Mystery Science Theater 3000 - Sitcom Night 9 -Electric Boogaloo


(We see the SOL. The lights are out. Grumpily Mike, Tom and Crow sit at the desk)
Mike: I can't believe Dr Forester is making us get up and watch tv shows.
Crow: Yeah, but what can ya do.
Tom: Hey there is a note here.
Mike: (reads) Dear losers in the sky....
Crow: I guess thats us.
Mike: (continues) This is our experiment on sleep deprivation and watching tv. The show will stop and end when you arrive or leave the theater. Enjoy...or dont. Meanwhile I will be asleep with my woobie. Sincerely hoping you experience pain, Dr F.
Tom: Subtle hes not.
Crow: We better make coffee.
Tom: Right-o (Goes to make coffee)
Mike: (reads) PS - This time you will be watching the Wonder Years.
Crow: Better make that extra strength Servo.
Mike: We got sitcom sign! We'll get the cream later!

(We see the doors opening and closing leading to the theater.)

Tom: What episode are we watching?
Mike: Note says "Pilot"
Crow: I've seen so many pilots, I feel like I can fly.


The Wonder Years - Episode 1: "The Wonder Years"

OPENING SEQUENCE:
Scenes from the 1960's flash past.

Crow: Tonight on Biography the story of suburban America.

NARRATOR: 1968, I was twelve years old.A lot happened that year. Dennis McLain won 31 games, The Mod Squad hit the air, and I graduated from Hillcrest Elementary and entered junior highschool...but we'll get to that. There's no pretty way to put this: I grew up in the suburbs. I guess most people think of the suburb as a place with all the disadvantages of the city, and none of the advantages of the country, and vice versa. But, in a way, those really were the wonder years for us there in the suburbs. It was kind of a golden age for kids.
Tom: Ah youth!

EXT. DAY. SUBURBAN STREET.KEVIN ARNOLD, his brother WAYNE, and other kids play football on a suburban street.

Mike: This must be before kids carried small artillary to school and back.

NARRATOR: There, that's me. Kevin Arnold,1968, the summer before junior high school. And I don't mind saying I wasa pretty fair little athlete.[KEVIN misses a pass, the other kids laugh. KEVINapproaches WINNIE who has picked up the football.]
Tom: (as Kevin) Hands off of my ball!
Crow: Oooh.
Tom: You know what I mean.

WINNIE: It was a pretty hard pass.
KEVIN: Well, yeah, I think it had sort of a reverse-spin on it...

Mike: Don't talk to the girl, she will never understand.

WAYNE: Come on Kevin, stop gabbing with your girlfriend. KEVIN: She's not my girlfriend![KEVIN, with the football, walks back toward the others to continue play.]

Tom: (as Kevin) Shes my mom!

NARRATOR: This was true, Winnie Cooperwas not my girlfriend. When we were very little we used to go down to Harper'sWoods and catch fireflies but we really hadn't hung out at all together since we were about nine.

Crow: Well someone should have told them to tuck their shirts in.

WAYNE: Uh-oh, think girlfriend's mad at you? Maybe you'd better go give her a big French kiss.
KEVIN: Shut up, Wayne!
Tom: Okay Garth.

WAYNE: Hey girls, come on over here. Kevin's gonna show you whata French kiss is.

Crow: Pay attention Mike.
Mike: I know what a french kiss is!
Tom: They might have changed it since you've been gone.
Mike: True.

KEVIN: Butt face.
WAYNE: What did you say?
Mike: He should look in his face and tell him that.

KEVIN: Nothing.[WAYNE pushes KEVIN over and pounds KEVIN'S shoulder with his fist.]

Crow: Gimme your lunch money!
Tom: No!
Crow: I'll give you a purple nurple!
Tom: Okay here!

NARRATOR: This is the way most of my conversations with my brother Wayne ended. Apparently he just deeply regretted the fact that I had been born, and he wanted me to feel the same way.

