PFS Film Review
Orange County


 

Orange CountyWhere did all the "Valley girls" go? In the 1970s, a linguistic phenomenon emerged in the San Fernando Valley of Los Angeles at schools and newly opened shopping malls, when spoiled Gentile girls peppered their conversations with such words as "bitchin," chased boys, and otherwise spent their time idly while their narcissistic parents were too busy to pay attention to them. Today, the San Fernando Valley is increasingly populated by immigrants from Asia, Israel, and Latin America. The "Valley girl" phenomenon is instead found in the affluent suburbs of Orange County along the coastline south of Disneyland, where the word "awesome" competes with the ubiquitous word "like" to identify the latest linguistic nightmare. The film Orange County, intended for high school audiences, captures much of the angst and naïveté of the young people in a story that is intended to tickle the funny bone with several comedic greats playing ridiculous deadpan parts. For an adult filmviewer, however, Orange County indicts the sick society in a manner not unlike Ice Storm (1997) and American Beauty (1999). The plot revolves around Shaun Brumder (played by Colin Hanks), a straight-A student who hangs out with his airhead surfing buddies after school. One day, they go to the beach in surfing wetsuits but are terrified at the high waves. One of the group nevertheless decides to brave the "tsunami," but he dies, and the boys and a few girls mourn his loss. One year later, when Shaun goes to the beach to memorialize his friend's loss, he finds a novel by Marcus Skinner, a Stanford University English professor. Empathizing with the characters in the novel, he decides that his future is to become a great writer. He then writes a novel of his own, based on such characters as his dysfunctional Orange County divorced parents; next, he sends his literary effort to Skinner, and he decides that he must get out of Orange County to enroll at Stanford in order to secure his identity and his occupational ambition. When his Vista Del Mar High School (actually Diamond Ranch High in Pomona) guidance counselor Charlotte Cobb (played by Lili Tomlin) assures him that he is a "shoe-in" for Stanford, he applies nowhere else as backup. However, instead of sending his transcript to Stanford, she mistakenly sends the academic record of a student with a similar name, who in turn is admitted to Stanford while Shaun is not. Shaun then tries various ploys to be admitted. First, he asks Charlotte to admit her error, but she refuses. Then, through student connections (which serve as an insight into how high school students screw around), a member of the Board of Trustees visits Shaun's home, only to witness a plastered mother (played by Catherine O'Hara), an oversedated stepfather (played by George Murdock), and Lance, his freaky brother (played by Jack Black); thus, that ploy fails, just as Colin's "golden boy" characterization in such a chaotic home environment strains the credulity of filmviewers. Next, Lance drives Colin and his girlfriend Ashley (played by Schuyler Fisk) to Stanford (the actual location is Cal Tech). Although they are unable to prevail upon the admissions office clerk to arrange admission, after the door to the building is closed, Lance breaks into the office to find the telephone number of the Dean of Admissions. While he has sex with the office clerk, Colin and Ashley call information to obtain the dean's address. Dean Don Durkett (played by Harold Ramis), about to leave with his family for Bali, is reluctant to arrange admission until he asks Ashley for a painkiller; but the painkiller bottle belongs to Lance, who disguises an upper in an Excedrin bottle, so the dean is transformed into a good mood. When he sees Colin's excellent transcript, he decides to go to his office to arrange his admission. However, Lance in the meantime has accidentally started a fire; since the building is aflame, that ploy fails. Colin then spots Professor Skinner (played by Kevin Kline) on campus and makes another plea for admission. Pointing out that Faulkner, Joyce, and Tolstoy wrote passionately because they lived in places that they hated, Skinner persuades Colin to stay in Orange County, which has served so well as fertile ground for his literary imagination. The film has several surprises and a happy ending, thus negating the premise articulated by Professor Skinner. After all, a film aimed at a teenage audience is not expected to have a noir ending. However, Orange County contains perhaps the largest concentration of Vietnamese Americans, yet the lily white film says nothing about them. Despite the ambition of Orange County to serve as a comedic satire for highschoolers, adults will quickly perceive serious social criticism of the affluent county. But adults are unlikely to attend the movie in the first place. Indeed, in an interview after the release of the film, director Jake Kasdan appears to miss the social criticism as well, preferring instead to brag about the joy of working with outstanding comic actors. MH

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