Contents


TERMINATOR 2: JUDGMENT DAY


He's Back

1991



Terminator 2 (1991)  

Directed by 
James Cameron    
  
Writing credits 
James Cameron   & 
William Wisher Jr.   (as William Wisher) 
  
Cast (in credits order) verified as complete  
Arnold Schwarzenegger ....  The Terminator  
Linda Hamilton ....  Sarah Connor  
Edward Furlong ....  John Connor  
Robert Patrick ....  T-1000  
Earl Boen ....  Dr. Silberman  
Joe Morton ....  Miles Dyson  
S. Epatha Merkerson ....  Tarissa Dyson  
Castulo Guerra ....  Enrique Salceda  
Danny Cooksey ....  Tim  
Jenette Goldstein ....  Janelle Voight  
Xander Berkeley ....  Todd Voight  
Leslie Hamilton Gearren ....  Twin Sarah  
Ken Gibbel ....  Douglas  
Robert Winley ....  Cigar-Smoking Biker  
Shane Wilder ....  Trucker  
Michael Edwards (I) ....  Old John Connor  
Jared Lounsbery ....  Kid  
Casey Chavez ....  Kid  
Ennalls Berl ....  Bryant  
Don Lake ....  Mossberg  
Richard Vidan ....  Weatherby  
Tom McDonald (I) ....  Cop  
Jim Palmer ....  Jock  
Gerard G. Williams ....  Jock  
Gwenda Deacon ....  Night Nurse  
Don Stanton ....  Lewis, the Guard  
Dan Stanton ....  Lewis as T-1000  
Colin Patrick Lynch ....  Attendant  
Noel Evangelisti ....  Hospital Guard  
Nikki Cox ....  Girl  
Lisa Brinegar ....  Girl  
Diane Rodriguez ....  Jolanda Salceda  
DeVaughn Nixon ....  Danny Dyson  
Tony Simotes ....  Vault Guard  
Dalton Abbott ....  Infant John Connor  
Ron Young (I) ....  Pool Cue Biker  
Charles Robert Brown ....  Tattooed Biker  
Abdul Salaam El Razzac ....  Gibbons  
Mike Muscat ....  Moshier  
Dean Norris ....  SWAT Team Leader  
Charles A. Tamburro ....  Police Chopper Pilot (as Charles 
Tamburro)  
J. Rob Jordan ....  Pickup Truck Driver  
Terrence Evans ....  Tanker Truck Driver  
Denney Pierce ....  Burly Attendant  
Mark Christopher Lawrence ....  Burly Attendant  
Pat Kouri ....  SWAT Team Leader  
Van Ling ....  Cyberdyne Tech  
rest of cast listed alphabetically  
Michael Biehn ....  Kyle Reese (scenes deleted)  
Na'loni Durden ....  Blythe Dyson (scenes deleted)  
Nancy Fish ....  Roadside Window Woman (scenes deleted)  
Scott Shaw (I) ....  Cyberdyne Tech (uncredited)  
Misty Jo Walker ....  Sarah's Granddaughter (scenes deleted)  
William Wisher Jr. ....  Galleria Photographer (uncredited)  
  
Produced by 
Stephanie Austin   (co-producer)  
James Cameron    
Gale Anne Hurd   (executive)  
Mario Kassar   (executive)  
B.J. Rack   (co-producer)  
  
Original music by 
Brad Fiedel    
  
Cinematography by 
Adam Greenberg    
  
Film Editing by 
Conrad Buff IV   (as Conrad Buff)  
Dody Dorn   (special edition)  
Mark Goldblatt    
Richard A. Harris    
  
Casting 
Mali Finn    
  
Production Design by 
Joseph C. Nemec III   (as Joseph Nemec III)  
  
Art Direction 
Joseph P. Lucky    
  
Set Decoration 
John M. Dwyer    
  
Costume Design by 
Marlene Stewart    
  
Makeup Department 
Jeff Dawn ....  makeup department head  
Ed French ....  makeup artist  
Steve La Porte ....  makeup artist  
Robert L. Stevenson (I) ....  hair stylist (as Robert L. Stevensen)  
Peter Tothpal ....  key hair stylist  
Stan Winston ....  special makeup  
  
Production Management 
Dirk Petersman ....  unit production manager  
  
Second Unit Director & Assistant Director 
Randall Badger ....  first assistant director: second unit  
Dustin Bernard ....  second assistant director  
Xochi Blymyer ....  second second assistant director (as Xochi 
Blymer)  
Frank Davis (II) ....  key second assistant director  
Gary Charles Davis ....  second unit director (as Gary Davis)  
David Fudge ....  second assistant director: second unit  
Grant Gilmore ....  second assistant director: second unit  
J. Michael Haynie ....  first assistant director  
James Lansbury ....  second assistant director  
Scott Laughlin ....  key second assistant director  
Terry Miller (I) ....  first assistant director  
George Parra ....  first assistant director: second unit  
Tony Perez ....  second assistant director  
Barry K. Thomas ....  first assistant director: second unit (as
 Barry Thomas)  
  
