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TYCOON DEPICTS DARK FORCES THAT BROUGHT DOWN A RUSSIAN ECONOMIC
OLIGARCH
Tycoon: A New Russian (in Russian the title
is Oligarkh), directed by Pavel Lounguine, is a loose biopic
about Russian billionaire and Kremlin fixer Boris A. Berezovky,
whose cinematic embodiment is as Platon Makovski (played
by Vladimir Mashkov). In a larger sense, the film is an exposé of
the Russian economic system, where entrepreneurs dodge both
bureaucrats and bullets. Told in the genre of Citizen
Kane,
the confusing story switches back and forth between his meteoric
fifteen-year economic ascent and the five-day investigation
after his death. Those familiar with how the official economy
in the Soviet Union competed with the black market will not
be mystified as Plato steers his avaricious compulsions over
a transition from 1985 to 2000 (from Gorbachëv to Yelstin)
while avoiding efforts of General Koretski (played by Alexandre
Baluev), an agent of the Secret Service (successor to the
KGB), to rein in his semilegal activities as his wife, Maria
(played by Maria Mironova), has an affair with the playboy
megacapitalist. Makovski starts by making brooms, then somehow
trading brooms for motorcars, until he forms Infocar, a giant
corporation. To do so, he first pays the state managers of
Lada for their remaining inventory, and soon he imports cars
from Western Europe, making so much money that he can buy
a television station. When a few goons, presumably former
employees of the auto factory, demand money for allowing
the original purchase of Soviet autos, he becomes a "mob
capitalist" by hiring a Uzbek who is in charge of an
entire criminal syndicate of goons. To bypass the Customs
Office, which solicits a bribe to allow auto imports to enter
the Russian market, he buys the bank where customs fees are
deposited. On the way up, Makovski rewards some of his fellow
university students by awarding them key roles in his empire,
but he makes enemies in both the private and public sectors
as he tramples on economic fiefdoms, and his enemies in turn
try to buy off some of his friends.
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When
Koretski puts formidable roadblocks in his way one day,
he endorses a longshot candidate for president, foolishly
hoping thereby to change the political guard in his favor.
However, one day he is assassinated. Police
investigator Chmakov (played by Andrew Krasko) is charged
with the task of finding out who ordered him gunned down,
a quest that enables him to peek too deeply into the forbidden
inner workings of the politicoeconomic system, so his boss
eventually decides that an easier approach is to provide
a phony explanation to the public, which probably would
not believe an honest account in a country that is accustomed
to a sea of disinformation. The film is based on the novel
Bolshaya Paika by Yuli Dubov, former employee of Berezovky,
once one of the ten richest persons in the world, who showed
how capitalist enterprises could flourish despite government
leaders who enriched themselves by privatizing state enterprises
for themselves rather than establishing a legal-rational
bureaucracy to facilitate free market capitalism. Accordingly,
the Political Film Society has nominated Tycoon:
A New Russian for best film exposé of
2003. MH
POLITICAL FILM SOCIETY ELECTS NEW OFFICERS
On August 22, members of the Political Film Society, at the
annual membership meeting, elected Michael Haas as President
and Treasurer, Vorathep Sitthitham Vice President and Secretary.
OTHER FILMS TO WATCH
The Holy Land demonstrates the Faustian character of life
in Israel. Open Range extols the virtues of an aging cattle
raiser who violates property boundaries set up by homesteaders.
Both films are reviewed on the website of the Political
Film Society.
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