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Shrek
William Steig's delightfully fractured fairy tale is the right stuff for this computer-animated adaptation full of verve and wit. Our title character (voiced by Mike Myers) is an agreeable enough ogre who wants to live his days in peace. When the diminutive Lord Farquaad (John Lithgow) evicts local fairy-tale creatures (including the now-famous Seven Dwarfs, Pinocchio, and the Gingerbread Man), they settle in the ogre's swamp and Shrek wants answers from Farquaad.
A quest of sorts starts for Shrek and his new pal, a talking donkey (Eddie Murphy), where battles have to be won and a princess (Cameron Diaz) must be rescued from a dragon lair in a thrilling action sequence. The story is stronger than most animated fare, but it's the humor that makes Shrek a winner.
Skip all the numerous extras on this two-disc set and go right to Shrek's Re-Voice Studio on the DVD-ROM. Here fans can dub their voices to the character lines with magical precision. This first-of-its-kind feature is a dandy, easy to set up with clear instructions. It's also a kick in the pants. The ROM portion also contains the best of the many games. Other extras go from ho-hum (the DVD games) to standard (the 25-minute, behind-the-scenes featurette).
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Starship Troopers
A gung-ho WW2 movie transplanted to the future, when high school kids are encouraged to become
``citizens'' by enlisting in the army and serving the state. Little do they dream that they'll be engaged
in a full-scale war against marauding insects. With Verhoeven at the helm, you know this won't be subtle,
but it's so sharp, energetic, and (at times) funny that it transcends being a ``giant bug'' movie. Not
for the squeamish, with its graphic dismemberment of humans and insects, but robust and rousing
entertainment just the same.
2001 - A Space Odyssey
A unique masterpiece, immensely influential; Kubrick starkly depicts several encounters mankind has with never-glimpsed aliens, from the dawn of Man four million years ago to the title year, when an alien artifact is found on the Moon. An expedition tracking its radio signal is launched to Jupiter, with mysterious, haunting results. A visual feast, film also boasts distinction of having put Richard Strauss into the Top 40 with ``Also Sprach Zarathustra.
Star Trek-Insurrection
Good entry in the long-running series has the crew befriending the
eternally youthful residents of a Shangri-La-like planet whose existence
is threatened by the vengeful Ru'afo (Abraham). Picard (Stewart) even has
a dalliance with one of the women there (Murphy). Reliably entertaining for Star Trek fans.
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Star Trek: First Contact
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Even-numbered Star Trek movies tend to be better, and this one (#8 in the popular movie series)
is no exception--an intelligently handled plot involving the
galaxy-conquering Borg and their attempt to invade Earth's past, alter
history, and "assimilate" the entire human race.
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Generations
Without a doubt, the best Trek film. This was the first, last, and only movie to feature the Enterprise D, which is THE ship that
built "Star Trek: The Next Generation", and is better looking than even the new Enterprise E, no contest. Plus this movie had the move u-n-b-e-l-i-e-v-a-b-l-y cool lighting effects which you'll probably
never see in a Trek film again. And let's not forget the multi-colored uniforms, not the DULL light blue uniforms currently in the Trek universe. Again, the best Trek film ever.
Star Trek VI - The Undiscovered Country (1991)
Star Trek V left us nowhere to go but up, and with the return of
Star Trek II director Nicholas Meyer, Star Trek VI restored the movie
series to its classic blend of space opera, intelligent plotting, and
engaging interaction of stalwart heroes and menacing villains.
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The Alien Legacy
An interesting feature of Alien, Aliens, Alien 3, and Alien Resurrection, worth
watching together if only for the chance to see how different directors
handle essentially the same idea. The results are decidedly mixed.
Alien (1979)
While investigating an alien spacecraft ditched on a dead planet, the crew of a space
freighter picks up an uninvited passenger. This languid masterpiece of
horror depicts a primal inter-species struggle for survival juxtaposed
against a jungle of hyper-technology.
Aliens (1986)
Aliens is one of the few cases of
a sequel that far surpassed the original. The Director's Cut of Aliens includes
17 minutes of bonus footage. The added scenes are intermittently spread
out through the film, fleshing out certain characters and plot. Included is
a much-needed explanation of what happened to the colony, LV-426 (the
decimated planetary outpost the Space Marines are sent to).
Aliens3
ore-of-the-same sequel has Weaver and other survivors of ALIENS on isolated prison planet where (you guessed it) the alien regenerates itself and runs amok. Good performances, some scares, but a definite feeling of déjà vu hangs over the proceedings. Followed by ALIEN RESURRECTION. Panavision.
Alien Resurrection
Perhaps these films are like the Star Trek movies: The even-numbered episodes are the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set even further in the future, where scientists on a space colony have cloned both the alien and Ripley (Sigourney Weaver), who died in Alien 3; in doing so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way.
The Thing (1982)
Director John Carpenter and special makeup effects master
Rob Bottin teamed up for this 1982 remake of the 1951 science
fiction classic The Thing from Another World, and the result is a
mixed blessing. It's got moments of highly effective terror
and spine-tingling suspense, but it's mostly a showcase for some of
the goriest and most horrifically grotesque makeup effects ever
created for a movie.
GODZILLA
As "gigantic monster reptile attacks New York" movies go, you've got to admit that Godzilla delivers the goods,
although its critical drubbing and box-office disappointment were arguably deserved.
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Casablanca
A truly perfect movie, the 1942 Casablanca still wows viewers today, and for good reason. Its unique story of a love triangle set against terribly high stakes
in the war against a monster is sophisticated instead of outlandish, intriguing instead of garish. Humphrey Bogart plays the allegedly apolitical club owner in unoccupied French territory that is
nevertheless crawling with Nazis; Ingrid Bergman is the lover who mysteriously deserted him in Paris; and Paul Heinreid is her heroic, slightly bewildered husband.
Gone With The Wind
If not the greatest movie ever made, certainly one of the greatest examples of storytelling on film, maintaining interest for nearly four hours.
Margaret Mitchell's story is, in effect, a Civil War soap opera, focusing on vixenish Southern belle Scarlett O'Hara, brilliantly played by Leigh; she won
an Oscar, as did the picture, McDaniel, director Fleming, screenwriter Sidney Howard (posthumously), many others.
It's A Wonderful Life - Sentimental tale of Stewart, who works all his life to make good in small town, thinking he's failed and trying to end his life. Guardian angel Travers comes to show him his mistake.
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