Sound Department 
Nicholas R. Allen ....  boom operator  
C.J. Appel ....  adr editor  
Sandina Bailo-Lape ....  foley editor  
Sara Bolder ....  dialogue editor  
Gloria S. Borders ....  sound supervisor  
Christopher Boyes (I) ....  foley recordist  
Scott Chandler ....  assistant sound designer  
Teresa Eckton ....  sound effects editor  
Ken Fischer ....  sound effects editor  
Stacey A. Foiles ....  dialogue editor (as Stacey Foiles)  
Clare C. Freeman ....  sound assistant (as Clare Freeman)  
J.R. Grubbs ....  sound assistant  
Samuel H. Hinckley ....  sound assistant (as Sam Hickley)  
Tim Holland ....  sound effects editor  
Richard Hymns ....  sound effects editor  
Vanessa James ....  sound assistant  
Tom Johnson (I) ....  sound re-recording mixer  
Hael Kobayashi ....  sound assistant  
Barbara McBane ....  adr editor  
Marnie Moore ....  foley assistant  
Tom Myers (II) ....  assistant sound designer  
Larry Oatfield ....  sound effects editor  
Phillip B. Olbrantz ....  sound assistant (as Phil Olbrantz)  
Lee Orloff ....  sound mixer  
Diana Pellegrini ....  foley editor  
Michele Perrone ....  adr editor (as Michael Perrone)  
Susan Popovic ....  sound assistant  
Kevin Rose-Williams ....  sound assistant (as Kevin Williams)  
Gary Rydstrom ....  sound re-recording mixer
sound designer  
Claire Sanfilippo ....  sound assistant  
Susan Sanford ....  sound assistant  
Paige Sartorius ....  dialogue editor  
Jim Seymour ....  sound assistant  
Robert Shoup ....  sound effects editor  
David Slusser ....  assistant sound designer  
Dianna Stirpe ....  sound assistant  
Gary Summers ....  sound re-recording mixer  
Ewa Sztompke ....  dialogue editor  
Dennie Thorpe ....  foley artist  
Pam Uzzell ....  sound assistant  
Ethan Van der Ryn ....  sound effects editor  
Knox White ....  cable person (as Knox Grantham White)  
Marian Wilde ....  foley editor (as Marion Wilde)  
Gwendolyn Yates-Whittle ....  dialogue editor (as Gwen Yates-
Whittle)  
  
Special Effects 
Bob Ahmanson ....  special effects technician: 4-Ward Productions  
James Belkin ....  visual effects director of photography: 4-
Ward Productions  
Jennifer C. Bell ....  effects coordinator: 4-Ward Productions  
John Bruno ....  visual effects designer  
Geoffrey Burdick ....  visual effects assistant  
Doug Chiang ....  visual effects art director: ILM  
Gail Currey ....  visual effects coordinator: ILM  
Mark A.Z. Dippé ....  assistant visual effects supervisor: ILM  
George C. Dodge ....  visual effects director of photography: 4-
Ward Productions  
Miller Drake ....  visual effects editor  
Elaine Edford ....  special visual effects sequences: 4-Ward Productions  
Scott R. Fisher ....  special effects assistant  
Thomas L. Fisher ....  special effects coordinator  
Michael Gleason (II) ....  visual effects editor: ILM  
Roger Hansen ....  special effects assistant  
Phillip Hartmann ....  special effects technician: 4-Ward 
Productions  
Janet Healy ....  visual effects producer: ILM  
Leslie Huntley ....  visual effects producer: Fantasy II Film Effects  
Adam Jones (II) ....  special effects art department  
Bob King ....  special effects assistant  
Jay King ....  special effects assistant  
Terry W. King ....  special effects assistant (as Terry King)  
Van Ling ....  creative supervisor/visual effects coordinator  
Jim May (I) ....  visual effects assistant editor: ILM  
W. Peter Miller ....  visual effects editor: 4-Ward Productions  
Bruce Minkus ....  special effects assistant  
Richard Mula ....  visual effects lighting consultant  
Dennis Muren ....  visual effects supervisor ILM  
George S. Neil ....  visual effects gaffer: 4-Ward Productions 
(as George Neil)  
Mark Noel ....  special effects assistant  
Michael Novotny ....  visual effects production designer: 4-Ward
 Productions  
Stuart Robertson (II) ....  digital supervisor: ILM  
Steve Sanders (II) ....  special effects technician: 4-Ward 
Productions  
Alison Savitch ....  visual effects production supervisor  
Mark A. Shelton ....  visual effects gaffer: 4-Ward Productions 
(as Mark Shelton)  
Mary Shelton (III) ....  visual effects best boy: 4-Ward Productions  
Robert Skotak ....  visual effects supervisor: 4-Ward Productions  
Joe Viskocil ....  special effects supervisor: 4-Ward Productions (as Joseph Viskocil)  
Gene Warren Jr. ....  visual effects supervisor: Fantasy II Film  
Julie J. Webb ....  assistant visual effects editor  
Thomas Zell ....  special effects technician: 4-Ward Productions  
  