Mike: Hes so sensitive and caring to his brother.

PAUL: Come on Wayne, let him up![PAUL tries to pull WAYNE away from KEVIN.]
WAYNE: I'm sorry Paul, this is a family matter.

Crow: Wheres Urkel?

NARRATOR: That was my best friend, Paul Pfeiffer. Paul was allergic to everything. Wayne used to say he was even allergic to his own snot. Wayne was a really funny guy.

Tom: I hate him already.

BRIAN: [yelling] Hey Wayne, knock it off before I do the same thing to you.

Crow: Thank you anonymous voice of reason!

[BRIAN COOPER stands near his car and lights a cigarette.WINNIE stands next to him.]

Tom: (as Winnie.) Tell the big goomba to stop picking on my boyfriend-brother-cousin!

NARRATOR: Winnie's brother, Brian Cooper.He was nineteen and for us he defined 'cool'. He had this really great'59 El Camino, didn't run of course, but he was always out there workingon it, sweaty, grease all over his hands...what a guy. That June he got drafted and packed off to Vietnam. But his car was still out front up on blocks as kind of a reminder of who really ran things on our street.
Mike: (as narrator) Of course that was before that Fonzerelli dude came around with that geeky Cummingham kid.

INT. DAY. ARNOLD HOUSE.KEVIN and PAUL enter into the Kitchen. MOM is in another room.
KEVIN: Mom, can Paul stay for dinner?

All: Hell no!

MOM: [voice over] Sure, if his mom knows.

Tom: (as Paul) Stop picking on my moms face!

PAUL: What are you having?

Mike: Meg Ryan.

KEVIN: What are we having?
MOM: [v/o] Meat loaf.

Crow: Paradise by the oven light.

PAUL: I'm allergic to it.

Mike: Well don't visit the Addams family anymore.

KEVIN: What else?
MOM: [v/o] Salad.
[PAUL shakes his head.]
Tom: We will return to "My Invisible Mom!" in a minute.
INT. EVENING. ARNOLD HOUSE.KEVIN, PAUL and WAYNE are sitting at thetable having dinner. Scenes from the Vietnam War can be seen on the TV.MOM is fussing about in the kitchen.

Tom: (as mom) Oh deary, we will never have this whale roasted by the time your dad gets home.

KEVIN: When's dad coming home?
MOM: Any minute. And between the traffic and his job he's liable to be very tense so let's not make him crazy.

Crow: So hes a teepee and a wigwam?

KEVIN: He's always tense.

Tom: (as Kevin) Especially with that narrator guy around, when will he leave?

MOM: That's true. He's always tense but he's not crazy yet solet's try to maintain that sense of equilibrium.[DAD enters, walking through into another room.]

Mike: We now return to "Dad comes home"!

MOM: Hi hon. How's traffic?
DAD: Traffic's traffic.

Crow: Well they had ONE good song.

NARRATOR: Dad had a Spartan sense of language.[KAREN enters.]

Tom: He also walked like an egyptian.

MOM: Karen, honey, you said you were gonna come home early and help me with dinner.
KAREN: Peace mom, okay?

Crow: Whatever.

MOM: Peace is fine, but you said you were gonna help me with dinner.
KAREN: You have so much bad karma in your life, you know that mom? I'd be careful if I were you.
MOM: Thank-you, I'll keep an eye out. In the meantime, when yourfather gets back try not to make him crazy.[DAD re-enters and sits down at the kitchen table.]

Mike: But mama hes crazy.

DAD: Hi, Paul.[PAUL waves his bread at KEVIN'S father.]
NARRATOR: Dad always said "hi" to our friends,but it was like he had this understanding with the family - he worked hardfor us, he provided for us, and he certainly didn't want to have to talkto us on top of that. My approach was to not make any sudden moves or sounds until he'd finished that first vodka tonic and hope that nobody else did anything that might upset him too much before then.

Tom: Ah so till hes good and loaded hes a human minefield. Ok.

