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He Was The Perfect Husband Until His One Mistake Followed Them Home

2000



What Lies Beneath (2000)  
   
Directed by 
Robert Zemeckis    
  
Writing credits (WGA) (in credits order) 
Sarah Kernochan   (story) and 
Clark Gregg   (story) 
Clark Gregg   (screenplay) 
  
Cast (in credits order) 
Harrison Ford ....  Norman  
Michelle Pfeiffer ....  Claire  
Diana Scarwid   
rest of cast listed alphabetically  
Dan Block   
J.C. Brandy ....  Band Member 1  
Mark Patrick Costello   
Wendy Crewson   
Tom Dahlgren   
Joe Morton   
Miranda Otto   
James Remar   
Rachel Singer   
Katharine Towne   
Amber Valletta   
  
Produced by 
Steven J. Boyd   (associate)  
Joan Bradshaw   (executive)  
Mark Johnson (I)   (executive)  
Cherylanne Martin   (associate)  
Jack Rapke    
Steven Spielberg   (uncredited) (executive)  
Steve Starkey    
Robert Zemeckis    
  
Original music by 
Alan Silvestri    
  
Cinematography by 
Don Burgess    
  
Film Editing by 
Arthur Schmidt (I)    
  
Casting 
Marcia DeBonis    
Ellen Lewis    
  
Production Design by 
Rick Carter (I)    
  
Art Direction 
Stefan Dechant    
Elizabeth Lapp    
  
Set Decoration 
Karen O'Hara    
  
Costume Design by 
Susie DeSanto    
  
Production Management 
Cherylanne Martin ....  unit production manager  
Peter M. Tobyansen ....  production supervisor  
  
Second Unit Director or Assistant Director 
Josh McLaglen ....  first assistant director  
  
Sound Department 
Beau Borders ....  assistant sound designer  
Phil Hadaway ....  adr engineer  
Tom Johnson (I) ....  sound re-recording mixer  
William B. Kaplan ....  production sound mixer  
Stuart McCowan ....  apprentice sound designer (uncredited)  
Randy Thom ....  sound designer
supervising sound mixer  
  
Special Effects 
Ian Fellows ....  digital paint artist: CFC  
Ruth Greenberg ....  visual effects coordinator: CFC  
Darrel Griffin ....  data support: CFC  
Drew Jones ....  visual effects producer: CFC  
Robert Legato ....  visual effects supervisor: Sony PicturesImageworks  
Roz Lowrie ....  visual effects editorial: CFC  
Cari Thomas ....  director of development: Sony Pictures Imageworks  
Jon Thum ....  lead compositor: CFC  
  
Other crew 
J.P. Bernardo ....  assistant editor  
Tom Burruss ....  marine assistant  
Peter Ciardelli ....  assistant editor  
R. Orlando Duenas ....  first assistant editor  
Katie Hedrich ....  assistant editor  
Chris Johnson (I) ....  art department assistant  
Kenneth Karman ....  music editor  
P.K. MacCarthy ....  storyboard artist  
Bob Merrick ....  assistant to producer  
Jeremiah O'Driscoll ....  first assistant editor  
Robert Presley ....  camera operator  
Scott Puckett ....  production assistant  
Stephen M. Rickert Jr. ....  second assistant editor  
Dhana Rivera ....  assistant co-ordinator  
Jane E. Russell ....  unit publicist  
David Steiman ....  production assistant  
Peter Vogel (III) ....  production secretary  
  
 
 
 
 

WHAT LIES BENEATH
A film review by Steve Rhodes
Copyright 2000 Steve Rhodes
RATING (0 TO ****):  *

Welcome to SCREAM 4? With first-time screenwriter Clark Gregg's clichéd script for WHAT LIES BENEATH, containing the worst ending of any movie this year, the only hope for director Robert Zemeckis (CONTACT) would have been to try for a horror movie spoof. But this was not to be. He and his fine actors (Harrison Ford as Norman and Michelle Pfeiffer as his wife Claire) approach their work with dead seriousness.

To be fair, most of the movie isn't bad, it just treads water. The characters' actions are easily guessed and the movie borrows liberally from many other films, including, among others, REAR WINDOW, FATAL ATTRACTION and IN DREAMS.

But then there's that last reel when all hell breaks loose on the screen, and the script dredges up every unbelievable cliché you've ever seen. The characters' actions become so preposterous that you'll be laughing out loud at how ridiculous it all is. Insulting the viewer's intelligence left and right, Claire will do everything that anyone who has ever seen a horror movie knows not to do. Not many movies make me angry, but this one did. Doesn't the director think we deserve better than this?

As the film starts, we meet Norman and Claire, two relatively happy new empty nesters. Their daughter is off to college, so they are ready to see if they can have such wild sex that they can make more sexual noise than their neighbors.

Soon this state of bliss is interrupted when a ghost starts disturbing Claire. We can't be sure it's a ghost. Claire had this big accident a year ago, you see, and she has lingering problems, which are only alluded to.

Just like Jimmy Stewart did in REAR WINDOW, Claire starts spying on her new neighbors. She becomes convinced that the husband has killed his wife, and that the ghost is the dead wife. After all, the neighbors had a fight. The wife's car is in the garage, but she isn't at home. And -- the real proof -- Claire sees the "murderer" eating a TV dinner alone. This whole episode is kind of cute and the high point of a show that doesn't have many.

Finally, there are those ubiquitous trailers that contain more spoilers than I've ever seen. If you haven't seen the trailers, you may be able to enjoy the first part of the movie a bit more since it puts a little suspense into it. Knowing the key points given away in the trailers make that impossible.

Still, whether you've seen the trailers or not, nothing would make a movie with such an insulting ending bearable. If you do go to the movie, walk out before the last ten minutes or so. You'll be glad you did.

WHAT LIES BENEATH runs a long 2:10. The film is very incorrectly rated PG-13 for terror, violence, sensuality and brief language. It should have been an R given the intense level of violence and fright. It would be acceptable for older teenagers.

Email: Steve.Rhodes@InternetReviews.com Web: http://www.InternetReviews.com <http://www.InternetReviews.com>




Have I seen this movie: Yes
And what did I think: What Lies Beneath is a slow moving, cliche filled thriller that saves the thrills for the end. I was getting bored throughout most of the movie, waiting for something interesting to happen, and while there were a couple of jumps, nothing too big. The film stars Michelle Pfeiffer as Claire, the wife of a professor played by Harrison Ford. She must deal with the issues of her daughter leaving for college and her husband obsessed with his work. She begins to hear voices in the house and believes the woman next door was murdered by her husband. Throughout most of the film we have to figure out what the heck is going on because it doesn't give us much clues about what happened to Claire in the past other then from photos. Then we have to figure out who is haunting her. We think it's the woman next door but we find out otherwise. Much of the story I found rather confusing, but I enjoyed the plot twist at the end. The bathroom scene between Claire and Norman was done quite well I think. Some of the shots of Claire in the tub reminded me of Psycho. We also see here a much different Harrison Ford then what we are used to. I think it would have made this a better film if he was on screen more. Still, Ford definately needs better roles then what he has been playing lately. I think he should go back to the action format. At least is some nice cinematography here with the New England surroundings providing an eerie atmosphere. It doesn't quite save the film and What Lies Beneath misses the mark in providing a real thriller throughout the film, only at the end. I'd rent it instead.

I give What Lies Beneath 3 out of 5 stars
Review written July 24, 2000
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