Stunts 
Janet Brady ....  stunts  
Bob Brown (II) ....  stunts  
Jack Carpenter ....  stunts  
Doc D. Charbonneau ....  stunts  
Gilbert B. Combs ....  stunts  
Jeffrey J. Dashnaw ....  stunts (as Jeff Dashnaw)  
Gary Charles Davis ....  stunt co-ordinator  
Debbie Evans ....  stunts  
Billy Hank Hooker ....  stunts  
Norman Howell ....  stunts  
Tommy J. Huff ....  stunts (as Thomas J. Huff)  
Larry Johnson (VI) ....  stunts  
Peter Kent (I) ....  stunts  
Joel Kramer ....  stunt co-ordinator  
Lane Leavitt ....  stunts  
Billy D. Lucas ....  stunts (as Bill Lucas)  
Cotton Mather ....  stunts  
Bobby Porter ....  stunts  
David Webster (I) ....  stunts  
Glenn R. Wilder ....  stunts (as Glenn Wilder)  
Dick Ziker ....  stunts  
  
Other crew 
Diana Ace ....  computer graphics technical assistant: ILM  
Frans J. Afman ....  financial services  
Michael Albanese (I) ....  technical advisor: police  
Gavin Alcott ....  second assistant camera  
Tony Alderson ....  fire shots: Fantasy II Film Effects  
Bret Alexander ....  model builder: 4-Ward Productions  
Caroline Allen ....  crew: Video Image  
Scott E. Anderson ....  computer graphics shot supervisor  
Ed Angell ....  tesla coil: Fantasy II Film Effects  
Sean Applegate ....  head animator: Fantasy II Film Effects  
Ed Arneson ....  technical advisor: police  
Maryellen Aviano ....  stand-in: Ms. Hamilton (as Mary Ellen 
Aviano)  
Paul C. Babin ....  extra camera operator  
Ray Baghshomali ....  special thanks  
Brent Baker ....  art department: Stan Winston Studio  
Gordon Baker ....  digital artist: ILM  
Kim Balser ....  assistant to Mr. Kassar  
Craig Baron ....  set dresser  
Bill Basso ....  art department: Stan Winston Studio  
Randall K. Bean ....  scanning operator: ILM  
John Bell (I) ....  special thanks  
David Beneke ....  art department: Stan Winston Studio (as Dave 
Beneke)  
Michael A. Benson ....  camera operator: "a" camera
director of photography: second unit  
Joseph Berger-Davis ....  post-production assistant  
Tom Bertino (I) ....  rotoscoping supervisor: ILM  
John Andrew Berton Jr. ....  computer graphics animator: ILM  
Scott Beverly ....  production assistant: Fantasy II Film Effects  
Ken Beyer ....  computer graphics system support: ILM  
Beth Block ....  production co-ordinator: Fantasy II Film Effects  
Steve Bonner ....  picture car captain  
Colin Booth ....  costumer: second unit (as Collin Booth)  
Evan Brainard ....  mechanical department: Stan Winston Studio  
Charles Breen ....  assistant art director (as Charles W. Breen)  
Barbara Brennan (I) ....  digital artist: ILM  
Stephen Brien ....  miniature set and rig supervisor: 4-Ward Productions  
Betzy Bromberg ....  optical supervisor: Fantasy II Film Effects  
Kevin Brown (II) ....  stage assistant: 4-Ward Productions  
Steve Burg ....  conceptual artist (as Stephen Burg)  
Len Burge ....  art department: Stan Winston Studio  
Rob Burman ....  art department: Stan Winston Studio (as Robert 
Burman)  
Timothy A. Burris ....  assistant production accountant  
David L. Butler ....  aerial director of photography  
Steve Callas ....  construction co-ordinator  
Michael Cameron (II) ....  functional props (as Mike Cameron)  
Geoff Campbell ....  computer graphics animator: ILM  
Kelly Cantley ....  dga trainee  
Jack Carpenter ....  camera car driver  
Dan Carter (III) ....  model builder: 4-Ward Productions (as 
Daniel Carter)  
Vince Catlin ....  functional props  
Craig Caton ....  mechanical department: Stan Winston Studio  
Anthony Chaney ....  model builder: 4-Ward Productions  
Terry Chostner ....  effects photographer: ILM  
Alan Cohen (I) ....  second assistant camera  
Marc Cohen (IV) ....  location assistant  
Richard L. Cohen ....  computer graphics animator: ILM  
Steven B. Cohen ....  production assistant: Fantasy II Film 
Effects (as Steven Cohen)  
Carole Lee Cole ....  set designer (as Carole L. Cole)  
Susan Adele Colletta ....  digital co-ordinator: ILM  
Tim Conrad ....  model builder: 4-Ward Productions  
James Cook (III) ....  production assistant: Fantasy II Film Effects  
Bryan Cooke ....  optical line-up: Fantasy II Film Effects  
Michael Cooper (XI) ....  scanning operator: ILM optical line-up
Anthony Cortés ....  personal trainer: Ms. Hamilton  
Robert Costa ....  optical effects supervisor: 4-Ward Productions  
Chris Cowan ....  mechanical department (as Christian Cowan)  
James M. Cox ....  electrician (as James Cox)  
Richard Crompton ....  grip  
Jim Dahl ....  technical advisor: police (as James Dahl)  
Jim Davidson (II) ....  model builder: 4-Ward Productions  
Thomas A. Davila ....  assistant production accountant  
John Davis (XII) ....  production assistant  
Richard Davison ....  art department: Stan Winston Studio  
Stephen C. Dawson ....  location manager (as Steve Dawson)  
Bruce DeAragon ....  second assistant camera: second unit  
John 'D.J.' Des Jardin ....  crew: Video Image (as John DesJardin)  
Gary Diamond (I) ....  assistant art director  
Tony Didio Jr. ....  weapons specialist (as Tony Didio)  