KAREN: I just thought I should let youknow that I am getting birth control pills.[Everyone looks at DAD.] DAD: I did'nt hear what you just said.[Everybody starts arguing and KEVIN starts laughing.]

Crow: Oh we have fun!

NARRATOR: Yep, a normal day in the Arnold household. INT. DAY. ARNOLD HOUSE.KEVIN enters into the kitchen, wearing an inappropriate shirt for his first day at junior high school. DAD and KARENsit at the kitchen table. MOM is beside them. DAD, KAREN, and MOM stare at KEVIN.

Tom: Whoop! Fashion police!

MOM: You're not gonna wear that to school are you?
KEVIN: [sarcastically] No mom, I got a job as a male model.

Mike: Hey, it was the 1960's everyone looked weird.

[WAYNE enters, looks at KEVIN, then bursts into laughter.]

Tom: You not exactly hot stuff yourself there dude.

EXT. DAY. BUS STOP.KEVIN and PAUL stand beside one another at thebus stop. WAYNE and others are there.
KEVIN: [to PAUL] Don't worry about it, you look fine.

Mike: I think he's shooting for polite there.

PAUL: Let me see our class schedule one more time.
KEVIN: No.
NARRATOR: He was gonna have to get a grip on himself. This was the junior high bus stop and if we were gonna holdour own with the older kids we were gonna have to act mature. We seemed to have something of a height disadvantage, but we did out best to fit in.[KEVIN and PAUL stick their tongues out,mimicking the older kids. They spot WINNIE who is walking toward the bus stop.]
All: (Sing "Venus" by Frankie Avalon)
NARRATOR: What an incredible stroke of luck, a new kid. A helpless waif would be even more lost than we were,a helpless waif in fishnet tights and gogo boots. Yes.

Tom: Elizabeth Berkeley pre-Showgirls.

WINNIE: Hi Kevin. Hi Paul.
PAUL: [amazed] Winnie Cooper?

All: (Whinny like a house)

WINNIE: Gwendolyn. I don't want to be called Winnie anymore,my real name is Gwendolyn.

Tom: Call me Steven, guys.
Mike: Your names not Steven.
Tom: I know my first name is Steven!

NARRATOR: Well, there was no question now,we were entering uncharted territory. Even the familiar was cloaked inthe vestments of the devil. Junior high school was a whole new ball of wax.

Crow: And a whole new ear to clean it out of.

EXT. DAY. RFK JUNIOR HIGH.KEVIN, PAUL, and hundreds of other kids are entering the school.
NARRATOR: Like about half the schools inthe country that year my school was being renamed Robert F. Kennedy Junior High. As we approached those doors for the first time, we felt we were approaching the portals of manhood.

Tom: Cool! Sex ed on the first day!

INT. DAY. HOME ROOM.KEVIN is sitting at his desk in home room. He is sitting between ERIC and GAIL who are holding hands and staring at one another admiringly.

Crow: And a front row seat to looovvvve. NARRATOR: Home Room. I sat between Eric Antonio and Gail Aslanian.They had met on the bus and had taken a liking to each other.
ERIC: I love you.

Mike: (as Gail) You can't have my bud lite.

GAIL: I love you too.[ERIC and GAIL move in to kiss. KEVIN interrupts.]
KEVIN: And I love you both, but I'm having a little trouble breathing here.
NARRATOR: I was about to have my first sexual experience, and I wasn't even one of the principal players.[MRS. RITVO knocks against the desk. ERIC and GAIL separate. MRS. RITVO glares at KEVIN.]

All: Ahhhhhhhh!

MRS. RITVO: Kevin Arnold, you're Wayne's brother, aren't you?
KEVIN: Well, well according to my mother, yes. But my own theory is...
MRS. RITVO: You've got a tough row to hoe young man, a tough road to hoe.

Tom: Gee, thanks.
Mike: I feel, a little mroe special after that. Don't know why.

