September 1, 2003


 

TYCOON DEPICTS DARK FORCES THAT BROUGHT DOWN A RUSSIAN ECONOMIC OLIGARCH
Tycoon: A New Russian
(in Russian the title is Oligarkh), directed by Pavel Lounguine, is a loose biopic about Russian billionaire and Kremlin fixer Boris A. Berezovky, whose cinematic embodiment is as Platon Makovski (played by Vladimir Mashkov). In a larger sense, the film is an exposé of the Russian economic system, where entrepreneurs dodge both bureaucrats and bullets. Told in the genre of Citizen Kane, the confusing story switches back and forth between his meteoric fifteen-year economic ascent and the five-day investigation after his death. Those familiar with how the official economy in the Soviet Union competed with the black market will not be mystified as Plato steers his avaricious compulsions over a transition from 1985 to 2000 (from Gorbachëv to Yelstin) while avoiding efforts of General Koretski (played by Alexandre Baluev), an agent of the Secret Service (successor to the KGB), to rein in his semilegal activities as his wife, Maria (played by Maria Mironova), has an affair with the playboy megacapitalist. Makovski starts by making brooms, then somehow trading brooms for motorcars, until he forms Infocar, a giant corporation. To do so, he first pays the state managers of Lada for their remaining inventory, and soon he imports cars from Western Europe, making so much money that he can buy a television station. When a few goons, presumably former employees of the auto factory, demand money for allowing the original purchase of Soviet autos, he becomes a "mob capitalist" by hiring a Uzbek who is in charge of an entire criminal syndicate of goons. To bypass the Customs Office, which solicits a bribe to allow auto imports to enter the Russian market, he buys the bank where customs fees are deposited. On the way up, Makovski rewards some of his fellow university students by awarding them key roles in his empire, but he makes enemies in both the private and public sectors as he tramples on economic fiefdoms, and his enemies in turn try to buy off some of his friends.

When Koretski puts formidable roadblocks in his way one day, he endorses a longshot candidate for president, foolishly hoping thereby to change the political guard in his favor. However, one day he is assassinated. Police investigator Chmakov (played by Andrew Krasko) is charged with the task of finding out who ordered him gunned down, a quest that enables him to peek too deeply into the forbidden inner workings of the politicoeconomic system, so his boss eventually decides that an easier approach is to provide a phony explanation to the public, which probably would not believe an honest account in a country that is accustomed to a sea of disinformation. The film is based on the novel Bolshaya Paika by Yuli Dubov, former employee of Berezovky, once one of the ten richest persons in the world, who showed how capitalist enterprises could flourish despite government leaders who enriched themselves by privatizing state enterprises for themselves rather than establishing a legal-rational bureaucracy to facilitate free market capitalism. Accordingly, the Political Film Society has nominated Tycoon: A New Russian for best film exposé of 2003. MH

POLITICAL FILM SOCIETY ELECTS NEW OFFICERS
On August 22, members of the Political Film Society, at the annual membership meeting, elected Michael Haas as President and Treasurer, Vorathep Sitthitham Vice President and Secretary.

OTHER FILMS TO WATCH
The Holy Land demonstrates the Faustian character of life in Israel. Open Range extols the virtues of an aging cattle raiser who violates property boundaries set up by homesteaders. Both films are reviewed on the website of the Political Film Society.

 

 

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