Carol Dobrovolny ....  specialty costume manufacturer  
William K. Dolan ....  set dresser (as William Dolan)  
Crystal Dowd ....  post-production co-ordinator  
Alexandra Drobac ....  assistant to Mr. Cameron  
Chris Duddy ....  camera technician: VistaVision (as Christopher
Duddy)  
David Dunbar (III) ....  electrician  
Rick Dungan ....  video assist operator: second unit (as Richard
 J. Dungan)  
Marc Duprey ....  special thanks  
Antoine Durr ....  crew: Video Image  
Joe Earley ....  assistant to Ms. Hurd  
Pamela Easley ....  post-production supervisor  
John Eaves ....  illustrator: Fantasy II Film Effects  
Abra Edelman ....  extras casting: San Jose  
Glenn Eisner ....  art department: Stan Winston Studio  
David Emerson ....  optical camera: Fantasy II Film Effects (as Dave Emerson)  
Brad Emmons ....  electrician  
Eric Enderton ....  computer graphics software developer: ILM  
Rachel Falk ....  computer graphics technical assistant: ILM  
Stefen Fangmeier ....  computer graphics shot supervisor: ILM 
(as Stefen M. Fangmeier)  
Ernest D. Farino ....  main title supervisor (as Ernest Farino)  
Michael A. FauntLeRoy ....  first assistant camera  
Don E. Fauntleroy ....  camera operator: second unit (as Don 
Fauntleroy)  
Don Fergus ....  optical camera: Fantasy II Film Effects  
Greg Figiel ....  art department: Stan Winston Studio  
Chris Silver Finigan ....  production accountant  
Anthony Forzaglia Jr. ....  stage assistant: 4-Ward Productions  
Robert Foulkes ....  assistant location manager  
Carl N. Frederick ....  computer graphics software developer: ILM (as Carl Nai Frederick)  
Marv Freeman ....  steel mill consultant  
Jonathan French ....  computer graphics animator: ILM  
Dan Frye ....  sculptor: Fantasy II Film Effects  
Jorge Fuentes ....  stage manager: 4-Ward Productions  
Bruce Spaulding Fuller ....  art department: Stan Winston 
Studio  
Uzi Gal ....  technical advisor  
Jack Gallagher (II) ....  plate photographer: ILM  
George Gambetta ....  scanning operator: ILM  
Dan Garde ....  assistant music editor  
Todd M. Gavin ....  second assistant camera: second unit (as Todd Gavin)  
Paul Gentry ....  camera operator: Fantasy II Film Effects  
Pete Gerard ....  model maker: Fantasy II Film Effects (as Peter 
Gerard)  
Scott Giegler ....  crew: Video Image (as Scott Gigieler)  
Mark Goldberg (II) ....  mechanical department: Stan Winston Studio  
Joseph Goldstone ....  crew: Video Image  
Armando González (I) ....  mechanical department: Stan Winston 
Studio  
Dave Grasso ....  art department: Stan Winston Studio (as David 
Grasso)  
Robert Gray (IV) ....  key grip  
Jason Gunn (I) ....  electrician  
Rhonda C. Gunner ....  crew: Video Image  
Joanne Hafner ....  rotoscoping artist: ILM  
James Hagedorn ....  digital artist: ILM (as Jim Hagedorn)  
Greg Hall (I) ....  set costumer  
Donald L. Hartley ....  dolly grip  
Steve Hastings (I) ....  rigging best boy  
Beth Hathaway ....  art department: Stan Winston Studio  
Ted H. Hauser ....  first assistant camera: second unit (as Ted 
Hauser) (as Ted Hawser)  
David E. Hengstellar ....  electrician  
Phil Heron ....  stage technician: ILM  
Robert Hill (IV) ....  effects photographer: ILM (as Bob Hill)  
Bruce R. Hogard ....  costume supervisor  
Christian Hogue ....  computer graphics animator: ILM  
Richard E. Hollander ....  crew: Video Image  
Sandy Houston ....  rotoscoping artist: ILM  
Bill 'Kauhane' Hoyt ....  stand-by painter  
Lincoln Hu ....  computer graphics shot supervisor: ILM  
David G. Hudson ....  electronic press kit  
Tom Hudson ....  special thanks  
Ronald D. Hughes ....  cast security  
Robert Hutchins ....  pyrotechnician uncredited  
Tyrone Jackson ....  grip  
George Jensen ....  illustrator  
George H. Joblove ....  computer graphics shot supervisor: ILM  
Gene R. Johnson ....  transportation co-ordinator  
Jerry F. Johnson ....  transportation captain (as Jerry Johnson)  
Pete Johnson (II) ....  transportation captain: second unit  
Ed Jones (IV) ....  executive in charge of post-production: ILM  
Kirby Jones ....  production assistant: Fantasy II Film Effects  
Michael Joyce (I) ....  model shop supervisor  
Mark Jurinko ....  art department: Stan Winston Studio  
James Juro ....  special thanks  
Emmet Kane ....  effects lead man: 4-Ward Productions  
Michael Karp (I) ....  camera operator: Fantasy II Film Effects  
Jane Kass ....  first assistant editor  
Eileen Kastner-Delago ....  art department: Stan Winston Studio  
Douglas S. Kay ....  computer graphics department manager: ILM (as Douglas Scott Kay)  
Pam Kaye ....  production accountant: ILM (as Pamela Kaye)  
Elizabeth Maxwell Keith ....  computer graphics animator: ILM  
Joseph Kelly ....  art department: Stan Winston Studio  
Duncan Kennedy ....  art department assistant  
Peter Kent (I) ....  stand-in: Mr. Schwarzenegger  
Richard Kilroy ....  matte painter: 4-Ward Productions  
Joyce King ....  script supervisor: second unit (as Katharyn 
Joyce King)  
Pete Kleinow ....  go animator: Fantasy II Film Effects (as 
Peter Kleinow)  
Richard Klotz ....  location manager  