KEVIN: [quietly] Yes.
INT. DAY. SCHOOL CORRIDOR. KEVIN is staring at DEBBIE ACKERMAN as he opens his locker.

Crow: (as Kevin) Hey baby, wanna see my slide ruler?
Mike: Crow!

NARRATOR: The first major accessory of adulthood, our own lockers. I couldn't believe my good fortune. Two lockers down from mine was Debbie Ackerman, one of the prime knockouts of the seventh grade.[KEVIN bashes the door of his locker against his head as he opens it. DEBBIE smiles in amusement.]

Tom: Theres the knock-out!

NARRATOR: There was only one problem. Charles Manson had the locker between us. A seventh grader with a beard - this wasn't junior high school, it was a freak show. I hoped none of the girlswould have beards.

Mike: And he started singin' Helter Skelter adn really freaked me out.

INT. DAY. GYM.KEVIN and other seventh graders are standing in the middle ofthe gym. Coach CUTLIP is lecturing them about gym class.
NARRATOR: In one of those quirks of scheduling my first class was gym. This meant that I had to wake up in the morning,shower, get dressed, go to school, get undressed, run around, shower andget dressed all in the space of about 45 minutes.

Crow: Then the coach would order body cavity seaches every other day. It was pure hell.

CUTLIP: Well, people. A lot of you probably think this is gym class, huh?

Tom: (as dumb kid) We're not in astrophysics?

NARRATOR: I was overwhelmed by a suddenpanic. Things hadn't been going that well so far but if this wasn't gym class I was in bigger trouble than I thought.

Mike: And the show just started.

CUTLIP: Well it's not. People, it's physical education class. Through those doors they educate your minds. In here, I educate your bodies. I'm an educator, okay? A body educator.

Tom: (sings as he bounces) Lets get physical! Let me hear your body talk!

NARRATOR: Of course, we didn't realizeit at the time, but this guy had the biggest inferiority complex since Napoleon.

Crow: Isnt this guy on Star Trek?
Mike: Oh yeah!

CUTLIP: People, when you leave this class, you're gonna have smart bodies. Smart, smart bodies.
NARRATOR: He went on educating our bodiesfor about half an hour. By the time he'd finished I was ready to let my leg take a math test.

Crow: Course he had to teach his foot how to use a calculator.

CUTLIP: One more thing people, before you do your laps, the jockstrap: A, what is it? and B, what can it do for you?

Tom: Ask not what your jock strap can do for you but ask what you can do for your jock strap.

[CUTLIP looks down at his list of students.]

Mike: (as Cutlip) Geek....nerd.....gay....stupid...ah Fred Savage!

CUTLIP: Arnold.

Crow: (As Schwartzenegger) Wot?

NARRATOR: This was it. I felt like a fighterpilot under heavy enemy fire.
KEVIN: [unsure] Well, the jock strap, sir, is a particulartype of strap that's constructed of a strap type material which is utilizedexclusively for the purposes of jocks.

Tom: Good save.

INT. DAY. CAFETERIA.KEVIN and PAUL carry their trays and look for a table to sit at in the cafeteria. NARRATOR: Lunch, at last, something I figured even I couldn't screw up.

Crow: That was till he blew his sloppy joes through his nose.

PAUL: Where do you want to sit?
KEVIN: Anywhere. Let's just sit here.[KEVIN and PAUL sit down at a table.]

Crow: Sit ubu sit.
Tom: Good dog!
Crow: Ruff!

NARRATOR: A suburban junior high schoolcafeteria is like a microcosm of the world. The goal is to protect yourself,and safety comes in groups. You have your cool kids, you have your smart kids, you have your greasers, and in those days, of course, you had your hippies. In a fact in junior high school, who you are is defined less by who you are than by who's the person sitting next to you - a sobering thought.
All: (Look at one another then move to different seats in theater.)

KEVIN: [to PAUL] Try to look like you're having fun.[WINNIE approaches the table at which KEVIN and PAUL are sitting.]

