Nishino ....  first assistant camera: "a" camera (as Kenneth 
Nishino)  
John O'Connor (VI) ....  second assistant camera: "a" camera  
Leo O'Sullivan ....  office production assistant  
Denise Okimoto ....  assistant music editor  
John Orlebeck ....  transportation co-ordinator  
Bobbi Page ....  vocal contractor  
Charles Page ....  construction foreman  
Mark Perzely ....  assistant editor: Lightworks  
R.A. Tony Poland ....  set dresser  
J. Michael Popovich ....  key grip  
David Q. Quick ....  property master (as David Quick)  
Lee Scott (III) ....  music editor  
David Severin ....  transportation captain  
Sumner Soule ....  office production assistant  
Michael St. Hilaire ....  camera operator: "a" camera  
Justin P. Stanley ....  script revisor  
William T. Stromberg ....  additional orchestrator (as William 
Stromberg)  
Wally Sweeterman ....  first assistant camera: "b" camera  
Michael Thomas (XV) ....  camera loader  
Bjorn Thorsrud ....  music mixer
music engineer  
Fernando Uriegas ....  contact: Mexico City  
Diane Van Ussel ....  main title sequence designer  
Rita Vander Waal ....  casting associate  
Dale White ....  second assistant camera: "b" camera  
John Whynot ....  music mixer
music engineer  
Bob Wiatr ....  digital effects compositor  
Claudia Wick ....  key costumer  
Christopher Woodworth ....  paint foreman (as Chris Woodworth)  
Bryan Yaconelli ....  assistant accountant  
  
 


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STIGMATA
A film review by Steve Rhodes
Copyright 1999 Steve Rhodes
RATING (0 TO ****):  1/2

Having exhausted the possibilities of extreme violence as a way to shock audiences, filmmakers are always looking for other methods to give the viewers cheap thrills. STIGMATA uses the Church, specifically the Catholic Church, as a rich source of cheap exploitation. Although other films, most notably THE EXORCIST, have explored similar themes, most of them are literary classics compared to STIGMATA.

As written by Tom Lazarus and Rick Ramage and directed by Rupert Wainwright, the movie tries every tired trick in the book. Loud sounds explode suddenly and often, like fireworks on the Fourth of July. Filmed with harsh, rock-video sensibilities, the film features buckets of blood, lit as if by the neon from a sleazy motel sign. No idea is too crass to be included. The low point, in a movie full of nothing but, is the stranger on the curb who drops her baby wrapped in swaddling clothes under the tire of a speeding car in heavy traffic.

When we meet Father Andrew (Gabriel Byrne), he's on his way to work at the Holy See. Three gaudily dressed prostitutes shake their breasts at him and offer to give him "the Vatican Special."

An organic chemist turned priest, who admits he hasn't prayed in a very long time, Father Andrew works in the scientific investigation arm of the Vatican. This, in case you didn't know, is the one with all of the sophisticated instruments to look into cases of religious miracles. Father Andrew just finished verifying that a stone statue actually shed warm, human tears. He's told to forget it. His superiors, led by a nefarious, double-dealing Cardinal Vignielli (Jonathan Pryce), seem to employ a host of researchers in order to hide what they discover.

The Vatican, it turns out, is more secure that our weapons' labs. Documents are divided into threes with every third page given to a different religious order to study.

Normally, Gabriel Byrne is able to bring a sweet, honest intensity to his parts, but all his attempts this time to infuse his character with at least a hint of humanity are utter failures. To be fair, the hackneyed material he has to work with makes the project impossible.

Frankie (Patricia Arquette), "an accredited cosmetologist," who lives in a room with a thousand candles, is sent a gift by her mother. Although Frankie assumes it is a necklace, her mother has to set her straight. "It's a crucifix, dear," she tells her daughter.

The picture cuts to Frankie in the bathtub. After a dove flies overhead, Frankie starts spurting blood in some of the places where Jesus had nails driven into him on the cross. She convulses violently as if she were having sex with the devil.

Arquette displays all of the talent of someone taking Acting 101 at a community college. Between long, vacant looks, she bursts into brief spasms of unbelievable, emotional tantrums.

Father Andrew is sent to look into Frankie's situation. He explains how extremely devout people, something she certainly isn't, sometimes have been known to bleed in the places where Christ was cut. These spontaneous, unexplained events are known as stigmata.

Frankie is not a happy camper. She blames the God she never knew for causing all her misery, as she continues to feel nails being driven into her hands and feet. "You know what is scarier than not believing in God?" she asks her girlfriend. "Believing in him!"

The horror movie part is increasingly subsumed by a story about a vast Vatican conspiracy to cover up the "missing Jesus Gospel." Religious leaders have people murdered so that the Church is not undermined. Chief among these supposedly revolutionary and unknown thoughts of Jesus are that "The kingdom of God is inside you and all around you."

Never coming close to achieving the level of laughably bad, the dry and ludicrous STIGMATA never rises above painfully bad. Search as one might, there isn't a single interesting or original moment in it.

STIGMATA runs 1:42. It is rated R for intense violent sequences, language and some sexuality and would be acceptable for older teenagers.

Email: Steve.Rhodes@InternetReviews.com Web: http://www.InternetReviews.com




Have I seen this movie: Yes
And what did I think: review coming soon!
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