Hilary Klym ....  grip  
Andy Kopra ....  crew: Video Image  
Kathleen Korth ....  re-sync editor  
Frank Krejsa ....  electrician  
Brad Krisko ....  art department: Stan Winston Studio  
Dennis J. Laine ....  lead assistant camera  
Mike Lanam ....  special thanks  
Richard J. Landon ....  mechanical department co-ordinator: Stan 
Winston Studio (as Richard Landon)  
Kevin J. Lang ....  rigging gaffer  
Cindy Lasher ....  first aid  
Jay Lenci ....  computer graphics system support: ILM  
Ross Levinson ....  assistant to Mr. Fiedel  
Brian Liberman ....  grip  
Jeffrey B. Light ....  scanning software: ILM (as Jeff Light)  
Dawn Y. Line ....  set costumer  
Mark Lohff ....  assistant to artists: Stan Winston Studio  
Harry Lu ....  weapons master  
Frank Charles Lutkus III ....  mechanical department: Stan 
Winston Studio (as Charles Lutkus)  
Shane Mahan ....  art department co-ordinator: Stan Winston Studio  
Mary Lamar Mahler ....  assistant to Ms. Austin  
Greg Maloney ....  digital transfer operator: ILM  
Greg Manion ....  mechanical department: Stan Winston Studio (as Gregory Manion)  
David Zen Mankley ....  model builder: 4-Ward Productions  
Bruce Manning ....  first assistant camera: second unit  
Ed W. Marsh ....  electronic press kit  
Jim Martin (III) ....  optical engineer: Fantasy II Film Effects  
Pete Martinez ....  video assistant operator  
Walter P. Martishius ....  set designer (as Walter Martishius)  
Karen Mason ....  art department: Stan Winston Studio  
Curt Massof ....  art department: Stan Winston Studio  
J.C. Matalon ....  art department: Stan Winston Studio  
Patrick McArdle ....  plate photographer: ILM  
Mark 'Crash' McCreery ....  art department: Stan Winston Studio  
Brian McFadden ....  model builder: 4-Ward Productions  
R. Patrick McGee ....  on-set dresser  
Steven C. McGee ....  best boy electric  
Roberto McGrath ....  negative cutter: ILM  
Gregory L. McMurry ....  crew: Video Image  
Tara Meaney-Crocitto ....  assistant to Stan Winston  
Pia Mehr ....  teacher  
Paul Mejias ....  art department: Stan Winston Studio  
Anne Merrem ....  assistant to Mr. Schwarzenegger  
Bob Micheletti ....  optical engineer: Fantasy II Film Effects  
Hal Miles ....  mechanical department: Stan Winston Studio (as 
Hal Miles II)  
Carl Miller (III) ....  plate photographer: ILM  
Rhonda Leigh Miller ....  stand-in: Mr. Furlong (as Rhonda 
Miller)  
Jim Mitchell (II) ....  computer graphics technical assistant: ILM (as James D. Mitchell)  
Bart Mixon ....  sculptor: Fantasy II Film Effects  
Bret Mixon ....  rotoscoping supervisor: Fantasy II Film Effects  
Tony Moffett ....  production assistant: Fantasy II Film Effects  
Terry Molatore ....  rotoscoping artist: ILM  
Jack Mongovan ....  rotoscoping artist: ILM  
Pattir Moon ....  costumer: second unit  
Doug Moore (II) ....  model builder: 4-Ward Productions  
Sergio Moreno (III) ....  stage assistant: 4-Ward Productions  
Tim Morgan ....  stage technician: ILM  
Jim Morris (I) ....  executive in charge of production: ILM  
Jim Morris (V) ....  location manager  
John Moy ....  craft service  
Mary Mullen ....  ink and paint supervisor: Fantasy II Film Effects  
James Muro ....  steadicam operator  
Mike Muscat ....  acting coach  
John Nash ....  grip  
Michael J. Natkin ....  computer graphics software developer: ILM  
Jeffrey D. Nelson ....  production assistant  
John Nelson (I) ....  computer graphics animator  
Mary Nelson-Duerrstein ....  negative cutter  
Carla S. Nemec ....  art department co-ordinator  
Kenneth Newland ....  transportation office co-ordinator  
Steve Newman (I) ....  publicity  
Phillip Norwood ....  storyboard artist  
Rachel Oberstein ....  production assistant  
Paul Olsen ....  title designer  
Sal Orefice ....  chief lighting technician: second unit (as 
Salvatore J. Orefice)  
Joe Pasquale ....  computer graphics animator: ILM (as Joseph M. Pasquale)  
Jeff Periera ....  art department: Stan Winston Studio  
Scott Peterson (I) ....  crew: Video Image  
Steve Petruzates ....  model maker: Fantasy II Film Effects  
Julian Michael Philips ....  stand-in: Mr. Patrick  
Liam Phillips ....  production assistant  
Josh Pines ....  scanning supervisor: ILM (as Joshua Pines)  
Paula Pirok ....  production assistant: 4-Ward Productions  
Michael Pitt (I) ....  production assistant  
Joe Pizzorusso ....  set dresser  
Dan Platt ....  sculptor: Fantasy II Film Effects  
Jeryd Pojawa ....  visual consultant: Fantasy II Film Effects  
Angus Poon ....  computer graphics software developer: ILM  
Jon Curtis Price ....  mechanical department: Stan Winston 
Studio (as Jon C. Price)  
Jane Prosnit ....  production co-ordinator  
Darrin Pulford ....  electrician  
Steven Quale ....  special projects  
Rick Rader ....  best boy grip (as 'Slick' Rick Rader)  
Trudy G. Ramirez ....  script supervisor (as Trudy Ramirez)  
Clay Rawlins ....  second assistant editor  
Chuck Ray ....  stage technician: ILM  
Joe Reader ....  art department: Stan Winston Studio  
Dan Rebert ....  art department: Stan Winston Studio  