Crow: Ah improv in the cafe!

WINNIE: Hi. Do you guys mind if I sit with you?
KEVIN: Sure, Winnie.
NARRATOR: We were on our way. Our group was forming. And Winnie, I mean, Gwendolyn, was not chop liver. Who knows,maybe we even had an outside chance to become the cool seventh grade group,if we could just remain inconspicuous until we picked up a few more members.

Tom: And the "Bloods" were born.

[WAYNE, at another table with friend STEVE, spots KEVIN, PAUL and WINNIE and approaches them.]

Crow: Danger Will Robinson!

WAYNE: Hey Steve, it looks like my baby brother and his girlfriend have found each other.
KEVIN: She's not my girlfriend.
WAYNE: [to WINNIE] He thinks you are so cute.

Mike: If I were him I would clock that guy into next week.
Crow: You wouldnt do that even if you were him.

KEVIN: I don't think she's cute.
WAYNE: He wants to give you a big wet kiss.[WAYNE makes a sucking noise.]

Tom: At this point I like to announce I'm glad I'm a robot and cant even remotely do that with my mouth.

WAYNE: He told me.
KEVIN: You liar, I never said that! I don't want to kiss her,I don't even like her![KEVIN picks up his apple and walks briskly to exit the cafeteria.He is stopped by MR. DIPERNA who is standing by the exit.]

Crow: I'll go eat with Sally, the one with the gas problem.

MR. DIPERNA: Young man.[MR. DIPERNA indicates a sign which says "POSITIVELY NO FOOD OUTSIDE THE CAFETERIA". KEVIN looks at the sign.]

Mike: But this is a plastic apple.

MR. DIPERNA: What does that sign say? Hmm? You take that applethrough that door and you're asking for detention.
[KEVIN defiantly releases himself from MR. DIPERNA'S grip and marches through the exit. He is followed by MR. DIPERNA.]
MR. DIPERNA: Young man!

All: Old fart!

[MR. DIPERNA grabs KEVIN.]
MR. DIPERNA: I think we have a problem.
NARRATOR: He was right, there was a problem.
KEVIN: Oh yeah, the apple.
MR. DIPERNA: That's right, the apple.

Crow: Enough with the apple already.

KEVIN: You wanted it inside the cafeteria.
MR. DIPERNA: That's right.
KEVIN: And now it's outside the cafeteria.
MR. DIPERNA: That's right.

Tom: (Yawns)
NARRATOR: Conversation was getting stale.I asked myself "Now, what would a guy like Brian Cooper do in this situation?".[KEVIN throws the apple back into the cafeteria.]

All make grenade sound.

KEVIN: Umm, uhh, if you want, I could get that.
INT. DAY. MR. DIPERNA'S OFFICE.
KEVIN is being questioned by his mother and MR. DIPERNA regarding the apple.

Crow: Hes gonna get caned!

MOM: Well, Kevin, perhaps we should start by asking you to explainwhat in god's name moved you to do what you did.

Tom: My arm moved me to do it.

NARRATOR: I wanted to tell them that Wayne embarrassed me, that the other kids were laughing, that Mr. Diperna hadplayed power games with me, that Winnie had seen the whole thing and that she'd been wearing pink fishnets and gogo boots.

Mike: But parents just dont understand.

KEVIN: I dunno.
MOM: I dunno? That's all you have to say? I dunno?

Crow: (as Kevin) I dunno.

MR. DIPERNA: Kevin, the question is, what did you hope to achieveby throwing an apple into a cafeteria?

Mike: Olympic glory in apple throwing.

NARRATOR: No butthead, the question is why do you have a brain the size of a baby pea?
MOM: Kevin? Mr. Diperna just asked you a question. What did you hope to achieve by throwing that apple into the cafeteria?
KEVIN: World peace.
MOM: Kevin?
KEVIN: Nothing.
MR. DIPERNA: Well, Kevin, that's exactly what you did achieve,nothing. Now, I'm going to let you go without any further punishment. But I want you to know that I'll be keeping my eye on you. Do you understand that?

