PFS Film Review
The Last Supper


 

When The Last Supper, directed by Fereydoun Jeyrani, begins, Afagh (played by Sorayya Ghasemi) is in a police station, providing an explanation of the death of someone. The story centers on Mihan Mashreghi (played by Katayun Riahi), a professor of architecture. Afagh is her longtime servant. Mihan's husband Mohsen (played by Atila Pesiani), a bank manager, is upset that Mihan is not showing him much attention, but Mihan married him twenty-six years ago without love in her heart, and now he is financing building projects that destroy the classic Persian architecture that she honors in her classroom and wants saved for posterity. Mani Motaref (played by Mohammad Reza Golzar), one of Mihan's students, is pursuing her romantically. Mihan's twenty-four-year-old daughter Setareh (played by Haniye Tavassoli) is also a student, and she is in love with Mani, but she goes berserk on learning that he wants to marry her mother instead. The tension in the marriage results in a divorce, an unusual occurrence in contemporary Iran. Following the divorce, Mihan's former husband shows up at the university one day, has an argument, and he slaps her. The violence becomes a police matter, with charges apparently dropped, but the university decides to expel Mani and dismiss Mihan. Formerly reluctant to remarry, fearing that she will be called an adulteress, she then agrees to marry Mani. On the wedding night, Setareh suddenly shows up to talk to the couple, but she brings a shotgun, and we finally learn who died and who is responsible for the murder. As is the case with so many recent films from Iran, the film shows how oppressed women are in contemporary Iran. But the film also how globalization is a destroyer of culture, even in traditional Iran. MH

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