Gary Rhodaback ....  model maker: Fantasy II Film Effects  
Jay Riddle ....  computer graphics shot supervisor: ILM  
Rick Rische ....  matte painter: 4-Ward Productions  
Scott Robinson (III) ....  key grip: second unit  
Sean Rodgers ....  art department: Stan Winston Studio (as Sean 
Rogers)  
Alice Rosen ....  computer graphics technical assistant: ILM  
Allan K. Rosen ....  supervising music editor  
Stephen Rosenbaum ....  computer graphics animator  
John Rosengrant ....  art department co-ordinator: Stan Winston 
Studio  
Zade Rosenthal ....  still photographer  
Caroline Ross (I) ....  first assistant editor  
Scott Ross (I) ....  vice president and general manager: ILM  
Joe Rowan ....  electrician  
Richard Ruskuski ....  miniature set and rig supervisor: 4-Ward 
Productions (as Ricc Ruskuski)  
Ryan Russill ....  grip  
Wallace Sarver ....  co-ordinating motor officer  
John Schlag ....  computer graphics software developer: ILM (as 
John F. Schlag)  
Andrew Schmidt ....  computer graphics animator: ILM  
Andy Schoneberg ....  art department: Stan Winston Studio  
Leslie Schor ....  production assistant: ILM  
Dennis Schultz (II) ....  model maker: Fantasy II Film Effects  
Chuck Schumann ....  plate photographer: ILM  
Emily Schweber ....  assistant casting associate  
Paul Sciacca ....  art department: Stan Winston Studio  
Alan Scott (V) ....  art department: Stan Winston Studio  
Alex Seiden ....  computer graphics animator: ILM  
Annabella Serra ....  computer graphics animator: ILM  
Stephen Sfetku ....  film loader (as Stephen A. Sfetku)  
Chandra Shah ....  special thanks  
Shannon Shea ....  art department co-ordinator: Stan Winston Studio  
Laura Sherman (II) ....  location security (as Laura Cathleen 
Sherman)  
Marty Shindler ....  executive in charge of finance: ILM  
Dwight Shook ....  model maker: Fantasy II Film Effects  
Monty Shook ....  model maker: Fantasy II Film Effects  
Eric B. Sindon ....  extra set co-ordinator (as Eric Sindon)  
Dennis Skotak ....  supervising director of photography: 4-Ward 
Productions  
John Smock ....  electrician  
Douglas Smythe ....  computer graphics shot supervisor: ILM (as 
Doug Smythe)  
Ron South ....  second assistant editor  
Michael Spatola ....  art department: Stan Winston Studio  
Kristine Spindler ....  production assistant  
Michael St. Hilaire ....  camera operator: "a" camera  
Anthony R. Stabley ....  model builder: 4-Ward Productions (as Anthony Stabley)  
Donald Stanford (II) ....  electrician  
Steven Stear ....  technical advisor: police  
Joel Steiner ....  miniature set operator: 4-Ward Productions  
Samantha Stevens ....  stage assistant: 4-Ward Productions  
Ian Stevenson ....  art department: Stan Winston Studio  
Charles Stewart (IV) ....  property master  
David Stinnett ....  art department: Stan Winston Studio  
Lisa Ann Stone ....  assistant to Mr. Rack  
William Stromberg ....  model builder: 4-Ward Productions  
Barton M. Susman ....  lead man  
Rick Sweeney ....  assistant production accountant  
Chris Swift ....  art department: Stan Winston Studio  
Michiko Tagawa ....  art department: Stan Winston Studio  
Charles A. Tamburro ....  aerial co-ordinator (as Chuck Tamburro)  
Gary Tandrow ....  chief lighting technician  
Kelly Tartan ....  second assistant editor  
Daniel E. Teaze ....  second assistant camera (as Dan Teaze)  
Ginger Theisen ....  computer graphics co-ordinator: ILM  
Joseph Thompson (II) ....  model builder: 4-Ward Productions  
Joseph Patrick Todd ....  art department: Stan Winston Studio  
Arthur Tostado ....  color timer (as Art Tostado)  
Mike Trcic ....  art department: Stan Winston Studio  
Tien Truong ....  computer graphics software developer: ILM  
David Tucker (II) ....  optical camera  
Lisa Vaughn ....  scanning co-ordinator: ILM  
Bruce Vecchitto ....  optical photography supervisor: ILM  
Rodney Veto ....  rigging grip  
Michael Viglietta ....  production assistant (as Michael Vigilietta)  
Joe Viskocil ....  pyrotechnics supervisor (as Joseph Viskocil)  
Randy Walker (I) ....  technical advisor: police  
Scott Warner (II) ....  video assistant operator  
Christopher Warren ....  camera operator: Fantasy II Film Effects  
John C. Wash ....  crew: Video Image  
Robert E. Watson ....  art department: Stan Winston Studio (as 
Rob Watson)  
Linda Waxman ....  assistant property master  
Judith Weaver ....  computer graphics co-ordinator: ILM  
Larry Weiss (I) ....  video image crew  
Mike Wells ....  general foreman  
Steve 'Spaz' Williams ....  computer graphics animation supervisor: ILM (as Steve Williams)  
Tom Williams (II) ....  computer graphics shot supervisor: ILM (as Thomas A. Williams)  
N. Brock Winkless IV ....  mechanical department: Stan Winston Studio (as Brock Winkless)  
Stan Winston ....  terminator effects production  
Clarinda Wong ....  supervising first assistant editor  
Jack Wood (I) ....  co-ordinating motor officer  
Dean Wright ....  assistant production co-ordinator  
Lou Zutavern ....  model builder: 4-Ward Productions (as Louis Zutavern)  
 