Tom: But how will he see?

MOM: Kevin? Do you understand that?
KEVIN: Yes.
DAD: I'd like to take him home now.

Crow: Boy, Bart Simpsons got nothing on this kid.

INT. DAY. ARNOLD CAR.KEVIN is sitting in the back seat of the car, worried about whatlies ahead.
NARRATOR: In my twelve and a half years,my father had never struck me. But he'd given Wayne a beating, twice, andI recognized that glazed look in his eyes. Besides, maybe I deserved it.

Tom: Id hate to be that kid, in that car, in those clothes.

EXT. DAY. ARNOLD HOUSE.The car, with MOM, DAD, and KEVIN inside,approaches the driveway.
NARRATOR: There really is no good excuse for hurling food around the cafeteria. He probably figured that if he laiddown the law now I'd stay in line, and he was probably right. Anyway, Icould take the pain. I decided I'd just shut my eyes and imagine it wasWayne.[MOM, DAD, and KEVIN get out of the car.]
DAD: [to KEVIN] Come on, inside.
NARRATOR: And then it happened, I think we were about halfway to the front porch.[KAREN and WAYNE approach DAD, MOM,and KEVIN. They appear disturbed.]
KAREN: Brian Cooper was killed.

All: OOoohhhhhh.
Crow: Who?

MOM: Oh my god. When did they find out?[KAREN shakes her head.]
MOM: I'm gonna call Evelyn and see if there's anything I cando. Oh my god, poor Evelyn...
EXT. EVENING. SUBURBAN STREET.KEVIN is taking a walk.
NARRATOR: That night I decided to go fora walk. The days were still long and back then kids could still go forwalks at dusk without the fear of ending up on a milk carton. I went downto the big climbing tree in Harper's Woods. I didn't admit it to myself until years later but in my mind was the shadow of a thought that Winnie might be there.[KEVIN sees WINNIE, who is sitting on a rocknext to the big climbing tree.]

Crow: Course this place is a shopping mall now.

NARRATOR: She was sort of hugging herself,and rocking slowly back and forth. There was a bit of a chill in the airand she didn't have a sweater. For a minute I was scared to approach her.[WINNIE looks at KEVIN. KEVIN approaches and sits beside her.]
NARRATOR: I didn't know what to say. Ihad the strangest feeling. It was impossible for me to believe that Brian was dead.
KEVIN: I'm sorry, about Brian, and I'm sorry about what I said today - it wasn't true.

Tom: Thats ok kid.

WINNIE: I know.[KEVIN removes his sweater and places it on WINNIE.They move in and kiss.]

Mike: The bodys not even cold yet, oh , her brothers dead. Nevermind.

NARRATOR: It was the first kiss for both of us. We never really talked about it afterward. But I think about the events of that day again and again, and somehow I know that Winnie does too, whenever some blowhard starts talking about the anonymity of the suburb sor the mindlessness of the TV generation, because we know that inside eachone of those identical boxes, with its Dodge parked out front and its whitebread on the table and its TV set glowing blue in the falling dusk, therewere people with stories, there were families bound together in the painand the struggle of love, there where moments that made us cry with laughter,and there were moments, like that one, of sorrow and wonder.

Tom: Let's go.
Crow: Ok.

(We see the doors opening and closing leading out to the desk area. Crow is asleep on the desk.)
Tom: (sobs) Why is he doing this to us?
Mike: He wants to break us. But we wont do that right Crow? (tries to wake up Crow) Crow?
Crow: I dont want to go to school mommy, they all hate me there.
Mike: Come on Crow! If we dont stick together, Forrestor wil get to us.
Tom: (slaps Crow) Wake up!
Crow: (coming to) I'm okay.
Mike: Oh we got movie sign. We'll sleep later okay Crow? Crow: Okay.
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