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MULTICULTURAL
LOS ANGELES FETED AT THANKSGIVING
Thanksgiving
is an odd American holiday. A nation composed of immigrants
from around the world expects to sit down to a dinner table
with an extended family to consume a strange combination of
relatively bland foods -- roast turkey and dressing with sweet
and mashed potatoes -- made palatable by the addition of tangy
cranberry sauce and pumpkin pie. In What’s Cooking?,
directed by Gurinder Chadha, we laugh uproariously at the
consequences of the yearly custom by viewing short cuts of
four families who live south of Hollywood (near Pico & Fairfax)—the
Avilas (Mexican), the Nguyens (Vietnamese), the Seeligs (German
Jews), and the Williamses (African Americans). Clearly, the
Seeligs have lived longest in the neighborhood, perhaps fifty
years, but they have never met their most recent neighbors,
who live on opposite corners of Genesee Avenue. Of the forty
of so characters in the film, perhaps the best known are Joan
Chen, Julianna Margulies, A Martinez, Mercedes Ruehl, Kyra
Segwick, and Alfre Woodard. Mrs. Avila is a schoolteacher.
The Nguyens run a multilingual video store. The Seeligs are
retirees, and Mr. Seelig’s favorite pastime is a 105º hot
tub. Mr. Williams is an aide to the reactionary Republican
governor; his wife is an attorney. We first view someone throwing
paint over the California governor to protest his anti-immigrant,
anti-minority policies. Next, we become acquainted with the
guests invited by the families, which span four generations.
The Mexicans provide a place at the table for a good-looking
Vietnamese boyfriend of one of the daughters, the estranged
husband of the family, and the new macho boyfriend of the
wife. The Nguyens invite no guests but shut the door to three
high school friends of the youngest son because he has hidden
a gun under his bed. Mr. Seelig invites his old-fashioned
parents, and their daughter and Lesbian lover fly into town
from San Francisco. The Williamses receive the husband’s fussy
mother, who arrives from out of town, and a white couple (business
associates of his) and their politically correct daughter;
their rebellious son shows up later. In short, What’s
Cooking? is not just about food but a host of family
problems, and ethnicity is not the only aspect of diversity,
as two families cope with adultery, one with same-sex attraction,
and children in the remaining family do not dare to tell their
parents that their son and daughter have befriended a girlfriend
and a boyfriend who are not of their ethnic background. As
the film’s tagline well describes the plot, "Thanksgiving
-- A celebration of food, tradition and relative insanity."
We observe that the turkey is placed at the center of the
meal, but the ethnic (and nouvelle) cuisines contribute most
of the side dishes; the exception is that the Nguyens, unaccustomed
to oven cooking, burn the turkey while providing two tubs
of KFC chicken for the younger generation. Anthony Avila invites
his father, who left home after having an affair with a cousin
Rosa, to the party, not knowing that his mother planned to
introduce her new boyfriend to the family. When the boyfriend
arrives, the father has a showdown with the mother, who in
turn tells him to leave.
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The Nguyens discover a condom in their daughter’s clothing
and have a fit, not realizing that schools give out condoms
to everyone, and the daughter is humiliated. A similar fit
ensues when the daughter discovers that her brother has
a gun under his bed; although he claims that he is keeping
the gun for someone else, he fails to make his parents understand
that school tensions may require him to join a gang and
to keep firearms ready just in case. The Seeligs are overtly
sensible about their Lesbian daughter while privately upset,
unlike the grandparents; but they lose their cool temporarily
when their daughter announces that she is pregnant, at least
until she admits that the sperm donor is their gay son.
The arrival of the Williams’s son uncorks the family’s dirty
linen -- the father had an affair with a coworker, the son
has dropped out of college in part because he believes that
his father is a hypocrite in working for a "racist" governor.
Indeed, the son was the one who threw paint at the governor.
Although the Williams family appears to hold together despite
the tensions at the dinner table, there is a "For Sale"
sign in front of the house, indicating that all is not well.
All of a sudden the sound of a shot breaks the continuity,
and members of all four families pour into the street. The
youngest Nguyen, believing that the gun was a toy, shot
a bullet through a window. When everyone realizes that nothing
serious has occurred, they return to the Thanksgiving parties,
and the film ends. What the film says is that Los Angeles
is a melting pot in many ways for the youngest generations,
while the older generations are having some difficulty,
as the latter hardly know their neighbors, while the children
meet diverse people at school. In short, there is hope for
Los Angeles after the urban riot of 1994, provided that
everyone stops to look at the laugh-a-minute humor in all
the adjustments and problems that quickly come to the fore
on Thanksgiving as the generations become reacquainted with
one another, the older ones shocked as usual by the younger.
When I left the cinema at a location not far from the venue
for the film, I overheard one 70ish New York Jewish accented
woman say to another, "I saw nothing funny in the movie:
They all had problems." However, I personally have not laughed
so much during a film since my latest screening of one of
the Marx Brothers classics. Ethnic humor has been raised
to new heights in What’s Cooking? MH
LOREN
QUIRING CONTRIBUTES TWENTIETH WORKING PAPER
Professor
Loren Quiring of the University of Wisconsin has contributed
The Flight of Noble Reason: Aaron Sorkin's American
Presidents, presented at the recent Film and History
conference, as the twentieth Working Paper in the Political
Film Society’s Working Paper
Series.
TWO
WEEKS LEFT TO NOMIATE FILMS FOR THE YEAR 2000
Some
twenty films have already been nominated in one or more
of the four Political Film Society categories for the year
2000. Members have until December 31 to nominate other films
for the year. The categories are democracy, exposé, human
rights, and peace. Click here
to nominate a film.
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