Click here to buy this movie on DVD at Amazon.com

Or Click here to buy this movie on VHS at Amazon.com
                          TERMINATOR 2: JUDGMENT DAY
                                 [Spoilers]
                       A film review by Mark R. Leeper
                        Copyright 1991 Mark R. Leeper

Capsule review: A big sci-fi (as opposed to "science fiction") film with amazing special effects has Arnold Schwarzenegger again playing a robot caught up in a battle for the future being fought in the present. Stronger on action than intelligence, it still manages to expand the ideas of the first film. Rating: +1 (-4 to +4).

(There are films plotted in such a way that it is very difficult to say anything without giving away twists in the plot. This review has been worded carefully to avoid spoilers that have appeared in *every* other review I have seen. A spoiler section will follow the review to discuss matters that could not be addressed in the main body of the review.)

On August 29, 1997, so the story goes, the world is plunged into nuclear war, though of about six billion people, only about half are actually killed. The remaining three billion people are locked into a life-and-death struggle of humans against machines. The machines achieve sentience and set out to kill all humans to make the world safe for machine-kind. But the one human who most stands in their way is John Connor. So the machines send a killer robot, a "terminator," into the past to the year 1984 to kill Sarah Connor, who is destined to be the mother of John. The humans manage to send back a human to protect Sarah Connor. The struggle of these two time travelers and the conception of John Connor is the plot of the 1984 film THE TERMINATOR. The first robot, played by Arnold Schwarzenegger, failed in his mission so the machines, who could send only one robot back before, suddenly found a way to send a second robot. The humans, too, who could send only one human before, find the means of sending back their own representative for their own second shot. This time each sends to somewhere around the year 1995, one with a mission to kill the now ten-year-old John Connor, the other with a mission to protect John Connor. Their conflict is the story of TERMINATOR 2: JUDGMENT DAY.

Sarah Connor's reaction to the events of the first film bordered on the psychotic. She made it her mission to learn everything she could about guerilla warfare and survival tactics to pass on to her son. She slept with mercenaries and made friends with military personnel to help achieve her goal. She was eventually placed in a mental institution and John was given to foster parents. He seems to have aged fast and behaves like a much older boy. He even apparently has a license for a dirt-bike that he rides like a teenager and has broken the security on local cash machines. One might assume that the sequel is more of a juvenile film if the main character is so young, but director James Cameron uses that device only to widen the band of audience appeal to include younger people. Arnold Schwarzenegger is as tough as he was in the first outing but this time has more of an opportunity to put personality into his character.

The new script adds some new concepts and forgets about some of the old. And both actions are welcome. We discover this time around that the nuclear war was not with the Soviets. This might have been considered a necessary change since month by month the possibility of nuclear war between the United States and the Soviets seems more and more remote. But without the Soviets as foes, the question would be whom would we be fighting with. The film provides an answer, as Cameron often does, by borrowing a concept from another major science fiction film. (See the spoiler section if you dare.) Not entirely gone but soft-pedaled is the ridiculous idea that only living matter can go through the time portal. So the time portal strips away clothing and weapons but for some reason leaves intact other dead matter like hair and fingernails. However, at one point in the film, the machines of the future send back a piece of metal and it makes it through just fine without being living tissue. The concept that some physical process in the time portal recognizes what is living and what is not is dubious at best. This of course does raise an inconsistency in the plot, but then Cameron considers and develops the ideas of the film only enough so they do not get in the way of all the action scenes. Along those lines it still has not occurred to the humans of the future (is "still" the right word for events in the future?) that their efforts might be better spent in sending back agents actually to avert the war, rather than just to lessen its impact.

The action scenes and special effects--what most of the audience has come to see--are delivered, even if not always in the most intelligent manner. I consider Cameron's last film, THE ABYSS, a much more intelligent and interesting action film. It had better characters and a much more engrossing story. In one sequence of TERMINATOR 2, one of the good guys is sprayed with machine gun fire that should have been instantly fatal, but he lives considerably longer to exact his revenge. It is a little redundant, incidentally, to say that it is a good guy sprayed with machine gun fire. From a certain point in the plot on, the good guys undertake to do what has to be done without killing any more of the bad guys, much like in the Japanese action film SANJURO. The special effects are extremely well done and undoubtedly account for a big piece of the film's price tag of somewhere around a tenth of a billion dollars. That cost was apparently partially defrayed by rubbing the audience's collective nose in the name of a well- known soft drink.

While much of the special effects budget went into creating some really impressive robot effects, there was enough left over to spend some very impressive effects on a dream sequence. In the film THE MOUSE THAT ROARED, in the midst of showing some screwball characters playing tag with a nuclear super-weapon, we see a huge nuclear detonation. The narrator reassures us that it did not really happen in the plot and the scene was just to remind us what could happen any moment. Similarly, we see some of the most frightening and realistic scenes ever created of a city destroyed by a nuclear bomb. And we see them in a dream sequence to tell us, this is what Sarah Connor is trying to avoid. In those scenes and many others the audience can only marvel at the incredible technology used to create this fervently anti-technology film.

TERMINATOR 2: JUDGMENT DAY is a large film with large virtues and large faults. Like Mt. Rushmore, it is huge and a must-see, but one wonders if it really was such a good idea in the first place. I would rate this Mt. Rushmore of a movie +1 on the -4 to +4 scale.

***SPOILER SECTION****SPOILER SECTION****SPOILER SECTION***

One of the nice touches of the script is its use of the audience's expectations from the previous film to surprise the audience this time around. Once again you have a mean-looking Arnold Schwarzenegger and a smaller and more human-looking guy--thin, short, and his ears stick out-- arriving from the future. The natural assumption the audience has is that the Schwarzenegger robot will be a killing machine aimed at John Connor, and the other visitor will be playing defense. It would have caught the audience nicely off-guard when each does precisely the opposite thing. Unfortunately, you are looking at the first and only review I have seen that does not spoil this twist for the audience.

Every review also gives away the nature of the bad terminator, a truly awesome idea for a killing machine which it strikes me was borrowed from a 1960s DC comic book called "Metal Men." Visually the effect, a close relative of the "water-tentacle" used in THE ABYSS, is very impressive. However, the story simply did not carry through with the power of this killer. In at least three of the scenes, he should have been able to take out John Connor by turning himself into a strong clamp and a very long sword. He should have been able to kill any human within twenty or thirty feet of him fairly easily. There may have been some rule that said only a certain percentage of his weight could go into the sword, but if that were the case they should have said so. And this thing is many orders of magnitude advanced over the old-style terminator. Where did the new technology come from? It seems unlikely for 2029 that any such technology will be possible.

It is nice that Sarah Connor starts to use her head, but why does nobody in the future think in terms of stopping the nuclear war? And destroying the computers is a good thought for someone like Sarah, but it probably would not work. It is a standard security precaution to store important software backups off-site just in case two robots from the future decide to use your lab as a battleground. Or in case a defense computer becomes sentient and starts dictating terms. I think Cameron probably borrowed that idea from COLOSSUS: THE FORBIN PROJECT.

One last question: When the liquid nitrogen truck took the liquid robot into the foundry, am I the only one who knew the next two forces that would be used against him? No, I thought not.

                                        Mark R. Leeper
                                        att!mtgzy!leeper
                                        leeper@mtgzy.att.com
.



Have I seen this movie: Yes
And what did I think: Here's a rare instance when a sequel actually outshines the original. The Terminator which came out in 1984 was extremely good in terms of story, acting, suspense and action. Seven years later, Arnold Schwarzenegger and Linda Hamilton return for Terminator 2 and well.... it was definately worth the wait. Terminator 2 not only equals its predeceor, it surpasses it with a fantastic continuing story and supurb visual effects. most notably was how the T-1000 looked, played by the scary Robert Patrick. This was the first movie that they perfected the morphing effect, so the liquid metal of the T-1000 actually looked real. James Cameron does an excellent job directing here, with great cinematography and even more action and suspense then the original. It was great to see Arnold return this time playing the good guy, rather then the bad guy he played in the first movie. Linda Hamilton gives a great performance as Sarah Connor, a woman who is driven to near insanity from what she experienced in the years since she first encountered the Terminator. Also Edward Furlong, a relative newcomer back then, gives a great performance as John Connor, the boy that the Terminator is sent back in time to protect from the T-1000. We also get to see a bit what the future held for mankind, that the first movie didn't. There are rumors that a third movie might be produced which will be about the humans-machines war of the future. I hope it is, but if not, we will always have these two fine films, a must for any video collection.

I give Terminator 2: Judgment Day 5 out of 5 stars
Review written December 2, 1999
1